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Pintura Painting Fine Textured Canvas Wood PanelsSave Up to57%Off list…in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets,… Acid-Free Fine Textured Canvas! Made from special (approximately 5/32" thick) compressed wood and covered with an even textured canvas that has an acid-free, all media priming. They offer artists the ability to upgrade from Canvas Panels made of cardboard and canvas. With these painting panels you still get the classic appeal of a true canvas support with the stiffness and lasting quality of wood. Sold in packs of 2. Key Features:* Made in Italy* Panels made of (5/32" thick) compressed wood* Acid-Free textured canvas* All media priming* Durable and lightweight * Fine tooth Perfect For:* Frames with shallow rabbets* Plein aire painting* Portraiture* Oil and Acrylic "These panels are lightweight, fit in frames with shallow rabbets, do not puncture and are therefore sturdy in transit, and are reasonable priced. The only personal variable to consider is if you like the texture of the canvas covering. I keep buying these because I do like to paint on them." - Anonymous See More
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Sparmax Air Compressor AccessoriesSave Up to27%Off listAccessories include outlets, plugs, filters and adapters. Air Hose Extension Kit - Includes 1/8" 10 ft air hose for making 20 ft, 30 ft, 40 t and even 50 ft length continuous air hoses. Accessories include outlets, plugs, filters and adapters. Air Hose Extension Kit - Includes 1/8" 10 ft air hose for making 20 ft, 30 ft, 40 t and even 50 ft length continuous air hoses. See More
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Awagami Creative Washi PaperSave Up to29%Off list…creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack,… Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Chelsea Classical Studio Nuovo Long Handle Professional BrushesSave Up to61%Off list…the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses.… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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