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Related Categories: Extra Large Stretched Canvas | Canvases 30x40 | 20x24 Glass | Smooth Canvas | Stretched Canvas 40x60" | 48x48 Stretched Canvas | Millbrook | 3" Deep Stretched Canvas
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Isabey Brush Series 6234 Siberian Blue Squirrel Quill Mop #7Save Up to45%Off listIdeal for amazingly large watercolor washes The Siberian Blue Squirrel 6234 Quill Mop Brush is Isabey’s most prestigious watercolor brush. Handmade by master brush artisans in France, each brush is packed and tied by hand. Siberian blue squirrel is a natural hair that can hold the greatest amount of… Ideal for amazingly large watercolor washes The Siberian Blue Squirrel 6234 Quill Mop Brush is Isabey’s most prestigious watercolor brush. Handmade by master brush artisans in France, each brush is packed and tied by hand. Siberian blue squirrel is a natural hair that can hold the greatest amount of water possible, which allows for amazingly large and flawless watercolor washes. Each quill mop brush has a delicate point for unique strokes and line work. The brush ferrule is made of goose quills that expand and contract when the bristle is saturated with water, preventing hair breakage at the ferrule’s edge. Hand-wrapped brass wires add a second layer of protection to the genuine goose quill ferrule. Key Features: * 100% pure Siberian blue squirrel hair * Holds a huge amount of water * Quill mop brush shape * Ferrule is made of goose quills * Prevents hair breakage at the ferrule’s edge * Handmade by master brush artisans in France * Natural wood handle Perfect For: * Creating large watercolor washes * Unique strokes and line work * Watercolors * Color mixing * Loose applications of paint * Large backgrounds of color See More
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Krink K-11 Acrylic Paint Marker 3 mm Light BlueSave Up to25%Off listBlue Create jaw-dropping designs with Krink Acrylic Paint Markers! Krink K-11 Acrylic Paint Bullet-Tip Markers can help you create jaw-dropping designs on smooth surfaces like paper, plastic, glass, and painted metal. The juicy opaque paint is water-based and dries to a lovely permanent finish. Each K-11 Marker has a 9 ml capacity with a 3 mm wide double-sided bullet tip. The vivid colors in the set of 12 are also available individually. So if you like one of the colors in the set, you can buy a replacement when the color runs out. Krink K-11 Acrylic Paint Markers are the ideal sidekick for mixed media paintings, illustration, and DIY projects. The set of 12 includes Black, White, Silver, Red, Orange, Green, Light Green, Blue, Light Blue, Purple, Fluorescent Pink, and Yellow. Key Features: * 12 colors / Sets * Water-based acrylic paint * Juicy opaque coverage * Permanent finish once dry * 9 ml paint capacity * 3 mm wide double-sided bullet tip * Handmade in the USA * Conforms to ASTM D-4236 Perfect For: * Use on paper, plastic, canvas, and painted surfaces * Smooth surfaces * Mixed media paintings and drawings * Illustration * DIY projects Warning: May cause irritation. The markers are not recommended for children under six years of age. See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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