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Da Vinci Top Acryl Synthetic Brush - Round, Size 35 Long Handle, 7785Save Up to30%Off list…a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and… The Ultimate In Synthetic Brushes! da Vinci Top Acryl Synthetic Brushes are made of five different diameters of synthetic fiber that mimic the qualities of natural Chungking bristles. Each brush can hold an enormous amount of paint because the resistant synthetic fibers of various widths and lengths, guarantee a high degree of absorbency as well as high elasticity. The unique interlocking heat treatment that shapes da Vinci Top Acryl brushes prevents the brush from losing its shape over time. da Vinci bristles are extra stiff and have a precise snap that is excellent for use with heavy-bodied acrylics and thick applications of oil paint. You can use Top Acryl Synthetic Brushes on outdoor mural surfaces or fine-art canvases. Key Features: * 5 diameters synthetic filament hair * Characteristics of natural hair * Long handles * Glazing to heavy impasto techniques * Crisp brush edges & fine points * Holds a large amount of paint * Vegan-friendly brushes Perfect For: * Acrylic paint * Traditional or water-soluble oils * Students, amateurs, professionals * Fine control with heavy acrylics * Move paint with ease on the canvas * Quality and longevity * Impasto painting * Mural painters See More
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Da Vinci Maestro 2 Series 7823 Bristle sz. 35 Giant FitchSave Up to30%Off listDouble-boiled Hog bristles have a long lifespan! da Vinci Maestro 2 Hog Bristle Brushes are specially assembled to not only look beautiful but perform to the highest standards. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for… Double-boiled Hog bristles have a long lifespan! da Vinci Maestro 2 Hog Bristle Brushes are specially assembled to not only look beautiful but perform to the highest standards. Each brush is handmade in Germany using only the finest hog bristle, interlocked for shape retention and flagged for superior paint holding capacity. Stiffer, thicker hairs have been removed to ensure more reliable flags at the bristle tip. Painstakingly constructed to guarantee durability, color absorption, and elasticity, these brushes are excellent for impasto oil painting techniques as well as a variety of acrylic methods. Key Features:* Double-boiled hog bristle* Interlocked for shape retention* Flags at the bristle tip* Long Hardwood Handles* Seamless ferrules* Superior paint carrying capacity* Made in Germany Perfect For:* Oil and acrylic paint* Traditional or water-soluble oils* Students, amateurs, professionals* Glazing to heavy impasto techniques* Fine control with heavy acrylics* Moving paint with ease on the canvas See More
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Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off listWhite Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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Fabriano Watercolor Landscape Block - 7.87"x15.75", Cold Press 140lb (20 Sheets)Save Up to45%Off listAssorted Colors Now Available In Easy-To-Frame Sizes! Fabriano Studio Watercolor Paper is made of 25% cotton and lignin free cellulose and is available in a lovely cold pressed or hot pressed surface. The paper is sized internally and externally, providing a paper surface that will hold up to vigorous painting while guaranteeing optimal absorbance. The paper is made up of 100% of E.C.F. pulp (Elemental Chlorine Free), from responsibly managed forests that are respectful of environmental standards. It is a fantastic sheet for artists at all skill levels seeking high-quality paper at a modest price. Fabriano Studio Watercolor Paper is perfect for watercolor, gouache, tempera, acrylic, ink, charcoal, and drawing. Key Features:* 25% Cotton* Archival quality* Acid-free* Internal and external sizing* 100% elemental chlorine free pulp* Exceptional value and quality* Available in different sizes and bindings* Perfect For:* Watercolorists* Drawing and sketching* Fine artists and students* Artists at all skill levels* Watercolor and gouache* Tempera, acrylic, ink* Charcoal and graphite See More
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Strathmore Paper Roll 300 Series Charcoal 36"x10yd RollSave Up to33%Off list…newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol… Create artwork on any size and any shaped paper with these Strathmore rolls! Strathmore's specialty grade paper rolls provide artists with the convenience and flexibility of creating without size or scale limitations. Perfect for either practice of techniques or finished artwork, depending on roll.* 400 Series Drawing-Â Smooth, medium weight, cream colored drawing paper. Ideal for use with pen and ink, pencil, charcoal, crayon, and markers. Paper weight is 80 lb.* 300 Series Bristol-Â Smooth, stiff, illustration paper. This high quality bristol is ideal for mechanical drawing, marker, airbrush, pencil or pen. Bristol weight is 100 lb.* 300 Series Drawing- Medium weight, student-grade drawing paper. Ideal for use with pencil, colored pencil, charcoal and sketching stick. Paper weight is 70 lb.* 400 Series Watercolor-Â Heavy weight, cold-press, natural-white watercolor paper that will allow lifting and scraping applications. Features deckled edges with a weight of 140 lb.* 400 Series Toned Sketch Paper-Â Medium weight, 100% recycled, acid-free sketch paper in shades of cool gray or warm tan. Toned paper weight is 80 lb.* 300 Series Newsprint Rough-Â A heavier weight, natural-toned newsprint for practicing sketching and drawing. Rough surface readily accepts graphite, colored pencil, charcoal, and sketching sticks. Newsprint weight is 32 lb.* 300 Series Bristol Vellum-Â Good for graphite, colored pencil, charcoal, sketching sticks, mixed media, airbrush, and oil pastel. Bristol weight is 100 lb.* 300 Series Charcoal- This laid finish, traditional white, strong surface is ideal for charcoal or pastel. Also suitable for graphite, colored pencil, sketching sticks, crayon, and oil pastel. Paper weight is 64 lb.* 400 Series Drawing Smooth-Â Cream-colored drawing paper ideal for graphite, colored pencil, pen and ink, and marker. Designed to be ideal for sketching, it is heavy enough for most finished drawings. Paper weight is 80 lb.* 400 Series Layout Bond-Â Crisp, smooth surface is ideal for rough drawings or finished layout renderings in pencil, pen, or marker. Paper weight is 16 lb.* 400 Mixed Media- This Mixed Media roll features a vellum surface, combining characteristics of watercolor paper with a drawing sheet finish. Used for studies or finished art in watercolor, gouache, acrylics, graphite, pen and ink, colored pencil, marker, pastel, or collage. Paper weight is 140 lb.* 400 Series Recycled Drawing-Â Medium surfaced, bright white paper is good for graphite, colored pencil, charcoal, sketching sticks, marker, pen and ink, and soft or oil pastels. 30% post consumer fiber. Paper weight is 80 lb.* 400 Series Recycled Sketch-Â Fine-toothed sketch paper is ideal for experimentation, perfecting techniques, and preliminary drawings with all dry media. 30% post consumer fiber. Paper weight is 60 lb. See More
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