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David Ford Fineline Applicators & CapsSave Up to28%Off list…are precise and efficient! The David Ford Fineline Applicators Pens are perfect for creating super fine lines on artwork. . Available in multiple fine-tip gauges, artists can now precisely and easily create fine lines on a variety of surfaces, such as paper, canvas, ceramics, finished wood, metal,… Fineline applicators are precise and efficient! The David Ford Fineline Applicators Pens are perfect for creating super fine lines on artwork. . Available in multiple fine-tip gauges, artists can now precisely and easily create fine lines on a variety of surfaces, such as paper, canvas, ceramics, finished wood, metal, plastic, and glass. The Fineline applicators are airtight, non-clogging, and easy to maneuver. They hold up to 1.25 fl. oz. of almost any liquid medium. Material is not wasted as with a brush applicator because there is no need to constantly replace ruined brushes. Artists with multiple applicators for fine lines can purchase extra FineLine Caps. The Fineline applicator caps use the Fineline air-tight, non-clogging, wire closure system to insure that the applicator and your preferred media are always ready for immediate use. Key Features:>* Air tight, non-clogging applicator* Stainless steel 1" applicators* Available in 18, 20, 21, and 22 gauge* Holds 1.25 fl oz* Durable and reusable* Perfect For:* Drawing fine lines with liquid mediums, such as ink, dye, thin paints, etc.* Drawing fine lines on paper, canvas, ceramics, finished wood, metal and plastic* Almost any liquid medium* Creating super fine lines on artwork See More
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Nujabi Individually Handmade Watercolor Paper SheetsSave Up to67%Off list…quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation.… Individually Handmade Watercolor Papers Made of 100% cotton these acid-free sheets are handmade sheet by sheet in a paper making method with more than a thousand years of tradition behind it. Since this is a handmade sheet the surfaces may be a bit different than what you are used to. Nujabi paper does not contain much sizing unlike other watercolor papers on the market, as a result, only small amounts of water can be used on Nujabi paper. The soft cold pressed handmade watercolor paper is more in line with the texture of a cold pressed mould made sheet but the grain is softened so it may be easily drawn on. Key Features:* Handmade Indian Watercolor Paper (not cut sheets)* All sheets with natural deckle edges!* 100% cotton, Acid-free* 200lb Soft Cold Press Handmade Papers* Paper making method with more than a thousand years of tradition behind it* Absorbs the paint quickly so perfect for wet on wet* Can take multiple layers of paint* Also In: Circle Round: 16in Diameter Artist Testimonial & Review "I loved this paper the moment I touched it. Marie's Oil Paints seem to keep a lot of vibrancy on the paper. The texture is wonderful for dry brush experimentation. I'll always keep a few sheets on hand to see what I can do with it." See More
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Mount Vision Soft Pastels Set of 15 - Light ColorsSave Up to38%Off listLight Tones Beautiful, hand-made soft pastels! Mount Vision Handmade Soft Pastels consist of the highest quality pigments with the addition of chalk, talc, or clay and binders. Various combinations, depending on pigment, create different handling properties. The Mount Vision Pastel Company was founded in 2000, by artist Karl Kelly (a former paint maker for a small oil paint company). Handmade in small batches in Mount Vision, New York, the pastels possess a wonderfully soft and buttery feel. The pigment easily releases to the pastel surface with little resistance, allowing layers to build without becoming slick. Mount Vision Handmade Soft Pastels are consistently tested to achieve the best feel and color intensity for each pastel color. Mount Vision utilizes both traditional and synthetic pigments, which make great substitutes for traditional painting pigments that are health hazards to use in pastels (such as cadmiums, cobalts, etc.) Mount Vision's manufacturing process is simple and straightforward, creating a truly handmade product with great love and care by dedicated craftsmen. First, the pigments and chalks(or other binder) are weighed out on a scale, and then placed in an industrial sized mixing bowl. The mixture is fully mixed to the consistency of cookie dough, and then put through a sausage stuffer, where it is extruded onto wood boards. The boards are placed outside to dry the long pastel lines a little, to firm them slightly before handling. Once ready, the pastel lines are cut to size and then carefully rolled by hand to create a more uniform shape. The finished pastels are then placed on a drying rack to cure before hand labeling. Key Features:* Created from the finest traditional and synthetic pigments* Handmade by craftsmen in small batches in the U.S.* Pastels possess a soft, “buttery” feel in use* No hazardous pigments used Perfect For:* Serious Pastel Artists* Artists supporting U.S. Made manufacturers* Pastelists desiring softer pastels* Handmade pastel aficionados The beauty of Mount Vision’s color selection and color values is by other manufacturers that make a handmade product. Drawing on his extensive painting and printmaking background, Karl Kelly carefully designed the color palettes and selections to create every color imaginable a pastelist could imagine, from the palest color values to the most vibrant brights and darkest darks. Sold in both open stock individually and as sets. Health and Safety Statement from Mount Vision Pastel Company: If you have any Health and Safety questions please do not hesitate to Call 888 413-2009. Your health is our biggest concern. At Mount Vision Pastels we use no heavy metal pigments such as Cobalt or Cadmium. Because of the nature of pastels, i.e.. drawing directly with the pigment with very little binder, I question the use of these pigments. With the advances in the manufacture of synthetic pigments I feel that there are alternatives available for use that will serve the artist as well without the possible side effects. That said probably the biggest concern for pastelists is the pigment dust created by them. Whenever possible it is better to clean dust with a wet rag, sponge, or paper towel than to sweep it up (which causes more dust). Care should be taken if using a vacuum as often the pigment is finer than the bag and can blow through causing quite a dust storm. See More
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