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Illusions Aluminum Floater Frame, 11" x 14" Black - 1-5/8" DeepSave Up to60%Off listBlack Ready-Made Aluminum Frames - Create A Floating Effect! Illusions Aluminum Floater Frames are designed to add an air of modern elegance and sophistication to your artwork. The straight-edged aluminum frames come in gold, silver, or black in 5 popular ready-made sizes. Show off all aspects of your painting – even the EDGES! The sleek metal exterior of the frame will make your artwork stand out, and the floating effect will further enhance your subject. Each frame comes with all the necessary assembly and hanging hardware. Let your artwork speak for itself with the crisp, clean lines of an Illusions Frame! Measurements: * Standard: 1/8" face, 7/8" rabbet, 1-3/16" overall depth - Perfect for framing a 3/4" canvas * Gallery Deep: 1/8" face, 1-5/8" rabbet, 1-15/16" overall depth - Perfect for framing a 1-1/2" canvas Create A Custom Non-Standard Frame With Illusions Aluminum Floater Frame Kit Pairs! Frame sections range from 8" to 60" long. Key Features: * Quality aluminum construction * Flat molding with a thin face * Available in Black, Gold, and Silver * For artwork up to 7/8" deep or 1-5/8" deep * Assembly and hanging hardware included Perfect For: * Creating a "floating canvas" look * Giving art a sleek, professional appearance * Framing canvas * Showing off your painting * Gallery presentation * Framing 3/4" and 1-1/2" canvases See More
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GOLDEN MSA Varnish w/ UVLS, Matte 8ozSave Up to30%Off listVarnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides… Varnishes for acrylic, oil, alkyd, egg tempera, watercolor, and casein GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS (Ultra Violet Light Stabilizers) dry to a tough, yet flexible protective finish and contain ultraviolet light filters and stabilizers (UVLS). The UVLS system provides increased resistance to the harmful effects of ultraviolet radiation, making the product suitable for exterior as well as interior application. MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein. As a topcoat for acrylics, it provides a harder, lower tack surface that is much less susceptible to dirt and is more mar resistant. GOLDEN MSA - available in Matte, Satin, and Gloss finishes. A mineral spirit based acrylic resin system that forms a tougher, less permeable film than waterborne acrylic varnishes. Can be applied to acrylic, oil, and alkyd painted surfaces. Reduces dirt penetration and surface marring, offering an extremely level film with less foam and fewer pinholes. Removable with mineral spirits after drying; recommended for interior or exterior use. Not for use by children. Thins with MSA Varnish Solvent. MSA Varnish Solvent - the ideal solvent for thinning GOLDEN MSA Varnishes, which must be thinned before use. MSA Solvent assures clear, clean, even application. Can be used to remove MSA Varnish at a later time for restoration purposes. * Protects against dirt and dust* Provides moisture resistance* MSA UVLS: Ultraviolet Light Stabilizers (UVLS)* MSA Varnish can be used over a wide variety of paints, including acrylic, oil, alkyd, egg tempera, watercolor, and casein* As a topcoat for acrylics For restoration purposes, the varnish may be removed with MSA Solvent, full strength commercial mineral spirits ( i. e. : paint thinner or white spirits ), or distilled or rectified turpentine. MSA Varnish (Gloss) dries to a highly reflective finish. MSA Varnish (Satin) offers moderate reflection, similar to most matte varnishes. MSA Varnish (Matte) finish is exceptionally flat. The different finishes can be intermixed to achieve the desired sheen. Note that the matte and satin MSA varnishes will lighten dark value colors, which is typical of reduced sheen varnishes. Please note: Upon arrival, labeling may be different than pictured due to a packaging change by the manufacturer. See More
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Da Vinci Pro Birch Wood Panel 11"x14", 1-5/8" Deep (Box of 4)Save Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Creative Inspirations 11"x14" Stretched Canvas 5/8" Deep - Box of 50Save Up to75%Off listWhite Super Value Stretched Canvas Packs of 5 and 50 High quality low cost stretched canvas for quick studies or serious paintings with acrylic colors, oil colors, water mixable oil colors, casein color, alkyd color or mixed media. High quality raw materials include all pine stretcher frame, high quality cotton duck canvas and archival acid-free all media primer. Canvas is stretched onto the back of stretcher frame using rust proof staples providing a clean paint-able edge. Available in a wide variety of sizes including squares! Modern manufacturing techniques and scientifically proven quality priming assures the very best in its price class. High quality low cost stretched canvas - Complete range of sizes including squares. Unprimed weight is 25% more than lesser canvases Key Features: * Low cost, high quality stretched cotton canvas * High quality cotton duck canvas * All pine, slim 5/8" profile stretcher frame * Archival acid-free all media primer * Universally 10oz double-primed to accept all popular artist paints * Unprimed weight is 25% more than lesser canvases. You get the best of the grade for less! * Provides good brush response while painting * Paintable edges, rust-free-staples on the back of the stretcher frame * Available in: All sizes, even squares! Perfect For: * Beginning artists* Artists* Teachers and classrooms* Art businesses* Painting parties and workshops* Professional studies and practice * Testimonial & Reviews - Awesome Canvases! "I purchase hundreds of canvases for my business. A paint and sip art and educational studio in Coon Rapids, Mn. These are so far the best quality and are a great value. Plus shipping is fast and easy." Save over 20% More When you purchase the Bulk Boxes of 50 - Get a better quality artist grade canvas for your business--> See More
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Da Vinci Pro Medium Textured Panel 11"x14", 7/8" Deep (Box of 4)Save Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Artisan Frame 11x14in Gold European Style FrameSave Up to68%Off listGold Beautiful frames that exhibit an impressive old-world styling These beautiful frames exhibit an impressive old-world styling that provides a distinctive richness and ambiance to any work of art. Each style is available with either hand-leafed gold or silver. Perfect for framing artwork and perfect to frame giclees Classical - 2.5" wide, 3/8" rabbet. Artisan - 3" wide, 3/8" rabbet. Minimum 2 Assorted. My Favorite Frame "As a landscape painter I like a 3" wide frame that has a classier look than a plein air style frame. The Artisan frame is perfect for framing my original acrylic paintings. I've used this frame many times and I'm always happy with it. "I use Plein aire frames on almost all of my oil paintings. I'm new at selling my art in galleries, and plein aire is very nicely finished in the standard finishes and sizes, they're great for oils." See More
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Reflexions Hardbound Sketchbooks 11" x 14"Save Up to77%Off listExpertly bound journals with premium acid-free light cream colored paper Reflexions Hardbound Sketch Books are expertly bound journals with premium acid-free 110 gram (70 lb) weight light cream colored paper. The fine even surface texture will take all sorts of media including: pen and ink, colored… Expertly bound journals with premium acid-free light cream colored paper Reflexions Hardbound Sketch Books are expertly bound journals with premium acid-free 110 gram (70 lb) weight light cream colored paper. The fine even surface texture will take all sorts of media including: pen and ink, colored pencil, drawing chalks, pastels, graphite and other dry media, even light washes. They feature a black embossed leatherette exterior. Other features include an elastic pen, pencil or marker loop, an exterior elastic band to keep book sealed when not in use and a page keeper ribbon to quickly access works in progress. Each book has 80 sheets (160 pages) of acid-free paper. For general sketching the 8.5 x 11" size is the most popular. Key Features:* Expertly hard bound journals* Premium acid-free light cream colored paper* 110 gram (70 lb) weight* 80 sheets (160 pages)* Fine even surface texture* Black embossed leatherette exterior* Elastic pen, pencil or marker loop* Exterior elastic band to keep book sealed when not in use* A page keeper ribbon to quickly access works in progress Key Features:* All sorts of media* Pen and ink* Colored pencil* Drawing chalks* Pastels* Graphite and other dry media* Even light washes* Lightweight and portable* Travel or plein air work Reflexions Hardbound Sketch Book Set (Item#: 76038B)- Contains an 8.5x11" Bound Sketch Book, Raffine Graphite Pencil 6 Degree Set and a Kum 2-Hole Magnesium Sharpener. See More
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Accent Wood Frame Box of 4 Blue Grey 11X14Save Up to44%Off listBlue-Grey Make Your paintings look so much more "finished" - Accent Wood Frames with Classic Linen Liners Your artwork will stand out in our elegant Accent Wood Frames. Each of the Accent Frames has a linen liner that helps to highlight and draw attention to your work. The frames accept stretched artwork up to 1/2" depth when fitted with 1/8" Off-Set Clips or Barkclips (sold separately). These stylish wood frames are also perfect for showcasing watercolors, prints, and drawings. Accent Wood Frames with Linen Liners are attached and not removable. They are sold without glass and backing, however, those items can be purchased separately and used with these frames. Key Features:* All frames are 2-1/2" wide* Accepts stretched artwork up to 1/2" depth with 1/8" Off-Set Clips or Barkclips (sold separately)* 3/8" rabbet depth* Available in seven different colors Perfect For:* An elegant framing solution* Professional Artists* Perfect for showcasing watercolors, prints, and drawings See More
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Reflexions Double Spiral Field Sketchbooks 11" x 14" 70 lb (80 Sheets)Save Up to77%Off listThe perfect field and travel sketchbook! These handy field sketch books feature a super sturdy black double wire spiral binding with heavy black embossed front and back cover. Each sketchbook has 80 sheets of premium acid-free, 110 gram (70 lb.) weight, light cream colored paper with a fine even… The perfect field and travel sketchbook! These handy field sketch books feature a super sturdy black double wire spiral binding with heavy black embossed front and back cover. Each sketchbook has 80 sheets of premium acid-free, 110 gram (70 lb.) weight, light cream colored paper with a fine even surface texture. This style of sketchbook is great for field use since you can flip over the used sheets and use the covers as a stiff backing support. The 5.5x8.5", 7x10" and 8.5x11" sizes are very popular. Key Features: * Hard and durable embossed black covers* Double wire spiral bound construction* Lies flat when opened for table use* 80 sheets of light cream, 70lb. paper* Micro perforated sheets for easy removal Perfect For:* Field and travel sketching* Classrooms and Workshops* Art Journaling* Use with all pencils, technical pens, charcoal, and more! These hardy, embossed black hard cover field sketchbooks feature a super sturdy, black double wire spiral binding. Each sketchbook has 80 sheets of light cream colored, acid-free, 70 lb.(110 gsm) paper with a fine, even surface texture. This style of sketchbook is ideal for field use due to the hard, stiff backing support of the covers. Perfect for classes or quick sketches and studies in graphite, colored pencil, Conté crayon, technical pens, and more! Offered in the popular sizes of 5.5x8.5", 7x10" and 8.5x11". Reflexions Wire Bound Sketch Book Set- * Contains a 8.5x11" * Double-Wire Spiral Bound Sketch Book * Jumbo Jet Black Pencil and a 2.5x3.5" SoHo Painting Boards ATC Pack of 5. See More
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Plein Air Style Frame, White 11"x14" - Box of 10Save Up to72%Off listWhite Five Elegant Frames With Timeless Style! Our most popular ready-made frame style, Plein Aire frames are beloved by artists and framers the world over! With a simple yet elegant design available in 5 classic finishes, Plein Aire frames are perfect for framing all works of art from traditional painted landscapes and portraits to modern digital prints and photography. The 3" wide moulding is enhanced by a raised and rounded top edge and offset inner groove. The 1/2" deep rabbet frame depth allows for framing flat artworks behind glass, or even 3/4" deep canvases with the use of offset clips (sold separately). Each frame comes with D-ring hanging hardware and screws. Plein Aire frames have a solid wood composition coated in gesso to ensure a smooth, blemish-free surface, and the 5 finish choices are sure to fit with any artwork! Available in Gold Leaf, Silver Leaf, Black, White, or Mahogany finishes. Whether you're looking for a classic frame style for your traditional paintings or your modern prints, Plein Aire frames are sure to suit your fancy! Please note: Due to the nature of the leaf used, finishes on Gold and Silver Leaf Plein Aire frames will have lines and may vary from shipment to shipment. Key Features: * 3" wide moulding with raised edge * 1/2" rabbet depth * 1/4" offset clips needed for 3/4" canvas fitting * 5 beautiful finishes * Sturdy gessoed wood construction * Hanging hardware included * Perfect For: * Museum quality framing * Complimenting any genre of artwork * Adding prestige to any piece of art * Paintings, photos, and prints * Hanging your own artwork * Easy installation NO minimum purchase required for single items. See More
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Strathmore Vision Mixed Media 11x14 In Pad Wire Bound - Medium Surface - 70 SheetsSave Up to25%Off listWhite Vision Mixed Media Pads - Let the world see your vision Tear off the top sheet and reveal your own customizable cover! A medium weight, all-purpose paper in a sketching format. This versatile paper is a good choice for dry and light, wet media sketching. All sizes feature high sheet counts, sturdy chipboard backing and tear-off top sheets with customizable, steel blue, mixed media covers below. Tear off the top sheet and reveal your own customizable cover! Pad Features: Wire bound pads are micro-perforated. Tear-off top sheet with a blank, permanent mixed media cover underneath that can be customized with your own artwork. Drawing Paper Weight: 98 lb. 160 g/m2 Surface: Medium Customizable Cover Weight: 184 lb. 300 g/m2 Surface: Medium 5.5" x 8.5 Wire Bound (8.5") 70 Sheets 7" x 10" Wire Bound (10") 70 Sheets 9" x 10" Wire Bound (12") 70 Sheets 11" x 14" Wire Bound (14") 70 Sheets Key Features:* Mixed Media Paper Weight: 98 lb. 160 g/m2* Customizable Cover Weight: 184 lb.* Medium weight, all-purpose paper in a sketching format* Versatile paper * Permanent mixed media cover underneath* Good choice for dry and light, wet media sketching* Tear-off top sheet* Customized with your own artwork* Pads are micro-perforated* All sizes feature high sheet counts* Sturdy chipboard backing Perfect For:* Dry and light, wet media sketching* Sturdy chipboard backing and tear-off top sheets* Customizable, steel blue mixed media covers below* All-purpose paper in a sketching format* Pads are micro-perforated Strathmore® Vision™ Artists are as unique as their vision. That's why we listened to requests for a series of artist pads with covers that can be customized. For the first time ever, our new line of pads features a tear away fly sheet that reveals a heavyweight, CUSTOMIZABLE, blank cover made from high quality, steel blue mixed media paper.Featuring extra high sheet counts and extra durability, this affordable line delivers key performance characteristics for sketching, drawing, mixed media and watercolor art. See More
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Da Vinci Pro Ultra Smooth Panel 11"x14", 2" DeepSave Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Creative Inspirations 25-Packs Presentation Pre-Cut Mat Kits, White, 11"x14" - 7.5"x9.5" OpeningSave Up to60%Off listWhite The Perfect Solution for Matting & Selling Unframed Artwork! The perfect solution for framing artwork 5x7", 8x10", 8.5x11" or 11x14". Each pack contains 25 acid-free mats, 25 backing boards, and 25 Krystal Seal Bags at an extraordinary value price. These high-quality presentation packs make framing a breeze, regardless of whether you present or sell your artwork unframed. High-quality Krystal Seal Bags are resealable and comfortably hold both mat board and backing. The Krystal Clear Bags are also easy to label with your piece's title and a price sticker. Creative Inspiration Pre-Cut Presentation 25 Pack Kits are excellent for artists who want to reach a wider audience of people and increase earnings by offering a lower-cost print of their work. Great value! Key Features: * 25: 4 Ply bevel mats * 25: 4 Ply backing boards * 25: Krystal Seal clear presentation bags, resealable * Acid-free mat and backing boards * Pure white core center * Highest quality famous Krystal Seal bags* Buy direct online for amazing value & authenticity! Perfect For: * Professional framing * Selling unframed artwork * Reaching a wider variety of people * Increasing art earnings * Matting paintings & prints on paper * Use with photos, documents & more * Matted art, photos, and documents that will stand the test of time * Open edition prints * Inkjet prints of artwork * Home, gallery, and outdoor shows Outside Dimensions Opening Dimensions Art Size 8 × 10" 4.5 × 6.5" 5 × 7" 11× 14" 7.5 × 9.5" 8 × 10" 11× 14" 8 × 10.5" 8-1/2 × 11" 16 × 20" 10.5 × 13.5" 11× 14" See More
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Van Aken Kato Liquid Polyclay 8oz Clear MediumSave Up to20%Off listClear Transparent Polymer clay mediums developed with an artist for artists! You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Key Features: * Created in partnership with artist Donna Kato * Kato Polyclay mediums * Polypaste adhesion is permanent * Water-soluble, non-toxic Repel Gel * Repel gel prevents Polyclay from sticking to itself * Easy to use and easy to clean-up * Polypaste works as a softening agent * Made in Georgia, USA Perfect For: * Use with Kato Polyclay * Creating photo transfers * Use as adhesive, grout, or glaze (Liquid Polyclay) * Gilding by mixing Polypaste with mica powder * Creating textured surfaces or repairing cracks in polymer clay (Polypaste) * School projects * Model making * Teachers and students Kato Nublade: is a flexible six-inch blade constructed of high-quality stainless steel that resists rusting. Its robust and supple design allows you to make curved or straight cuts. Even after repeated bending, the stainless steel blade will return to its straight shape. Liquid Polyclay Medium: Clear Liquid Polyclay Medium is an innovative product that supports the creation of perfect photo transfers and finishes for Kato Polyclay pieces. You can also use the medium as an adhesive, grout, or glaze. Liquid Polyclays should be cured at 300F (150C) for 20 minutes for a matte finish. To create a glossier finish, bake for an additional 10 minutes at 350F (177C), or wave a heat gun over the project until the desired glossiness appears. Do not inhale fumes and never cure above 350F (177C) or allow Liquid Polyclay to come in contact with an open flame. Polypaste Polymer Glue: You can use Polypaste as an adhesive, create textured surfaces, or repair cracks in polymer clay pieces with the paste. Because of its thick viscosity, it will not run. It is also a polymer clay, making it unlike any other adhesive out there. These unique properties make this medium useful in more ways than one. Polypaste can be used to bond polymer clay and finished Liquid Polyclay elements in any combination. Polypaste is exceptionally malleable; this makes it great for creating textured surfaces and embossing. After curing, adhesion is permanent. Polypaste can also be used as a softening agent if your clay is hard to condition. Repel Gel: Repel Gel is a water-soluble, non-toxic medium that prevents Kato Polyclay from sticking to itself during the baking process. The water-soluble gel is easy to use and easy to clean-up. Use a paintbrush to apply a thin coat of Repel Gel to the areas of the Polyclay were you want to avoid adhesion during the curing process. Follow baking instructions and separate the clay where you applied the Repel Gel. You can rinse off any residue with cold water. See More
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Jack Richeson Shiva Signature Rectified Turpentine, 8oz BottleSave Up to35%Off listCopal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and… Copal Painting Medium - This synthetic medium improves the flow and speeds the drying time of oils. Damar Varnish - This natural varnish improves the brilliance of colors, imparts a medium-gloss finish and protects paintings. May be removed with solvents for restoration. Linseed Oil - This lead and acid-free oil thins the consistency of oil paints and improves brush strokes. Thinner than stand oil, but since it may yellow with age, use primarily with darker colors. Rectified Turpentine - This double-distilled and highly refined turpentine reduces the consistency and improves the flow of artist's oil colors. Stand Oil - is a thick, heavy oil that produces paint with good flowing qualities for fine detail and glazing work. Imparts an enamel-like quality. Imitation Venice Turpentine - Venice Turpentine is a luxurious, regal oil painting medium. When added to color, it increases the paint's adhesive quality to the canvas and will impart an enamel-like gloss to colors when dry. New 3.75 oz bottle has a wide spill-proof bottom. All other sizes come in metal cans. Click here for Richeson Artist Oils - The Shiva Series See More
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Jo Sonja Matte Acrylic - Burnished Copper, 8oz BottleSave Up to38%Off listRed Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More
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Creative Mark Universal Mixed Media Pad 11 x 14 in (20 Sheets)Save Up to58%Off listWhite Withstands virtually any media type! After years of research, Creative Mark has created a universal pad for mixed media art applications. The 90 lb. (200gsm) sheets withstand virtually any media and stand up to the roughest handling and gluing. Use the pages for anything from drawings and designs to light collage. Each pad contains 20 white sheets, glue-bound on top. Available in four sizes. Key Features:* 20 white sheets (40 pages)* 90 lb. (200gsm) paper stock* Glue-bound top binding* White paper* Withstands the roughest handling* Perfect For:* Acrylic inks and traditional gouache* Turner Acryl Gouache* Glue and light collage* Most writing instruments* Colored pencil and graphite* Travel or working outside* Your thoughts and ideas See More
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Creative Mark 11x14" Canvas Panels Pack of 48Save Up to91%Off listWhite Fine Weave Acrylic Primed 100% Cotton Canvas Panels! Creative Mark Canvas Panels are made of a fine weave, double all media primed cotton canvas that is hand turned on select quality boards. The acrylic primed surface texture provides a very definite paint-gripping "tooth," providing the perfect support for painting in oil, casein, tempera, or acrylic paints. The lightweight canvas boards take up little storage space and are perfect for traveling to workshops or painting outdoors. Backing boards are firm and stable, with clean, hand-turned canvas edges; they provide the ideal surface for studies or initial renderings in the studio, classroom, or outdoors. Key Features: * Acrylic gesso primed * Fine weave, durable 100% cotton canvas * Wonderful canvas texture * Turned under and glued edges will not fray * Sturdy panel board * Will not take up a ton of storage space * Bulk buying options available * Not recommended as an archival support * Great value, great panel! Perfect For: * Painting with acrylics, oil colors, or tempera * Sturdy enough for mixed media and impasto * Artists of all levels * Teachers and students * Studies or initial renderings * Studio, classroom, or Plein air * Great for practice and studies * Acrylic image transfers * Lightweight travel * Quick and easy framing See More
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Golden Gloss Medium Polymer 8 ozSave Up to30%Off list…polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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Golden Silkscreen Medium 8 ozSave Up to30%Off list…medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium *… Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More
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GOLDEN Airbrush Medium 8 ozSave Up to30%Off list…to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More
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Chelsea Classical Studio Medium Clarified Fat Medium 8ozSave Up to50%Off list…Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are… A handcrafted oil medium that improves glossiness & dry time! A "Fat" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. The Clarified Fat Medium, by Chelsea Classical Studios, is a handmade oil medium that decreases drying time and increases glossiness. It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender damar varnish. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The Clarified Fat Medium is made with linseed oil that is purified and de-yellowed by traditional, natural processes that strive to make the palest, cleanest, pure linseed oil for artists’ to use. The damar resin is dissolved in distilled Oil of Spike Lavender Solvent for the varnish that is mixed with the oil. This fine-art quality medium has a large oil content mixed with a varnish so is considered fairly fat, rich and glossy. There are no carcinogenic fumes since neither turpentine nor petroleum is used. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, makes paint fatter, rich, and glossy. Where: Made in the USA from Old World Master Techniques * Increases paint gloss * For use in later painting stages Key Features:* Handmade from the highest quality ingredients* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* No carcinogenic fumes since neither turpentine nor petroleum is used* Improves glossiness of paint when dried* Quick drying time* Recommended for use in later stages of painting Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time for oil paintings* Use in studios or professional classrooms Oil Painting Cube Sample Set -This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean See More
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Chelsea Classical Studio Medium Clarified Lean Medium 8ozSave Up to50%Off listHandcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it… Handcrafted from the finest materials, this oil medium thins paint and decreases dry time! The Clarified Lean Medium, by Chelsea Classical Studios, is a handmade oil medium that uses lavender spike oil essence, which is a safer alternative to ones made with turpentine for the oil painter. Also, it decreases drying time and thins the paint It is crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence. For Chelsea Classical Mediums, even the ingredients of their mediums are handcrafted to ensure absolutely the highest quality products. The oil in the Clarified Lean Medium is cold-pressed, purified and de-yellowed by traditional, natural processes that strives to make the palest, cleanest pure linseed oil for artists’ to use. A "Lean" Medium refers to the “Fat Over Lean” technique, which means to apply a paint layer rich in oil (a fat) over a layer with less oil (a lean) layer on a painting. This simple principle is fundamental to controlling the paint adhesion, drying time and glossiness of oil colors. This fine-art quality medium has a light oil content mixed with a varnish, so it will thin the paint, make it dry faster, and is recommended for the early layers of painting. What: Handcrafted blend of Chelsea’s Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion, improves paint drying time and gloss. Where: Made in the USA from Old World Master Techniques * Decreases drying time * For use in earlier painting stages Key Features:* For the oil painter* Handmade from the highest quality ingredients* Safer alternative to Turpentine* Non-yellowing and of archival quality* Created through reproducing the methods of the Old Masters* Thins paint consistency* Decreases drying time* Palest, cleanest pure linseed oil for artists’ to use* Crafted from a mixture of pure, extra-pale, cold pressed linseed oil and lavender spike oil essence Perfect For:* Painting in the "fat over lean" technique* Use with fine oil colors* Material-conscious artists* Professional artists* Use in final works of art* Improving drying time* Thinning oil paints* Use in studios or professional classrooms* Use in early layers of painting Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Painting fat over lean Artist’s guide to oil painting solvents See More
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Akua Medium Release Agent 8ozSave Up to10%Off listExpand the creative possibilities of Akua Inks with Akua Mediums! These Akua Mediums are perfect for altering the creative properties of Akua Intaglio Inks and Akua Liquid Pigments. Whether you require a thinner or thicker consistency, a longer or shorter open time, or the ability to create "ghost… Expand the creative possibilities of Akua Inks with Akua Mediums! These Akua Mediums are perfect for altering the creative properties of Akua Intaglio Inks and Akua Liquid Pigments. Whether you require a thinner or thicker consistency, a longer or shorter open time, or the ability to create "ghost prints", these mediums have you covered! Several of these mediums can be used with both Akua Intaglio Inks and Akua Liquid Pigments.* Blending Medium - It is used to thin ink for brushwork, wash effects or use it as a resist for viscosity monotypes. It is a clear, colorless liquid. It cleans up easily with water. This medium can be use with both Akua Liquid Pigments and Akua Intaglio Inks.* Extender - It is used to thin Akua Liquid Pigment if it has become too thick due to an extended open time. It is a thick liquid in consistency, and transparent in color. This medium can only be used with Akua Liquid Pigments.* Mag Mix (Ink Stiffener) - This medium was formerly called Mag Mix. When mixed with Akua Intaglio, this medium adds depth and stiffens the ink. It is clear/white in color with a very stiff consistency. Mag Mix cleans up easily with liquid dish detergent. This medium can only be used with Akua Intaglio Inks.* Pigment Retarder - This medium has two purposes. First, it helps transfer ink onto dry paper when a few drops are mixed into Akua Liquid Pigments. Secondly, it also extends the working time of Akua Liquid Pigments. It is a clear liquid, and cleans up easily with water. This medium can only be used with Akua Liquid Pigments.* Pigment Tack Thickener - This medium thickens Akua Liquid Pigment for heavier roll-up applications. It's consistency is not as thick as Transparent Base or Akua Intaglio ink. It is medium amber in color, has a thick consistency, and cleans up easily with soapy water. This medium can only be used with Akua Liquid Pigments.* Release Agent - This medium has three purposes. First, it is required to release Akua Liquid Pigment brushwork from plate to paper when hand-printing monotypes with the Pin Press. Second, it is used for making ghost prints. A ghost print is the second print from a monotype plate that has been inked only one time. It is a lighter version of the same image. By rolling Release Agent over the plate, it helps to transfer the remaining ink off the plate and onto another sheet of paper. Third, it helps soften the metallic ink so it can easily transfer off the plate and onto the paper. Roll Akua Release Agent over the metallic ink that was applied to the plate. It looks white in the jar but rolls up clear and colorless. It has a soft, buttery consistency and cleans up easily with liquid dish detergent. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments.* Transparent Base - This medium is Akua Intaglio Ink without the pigment. Adding Akua Liquid Pigment to Transparent Base will thicken Akua Liquid Pigment and create new intaglio or relief colors. Adding Akua Intaglio ink to this base will increase ink transparency. It is a light amber in color and has a thick consistency. This medium can be used with Akua Intaglio Inks and Akua Liquid Pigments. See More
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Chelsea Classical Studio 8oz Medium Lavender Spike Oil SolventSave Up to53%Off list…soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling… A safer natural solvent for oil painting! Distinctive, sweet lavender scent The Chelsea Classical Medium, Lavender Spike Oil Essence has a distinctive, sweet lavender scent, and is a safer, natural alternative to Turpentine, does not cause chronic health problems that are often associated with turpentine or odorless petroleum mineral spirits. Lavender Spike Oil Essence is so safe to use and has such a pleasant scent, that it is often used for making soaps and in aromatherapy! With this medium, artists can mix with other oil painting mediums, resins and varnishes. As with any medium please refer to the Safety Data Sheets for full details: Click here What: Natural solvent that thins oil painting mediums, resins, and varnishes. Why: Sweet smelling alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues. * Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Key Features:* Distinctive, sweet lavender scent* Dilutes oil painting mediums* A safer, natural alternative to turpentine and mineral spirits* Safer natural solvent for oil painting* Features a distinctive, sweet lavender scent * Perfect For:* Dissolving resins and varnishes* Health-conscious artists* Promoting well-being* Use with fine oil colors* Blending colored pencils* Professional artists* Use in final works of art* Stretched canvases* Use in studios or professional classrooms Oil Painting Cube Sample Set - This set includes the following items- 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Ventilation: All essential oils/solvents should be used appropriately and with ventilation and common sense usage. Skin contact: As with all essential oils, you should always avoid skin contact, especially if you have skin issues. Skin contact for some people will not cause any problems, but because of the high concentration please be aware and take precautions when using Spike Oil or any other solvents. Allergies: Spike Lavender, in rare cases can be considered an allergen, as are many essential oils like Tea Tree Oil, etc. So all products containing Spike (the solvent, mediums and varnishes) see warnings regarding safety and clear directions for usage. The main reason this solvent is considered “safer” is because there are no known carcinogens or a lot of the health issues associated with Turpentine or Petroleum Mineral Spirits. However, like with all solvents when used in oil painting, you should have ventilation and limit skin contact. See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list…range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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Grumbacher Acrylic Medium - Matte Medium & Varnish, 8 ozSave Up to45%Off list…Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water… Improve your Acrylics with Grumbacher Acrylic Mediums Grumbacher manufactures a wide variety of acrylic painting mediums to help the painter create different effects. Grumbacher has even developed a retarder to extend open time and enable the painter to produce more wet-on-wet techniques, traditionally reserved for oil painters. Grumbacher's extensive collection of pastes, gels, mediums, and varnishes pair well with Grumbacher acrylic paints. Key Features: * Highest quality acrylic resins * Create complex ground structures * Retarders for open time and wet-on-wet painting * Mediums & pastes to create different effects * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Maintaining consistency * Creating different effects * Preserving degree of gloss * Acrylic painters * Discerning students & amateurs Gel 531 Acrylic Transparentizer - Grumbacher 531 Acrylic Transparentizer Gel is a full-bodied acrylic painting medium designed to increase the transparency of semi-transparent and transparent acrylic colors while maintaining the consistency of tube colors. It's ideal for creating transparent impasto effects and textured glazes. Mix it directly with acrylic paints or use it alone for transparent surface effects. It dries absolutely clear. Acrylic Matte Medium & Varnish - Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Made in the USA. Acrylic Medium Gesso - Non-yellowing, ready-to-use, prepared painting ground made with acrylic emulsion and Titanium White. Dries rapidly. Application to any clean, nonoily surface can be made with a brush, knife or roller. Accepts oil colors, acrylic colors, pastels, charcoal, pencil, and crayons and is specially formulated to have both tooth and absorbency. Acrylic Medium Modeling Paste - A ready-to-use paste made with acrylic emulsion and ground marble. Has excellent adhesive qualities. Can be shaped and textured when wet; cut, carved and sanded when dry. Dries rapidly, becoming hard, resilient, durable and water resistant. Acrylic Retarder - A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Made in the USA. See More
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GOLDEN Open Acrylic Mediums Matte 8 ozSave Up to30%Off listOPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same… OPEN Gels and Mediums are compatible with Golden Heavy Body and Fluid Acrylic colors, as well as regular acrylic gels and mediums and will increase open time while altering their consistency. * OPEN Acrylic Gel (Gloss and Matte) - has a slightly softer feel than our Regular Gel (Gloss) and the same consistency as OPEN colors. It can be used for glazes and to extend the paints while maintaining working properties of OPEN acrylics. * OPEN Thinner - contains no binders and is used to thin the consistency of paint mixes without altering open time, or to maintain and adjust the workability of colors on the palette without the use of water mist and moisturizing palettes. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. Image Transfer How-To Nearly any gel, medium, or acrylic paint will work to lift an image, depending on the texture, clarity, and color you want to trap the image within. 1. Apply the gel or paint, and while it is wet, place the image side of a printed laser paper copy directly into the wet gel. Let dry overnight. 2. Dampen the paper with a wet sponge. Wait a few minutes to allow water to soak paper. Begin rubbing carefully. Use a soft cloth or scrubbie to remove the paper. You will probably have to remove the paper a few times, for a clean transfer. When the water evaporates, you will be able to see the areas that you missed. See More
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Golden Color Pouring Medium Gloss 8ozSave Up to30%Off list…medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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Liquitex Acrylic Effects Mediums Glass Beads 8 ozSave Up to40%Off list…rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic… Designed to achieve various techniques, applications, special effects & pouring! Liquitex offers a variety of specialty products including Pouring Mediums, Fluid Mediums, Gel mediums, Texture Gels and Additives which have been specifically designed to achieve various techniques, applications and special effects. Fluid Effects Mediums:* Increase Flow * Dry transparent or translucent * Extend the volume of thin paint * Excellent archival adhesive for collage Gel Effects Mediums* Adds body * Increase ‘open’(working) time * Dry transparent or translucent * Extend the volume of paint * Hold brush or knife marks * Make an excellent archival adhesive for collage Liquitex offers a variety of specialty products which have been specifically designed to achieve various techniques, applications and special effects. Airbrush Medium - A liquid medium incorporating an acrylic polymer. Specifically formulated to thin acrylic colors for airbrush application. Can also be used when working a regular brush. Fabric Medium - A fluid medium incorporating an acrylic polymer with ultimate flexibility and adhesion. Enhances the workability of acrylic paint on fabric. Controls bleeding of colors thinned with water. Flow Aid - A binder-free aqueous solution with surfactants. Use in conjunction with any acrylic medium or acrylic color when increased flow and absorption and decreased film tension and friction are required. Iridescent Medium - A fluid medium incorporating an acrylic polymer with ultra-fine pearlescent mica pigment. Produces a range of iridescent or metallic colors when mixed into acrylic colors. LiquiThick Thickening Gel - A binder-free heavy body gel with high levels of gelling agents. Used in small amounts, produces handling characteristics very close to that of oil or encaustic paint. At higher concentrations, can thicken paint or acrylic mediums to "cake" or sculptural consistency. Pouring Medium - A fluid medium incorporating an acrylic polymer with high resin solids. Creates even puddles, poured sheets, and flowing applications of color. Slow-Dri Fluid Retarder - A binder-free fluid with slow drying agents. Increases 'open' (working) time of acrylic paint. Reduces paint skinning-over on palette. Increases blending time, making blending of colors and detail brushwork easier. Slow-Dri Gel Retarde - A binder-free gel with slow drying agents. Designed to be used with Liquitex Heavy Body Artist Color and Heavy Body mediums. Increases 'open' (working) time of acrylic paint. String Gel - A medium viscosity medium incorporating an acrylic polymer with a resinous, stringy consistency. Enhances depth of color and increases transparency and flow. Masking Fluid - Masking Fluid is a colorless, latex-based liquid that you can use to mask areas. Many artists use Liquitex Masking Fluid to block off sections of a painting and allow the surface to show through. Crackle Paste - You can use Liquitex Crackle Paste on its own or mix with acrylic color to create a crackle effect that is structurally stable on rigid surfaces. Glass Medium - You can mix Liquitex Glass Medium with acrylic color to adhere paint on slick non-porous materials like glass. The medium dries to a high gloss, scratch-resistant finish once heat set. Gold Metallic Medium - With Liquitex Gold Metallic Medium, you can give acrylic paint a metallic gold effect or use it on its own to add gold surface highlights. Silver Metallic Medium - With Liquitex Silver Metallic Medium, you can give acrylic paint a metallic silver effect or use it on its own to add silver surface highlights. See More
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Grumbacher Pre-Tested Turpentine, 8 oz BottleSave Up to42%Off list…Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Liquitex Acrylic Fluid Mediums - Glazing, 8ozSave Up to40%Off list…medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium… Lower the viscosity of heavier body paints >Liquitex Fluid Mediums are fluid and reduce the viscosity of heavier paints and gels, tend to self-level and do not retain brushstrokes. Rather than using water, Liquitex Fluid Mediums modify acrylic paints in a variety of ways and contain acrylic resins to maintain or enhance adhesion and durability. With Liquitex Acrylic Fluid Mediums, you can give your paint a gloss or matte finish, while thinning and extending its volume. Glazing Medium: Increases transparency, lowers viscosity, and enhances gloss. Perfect for creating brilliant, jewel-like glazes. The medium dries to a water-resistant, non-yellowing film. Gloss Medium: All-purpose medium for imparting gloss. Matte Medium: Mix into colors, so that they dry uniformly matte. Satin Medium: Mix into colors, so that they dry uniformly satin. You can thin and extend acrylic paint with Satin Medium or use the medium as a collaging adhesive. Slow-Dri Blending Medium: This fluid medium will increase the open working time of your acrylics by up to 40%. Increases transparency when shading, blending and mixing colors. Blending medium dries to a clear, flexible, non-yellowing, water-resistant film. Palette Wetting Spray: Slows drying time of acrylic color on palette or canvas and improves color blending. Spray and re-spray as needed to prevent acrylic paint from skinning over. Key Features: * Thin viscosity of heavier body paints, giving increased flow * Increases the color depth and transparency * Extends your color further without affecting acrylic stability * Maintain paint adhesion, durability, and archival quality * Archival and permanent * Intermixable with all Liquitex materials * Perfect For: * Acrylic painting * Minimizing paint waste * Collaging & mixed media * Photo transfers * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces See More
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Golden Fluid Matte Medium, 8oz JarSave Up to30%Off list…surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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GOLDEN Acrylic Gel Mediums Extra Heavy MoldIng Paste 8ozSave Up to30%Off list…All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain… Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Enkaustikos Encaustic Mediums USP Refined Yellow Beeswax 8 ozSave Up to20%Off list…or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and… A variety of mediums and sundries for your encaustic painting applications! Enkaustikos offers a variety of wax mediums and encaustic sundries to complement their extensive line of encaustic paints. Bleached Beeswax – Purified beeswax featuring a chemically-achieved bright white color Carnauba Wax – A Pale yellow wax used to raise the melting point of encaustics or beeswax, creating more durable paint Damar Resin – Increases the shine, hardness, translucency and melting point of beeswax Impasto Wax – Builds texture and dimension when used with encaustics to produce sculptural effects Luster Wax – This white, translucent synthetic wax can be used with encaustic paint or beeswax to add shine or hardness and to increase the melting point Microcrystaline Wax – Produces a more flexible encaustic paint—ideal for building layers and texture Rabbit Skin Glue – Works great as a ground for encaustic work and is used to make a traditional gesso Slick Wax – A solvent-free blend of synthetic waxes used for cleaning brushes, tools and palettes Soy Wax – An environmentally-friendly alternative wax for cleaning brushes, tools and palettes USP Refined White Beeswax – Purified, USP-grade beeswax—free of additives or bleaching agents USP Refined Yellow Beeswax – Purified, USP-grade yellow beeswax—free of additives or bleaching agents Wax Medium – Perfect for use as a base coat, topcoat, glaze medium or extender. Made from a blend of USP white beeswax and dakar resin. Also available in natural yellow. XD Wax Medium – The addition of extra damar resin makes this medium provide a harder, shiny and transparent finish—making it ideal for glazes, topcoats and as a paint extender See More
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GOLDEN Acrylic Gel Mediums High Solid Gloss 8ozSave Up to30%Off listAdd texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer… Add texture, enhance color, and increase transparency! GOLDEN Gel Mediums allow you to easily manipulate acrylic paint to achieve various effects and expressions. An acrylic gel medium makes adding texture, enhancing color, and increasing transparency easier. Key Features: * 100% acrylic polymer emulsion * Add texture, enhance color * Increase transparency * Variety of effects * Click on the notepad icon for more information Perfect For: * Modifying paint handling characteristics * Extending heavy body paint * Impasto, relief, or sculptural effects * Adhesion and durability Clear Granular Gel: is made with granular acrylic solids and has excellent clarity and durability with a coarse texture that dries translucent. Clear Granular Gel can extend paint and add texture without altering color. Clear Leveling Gel: [formerly Self Leveling Clear Gel] produces an even film with excellent clarity. It has a unique resinous, stringy consistency resulting from its leveling property. Clear Leveling gel dries to a flexible, high gloss film while imparting a leveling quality when mixed with acrylic paint. It blends well with GOLDEN Acrylic colors to produce glazes. Clear Tar Resin Gel: GOLDEN Clear Tar Gel is a 100% acrylic polymer colorless gel with an extremely resinous, syrupy, stringy, and tar-like consistency. Clear Tar Gel can be used to generate fine, detailed lines by "dripping" it over painting surfaces. It can be blended with all GOLDEN Acrylic paints, offering a full range of colors with which to work, although Fluid Colors work best. Extra Heavy Gel (Gloss, Matte, or Semi-Gloss): Have the thickest consistency of any gel offered by GOLDEN. The gel may be blended with acrylic paint to increase the viscosity. Extra Heavy Gel is excellent for holding peaks and tool marks. Extra Coarse Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Extra Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Fine Pumice Gel: The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Fine Pumice Gel is useful as a drawing ground. Glass Bead Gel: made with genuine glass beads, the gel offers a unique effect similar to condensation on glass. The effect is best seen in thin films over a light color. Heavy Gel (Gloss, Matte, or Semi-Gloss): is a thick gel that may be blended with acrylic colors to increase paint viscosity. Heavy Gels are excellent for holding peaks and dry translucent. The body of the gel will remain flexible even with thick impasto work. High Solid Gel (Gloss or Matte): are similar in body to Heavy Gels. They contain more acrylic solids and shrink slightly less than other gels. They blend well with colors and will retain brush strokes upon drying. Available in gloss and matte. Pumice Gel: Available in fine, coarse, and extra coarse texture. The textured gel dries to a hard film. They mix well with GOLDEN Acrylic Colors. Coarse Pumice Gel creates more coarse textures to yield concrete-like finishes. Regular Gel (Gloss, Matte, or Semi-Gloss): Regular Gel is ideal for extending paint and regulating transparency without changing consistency. Useful for impasto effects and holding moderate peaks of texture. They blend well with colors and will retain brush strokes upon drying. Soft Gel (Gloss, Matte, or Semi-Gloss):Thinner than GOLDEN Heavy Body Acrylic colors, Soft Gels are moderately pourable. Hold only slight peaks. The recommended acrylic to function as a glue for collaging. Useful as a non-removable isolation coat, applied over the painting and before the varnish (must be thinned with water - 2 parts Soft Gel Gloss to 1 part water). See More
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