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Da Vinci Top Acryl Synthetic Brush - Round, Size 35 Long Handle, 7785Save Up to30%Off list…a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and… The Ultimate In Synthetic Brushes! da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair * Characteristics of natural hair * Long handles * Glazing to heavy impasto techniques * Crisp brush edges & fine points * Holds a large amount of paint * Vegan-friendly brushes Perfect For: * Acrylic paint * Traditional or water-soluble oils * Students, amateurs, professionals * Fine control with heavy acrylics * Move paint with ease on the canvas * Quality and longevity * Impasto painting * Mural painters See More
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Da Vinci Maestro 2 Series 7823 Bristle sz. 35 Giant FitchSave Up to30%Off listDouble-boiled Hog bristles have a long lifespan! da Vinci Maestro 2 Hog Bristle Brushes are specially assembled to not only look beautiful but perform to the highest standards. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for… Double-boiled Hog bristles have a long lifespan! da Vinci Maestro 2 Hog Bristle Brushes are specially assembled to not only look beautiful but perform to the highest standards. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Stiffer, thicker hairs have been removed to ensure more reliable flags at the bristle tip. Painstakingly constructed to guarantee durability, color absorption, and elasticity, these brushes are excellent for impasto oil painting techniques as well as a variety of acrylic methods. Key Features:* Double-boiled hog bristle* Interlocked for shape retention* Flags at the bristle tip* Long Hardwood Handles* Seamless ferrules* Superior paint carrying capacity* Made in Germany Perfect For:* Oil and acrylic paint* Traditional or water-soluble oils* Students, amateurs, professionals* Glazing to heavy impasto techniques* Fine control with heavy acrylics* Moving paint with ease on the canvas See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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New York Central Oasis Synthetic Brush Short Handle, 75mm MottlerSave Up to82%Off list…and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and… Elite Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were created by combining centuries of brush-making knowledge with the latest technology. Each Oasis synthetic brush is made by blending different filament diameters, taper ratios, and lengths. A computer simulation determines the precise combination of filaments before each brush is assembled by hand. Over 30 types of synthetic hair are blended to accurately imitate natural hair. This attention to detail results in a soft, extremely absorbent brush that holds its shape well and has great snap. Handmade in Germany by Expert Brush Makers One of the first brushes designed using computer simulation for every single brush. This will outshine virtually all brushes! Each brush has the optimal combination of hair to maximize its performance. This yields a uniform brush response and color-holding ability. Oasis brushes are extremely thirsty and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and optimized with cutting edge technology Key Features: * Designed and optimized with advanced 3D imaging tech * Hair Type: Over 30 types of synthetic hair blended to accurately imitate natural hair * Absorbent synthetic filaments hold a large amount of liquid * Superior split-proof point * Designed to outperform natural hair * Vegan (no animal by-products) * Ergonomically shaped birch wood handle * High-quality anthracite colored ferrule * Hand-made by skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed if your Oasis brush is still wet after a day! The brush is designed to retain water for a very long time. It's best to dry Oasis brushes with the bristle pointing down. Drying the brush this way will help maintain the brush shape and allow any remaining water to drip out. The Set of 3 Includes: Travel Round sizes 2, 4, and 8. Mot's Favorites Set of 5 Includes: Round sizes 2 and 12, one French Quill size 10, a 3/4" Flat, and a 1/4" Oval Wash The Set of 5 Includes: Round sizes 0, 4, 8, and 12, and a Script Liner size 6. The Set of 7 Includes: Round sizes 0, 4, 6, 10, and 16, Script Liner size 6, and a 3/4" Oval Wash. The Set of 8 Includes: Round sizes 00, 2, 4, 8, and 12, Flat size 3/4, liner size 2, and a 50mm Mottler. Contents in the set may be substituted without notice. Innovation & The Technology Behind Oasis Synthetic Watercolor Brushes Read Article See More
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Sennelier Egg Tempera - Ivory Black, 34ml TubeSave Up to35%Off listBlack A highly pigmented, professional tempera medium Sennelier Egg Tempera paint is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Key Features:* Classical painting medium* Water soluble, no need for solvents* Highly archival* Rich satin-matte finish* Highly pigmented paints* Authentic egg tempera made in the traditional manner* Use varnish over egg tempera paintings for an oil painting like appearance Perfect For:* Fine art painting, restoration, and icon painting* Underpainting for oil painters* Restoration Work * Icon Painting* Technical illustrative painting styles Intro Set of 5- Contains five 21 ml tubes including: Titanium White, Lemon Yellow, Rose Madder Lake, Ultramarine Blue, and Ivory Black Light Wooden Box Set Of 15 - Contains: One 34 ml tube of Titanium White, one 60 ml jar of Egg Tempera Binding Medium, a wooden palette, one metal palette cup, two brushes, a Flat #4 and a Round #5, 15, 21 ml tubes of Egg Tempera: Burnt Sienna, Cadmium Yellow Deep Genuine, Carmine, Cobalt Violet Hue, Emerald Green, Ivory Black, Lemon Yellow, Naples Yellow, Permanent Intense Red, Prussian Blue, Raw Umber, Ultramarine Blue, Vermilion, Viridian, and Yellow Ochre. Capable of creating detailed and complex effects, the medium of egg tempera can be traced back as early as ancient Greece. During the early Italian Renaissance, egg tempera reached its’ zenith, and was the predominant medium for religious icon panel paintings done between the 12th and 15th centuries. Even with the rise in popularity of oils beginning in the 15th century, Renaissance masters such as Michelangelo and Botticelli continued to prefer the deep luminosity of the medium. Even with the decline of the medium in favor to oils, artists like Marc Chagall (who exclusively used Sennelier) in the early 1900’s led to the medium’s revival, and it became more popular with the use by American painters such as Andrew Wyeth and Thomas Hart Benton. In 1892, chemist and fine arts purveyor Gustave Sennelier created his own line of Sennelier Egg Tempera paints, after extensive research into classical, authentic Renaissance formulas. Egg Tempera is a semi-opaque, water-soluble and permanent painting medium used for fine art painting and restoration (and can even be used as an underpainting for oil paints). Unlike oils, egg tempera does not age or yellow, due to being egg emulsion-based instead of oil based. The egg emulsion recipe binder produces a satin-matte finish that is water resistant when dry, and is thinned with water or egg tempera medium when painting. Varnished egg tempera paintings are difficult to distinguish from oils due to their vibrancy and brilliance in how the pigment suspends in the emulsion. It is a popular medium with oil painters who seek a health alternative to the harsh and dangerous solvents involved with oil colors, as it requires nothing more than soap and water cleanup. Like their other paint lines, Sennelier Egg Tempera paints are professional quality pigments with the highest pigment loads possible. Unlike oil paint, egg emulsion binder is stiffer and more brittle, so it does not lend well to impasto painting techniques. Traditionally, due to the brittle nature, egg tempera is best used on wood or canvas panels, or heavy primed paper that has been mounted on a hard surface. Note: Sennelier recommends artists give their finished egg tempera works a coating of charcoal or pastel fixative before applying a final oil paint picture varnish, to seal and protect the work. See More
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