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Raphael Premium Archival Raphael Oil Primed Linen Panel 10x20"Save Up to80%Off listWhite A Surface The Paint Can Caress - Modern, master quality oil-primed linen created in Italy Holding the finished canvas in your hand, the primed surface feels almost buttery, and the linen underneath is smooth and incredibly uniform hence providing the underlying cause for such an excellent master-quality product. Handmade in Italy, Raphael Premium Archival Oil Primed Linen Panel surface is non-absorbent, allowing the color to sit up on the surface. The depth is created by the refractive qualities of the oil, which enhance the natural tendencies of the pigment. Raphael has just enough tooth to keep the surface receptive to hold initial layers of paint while they dry and bond with the oil surface. Raphael Premium Archival Oil Primed Linen is expertly mounted on multi-ply board made with poplar wood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Key Features: * 3/8" Thickness * Fine weave, 100% linen canvas * Oil-primed linen canvas, mounted to panel * Hand primed, four coats of priming * Natural glue sealer * Expertly mounted onto warp-resistant plywood * Primed with a luxurious, acid-free, non-absorbent ground * Handmade in Italy * Reliability of the material and consistency of the finished product Perfect For: * The perfect archival surface for any painting in oils * Make oil painting a real pleasure * Fine weave and texture * Lasts hundreds of years * Create depth and beauty that only oil colors can achieve * Foundation allows for virtually any technique from abstract to the most intricate portrait and super realistic technique Raphael Premium Archival Oil Primed Linen Panels are expertly mounted on warp-resistant Poplar plywood. The slight tooth and incredible priming make each stroke velvety smooth and luxurious. Years ago, we worked with an excellent Italian company in creating a linen canvas that would make oil painting a real pleasure and produce results that were more brilliant than before possible with commercial products. This linen canvas has a fine weave and texture and is created with one coat of natural glue sealer and four coats of oil priming. The Italian priming method was developed over five centuries. The difference is the reliability of the material and the consistency of the finished product. Although processed entirely by hand, the modern assembly line and super clean workplace allow the finished product to be amazingly consistent and beautiful. See More
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Yes! All Media Cotton Canvas Panel 10"x20", (Box of 54)Save Up to83%Off listWhite All-Media Panels! Perfect for All Wet Media! Yes! If it goes on wet it goes on Yes! Watercolors, oil colors, acrylics, inks, sprays, casein, permanent markers, shellac and acrylic-based inks, airbrush colors, egg tempera, alkyds and anything else you may want to use on your paintbrush. Yes! All Media Cotton Canvas allows for multiple layers for a lovely 3d effect without messing up the medium and also makes it easy to repair mistakes. They are also very easy to carry and work with outside with. The 11oz weight 100% unbleached cotton canvas panels accept almost any media! Patented priming accepts all media! Watercolors, Water-Soluble Oils, Inks, Sprays, Oils, Acrylics, Pastels, Oil Pastels, Markers & More! Key Features:* Triple-primed plate smooth finish* Patented priming accepts all media!* 11oz weight 100% unbleached cotton canvas* 3mm composite board backer* Triple-primed with acid-free special wet media primer* Nice fine tooth that grabs the paint perfectly * Perfect For:* Watercolors, Pastels, Oil Pastels* Inks, Sprays, Ink Washes* Acrylics, Oil colors* Caseins* Water Mixable Oils* Permanent markers* Shellac and acrylic-based inks* Airbrush colors* Egg tempera or alkyds* Collage The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can quickly draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink, or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface, you can draw right into your watercolor without feathering or smudging, or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors. For traditional watercolor painting, the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface, and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - You may want to start off playing with watercolors and gouache reworking or even removing areas then fine-tuning and finally finishing off the top layers with permanent acrylics. Of course, you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Centurion All-Media Primed Linen Panels 10x20" (Pack of 3)Save Up to60%Off listWhite Professional 11oz. Universal Acrylic Primed Linen Painting Panels Centurion LX All-Media Primed Linen Panels are manufactured using the world famous 11oz., universally acrylic primed Centurion Linen Canvas. Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Centurion’s beautiful non-mechanical surface is ideal for oils (traditional and water-soluble), acrylics, Caseins, and more brittle media like Egg Tempera and Acrylic Gouache. Perfect for traveling and pochade boxes, the linen panels are lightweight and take up around 1/4 the depth of a 3/4” canvas, so you can travel with more work surfaces! An ideal way to try high quality linen for the first time, at affordable low prices. Key Features: * Universal/Acrylic linen panels * Acid-free, Archival Linen * 11oz., universally acrylic primed * Mounted on 3mm MDF wood board * Convenient Packs of 3 * Bulk Packs of 3packs available! * Universal Acrylic Priming * Medium-textured linen * Non warping * A Jerry's recommended best seller! Perfect For: * Artists of all skill levels * Linen Lovers on a budget! * Traveling, takes up 1/4 the space of a 3/4” canvas * Oils, Acrylics, Alkyds, Caseins, Egg Tempera, Water-Mixable Oils "I paint in acrylics and found these panels to be excellent. The canvas texture seems just right, and the panels resist warping. I have only used them in fairly small sizes, maybe up to 9 x 12 at most, so can't attest to the stability of larger sizes, but have been very happy with what I've used." See More
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Centurion Deluxe Oil Primed 10"x20" Linen Panel, 3 PackSave Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Pissarro Lightweight Oil Primed Plein Air Linen Panels 10" x 20" (Pack of 2)Save Up to63%Off listWhite Sturdy, Lightweight Oil Primed Linen Panels For Plein Air Painting! Pissarro Lightweight Oil Primed Linen Panels - 1/8" Deep are innovative Plein air painting panels that are the product of a collaboration between Creative Mark and Multimedia Artboard. Designed to be a lightweight alternative to cardboard and wood-mounted canvas panels, these unique boards are archival, acid-free, and of the highest quality! Made from a base of 1/8" thick Sintra™ foam core, they will not dent, warp or bend while painting. Mounted with the finest professional grade Pissarro oil primed linen, it is easy to pack a dozen in your supply bag, so no running out while in the field! Perfect for anything from quick oil color studies and sketches to complete finished works in oils, Plein air painting, and travel, Pissarro Oil Primed Plein Air Linen Panels are the ideal marriage of convenience and elegance! Key Features:* Lightweight alternative to cardboard and wood-mounted canvas panels* Archival and Acid-free* 1/8" thick Sintra™ foam core base* Will not dent, warp or bend while painting Perfect For:* Finished work in Oils* Plein Air painting* Lightweight for Travel* Quick oil studies, sketches to completed works See More
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New York Central Claessens 166 Universal on AlumaComp Panels 10X20In - Box of 4Save Up to58%Off list…Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens… Archival, museum quality professional canvas panels! AlumaComp Aluminum Panels Hand Mounted with 8 Professional Surfaces Thought about making your own linen panels, but could use that valuable time painting instead of prepping? New York Central® has heard you and has taken the beauty and luxury of Europe's finest Linens and Poly Cottons, and professionally mounted them on AlumaComp Aluminum Panels for your convenience! Using Lineco Neutral pH Adhesive (acid-free, museum-quality formula designed specifically for preservation materials), our skilled craftsman hand-mount Raphael Linen, Claessens oil and universal primed linens, and Belle Arti poly-cotton canvases to our own composite core aluminum panels. This creates flawless, museum-quality painting panels unlike anything on the market. Perfect for oils, alkyds, acrylics, egg tempera, and caseins! Hand Mounted By Our Our Skilled Craftsman To: 100% Archival 4mm (3/16") Thick Acid-Free Aluminum Boards AlumaComp's unique composition of two aluminum sides with a 1/8" polyethylene core makes them lightweight, archival, dimensionally stable and strong. Panels will never rot and are not affected by weather humidity changes or temperature fluctuations, even in transport. The light weight and slim profile is ideal for shipping, stocking pochade boxes, plein air painting, and for studio use. Available in 8 professional quality linens and poly-cotton canvases. Panels are made to order. * Raphael Oil Primed Fine Textured Linen * Raphael Zinc-Free Oil Primed Fine Textured Linen * Claessens 15DP Oil Primed General Purpose Linen * Claessens 66 Oil Primed General Purpose Linen * Claessens 166 Universal General Purpose Linen * Claessens 13DP Oil Primed Fine Textured Linen * Courbet Ultra Fine Textured PolyCotton * Roma Affesco PolyCotton Rough Texture Key Features: * Hand mounted using Lineco Neutral pH Adhesive * Available in 8 professional quality linens and poly-cotton canvases * Archival and acid-free * Museum-quality formula designed specifically for preservation materials * Exceptional panel strength and rigidity * Panel foundation is warp-resistant Aluminum composite-core panels * Archival canvas panels crafted by skilled artisans Perfect For: * Oils, alkyds, acrylics, egg tempera, and caseins! * Artists of all skill levels * Artists seeking a museum-quality, archival surface * Artists looking to save time Please note: We carefully make each order by hand, as a result, it may take longer for your order to ship. See More
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Wilson Bickford Canvas Panel Individual 10x20"Save Up to55%Off listWhite Archival, warp-resistant canvas panels ideal for students and professionals alike! All too often, both amateur and experienced artists are forced to throw away artwork because it was painted on a poor substrate. Whether that substrate was chosen for economic or practical reasons, it is still a shame to lose the work. Professional artist and art teacher Wilson Bickford seeks to solve that problem by offering the perfect panel choice for both students and advanced artists! Bickford Signature Canvas Panels are acid free, archival, warp-resistant — and reasonably priced! Made from a base of sturdy, 3mm thick MDF board, they will not bend or bow under reasonable use. The heavy 11.2oz canvas surface is pre-primed with acid free titanium white acrylic primer, and has a lovely fine-weave texture perfect for any painting technique in oils, alkyds, and acrylics. Don't let your valuable artwork suffer from inferior substrate deterioration: new Bickford Signature Canvas Panels will stand the test of time! * Solid base of 3mm thick MDF board * Heavy 11.2oz 100% cotton canvas surface * Triple-primed with an isolating layer and 2 coats of acid free gesso * Warp-resistant construction under normal use * Medium-tooth texture ideal for all painting techniques * Available individually or in bulk cartons * Superb for paintings in acrylics, alkyds, and oils! See More
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MAS Envirotex Lite Epoxy Kit (4 oz Resin, 4 oz Hardener) 8 ozSave Up to49%Off list…dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish *… Creates a one of a kind, crystal clear, super hard, lustrous finish Envirotex Lite is a water clear reactive polymer compound that cures to a thick, glossy coating in about 8 hours at 70°F, and reaches full strength and toughness in about 36 hours. This durable, resilient material requires no polishing to produce a high gloss. One coat is all that is usually required for a deep attractive finish, however, two or more coats maybe applied one over the other by simply wiping the surface with a clean cloth and alcohol prior to re-coating. Key Features:* EnviroTex Lite: 8oz Kit, 32oz Kit & Gallon Kit* Use over acrylics or thoroughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish* Hardens to a high-gloss finish, and cures completely in 36 hours* The solvent-free formula is 100% solids and has no unpleasant odors* Waterproof as well as heat- and alcohol-resistant* Use Envirotex to coat, wood, rock, Sculpey, jewelry and more* Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look* Use it to create a hard lustrous finish for table tops, plaques, clocks, figurines etc* Instructions are included* Kits include resin and catalyst Use over acrylics or throughly dried oil paintings for a one of a kind, crystal clear, super hard, lustrous finish. Use Envirotex to coat, wood, rock, Sculpey, jewelry and more. Pottery or plaster pieces painted with any acrylic and finished with Envirotex have a kiln fired look Envirotex Lite Kits - Pour On High Gloss Finish * Gallon Kit 02128: (1/2 gallon resin, 1/2 gallon Hardener), Coverage: 32 square foot* 32oz Kit 0232: (16oz resin, 16oz Hardener), Coverage: 8 square foot* 8oz Kit 02008: (4oz resin, 4oz Hardener), Coverage: 2 square foot* Envirotex Lite is used as a table tops, bar tops, resin art, wood, rock, sculpey clay, acrylic pour, jewelry and more. Envirotex Lite® is alcohol and heat resistant. Envirotex Lite® creates a hard lustrous finish for table tops, plaques, clocks, figurines etc. A Gallon Kit consists of 1/2 gallon of Resin and 1/2 gallon of Hardener, making a total of one gallon. See More
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Guerrilla Watercolor Board Half Sheet V 2.0Save Up to15%Off list…attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper… The Watercolorboard™ is an easy way to keep your watercolor paper wrinkle free. The board is made of extruded aluminum and hardboard. It is easy to attach the board to a standard camera tripod for in-the-field painting. The Watercolorboard™ is designed to tightly stretch watercolor paper and keep it flat as it drys. As the screws on the frame of the board are tightened, tension is placed on the outside edges of the paper. After the paper has dried, the paper will stay flat and buckle-free during wet washes. The Watercolorboard™ has a comfortable carrying handle and can hold 140lb - 300lb paper. Carrying Portfolios - A high-quality nylon sack with zipper and a sturdy handle makes it easy to take your Watercolorboard™ anywhere. Key Features:* Lightweight Aluminum Frame* Attaches to standard tripod* Easy to use Perfect For:* Artists and students* Outdoor painting* Watercolor See More
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Strathmore 500 Illustration Board for Wet Media 15x22INSave Up to38%Off list…was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. Strathmore's 500 Series is the superhero of all Bristol surfaces, but what would a superhero be without a core of worthy minions? The 200, 300 and 400 Series all provide surfaces with their own unique attributes and staying power in the attack of the sequential artists. For every tool that you take into battle in you own quest for the ultimate story, Strathmore has a surface that will stand up to the challenge. 200 Series Smooth Blue Line Bristol - Our 200 Series Smooth surface is a Bristol weight board printed with non-reproducible blue lines for comic and Manga applications. These blue lined sheets are available in page and cover formats for artists who prefer the convenience of a grid lined sheet. Pads and sheet packs in this series are offered in the industry standard 11×17" format. 300 Series Smooth and Vellum Bristol - 300 Series Smooth and Vellum 100 lb. Bristol surfaces are available in three sizes. The smooth surface is ideal for both traditional and specialty pen and ink. Both surfaces work well with specialty pens and markers. Sheet packs and pads are available in the standard 11×17" format. Pads are available in 5×17" and 12×12". None of these surfaces are lined allowing the artist the flexibility of working outside the box. 500 Series Bristol - Strathmore 500 Series Bristol is an industry standard created in 1893. These 100% cotton 2 ply bristols are available in three surfaces in the standard 11×17" format. The plate surface has an ultra-smooth finish that is unsurpassed for detail work using traditional pen and ink tools, pencil along with specialty pens and markers. Vellum has a toothy finish that is excellent for graphite pencil, colored pencil, sketching sticks and specialty pens and markers. It is also a very good choice for charcoal pen and ink, air brush and light washes. Bristol surfaces are not recommended for traditional watercolor techniques. Items in the 500 Series are unlined for unbound illustrations. 500 Series Illustration Board for Wet Media - The newest surface in the 500 Series is Illustration Board for Wet Media. Available in single sheet packs of either 15×22" or 22×30", this professional quality board was designed to accept all illustration media. It has a strong, durable vellum finish for traditional drawing techniques. In addition it has been internally sized to accept wet media and can be used for light washes up to wet on wet applications. See More
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GOLDEN Acrylic Gel Mediums Extra Heavy MoldIng Paste 8ozSave Up to30%Off list…a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. Achieve a variety of effects and expressions Molding Pastes are water-based products formulated with 100% acrylic polymer emulsions, which give great flexibility and durability. Drying times greatly depend upon film thickness. They dry to an opaque, semi-gloss film to which subsequent layers of acrylic paint and mediums can be applied. All Molding Pastes can be easily tinted with GOLDEN Heavy Body, Matte, High Load and Fluid Acrylic Paints. All GOLDEN Molding Pastes clean up with soap and water. Paste mediums can be used to achieve a variety of effects and expressions. When used in conjunction with acrylic colors they broaden working properties and expand creative possibilities. Unlike gels, pastes are opaque because they contain Marble Dust or other fillers that create a white or clay-tone finish with a variety of textures and properties Key Features:* Acrylic paste mediums* Easy clean up* 100% acrylic polymer emulsions* Flexibility and durability Perfect For:* Building surfaces* Creating textures* Blends with colors* Artists of all levels * Crackle Paste - Thick and opaque, designed to develop fissure-like cracks as it cures.* Coarse Molding Paste - Dries to a hard surfaced, stiff but flexible film.* Fiber Paste - Offers a dry film that has an appearance of rough handmade paper.* Hard Molding Paste - Dries to a hard, opaque film. * Light Molding Paste - Offers dramatic weight reductions when building thick layers of acrylic.* Regular Molding Paste - Excellent for building surfaces or creating textures. See More
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Jo Sonja Matte Acrylic - Burnished Copper, 8oz BottleSave Up to38%Off listRed Flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish Chroma's Jo Sonja's highly pigmented matte acrylics dry to a beautiful velvet matte finish and provide superb brush handling characteristics. Unlike gouache, the acrylic color is water-resistant and will not chip or crack when cured. Jo Sonja Matte Acrylic colors will remain vibrant for generations because they contain ASTM lightfast pigments. Formulated for application on any surface or use in combination with Jo Sonja's Mediums and Background Colours. The exciting range of Jo Sonja mediums allows the paints to be used on virtually any surface from paper and cards to canvas, wood, glass, ceramics, fabrics, and more! All products in the range are compatible and cleans up with mild soap and cold water. Jo Sonja Artists’ Acrylic Colors are flow formula acrylics offering the opacity of color and the beautiful, velvet matte finish associated with traditional gouache plus superb handling and brushing characteristics. Unlike gouache, they are water-resistant and will not chip or crack when cured. Suitable for most surfaces, including paper, paper-mache, cards, canvas, wood, fabric, tin, terracotta, glass, and tile. Key Features: * Vibrant lightfast colors * Dries velvety matte * Water-resistant once dry * Will not chip or crack once cured * ASTM lightfast pigments * Superb brush handling characteristics * Clean up with mild soap and cold water * Metallic, pearlescent, and iridescent colors Perfect For: * Use on paper, cards, canvas, wood, glass * Paper mache, fabric, tin, terracotta, and tile * Mixed media applications * Artists of any skill level * Good matte finish * Good adhesion * Great for creating precise detail * Use with Jo Sonja mediums * Limitless techniques See More
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Liquitex Professional Soft Body Acrylic 8oz Burnt UmberSave Up to32%Off listBrown Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Gamblin Artists Oil - Cadmium Red Light, 8oz CanSave Up to25%Off listRed Gamblin Artist's Oils, The only choice for professionals! Since 1980, Gamblin has transformed oils and pigments into luscious, rich oil paints. Gamblin Artist's Oil Paints are made with refined linseed oil, so the paint film is more flexible and yellows significantly less than traditional linseed oil. No adulterants are used, so each color retains its unique tinting strength, undertone, and texture. Gamblin Artist's Colors have luscious working properties, and the colors are radiant. We're sure you'll agree that the quality of these oil colors is exquisite. For everything from realism to contemporary abstraction, you'll find the colors you need in the Gamblin line. Key Features: * Oil Paints: Available in 37ml and 150ml tubes, plus 8 oz. and 16 oz. cans * Sets w/ painting panels: Set of 9, Set of 3 * Professional quality * Inorganic colors made from metals (Cadmium, Cobalt, Iron, etc.) * 19th-century colors of the Impressionists * Classical and Renaissance era colors * High pigment load, low oil absorption * Colors easily grey-down in mixtures * Mostly opaque with a few semi-transparent and transparent colors * Made in Portland OR, USA * Perfect For: * Professional oil painters * Plein air artists * Alla prima painting * Vibrant portraits * Painting natural colors and light * Accurately reflecting the hues of nature * Smooth consistency and buttery feel * Outstanding lightfastness * Everyday studio use! Gamblin Metals- Gamblin Copper, Rich Gold, Pale Gold, and Silver are made by suspending bronze and aluminum powders in an alkyd binder. It's the light reflecting from all those bits of metal that create the "metal finish." The real metal flakes scatter light in many different directions giving surfaces painted with Metals a soft, lustrous appearance. Gamblin Metals have distinctive mixing characteristics. When mixed with transparent colors, they maintain their metallic luster and give glaze layers a unique sparkling quality. Gamblin Artists' Colors Introductory Set of 9 Colors Includes nine 37ml. tubes and a ready-to-use, This set contains one 6.5" x 12" pre-primed painting panel with 1.5in cradle depth.pre-primed birch painting panel handcrafted in North America from sustainable forests. Made in the USA. 37ml Colors include: Cadmium Yellow Light, Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Viridian, Yellow Ochre, Burnt Umber, Ivory Black & Titanium White Reclaimed Earth Set of 3 Tubes: Colors in the set include Rust Red, Iron Violet, and Brown Ochre. The tubes are nestled in a 6"x6" primed panel made in Oregon by American Easel. The masterfully constructed panel has poplar cradled sides and a Baltic birch face. Every speck of pigment in these tubes has been painstakingly reclaimed from waters tainted by iron released from mines. Iron oxides make lightfast, natural, and safe oil paints. John Sabraw and engineer Guy Riefler figured out how to extract iron from the polluted rivers, restore ecosystems, and create economic opportunities in communities struggling with environmental damage left behind by the coal mining industry. By purchasing this limited edition set you are supporting hard-working communities and helping make the Ohio and Mississippi Rivers healthier ecosystems. Is Gamblin Oil Paint Professional Grade? Gamblin Artist's Oil Paints are Professional Grade made with refined linseed oil! Gamblin always wanted to give artists color at its maximum with a luscious texture. There is so much more to our work than fine raw materials and high pigment loads. Gamblin is dedicated to getting that balance right. Every color. Every batch. Every time. See More
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GOLDEN Fluid Acrylics Iridescent Gold Deep (Fine) 8 ozSave Up to30%Off listIridescent GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Pyrrole Red 8 ozSave Up to30%Off listRed Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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GOLDEN Airbrush Medium 8 ozSave Up to30%Off list…Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases… GOLDEN'S Airbrush Colors are specifically designed for airbrushes and spray guns, but this medium helps to modify GOLDEN's Fluid Acrylics for spray applications. Blends with minimal effort with the Fluid Acrylics to yield a paint mixture with the proper viscosity for airbrushing. Effectively decreases clogging and tip build-up during spraying, eliminating the largest drawback to airbrushing with acrylics. While designed with the Fluid Acrylics in mind, Airbrush Medium will also reduce the Heavy Body, Matte, High Load, Iridescent/ Interference and Fluorescent Acrylics for spray applications. GOLDEN Mediums and Gessos can also be blended with Airbrush Medium for spraying. See More
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GOLDEN Silverpoint / Drawing Ground 8oz BottleSave Up to30%Off list…Ground. Designed for the achievement of fine, detailed lines, Silverpoint/Drawing Ground is permanent, lightfast and more flexible over time than traditional preparations. While many artists enjoy the fineness of line and delicate qualities achieved with a metal stylus on Silverpoint/Drawing… Allows greater fineness of line with diverse drawing media Silverpoint, or metal point, drawing as an art form has changed little over the centuries of its distinguished history. Formulated to meet the unique needs of metal point artists, GOLDEN Silverpoint / Drawing Ground offers a metal receptive ground, applicable to a range of drawing supports. Developed for easy application, the ground has a very fluid consistency that will level as it dries. A Single coat of Silverpoint / Drawing Ground provides a smooth, durable surface, ideal for mark making with a silverpoint stylus or other metal, such as brass, gold, copper, or even a steel paperclip. It is a low viscosity fluid that contains high levels of titanium dioxide and prepares surfaces to readily accept marks from a metal stylus.Key Features:* Size: 8oz Bottle* Formulated with 100% acrylic polymer emulsion* Designed for the achievement of fine, detailed lines * Permanent, lightfast* More flexible over time than traditional preparations* Silverpoint / Drawing Ground offers a metal receptive ground* Developed for easy application* Very fluid consistency that will level as it dries* Provides a smooth, durable surface* Allows greater fineness of line with diverse drawing media such as graphite, colored pencil, ink, and some markers The artist working in silverpoint today has an intimate connection to the work of such revered artists as da Vinci and Rembrandt, as well as more recently, Picasso and Joseph Stella. As tiny particles of metal are left behind on a slightly abrasive ground, metal point drawing offers the ability to achieve lasting, exquisitely detailed lines that won't smudge. If different types of metal are used within a piece, over time oxidation of the different metals will impart subtle shifts in the tonality of the lines. As the time honored art form of metal point drawing experiences a resurgence, Golden Artist Colors responds to the requests of practicing artists by introducing Silverpoint/Drawing Ground. Designed for the achievement of fine, detailed lines, Silverpoint/Drawing Ground is permanent, lightfast and more flexible over time than traditional preparations. While many artists enjoy the fineness of line and delicate qualities achieved with a metal stylus on Silverpoint/Drawing Ground, the scope of this product should not be limited to a singular use. When used as a general drawing ground, other media may be intermixed with metal point drawing or used alone to create new effects. It is possible to adjust the absorbent qualities of substrates with Silverpoint/Drawing Ground. By putting a very thin layer of the ground over the entire surface, the substrate's absorbency is decreased. This allows greater fineness of line with Perse drawing media such as graphite, colored pencil, ink, and some markers. In addition, small amounts of other GOLDEN Fluid Acrylic colors can be added to this ground for tinting purposes without a significant drop in performance. GOLDEN SILVERPOINT/DRAWING GROUND APPLICATIONS GOLDEN Silverpoint / Drawing Ground is designed for thin applications only. When applied too thickly the film may crack upon curing. A single thin coat is typically sufficient. Silverpoint / Drawing Ground can generally be tinted with a maximum of 15% GOLDEN Fluid Acrylics without negatively affecting its performance It can be brush or spray applied to paper, primed canvas, wood or any surface that will accept a water-based coating. The most common substrate for metal point drawing is heavy weight hot pressed watercolor paper. Note: Because lower weight papers are susceptible to buckling from the moisture in the Silverpoint / Drawing Ground, some artists may find taping the edges down will help prevent extensive warping. Artist Testimonial and Review Great Medium--Just Apply It Quickly! "This medium sets up very quickly, and can be colored with acrylic paint if desired. Ensure that a less absorbent paper or surface is used, as you will have more time to apply it before it dries (you will also use less of it). Great product-I will definitely purchase this again." See More
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Golden Heavy Body Acrylic - Benzimidazolone Burnt Orange, 8 oz TubeSave Up to30%Off listOrange Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Da Vinci Dual Sided Pro Panel 10"x20", 6mm Deep (2-Pack)Save Up to51%Off listWhite Professional quality Dual Sided & Texture 1/4" Archival Panels As a serious artist, you always need to consider what you are painting on. Will it be stable and not warp? So many inferior products have come onto the market that this is not an idle question. Our scientists have done exhaustive research on the materials of other brands and their methodology. While many vendors claim they are stable, they don’t use time tested methods to ensure their stability over time. Our Da Vinci Dual Sided Pro Panels are not 1/8" deep but almost 1/4" deep, which is twice the thickness of our competitors and is more stable. Both sides of the Da Vinci Pro Flat panel are primed to assure that there is no natural tendency for warping. In addition to all this, we have concluded that they are archival and only under the most extreme conditions will they ever warp. Our panels have both a medium tooth surface and a smooth surface on the other side. The two-sided panel allows for exploration and eliminates the need to gesso or sand the board yourself. The Da Vinci Pro Flat Panels are quite durable on both sides and allow for mixed media build-ups Pick A Side! Dual sided archival panels- one side medium tooth, one side smooth. Twice as thick as other brands panels, warp resistant & time tested methods ensure panel stability! Ultra Smooth Side: good for technical drawing pens, graphite, colored pencils, charcoal, oil and acrylic gouaches, egg tempera, caseins and more. Medium Texture Side: good for oils, oil pastels, drawing sticks, crayons, graphite, colored pencils, hard & soft pastels, acrylics, acrylic gouache, mixed media and more. Key Features:* Dual sided: one side medium tooth, one side ultra smooth* Archival and acid-free* 1/4" Deep (6mm) panel thickness is stable* Warp resistant* Time tested methods ensure panel stability* Very durable panel - both sides primed* Extremely resistant to warping* Almost twice as thick as other brands panels that are only 1/8" thick* Primed with real gesso and no plasticizers* Slimmer panel profile for limited space reasons or weight reasons* Perfect For:* Dual sided for use on both sides* Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels* Presentation in or out of a frame* Archival art that will last a lifetime* Students, teachers, professionals* Mixed media build-ups* Limited space We are able to sell these new 6mm panels at a very reasonable price point. If you prefer a slimmer profile for space reasons or weight reasons, these panels are the ones to buy. See More
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GOLDEN Acrylic Additive 8 oz Wetting AidSave Up to30%Off list…slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open… Reduce surface tension and increase paint flow Additives serve a similar function to mediums. The difference is that additives don't contain acrylic binders (like mediums do), so you must follow the label and use them in correct proportions. Most mediums can be added to the paint in any amount until you've achieved the desired effect, but additives can weaken the color and adhesion of the paint when overused. GOLDEN offers these two additives, which are a useful addition to any painters studio. Wetting Agent: Formerly known as Acrylic Flow Release - an additive used to reduce the surface tension of the water in the acrylic emulsion, thereby increasing the slickness and flow of the paint. It is useful for achieving rich stains on a porous surface. Not for use by children. Retarder: an additive used to increase the open (drying) time of acrylic paints. Useful for wet on wet techniques and reducing skinning on the palette. Key Features: * Increase open time * Reduce the surface tension of acrylic emulsion * Improve the slickness and flow of paint * No acrylic binders * Use them in correct proportions * Click the yellow circle icon for product information Perfect For: * Acrylic painting * Minimizing paint waste * Classroom, home, and studio * Teachers and students * All acrylic-friendly surfaces The retarder does not contain binding agents. To ensure adhesion, the addition of Retarder should not exceed 15% (1:6)when mixed with colors or mediums. See More
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Golden Fluid Matte Medium, 8oz JarSave Up to30%Off list…Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Golden Gloss Medium Polymer 8 ozSave Up to30%Off list…general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced… General-purpose liquid polymer! GOLDEN Gloss Medium is a general-purpose liquid medium useful for creating glazes, extending colors, enhancing translucency, and increasing film integrity. The medium has a unique oil-like feel and resinous nature that promotes flow and leveling. GOLDEN Gloss Medium is also the best product for blocking Support Induced Discoloration, also known a SID, which is when contaminants are drawn into paints and mediums as they dry. You can protect your canvas or board from this phenomenon by applying GOLDEN Gloss Medium before starting an acrylic painting. SID contamination often goes undetected. In most cases, paints contain a strong enough color to conceal the yellowing. However, in a transparent glaze and especially in thick gel layers, SID becomes obvious. Gloss Medium medium works best when two or more coats are applied directly onto the support. Once dry, the canvas can then be primed and finally painted with less potential for discoloration. You can treat pre-primed canvases with Gloss Medium as well. Apply two coats to the surface, and follow with at least one layer of gesso to regain tooth. Key Features: * General-purpose liquid polymer * Oil-like and resinous viscosity * Promotes flow and leveling * Perfect For: * Creating thin, fast-drying glazes * Extending colors, enhancing gloss, and increasing film integrity * Blocking Support Induced Discoloration (SID) See More
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Golden Silkscreen Medium 8 ozSave Up to30%Off list…Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte,… Increases working time! GOLDEN Silkscreen Medium is a water-borne system designed to blend with acrylic paints for silkscreen application. The medium increases working time while slowing paint drying time. Safe to use with minimal odor. Mix one part silkscreen medium with one part GOLDEN acrylic color, either heavy-body, matte or fluid acrylic paint, can be used. Use this mixture on your silkscreen. The silkscreen medium will not impart opacity. Your paint mixtures opacity is determined by the nature of the acrylic color that you use and the ratio of paint to medium. Please keep in mind that GOLDEN Silkscreen Medium is NOT designed for clothing applications. Key Features: * Water-borne silkscreen medium * Blend with acrylic paints * Increases working time * Retards drying in the screen * Safe to use with minimal odor Perfect For: * Acrylic paint * Silkscreen printing on paper * Heavy-body, matte, or fluid acrylic paint * Preventing paint from drying on screen See More
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Jo Sonja's Acrylic Gloss Varnish (Polyurethane), 8ozSave Up to38%Off list…Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent… Take your paintings and techniques to the next level! Jo Sonja's range of acrylic mediums will help you take your painting to the next level from preparation, to special effects, to finishing. If you want to add texture, glaze, sparkle, or crackle effects to your painting, these Jo Sonja Mediums can help you. Key Features: * Texture and effect mediums * Thin or thicken paint viscosity * Increase open (working) time * Dry transparent or translucent * Extend the volume of paint * Intermixable with Jo Sonja paints Perfect For: * Jo Sonja acrylic paints * Creating special effects * Faux finishers * Finishing a painting * Artists of all skill levels * All acrylic-friendly surfaces * Experimenting with different textures and techniques Crackle Medium: A transparent medium that causes Jo Sonja's Colours to separate into crackled patterns of various sizes. You can use the crackle medium to simulate the effects of aging. Flow Medium: an acrylic flattening agent used to level out the textural properties of Jo Sonja acrylic paint. Flow Medium is used to thin paints and other mediums. Water may dilute the paint's acrylic binder, reducing its adhesive qualities. When Flow Medium is added in small amounts, it produces a thinner, smoother paint that leaves no brush marks. Glazing Medium: A transparent acrylic glazing medium you can use alone or with Jo Sonja's Artists or Jo Sonja's Background Colours. Mix with acrylic color to seal as your basecoat or alone on raw wood as a light sealer. A coat of Glazing Medium is recommended before staining for an even application of stain. Polyurethane Varnish: Provides the toughest finish available with excellent corrosion, chemical, scratch, and wear resistance. Use indoors or outdoors to provide maximum, long-term protection. The varnish dries clear and is non-yellowing. Jo Sonja's Acrylic Polyurethane Varnishes are available in Gloss and Matte. Retarder Medium: Extends the drying time of Jo Sonja's Colours. It allows an extended working or "open" time for blending. Opal Dust: Jo Sonja's Opal Dust is a clear gel that contains tiny light-reflecting holographic particles, which create an interplay of colors reminiscent of gems. Opal Dust may be used alone or applied to a dry pre-painted surface. It is suitable for various surfaces, including paper, card, glass, transparency film, plastic, canvas, wood, terra cotta, tin, fabric, silk, or dried flowers. Mix with Jo Sonja's Artists' Colors before applying for a more subtle effect. Drying time depends upon the thickness of the application. Brushstrokes are evident when wet but disappear when fully dry. See More
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Golden Satin Glazing Liquid, 8oz BottleSave Up to30%Off list…Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil… Slow-drying acrylic medium, create an incredible variety of color glazes GOLDEN Glazing Liquid (formerly called Acrylic Glazing Liquid)is a slow-drying acrylic medium originally designed for interior decorative finishes. Because it is made with 100% pure acrylic water-based polymer emulsions, it can have many uses for fine artists. Glazing Liquid can be blended with house paints and artist acrylic paints to create an incredible variety of color glazes. Can be mixed with GOLDEN Acrylic colors to create glazes for fine art as well as interior application on walls or furniture. Fine Art Applications: Glazing Liquid also proves useful in fine art glazing applications, such as mural and easel painting. Use this product in the same manner as an oil painter uses linseed oil and turpentine. * Available in: Satin and Gloss* 100% acrylic, water-based emulsion* Can be used for a wide variety of techniques* Fine Art Applications* Slow drying color glazes* Thinning medium for better brushability* Pre-glazing before paint application* Smoother wet-in-wet blending The slow drying formula provides sufficient working time for a wide variety of glaze & decorative finishes normally accomplished with oils. This allows for a wide variation of interior glazing applications such as Wood Grain, Marble, Trompe L’Oeil faux finishes and for the additive and subtractive method. It is also excellent for soft transitions and color blending in paintings. Glazing Liquid can be used for a wide variety of techniques, which require longer open times, including: * Wood Graining* Marbling* Trompe L'Oeil* Additive and Subtractive Techniques* Glazing See More
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Gamblin Oil Painting Ground 8oz CanSave Up to25%Off listWhite Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Golden Color Pouring Medium Gloss 8ozSave Up to30%Off list…also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring… Matte or gloss acrylic polymer pouring medium! Artistic experimentation has driven the popularity of pouring acrylic colors. Golden Color Pouring Medium Matte opens the door to new creative possibilities, allowing artists to create pours with a velvety matte surface. Color Pouring Medium Gloss also known as GAC 800 is an excellent medium for creating glossy pours of acrylic colors. In addition to extending colors for pouring, this versatile medium is useful for improving adhesion to chalky surfaces like plaster or weathered paint. Tips for use: * Gently mix 10 parts Golden Color Pouring Medium Gloss or Matte with 1 part acrylic color, allow mixture to sit covered (ideally overnight) to eliminate air bubbles. * Pour close to the surface to reduce air bubbles. * Paintings may need to dry for a few days before moving. Do not pour thicker than 1/8” (3mm) or attempt to accelerate drying. Key Features: * Does not craze or crack * Designed to be poured in layers or puddles * 100% acrylic medium * High acrylic solids and reduced water content * Matte or glossy uniform surface * Use to adjust transparency or opacity Perfect For: * Acrylic paint * Dirty pour * Flip cup pour * Multiple color pour * Adhesion to chalky surfaces Color Pouring Medium may craze, but this is usually the result of too much paint being added and in turn, countering the acrylic solids level or the pour has been applied in too thick of a layer. This medium retains a slight cloudy quality making it a poor choice as a clear top coat or even transparent color layer. See More
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Golden 8oz Gloss Color Pouring Mediums Set 5 Fluid Acrylic 1oz ColorsSave Up to30%Off list…Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most… GOLDEN Gloss & Matte Color Pouring Sets With Fluid Acrylics With a choice of either Gloss or Matte Color Pouring Medium and five Fluid Acrylic colors, these sets are a great starting point for artists. Each set also includes a guide with tips for creating successful pours. Color Pouring Mediums are based on 100% acrylic polymers and used to extend acrylic paints for various pouring techniques. They may be blended with most acrylic paints, although GOLDEN Fluid and High Flow Acrylic paints are most suitable for pouring applications. CPM (Gloss) and (Matte) can be combined to create a range of sheens. Color Pouring Medium (Gloss) dries to a uniform smooth, glossy paint layer; Color Pouring Medium (Matte) dries to a very flat, thin, and smooth layer. GOLDEN Gloss Pouring Medium Set* Create beautiful glossy pours with GOLDEN Color Pouring Medium Gloss, a leveling, low crazing extender for pouring acrylic colors. The set includes an 8 oz. bottle of Colour Pouring Medium Gloss along with 1 oz. Fluid Acrylic Titanium White, Naphthol Red Light, Primary Yellow, Teal and Primary Cyan. GOLDEN Matte Pouring Medium Set* GOLDEN Colour Pouring Medium Matte is a leveling, low crazing extender for pouring acrylic colors, allowing artists to create pours with a velvety matte surface. The set includes an 8 oz. bottle of Color Pouring Medium Matte along with 1 oz. Fluid Acrylic Titanium White, Benzimidazolone Yellow Medium, Alizarin Crimson Hue, Prussian Blue Hue and Green Gold. GOLDEN Color Pouring Medium (Gloss) Features:* Resists “Crazing” (formation of crevices or valleys on an acrylic pour surface from uneven drying) better than other acrylic mediums* Dries to a glossy, flexible, and level finish with moderate clarity. Note: not intended to be used alone as a clear layer, topcoat or varnish* Use as a paint extender for pours or puddles * As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* May be applied in wet film thickness up to 1/8” (3 mm)* Mixtures should be premixed and allowed to sit overnight before use, and may be stored for future use (in properly labeled, tightly sealed HDPE plastic containers)* Color Pouring Medium (Gloss) dries thicker than Color Pouring Medium (Matte)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour GOLDEN Color Pouring Medium (Matte) Features:* Mixtures can be used immediately. Air bubbles should dissipate during drying* Resists crazing* Improves leveling of paint mixtures* Dries to a thin, smooth, matte finish* Uniquely suited for large color fields* As little as 20:1 medium to paint can be used for color glazes, or increase the paint amount to 3:1 (medium to paint) for more opaque color layers* Mixable with Iridescent and Interference Colors for satin metallic effects* Mixtures may be stored for future use (in properly labeled, sealed HDPE plastic containers)* Color Pouring Medium (Matte) dries thinner than Color Pouring Medium (Gloss)* May be used on a variety of painting surfaces that accept acrylic products. Most substrates commonly used by artists are acceptable. Each substrate has unique properties that impact the pour,/lI> See More
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GOLDEN Gesso Pastel Ground 8 ozSave Up to30%Off list…for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for… Acrylic preparation for pastels on canvas and other supports GOLDEN Pastel Ground is an acrylic preparation for pastels on canvas and other supports. It creates a toothy surface similar to papers used with pastel and chalk. For an even rougher texture, Fine or Coarse Pumice Gel can be added. GOLDEN Pastel Ground for Pastel can also be tinted with acrylic colors for colored grounds. (Golden acrylics). GOLDEN Pastel Ground is a 100% acrylic medium designed to prepare surfaces for the application of pastels, charcoal and other art media where a coarse tooth is desired. It contains finely ground sand (silica) in a pure acrylic emulsion. Pastel Ground can be applied to paper, canvas, wood or any primed support. This allows almost limitless applications for media typically confined to standard papers. Key Features:* Sizes: 8oz, 32oz & 1 Gallon* Creates toothy surface similar to papers* Acrylic preparation for pastels* Fine or Coarse Pumice Gel can be added* Can also be tinted with acrylic colors Pastel Ground can be used as a toothy, gritty ground for many different media, including: Dry Media:* Soft Pastels* Graphite Pencils* Colored Chalks* Charcoal* Powdered Charcoal Water-based Media: * Water-Soluble Pastels* Colored Pencils* Pastel Pencils* Wax Crayons* Watercolor Pencils* Acrylic Paints Oil-based Media: * Oil Pastels* Oil Sticks* Paint Sticks* Ink Sticks* Pigment Sticks* Oil Paints GOLDEN Pastel Ground Application Thinning Due to the weight of the solids in Ground for Pastels, it is produced very thick, and does not come ready to brush-apply. Thin 20-40% with water to desired consistency. Application Apply with brush, paint-roller, spray equipment, squeegee or palette knife. Mix up only as much as is needed for one day"s work, as the solids will settle rapidly and be extremely difficult to mix back into suspension. Surface Preparation Non-absorbent surfaces should be abraded for increased adhesion. Prime with GOLDEN Gesso or other suitable primers (depending on substrate). Apply one or more coats of GOLDEN Pastel Ground to achieve the desired tooth. On paper, use heavier weight stock to avoid buckling. Allow ground to fully dry before applying media. Color Additions Pastel Ground can be blended with GOLDEN Acrylic Paints to achieve colored grounds. However, add minimal amounts of color since all additions of paint to Ground will decrease the tooth. GOLDEN High Flow Acrylics and Fluid Acrylics blend easily into the ground without thickening the product. High Load Acrylics have the highest pigment load and therefore provide the most color in the least amount of paint. Unless transparency is desired, select paints that are inherently opaque, such as the Pyrroles or earth colors. This will allow lower additions as well. Airbrushing thin layers of color after the ground has dried will give the strongest saturation of color to the ground without affecting the gritty surface. See More
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GOLDEN Absorbent Ground White 8 ozSave Up to30%Off listWhite Create a porous, paper-like surface on many different substrates GOLDEN Absorbent Ground is an acrylic liquid surfacing medium that can be used to create a porous, paper-like surface on many different substrates. Applied over gessoed canvas, the Absorbent Ground allows for raw canvas-like staining on a protected substrate. It also allows watercolors to be used on canvas. It is uniquely formulated for unsurpassed absorbent action when dry. Key Features:* Sizes: 8oz, 16oz, 32oz & 1 Gallon* Create a porous, paper-like surface on many different substrates* Applied over gessoed canvas* Lightfast, permanent, and flexible* Allows watercolors to be used on canvas* Unsurpassed absorbent action when dry* Opaque acrylic primer for water media See More
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New York Central Acrylic White Gesso, 8oz BottleSave Up to55%Off listWhite Professional grade gesso for archival results New York Central® Gesso is a professional grade acrylic ground. It’s perfect for a variety of surfaces, from canvas to metal. You can apply the gesso with a palette knife to create a rough texture or sand between coats to achieve a smooth result. Once dry, New York Central® Gesso makes a sturdy base for graphite, charcoal, oil pastels, acrylic, and oil paints. You can even mix it with acrylic paint to create a toned background. Key Features: * Professional grade acrylic gesso * Matte white, opaque finish * Non-yellowing, acid-free, and archival * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint * Optimal absorbency rate for paints Perfect For: * Priming raw canvas, panels, or paper * Acrylic and oil paints * Preparing wood and metal surfaces * Charcoal, pencil, and oil pastel * Creating a smooth or textured foundation * Adding a high level of tooth to a surface Acrylic Gesso Instructions: * Use at full strength or thin with up to 25% water. When thinning more than 25%, create an equal mix of water and matte medium. * Sand slick surfaces first. Apply a thin coat with a flat brush and let dry for 24 hours before painting. * To create a smoother base, sand the dried gesso and reapply. * Acrylic painters should apply at least two coats. * Oil painters should apply 2-4 coats and sand between applications. * To create a colored background, gradually add acrylic paint to the gesso until you reach your desired tone. Stir until thoroughly blended. Apply as normal. See More
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Ampersand Value Series Unprimed Basswood Panel 1-1/2" Cradle 10x20"Save Up to49%Off listNatural Smooth, absorbent, uncoated panel used with a variety of media The Ampersand value series artist wood panel is an unprimed basswood that is smooth, absorbent, uncoated panel that is free from plywood seams, knots, or troublesome raised fibers. Unprimed Basswood can be used with a variety of media. With the exception of encaustics and pyrography, it is strongly recommended to seal and prime all unprimed panels before use. Basswood is a premium, select wood that outperforms the commonly used birch plywood in many ways. It is inherently smoother with a tight wood grain and no raised fibers, making it easier to gesso and paint on. The strong 4mm premium basswood surface is perfect for priming and painting, encaustic, mixed media, collage, wood burning, and heavy paint applications. Ready to Customize - Ampersand Value Series Unprimed Wood Panels are ideal for artists that prefer a quality surface to seal and prime with a ground of their choice. Key Features:* 4mm Premium basswood surface* Stronger and better than birch* Smooth, absorbent, uncoated panel* 7/8" or 1-1/2" deep High-density, solid wood cradles* Super smooth; no excessive grain* Durable, stable & long-lasting* Sanded perfectly smooth* FREE of knots, seams and excess wood grain* Cradle is crafted from solid pine that can be finished with paint or stain Perfect For:* Priming with gesso, oil ground & more* Can be used with a variety of media* Artwork in virtually any media* An ultra-smooth surface ideal for detail work, yet sturdy enough to withstand thick layers* Support to protect your art and prevent warping* Encaustic, Wood burning* Once sealed and primed, the surface is perfect for mixed media, collage, and heavy paint applications like pouring Please Note: To ensure archival longevity, all unprimed wood panels should be sealed and primed before use. Learn more in this blog post on How to Seal and Prime Ampersand Wood Panels. See More
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Creative Inspirations 10"x20" Stretched Canvas 5/8" Deep - Pack of 5Save Up to73%Off listWhite Super Value Stretched Canvas Packs of 5 and 50 High quality low cost stretched canvas for quick studies or serious paintings with acrylic colors, oil colors, water mixable oil colors, casein color, alkyd color or mixed media. High quality raw materials include all pine stretcher frame, high quality cotton duck canvas and archival acid-free all media primer. Canvas is stretched onto the back of stretcher frame using rust proof staples providing a clean paint-able edge. Available in a wide variety of sizes including squares! Modern manufacturing techniques and scientifically proven quality priming assures the very best in its price class. High quality low cost stretched canvas - Complete range of sizes including squares. Unprimed weight is 25% more than lesser canvases Key Features: * Low cost, high quality stretched cotton canvas * High quality cotton duck canvas * All pine, slim 5/8" profile stretcher frame * Archival acid-free all media primer * Universally 10oz double-primed to accept all popular artist paints * Unprimed weight is 25% more than lesser canvases. You get the best of the grade for less! * Provides good brush response while painting * Paintable edges, rust-free-staples on the back of the stretcher frame * Available in: All sizes, even squares! Perfect For: * Beginning artists* Artists* Teachers and classrooms* Art businesses* Painting parties and workshops* Professional studies and practice * Testimonial & Reviews - Awesome Canvases! "I purchase hundreds of canvases for my business. A paint and sip art and educational studio in Coon Rapids, Mn. These are so far the best quality and are a great value. Plus shipping is fast and easy." Save over 20% More When you purchase the Bulk Boxes of 50 - Get a better quality artist grade canvas for your business--> See More
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Centurion Deluxe Oil Primed 10"x20" Linen Canvas .67" Deep (Box of 6)Save Up to64%Off listWhite Master Quality Archival Deluxe Stretched Canvas! Superb Performance And Color Retention! Exclusive OP Enhanced Oil Priming! As an oil painter, it is important to work on oil primed surfaces. First, oil on oil will provide the best chemical bond for the paint layers that go on, afterwards. Secondly, gesso are acrylic based, and either repel oil if they have too high of a resin base, or absorb the oil too much if it is too matte, making color sink and look dull and lifeless. Oil priming allows the color to sit cleanly and brightly on the surface, with refraction of the white from below. Centurion’s affordable (OP DLX) oil primed canvas is a great way to start painting with not only an oil primer, but the luxurious texture and archival tradition of linen! Exclusive OP enhanced oil priming! Oil Primed Linen, Deluxe Professional Stretched Canvas (OP DLX) Back stapled to allow for easy re-keying or re-stretching, Centurion Canvases have 4 paintable edges for frameless or floater frame presentation. The stretchers are kiln-dried, all pine bars for strength and durability. Centurion Linen is a master-quality, 11oz. weight linen with a lovely medium texture and weave, that’s archival nature will last hundreds of years. Centurion Deluxe Oil Primed Linen Canvases come in convenient 0.67" and 0.87" depths for ease of specific framing needs. Centurion Deluxe Oil Primed Linen also comes in rolls for custom stretching onto custom sizes or deeper gallery stretchers, and is also sold in Panels for studies, plein air, or to take up less space for traveling. Key Features:* Exclusive OP enhanced oil priming* Master quality 11oz. weight linen canvas for archival longevity* Deluxe Oil-primed linen* Medium weight and texture* Kiln-dried Pine Stretchers* Back stapled for clean edges* Easy re-keying or re-stretching* Convenient 0.67" and 0.87" depths for ease of specific framing needs* Superb performance and color retention* Non-absorbent, enhanced oil primer allows for brilliant results* Perfect For:* Oil and Alkyd Painting* Archival Longevity* Students to Professional Artists* Commissions and Final Paintings* Superb receptive surface There is no canvas like this canvas! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Stretched Canvas, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it then any other oil primed canvas on the market today! See More
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The Edge All Media Pro Cotton Canvas, 10"x20" - 11/16" Deep (Box of 6)Save Up to87%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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