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Creative Mark Disposable Varnish Brush SetSave Up to53%Off list…wood * A guilt-free price for a single-use brush Perfect For: * Uncomplicated, easy varnish application * One time use * Easy cleanup, no need to wash, just throw away * Use with most paints, stains, varnish, and gesso * Applying brush-on adhesives * Many projects around the home or studio Stop trying to get the varnish out! Use a disposable brush instead We all know that varnish brushes are almost impossible to clean. No matter how much soap or water you use, the bristles never look or perform the same way again. Worst of all, hairs often fall out and cause even more frustration. Creative Mark’s Disposable Varnish Brushes are made for single-use and make varnishing a quick and easy process. Soft white synthetic filaments ensure even application, and extra strong glue keeps the hair in the ferrule. Imagine no hairs stuck to your work and no brush to clean! It’s all possible with the six-pack of Disposable Varnish Brushes. Clean-up is easy; just throw away when you’re finished. Key Features: * Value pack of six 2" wide brushes * Uniquely designed for the smooth application of varnish * Soft brush tips deliver a smooth, even finish * Extra strong glue keeps bristles in place * Triple crimped ferrule * Short wooden handles, made of unfinished wood * A guilt-free price for a single-use brush Perfect For: * Uncomplicated, easy varnish application * One time use * Easy cleanup, no need to wash, just throw away * Use with most paints, stains, varnish, and gesso * Applying brush-on adhesives * Many projects around the home or studio See More
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GOLDEN Isolation Coat & Waterborne VarnishSave Up to30%Off list…protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key… Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More
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Winsor & Newton Artist Varnish SpraysSave Up to29%Off list…quality varnishes for acrylics, alkyds, and oil paintings. Cans are 400ml. Aerosol All Purpose High Gloss Varnish - A general purpose, high gloss varnish that protects general arts and crafts from dust and moisture. Removable. Aerosol All Purpose Matte Varnish - A general purpose, matte varnish that… Fine art sprays to varnish or fix any media! Winsor & Newton's Artist Sprays are quality fixatives, general sprays for sealing, and quality varnishes for acrylics, alkyds, and oil paintings. Cans are 400ml. Aerosol All Purpose High Gloss Varnish - A general purpose, high gloss varnish that protects general arts and crafts from dust and moisture. Removable. Aerosol All Purpose Matte Varnish - A general purpose, matte varnish that protects general arts and crafts from dust and moisture. Removable. Aerosol Picture Gloss Varnish - Protects oil and acrylic paintings, with UV protection, in a gloss finish. Removable. Aerosol Picture Matte Varnish - Protects oil and acrylic paintings, with UV protection, in a matte finish. Removable. Aerosol Picture Satin Varnish - Protects oil and acrylic paintings with UV protection, in a satin finish. Removable. Aerosol Retouching Gloss Varnish - A retouching varnish for oil paintings, can be used as a tool to bring up dull, flat areas while an oil painting is in progress, to bring it all to the same sheen. Used as a temporary protective varnish while the painting oxidizes, until final varnishing can be completed. Painting must be dry to the touch before applying. Aerosol Fixative - A fine art, fixative for dry media drawings and sketches. Can be used to fix work in layers and as a final fixative. Please note: All products in this category are considered Hazardous Materials, and cannot ship by Air or Next Day Services. Ground Shipping Only. Key Features:* Varnishes and fixatives* Archivally varnishing paintings* Altering final sheen finish Perfect For:* Fixing charcoal and drawing medias* Archival varnishing* Artists of all skill levels See More
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SoHo Urban Artist Acrylic Varnish & MediumsSave Up to41%Off list…polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin… Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building soft textures. The use of acrylic polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin finish to your artwork. Key Features:* Acrylic polymer emulsion gel* Satin varnish* Add texture, enhance color* Create a variety of effects* Perfect For:* Modifying paint handling characteristics* Changing the finish of a painting* Extending acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal for glazing and brilliant gloss impasto effects. Mix with paint to increase body or apply directly for a transparent textural effect. Holds moderate peaks and retains brush strokes. See More
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New York Central® Colossus Varnish BrushesSave Up to63%Off list…Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition… Stiffness Watercolors Acrylics Oils The ultimate brush for laying down large areas of color The Colossus Varnish Brushes are the best varnish brushes on the market that can do so much more! You can cover a larger area because the brush features an internal fluid reservoir that holds paint or varnish in addition to the brush tips, which retain a considerable amount of fluid. Besides, these brushes are triple-thick, making them the ultimate brush for laying down large areas of paint, either thin ink or heavy impasto, as well as varnishes and gels of all sorts. Very fine 0.15mm PBT tapered filament allows for the most versatile use from varnishing to impasto painting to large scale lettering. The fine synthetic bristles do not leave any traces or marks when varnishing, creating a seamlessly smooth finish. The hair is purposely set at an angle allowing the user to hold the brush at a comfortable 45˚ angle. The high-quality filament, stainless steel ferrules, solid beech wood, and skilled craftsmanship contribute to a long brush life and are ultimately a great value! Key Features: * High-quality 0.15mm PBT tapered filament * Stainless steel ferrule * Solid beech wood handle * Brush tips retain a lot of paint * Handmade by skilled artisans in Germany * Huge paint reservoir within the brush * Excellent shape retention * Comfortable to hold at 45˚ angle * Perfect For: * Varnishing * Oil and acrylic paint of any viscosity * Fluid acrylic to heavy body * Thin ink or watercolor * Oversized calligraphy or lettering * Covering large areas * Heavy impasto techniques See More
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Charvin Copper Canvas NailsSave Up to30%Off listThe very best & strong copper canvas nails! Made of a solid, strong steel base coated in a thick layer of copper, these nails from Charvin are perfect for stretching your canvas in the centuries-old traditional way. Using nails or tacks instead of staples when stretching canvas ensures greater… The very best & strong copper canvas nails! Made of a solid, strong steel base coated in a thick layer of copper, these nails from Charvin are perfect for stretching your canvas in the centuries-old traditional way. Using nails or tacks instead of staples when stretching canvas ensures greater stability at each holding point, and the copper coating is resistant to rust over time. Sold in 100ml (3.4oz) and 250ml (8.5oz) plastic jars. Copper canvas nails ensures greater stability at each holding point, and the copper coating is resistant to rust over time Key Features: * Length: 7/16" & 11mm * Made of a solid, strong steel base coated in a thick layer of copper * Perfect for stretching your canvas * Greater stability * Copper coating is resistant to rust over time * Sold in 100ml (3.4oz) & 250ml (8.5oz) plastic jars * More magnetic so stick to hammer head in use See More
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Charvin Canvas RollsSave Up to55%Off list…professional-quality gesso; suitable for acrylics, oils, alkyds. Acrylic Primed Medium Linen has a medium weight. Medium Linen - Extremely popular, medium linen is perfect for general painting techniques and genre styles. Coarse Linen -Great for larger paintings, murals, or works where a pronounced… A canvas style offering for every type of painter Acrylic Priming - double acrylic primed with professional-quality gesso; suitable for acrylics, oils, alkyds. Acrylic Primed Medium Linen has a medium weight. Medium Linen - Extremely popular, medium linen is perfect for general painting techniques and genre styles. Coarse Linen -Great for larger paintings, murals, or works where a pronounced weave is desirable. Acrylic Primed Coarse Linen has a Heavy weight. Jute - An ancient fabric, the extra tight weft and coarse grain of this unprimed jute gives paintings an original, unique look. See More
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Charvin Extra-Fine Artists’ Acrylic PaintsSave Up to52%Off list…For: * Alla prima painting * Landscape and Realist artists * Luminous glazing techniques * Acrylic that looks & paints like oil * Versatility that lends itself well to everything from glazing to impasto * Demanding professional painters * 100% Guarantee Charvin guarantees your art… Luxury Professional Artists’ Acrylic, Putting All the Colors of Nature Right at Your Fingertips! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high-quality oil colors and mediums since the era of the Impressionists. More recently, professional artists have been evolving along with technology, and the ease and accessibility of acrylic artist paint has come into higher demand. Bruno Charvin, the company’s owner and master color maker, was determined to provide artists with an innovative acrylic color that was nothing short of the best. After years of research, experimentation, and testing, Charvin Extra-Fine Acrylics was officially born. Just like their acclaimed Charvin Oils, Charvin’s Extra-Fine Acrylics use only the finest traditional and modern pigments. Triple-milled on a Swill Bueller mill to an extreme degree of fineness, pigments are then blended with the highest quality acrylic polymer binder. The Result? A highly concentrated color in a luxurious, creamy consistency, with a versatility that lends itself well to everything from glazing to impasto. The Most Unique Acrylics Ever Made! The wide range of vibrant, highly pigmented colors evoke the beautiful colors of nature, making them the perfect choice for landscape and realist painters, as well as in the studio! We Promise, you will absolutely love to paint with Charvin Acrylics! Key Features: * Experience an acrylic like no other! * Amazing color range evokes the beautiful colors of nature * Superior quality, professional acrylics * Triple-milled, lightfast pigments * Highest grade polymer acrylic binder * Highly concentrated color in a luxurious, creamy consistency * 60ml & 150ml tubes * Less mixing for beautiful, vibrant colors * Made by master color makers * Click on "Yellow" icon on products for color information Perfect For: * Alla prima painting * Landscape and Realist artists * Luminous glazing techniques * Acrylic that looks & paints like oil * Versatility that lends itself well to everything from glazing to impasto * Demanding professional painters * 100% Guarantee Charvin guarantees your art will be better or money back! Please note: color names may appear different due to a French translation or printing error. The pigment in the tube has not changed. The manufacturer may change color names without notice. See More
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Charvin Extra-Fine Artists Acrylic SetsSave Up to62%Off listPaint with the true colors of nature - sets of superior artists’ acrylics ideal for landscape and realist painting! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high quality oil colors and mediums since the era of… Paint with the true colors of nature - sets of superior artists’ acrylics ideal for landscape and realist painting! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high quality oil colors and mediums since the era of the Impressionists. More recently, professional artists have been evolving along with technology, and the ease an accessibility of acrylic artist paint has come into higher demand. Bruno Charvin, the company’s owner and master color maker, was determined to provide artists with an innovative acrylic color that was nothing short of the best. After years of research, experimentation, and testing, Charvin Extra-Fine Acrylics was officially born. Just like their acclaimed Charvin Oils, Charvin’s Extra-Fine Acrylics use only the finest traditional and modern pigments. Triple-milled on a Swill Bueller mill to an extreme degree of fineness, pigments are then blended with the highest quality acrylic polymer binder. The Result? A highly concentrated color in a luxurious, creamy consistency, with a versatility that lends itself well to everything from glazing to impasto. Now you can try this luxurious line of acrylic paints in convenient sets! From introductory sets of 8 and 9 to nicely stocked wood box sets, you can try this vibrant, professional brand without a huge investment! (Set components are specified in tech notes listings on each item.) Key Features:* Superior quality, professional acrylics * Triple-milled, lightfast pigments* Highest grade polymer acrylic binder* Smooth creamy consistency* Basic to luxury wood box sets Perfect For:* Plein Air painting* Landscape and Realist artists* Luminous glazing techniques* Acrylic that looks & paints like oil* Demanding professional painters See More
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Maimeri Oil Painting MediumsSave Up to22%Off list…of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a… Increases the brightness of colors. Good drying power! Maimeri Walnut Oil Painting Medium uses only the purest ingredients for the best guarantee of brilliance and vibrancy Maimeri uses only the purest ingredients for the best guarantee of brilliance and vibrancy. Most Maimeri oil mediums are housed in a glass bottle with a twist-off cap. Increases the brightness of colors. It has similar properties to linseed oil, but it won't yellow as much. Good drying power. Walnut Oil Similar properties to linseed oil, but it does not yellow. Good drying power, increases the brightness of colors. Walnut Oil:* Similar properties to linseed oil* but it does not yellow* Good drying power* Increases the brightness of colors* Available in: 75ML, 250ML, 500ML glass bottles See More
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Gamblin Oil Painting GroundSave Up to40%Off listMakes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium… Makes a strong, bright, non-absorbent foundation for oil paintings Gamblin Oil Painting Ground makes a strong, bright, non-absorbent foundation for oil paintings. Gamblin Ground is formulated from alkyd resin, titanium dioxide, and calcium carbonate – titanium dioxide gives opacity, while calcium carbonate gives tooth for strong adhesion. Gamblin Ground makes a brighter and less-absorbent ground layer compared to acrylic “gesso” – meaning that oil paint layers on top will better retain their color saturation. In addition, the lower absorbency allows for “reductive” underpainting techniques when painters need to wipe back to the white of the Ground. Key Features:* See video - Ground Application* Makes a strong, bright, non-absorbent foundation for oil paintings* Formulated from alkyd resin, titanium dioxide, and calcium carbonate* Brighter and less-absorbent ground layer * Oil paint layers on top will better retain their color saturation* Lower absorbency * Thicker than acrylic gesso* Can be applied on top of acrylic gesso Because the percentage of pigments is so much higher than in acrylic “gesso”, painters need only apply TWO coats of Gamblin Ground instead of the recommended four coats of acrylic. Fabric supports should be sized with PVA Size before applying Gamblin Ground. Also, Gamblin Ground can be applied on top of acrylic gesso for a brighter white, less-absorbent ground layer. Gamblin Ground is thicker than acrylic gesso, and requires different application techniques See More
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Schmincke Oil Painting MediumsSave Up to10%Off list…properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Williamsburg Oil Painting Drying Oils and MediumsSave Up to30%Off list…Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film… The Perfect Accompaniment to Williamsburg Handmade Oil Paints - Williamsburg Painting Mediums And Drying Oils! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the paint while working needs to be of equal quality of the paint you use, for the maximum benefit of continuity of paint film strength and durability. Williamsburg is proud to offer a unique selection of drying oils and mediums to enhance your oil painting experience. Drying Oils are available in bottles from 4oz to 32 oz sizes, and Wax Medium is available in cans from 8oz to 32oz. Linseed Oil - Genuine alkali-refined linseed oil. Increases flow, transparency and gloss. Useful as an ingredient in painting mediums. Cold Pressed Linseed Oil - Genuine, cold-pressed linseed oil. Extracted through pressure alone. Less processed than alkali-refined oil. Closer to what was traditionally used in the past. Stand Oil - a thick, honey-like linseed oil with excellent leveling properties. Increases flow, transparency, and gloss. Useful as an ingredient in painting mediums. Slower drying and less yellowing than other linseed oils, it creates a smooth, durable, flexible film. Wax Medium - Pure beeswax, damar resin, and refined linseed oil. No paraffins or microcrystalline. Use in moderation to thicken paint; imparts a short, buttery texture. Increases transparency, dries to a satin sheen. Alkyd Resin - Made from a slow-drying pure alkyd resin with the consistency of a thick stand oil. Dries to a glossy, flexible, and enamel-like film. Useful in making other mediums or added directly into oil paints to modify transparency and flow. WARNING: Combustible. Vapor harmful. Key Features:* Professional, Handmade Oil Mediums* Quality cold-pressed drying oils* Oils to make custom mediums* Wax Medium to thicken paint* Perfect For:* Making custom painting mediums* Professional Oil Painters* Discerning students & amateurs* Using with professional quality oils See More
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Michelle Courier Signature Charvin Extra-Fine Acrylics Sets
Starting At: 254.34
…Curated Charvin Extra-Fine Acrylics Sets By Artist Michelle Courier Just For You! “I paint with Charvin acrylics because they are the most beautiful hues imaginable and when an artist can find the perfect hue right out of the tube it’s easy to go back and use the same tube of paint instead of… Specially Curated Charvin Extra-Fine Acrylics Sets By Artist Michelle Courier Just For You! “I paint with Charvin acrylics because they are the most beautiful hues imaginable and when an artist can find the perfect hue right out of the tube it’s easy to go back and use the same tube of paint instead of mixing so much. The paints also do mix beautifully with each other so they are easy to work with in many ways. I love the eggshell finish they give and many ask what brand of paints I use and I tell them Charvin! I have convinced many of my artist friends and my former students to give them a try and they love them so much that they purchase the entire line!” These specially curated sets are hand-picked by Michelle Courier for your painting pleasure to help you get the colors and supplies you need that go along with the photos and paintings seen on this page.Why Charvin Extra-Fine Acrylics by Michelle Courier “They are the most beautiful hues imaginable.”About Artist Michelle Courier Denver-based artist Michelle Courier is the artist and owner of Westward Gallery in Denver, Colorado in the Tennyson arts district. Michelle is the daughter of an artist and attended the University of Michigan to get her degree in painting and has been a professional free lance artist ever since. Michelle considers herself a realist, impressionist and abstract artist. She creates visible brush strokes and textures that allow two different ways to enjoy the painting. Up close her paintings are impressionistic, but from a distance, they almost look like photographs. The feeling of place is what Michelle is most interested in communicating through her landscape paintings. She presents to the viewer a sense of the time of day through the quality of light and to feel the temperature of the air. Scenes of Lake Tahoe and the surrounding area are Michelle's favorite subject matter, “The water in Lake Tahoe can be deep blue, silver, or aqua green depending on the day and the clarity of the water is amazing!” Along with her own gallery Michelle has representation in several galleries across the US including Montana, California, Oregon, Michigan and Massachusetts. She is in many personal and corporate collections including the Hong Kong Bank of China (HSBC), Dow Corning ( Midland, MI), Chevron Corporation Headquarters ( Houston, TX), Upjohn Pharmaceuticals ( Kalamazoo, MI ), Delta College ( Saginaw, MI ), Dominos Farms ( Ann Arbor, MI ), Wells Fargo Headquarters (San Fransisco, CA ), Mid-Michigan Medical Center ( Midland, MI) as well as many others. Key Features:* Set of 17 colors: 60ml Tubes* Deluxe set of 17 colors 150ml Tubes* Over 100 vibrant colors that parallel the beautiful colors of nature* Superior quality, professional acrylics* Triple-milled, lightfast pigments* Superb light-fastness* Highest grade polymer acrylic binder* Highly concentrated color in a luxurious, creamy consistency* Less mixing for beautiful, vibrant colors* Landscape and Realist artists Learn More: Michelle's Website Follow Artist and See More: Gallery Facebook Facebook @westwardgallery @michellecourier Michelle Courier Artist Sets (Click On Yellow Icons Next To Products For Full Details) Michelle Courier Set of 17 Charvin Extra-Fine Acrylics 60ml Artist Set:* 1 of each: Alexander's Blue, Anise, Blue Shadow, Cerulean Genuine, Cobalt Blue Genuine, Cobalt Turquoise, Cobalt Turquoise Light, Green of Menton, Green of Nice, Green of Provence, Marine Blue, Ocean Blue, Phthalo Green Blue, Royal Blue Light, Titanium White, Tropical Green, Turquoise Blue Michelle Courier Deluxe Set of 17 Charvin Extra-Fine Acrylics 150ml Artist Set:* 1 of each: Alexander's Blue, Anise, Blue Shadow, Cerulean Genuine, Cobalt Blue Genuine, Cobalt Turquoise, Cobalt Turquoise Light, Green of Menton, Green of Nice, Green of Provence, Marine Blue, Ocean Blue, Phthalo Green Blue, Royal Blue Light, Titanium White, Tropical Green, Turquoise Blue See More -
M. Graham Oil Painting MediumsSave Up to40%Off listAugment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans -… Augment the special nature of your oil colors! M. Graham's Oil Painting Mediums can enhance and heighten oil colors. Designed to decrease drying time and improve adhesion, these mediums are available in a variety of sizes.Walnut Oil - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Perfect for removing color from brushes after use and since it is a natural vegetable oil, it will not evaporate or remove essential oils from the artists' paint brushes. Walnut oil can also slow drying, increase sheen and enhance the flow of oil colors.Walnut/Alkyd Medium - Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans - Can thin the color, enhance adhesion between layers, increase surface sheen and speed up drying time for oil colors. This medium can also increase flexibility of the paints. Walnut/Alkyd Medium is ideally suited for all-prima and glaze applications and is certified non-toxic. Key Features:* Available in 4 different sizes* Available in: 4oz., 8oz. Bottles / 32oz., Gallon (128oz.) Cans* Non-toxic* Safe to use on brushes Perfect For:* Working with oil colors* Speeding up drying time* Increasing adhesion and flow of oil paint See More
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Old Holland Oil Painting MediumsSave Up to25%Off list…Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to… Professional Master's Quality Oil Painting Mediums from Old Holland! Since 1664, Old Holland has been manufacturing the most professional quality pigments, painting oils, and varnishes for artists like Vermeer and the Dutch Masters. With oils pressed by a windmill, they still manufacture drying oils, stand oils, and varnishes to the highest standard of quality in the most traditional methods feasible. Key Features:* Bleached Linseed Oil, Refined Poppy Oil* Stand Oil, Cold Pressed Linseed Oil* Master quality drying oils* Oils to create custom mediums Perfect For:* Glazing and thinning oils* Creating custom painting mediums* Increasing fluidity, makes it possible to remove the brushstroke* Increases the gloss, lengthens the drying time Cold Pressed Linseed Oil - Cold pressed linseed oil from ground Flax Seeds, which are pressed by Old Holland in their tradition of using a windmill. Enhances the fluidity of paint and enables brush strokes to be removed. Enhances gloss but lengthens the drying time, dries to a flexible, durable paint film. Used as an ingredient in custom painting mediums. Can be thinned with turpentine or white spirit. Bleached Linseed Oil - Cold pressed linseed oil which has been bleached to lighten the oil color, making it yellow less than traditional linseed oil, but dries slower, as well. Enhances the fluidity of paint and enables brushstrokes to be removed. Enhances gloss of paint film. Can be thinned with turpentine or white spirit. Stand Oil - Boiled polymerized linseed oil, thick to a honey-like consistency. A popular additive in painting mediums, especially for glazing mediums. Yellows less than linseed oil as has already begun the oxidation process. Dries more slowly than regular linseed oil, to a flexible and durable paint film. Refined Poppy Oil - Obtained from the first pressing of poppy seeds. Maintains many of the qualities of linseed oil, but yellows less when mixed with light colors and dries much more slowly. Use conservatively as Poppy Oil paint film dries more brittle than linseed oil. See More
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Gamblin Artists' Oil Painting MediumsSave Up to40%Off list…- Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be… True to historic working properties. Safer. More Permanent. Gamblin Oil Painting mediums offer a great deal more than simply extending oil colors. Mediums modify the working properties of oil color from the tube – from a fluid consistency for expressive mark making to a stiff paste for creating thick, crisp marks. Painting mediums also broaden the visual qualities of our colors – from increasing the transparency of paint layers, to creating a range of surface qualities, from high gloss to matte. Gamblin’s family of Galkyd painting mediums and Cold Wax Medium are formulated with Gamsol. We recommend only Gamsol for thinning these materials. Alkali Refined Linseed Oil - Processed from flax seeds. This linseed is the purest and lightest industrially produced variety. Cold Pressed Linseed Oil - Made from the first pressing of flax seeds without heat or chemicals of any kind. Cold Wax Medium - Made from natural white unbleached beeswax. Mix directly into colors. Cold Wax creates an ultra-thick, matte impasto. For greater shine and flexibility mix with Galkyd medium. "G-Gel" - Made from alkyd resin, Galkyd Gel is a colorless oil color additive that accelerates the drying rate of oil colors and enables artists to create thick transparent paintings with a moderate sheen. Galkyd Painting Medium - Alkyd based resin painting medium that thins oil paints and maintains a strong flexible paint film. Galkyd speeds the drying rate and is excellent for glazing providing an enamel like finish. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Painting Medium Lite No.2 - This low viscosity alkyd resin painting medium is a good replacement for traditional damar/ linseed oil/ turpentine combination mediums. Galkyd Lite dries within about 3 hours to a subdued gloss, and will maintain your brush strokes. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Galkyd Slow Drying Medium - Especially formulated to thin oil colors and give painters extended working time. To use mix equal portions of medium with oil colors to paint wet for at least a day. Since this product should not be diluted you may want to purchase the larger size. Gamsol - Quality solvent and medium and for general oil painting. Gamsol is also an excellent studio and brush cleaner. Odorless Mineral Spirits -Gamsol is the safest solvent that allows oil painters to utilize all traditional painting techniques without compromise. Primary Uses for Gamsol - Thinning oil colors, Modifying painting mediums, Studio clean up.Gamsol is a petroleum distillate but all the aromatic solvents have been refined out of it, less than .005% remains. Gamvar - Conservation quality varnish for oil, acrylic and alkyd paintings. This resin varnish may be removed with a mild solvent and contains a UV stabilizer. Developed in association with the National Gallery of Art. Package makes enough varnish to cover 80 sq ft. Once varnish is applied surface will have a uniform gloss apperance. Neo-Megilp - When mixed into oil colors Neo-Megilp makes them richer and deeper and finished paintings have a luminous glow! Neo-Megilp will not darken or crack over time. For thinning, Gamblin recommends using Gamsol or a small amount of Refined Linseed Oil. Oil Painting Ground - For strong, bright foundations of oil paintings. Requires only 2 coats. Formulated from alkyd resin, titanium dioxide and barium sulfate. Stiffer than traditional gesso. PVA Size - Use as a barrier size between linen or cotton canvas instead of rabbit skin glue. Remains flexible and won't yellow, shrink or swell. Poppy Oil - Poppy Oil's slow drying time may be useful for painters using "wet into wet" techniques. Adding 10% by volume poppy oil slows down the drying time of Gamblin Galkyd Painting Mediums. Rabbit Skin Glue - Gamblin's Rabbit Skin Glue is the traditional size for fabric support on panels. It seals porous fabric and isolates it from ground or oil paints. Stretching the canvas is easy, because the size shrinks as it dries. Safflower Oil- Gamblin's Safflower Oil is a pale, slow-drying oil. Safflower oil increases flow of oil colors and slows dry time. Use sparingly or mix with an equal amount of Gamsol to create a traditional slow-drying, low-viscosity painting medium. Solvent-Free Gel Medium - This unique, non-toxic blend of safflower oil and alkyd resin gives colors more flow and transparency, yet holds brushstrokes well. It has a moderately fast drying rate, increases gloss, and supports the broadest range of painting techniques with the least compromise across color, dry time, texture and mark-making. Contains no Gamsol or petroleum distillates. Solvent-Free Fluid Medium- Gamblin's Solvent-Free Fluid Mediumgives oil colors more flow and transparency, It has a moderately fast drying rate that increases gloss. Made from safflower oil and alkyd resin, this medium is non-toxic and contains no Gamsol or petroleum distillates. Stand Oil - Vacuum bodied heavy oil which can be used in painting and glazing mediums. Dries to an enamel like finish. Traditional Gesso - Gamblin's Traditional Gesso is a dry mixture of rabbit skin glue, gypsum, marble dust, and titanium dioxide. Paintings on gesso are more matte because of the high absorbency of traditional gesso. Wax Pastilles - Small beads of naturally white unbleached beeswax.* See More
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Cobra Water-Mixable Oil Painting MediumsSave Up to40%Off list…of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil… Expand your painting possibilities with these water-mixable oil mediums! Using these specially designed water-mixable mediums and auxiliaries can increase the range of effects achievable with your Cobra paints! Just like Cobra colors, these mediums mix cleanly with water and are great additives for techniques from glazing and layering to alla prima and impasto. A convenient bar of Brush and Hand Soap is also available to ensure your brushes are thoroughly clean. Enhance all your water-mixable oil paintings with these great mediums from Royal Talens! Key Features: * Oil paint mediums * Cleaning auxiliaries Perfect For: * Modifying oil paint * Lengthening drying time Click on the white paper icon for more information about each Cobra product. Painting Medium - This viscous medium makes Cobra oils smoother and fatter, eliminating brushstrokes without lengthening the drying time of the paint film. It also adds a universal sheen and increases color transparency. Perfect for use in layering and alla prima (wet-on-wet) techniques. Glazing Medium – improves the flow of Cobra oil paints and increases their transparency, making it perfect for luminous glazing techniques. As this medium has a high oil content, it should only be used in the final few layers of a painting, following the "fat over lean" rule. Painting Paste – Perfect for adding bulk in impasto techniques or decreasing color intensity for alla prima painting. Can be mixed with Cobra oil colors in any ratio, but the more Painting Medium added, the lower the color intensity will become. Quick Dry Medium (Solvent-Free) - This medium reduces the drying time of Cobra paints. It also increases the flow and transparency of the paint while making the paint fatter. Safflower Oil - Safflower oil boosts paint flow and transparency. The oil doesn't yellow over time and dries slower than linseed oil, making it ideal for initial and final paint layers. Linseed Oil - improves paint flow and transparency. This linseed oil dries relatively fast and can be used for the initial layers of your painting. While linseed oil may yellow slightly over time, it offers a more stable paint film. Paint Thinner (Solvent-Free) - This solvent-free thinner enhances paint fluidity, making it leaner and aiding quicker drying times. It's particularly ideal for applying the initial layers of your painting. Brush Cleaner (Solvent-Free) - Makes brushes easier to clean. Also cleans brushes with oil colours that are not mixable with water Medium Mix - Cobra created this Medium Mix to help artists transition from traditional to water-mixable oil paints. Add this medium to your leftover traditional oil paints to make them water-mixable, so you can mix and thin your paint using just water! Brush and Hand Soap - Crafted from 100% vegetable-based ingredients. Whether you're working with oils or acrylics, Cobra Soap is the ideal solution for keeping your hands and brushes clean throughout your creative process. See More
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Bob Ross Oil Painting MediumsSave Up to25%Off list…to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially… Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Nancy Medina Signature Charvin Extra Fine Acrylic SetsSave Up to54%Off list…curated sets are hand-picked by Nancy Medina for your painting pleasure to help you get the colors and supplies you need that go along with the photos and paintings seen on this page.Why Charvin Extra Fine Acrylics By Artist Nancy Medina “Charvin Extra Fine Acrylics have a beautiful and unique… Specially Curated Charvin Extra Fine Acrylic Painting Sets by Artist Nancy Medina Just for You! “I've been painting in acrylics for 18 years and have tried many brands and types of colors in that time. One of the challenges in working with acrylics is that they are transparent by nature. Building layers takes patience, but with Charvin Extra Fine Acrylics, you can achieve rich, visible color much more quickly than almost all of the professional brands on the market. I highly recommend them and love having them in my studio.” These specially curated sets are hand-picked by Nancy Medina for your painting pleasure to help you get the colors and supplies you need that go along with the photos and paintings seen on this page.Why Charvin Extra Fine Acrylics By Artist Nancy Medina “Charvin Extra Fine Acrylics have a beautiful and unique ability for coverage and pigment richness I absolutely love!”About Artist Nancy Medina Nancy Medina has worked with Disney, served on the art faculty of the Dallas Aboretum and teaches workshops in France, Italy and across the US. She has worked professionally in design and publishing for over 20 years. In 2013, she retired from her job as the director of a national magazine to pursue her art and teach full time. She is a master signature artist and instructor with over 1500 online students from around the world. Nancy's monthly online class, The Joyful Brush, has attracted students from across the globe. She teaches a loose, bright, and joyful approach to painting in both oils and acrylics. Her work has attracted over 67,000 fans on Facebook. Nancy is known for her bold, impressionistic florals. Her love of art and gardening originated on her childhood farm in Scurry, Texas, where her parents were organic gardeners. Her earliest memories are of standing barefoot beneath 11 foot sunflower stalks in her family's garden. Nancy Medina's original oil paintings have been featured in print and web publications and on the cover of magazines. She is a master signature member of he Artists of Texas and a member of the prestigious Daily Painters Gallery, the original international gallery of 150 artists who produce new daily works of art for collectors across the globe. Her work is represented by galleries in Texas and California. Key Features:* Nancy Medina 60ml Charvin Extra Fine Acrylic Signature Series Kit* Nancy Medina 150ml Charvin Extra Fine Acrylic Signature Series Kit* Superior quality, professional acrylics* Triple-milled lightfast pigments* Highest grade polymer acrylic binder* Creamy Consistency* Highly concentrated color Learn More: Website & School Follow Artist and See More: @ nancymedinaart Facebook Page Nancy Medina Artist Sets (click on yellow icons next to products for full details) Nancy Medina 60ml Charvin Extra Fine Acrylic Signature Series Kit:* 12 60ml tubes of Charvin Extra Fine Acrylics: 1 each in Burnt Sienna, Burnt Umber, Chromium Oxyde Green, Cobalt Blue Hue, Quinacridone Magenta, Ultramarine Blue Deep, Yellow Ochre, Vermilion Red Light, Napthol Red Light, Phthalo Green Blue, Purple & Titanium White Nancy Medina 150ml Charvin Extra Fine Acrylic Signature Series Kit:* 12 150ml tubes of Charvin Extra Fine Acrylics: 1 each in Burnt Sienna, Burnt Umber, Chromium Oxyde Green, Cobalt Blue Hue, Quinacridone Magenta, Ultramarine Blue Deep, Yellow Ochre, Vermilion Red Light, Napthol Red Light, Phthalo Green Blue, Purple & Titanium White See More
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Winsor & Newton Oil Color Drying OilsSave Up to43%Off list…Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil… The Perfect Accompaniment To Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. Winsor & Newton is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. Drying oils control color, prevent over-thinning when mixed with solvents, and help maintain the flexibility of paint film. Key Features: * Accelerates the drying time * Increases gloss & translucency of colors * For information click on yellow technote icon Perfect For: * Making custom painting mediums * Accelerating the drying of oil colors * Professional oil painters * Maintaining consistency * Preserving gloss Cold Pressed Linseed Oil - An oil extracted without the use of heat. Cold Pressed Linseed Oil makes oil colour "fatter". It reduces viscosity for better flow while adding transparency and gloss. Drying Poppy Oil - Extracted from the seeds of the poppy plant. Drying Poppy Oil makes oil colour "fatter" and has a pale character. The fast drying oil stabilizes a colour’s film. Dries more slowly than linseed oil and preserves good, clear colours even in the spectrum of light colours. Drying Linseed Oil - Fastest drying linseed oil, increases gloss, transparency, and reduces consistency. It decreases the consistency and transparency of the oil paint. Add to other oils to accelerate drying times. Linseed Stand Oil - For glazing and as an alternative for Refined Linseed Oil, due to its pale colour and excellent levelling. Linseed Stand Oil makes oil colour "fatter". It's a pale viscous oil that slows drying while imparting a smooth, tough enamel finish with no brush marks. Refined Linseed Oil - A low viscosity alkali refined oil of pale colour that dries slowly. Refined Linseed Oil makes oil colour "fatter". It reduces the consistency of the paint. Slower drying variant of the linseed oils. Add to fast drying oils to balance drying times. Bleached Linseed Oil - A refined pale oil which will improve the flow of colour and dries slightly faster than Refined Linseed Oil. Use with pale colours and white. Thickened Linseed Oil - Amber coloured, partially oxidised oil. Makes oil colour "fatter". A faster drying viscose oil. Can be used in combination with Sansodor to accelerate drying rates further. Safflower Oil - Extracted from the seeds of the safflower plant. Makes oil colour "fatter" and has a pale character. It's a slow drying oil that stabilizes paint film. Use with whites, pale and bright colours. The pale colour preserves the brightness of pigments. PLEASE NOTE: All products in this category are hazardous materials: Cannot ship by Air/Next Day Services. Ground Only. See More
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Winsor & Newton Oil Painting PrimersSave Up to43%Off list…prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken… Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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LUKAS Oil Painting Mediums and AdditivesSave Up to61%Off listThe Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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Wilson Bickford Artist Oil Painting MediumsSave Up to51%Off list…base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4… Expand your painting experience with Wilson Bickford grounds and mediums! Now you can paint along with master artist Wilson Bickford from the ground up! This specially-selected line of grounds and mediums were developed by Wilson to enhance his signature wet-in-wet oil painting style — and now you can benefit from his years of experience! From creating a solid ground or tonal grisaille, to blending colors into a base coat and crafting delicate, luminous oil color glazes, these gessoes and mediums are your surefire ticket for "fun and fast" painting with professional artist and instructor Wilson Bickford!* Gesso – Made from pure Titanium White or black pigment blended with an acrylic copolymer emulsion. It yields an excellent flexible film with a fine tooth surface, ideal as a base for paintings in acrylics, oils, alkyds, tempera, inks and more. Available in White or Black; 16 oz. bottles.* New! Background Color -- Gesso formulated to provide artists with fast drying, beautiful, toned backgrounds. Achieve dramatic effects in your underpainting by creating a flexible film base which can be painted over with oils, acrylics, alkyds and even tempera.* FastFlo Base Coat Medium – This alkyd-based medium is the perfect base coat for wet-in-wet oil painting techniques, and provides a smooth, white, quick-drying ground on which to start a painting. Available in 4 oz. and 8 oz. bottles.* Clear Glazing Medium – Mix with oil or alkyd colors to speed the drying time, to add translucency and to extend color. Ideal for creating glazes as well as detailed effects. Can be thinned and cleaned up with turpentine or odorless mineral spirits. Available in 8 oz. or 16 oz. bottles. * See More Wilson Bickford Signature Series Art Supplies See More
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Sennelier Oil Turpentine SpiritsSave Up to31%Off list…sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
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Beginner Oil Painting Sets and KitsSave Up to68%Off list…oil painting art sets for beginning oil painters! Just starting out? Oil paints are a classic medium, popular for centuries. Some artists may be intimidated to take up this luminous paint, so we've put together sets to help get started or to continue the journey into oils. These lavish oil painting… Deluxe oil painting art sets for beginning oil painters! Just starting out? Oil paints are a classic medium, popular for centuries. Some artists may be intimidated to take up this luminous paint, so we've put together sets to help get started or to continue the journey into oils. These lavish oil painting sets encompass everything from basics for beginners to the ultimate complete oil painting studio and everything in between! No matter your skill level or experience, you are sure to find the perfect art painting set to get you started or expand your knowledge in oil paints right here. Key Features: * Oil paint sets perfect for beginners* Kits range from basic to all-inclusive* Some sets also include mediums, canvas, and more* Learn oil painting easily or step up to professional-grade!* It makes a great gift! Perfect For:* Ideal for working professionals on a budget* First-time artists* Oil painting* Gift giving! See each set's contents by clicking on the paper icon in Item Notes next to the product listing. See More
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Silver Ultimate Varnish & Finish Brush SetSave Up to35%Off list…stroke control Perfect For: * Oils and acrylic-based paints * Varnishing, lacquering, glazing, background brushes * Use on canvas, panels, paper, and rough surfaces * Painting backgrounds, gesso painting in both oil and acrylic color, and impasto painting * Painting whiskers, hairs, flower stems,… The 3 Basic Varnishing Brushes Every Artist Needs The Ultimate Varnish & Finish Brush Set contains 3 essential varnish brushes. The 2” wide white hog bristle brush has a chisel tip that you can use with all media. In contrast, the 1" Ultimate Varnish Mop is made with a unique synthetic filament perfect for blending and softening. Soft and lustrous, the “Ultimate Varnish” brush will spread color and varnish on any surface without leaving bubbles behind. The Ruby Satin® monogram liner is perfect for precise details and fine lines. Add the perfect finishing touch to your work today with the Ultimate Varnish & Finish Brush Set. Key Features: * 2” white hog bristle brush, with chisel tip * 1” ultra-soft synthetic mop * Size 2 monogram liner * Durable and long-lasting brushes * Brushes hold and control paint flow * The short length of the liner provides maximum stroke control Perfect For: * Oils and acrylic-based paints * Varnishing, lacquering, glazing, background brushes * Use on canvas, panels, paper, and rough surfaces * Painting backgrounds, gesso painting in both oil and acrylic color, and impasto painting * Painting whiskers, hairs, flower stems, and more * Signing your paintings See More
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Williamsburg Lead Oil GroundSave Up to30%Off list…before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect… Prepare your surface before painting Williamsburg Lead Oil Ground is a traditional oil ground made with Basic Lead Carbonate and marble dust for the perfect amount of tooth and absorbency. A small amount of Titanium White is added to improve opacity and brightness. Ground in 100% alkali-refined linseed oil. The perfect amount of tooth and absorbency. It contains no zinc or alkyd. A combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting. Dries to a semi-absorbent, satin finish. Some separation of the product can occur due to settling. Key Features:* Size: 16oz & 32oz* Made with Basic Lead Carbonate and marble dust* Titanium White is added to improve opacity and brightness* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Videos and How To Instructions:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRYING TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas See More
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Williamsburg Titanium Oil GroundSave Up to30%Off list…turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? Prepare your surface before painting Williamsburg Titanium Oil Ground is an oil ground made with Titanium Dioxide and marble dust for the desired amount of tooth and absorbency. Ground in 100% alkali-refined linseed oil. Contains no zinc or alkyd. Just the right amount of tooth and absorbency. Combination of pigment, marble dust and alkali refined linseed oil used to prepare a surface before painting and dry to a semi-absorbent, satin finish. Key Features:* Size: 16oz & 32oz cans* Made with Titanium dioxide and marble dust * Spreads well, lays nicely, and dries quickly* Non toxic* Ground in 100% alkali-refined linseed oil* Used to prepare a surface before painting* Can be thinned with odorless mineral spirits,mineral spirits or turpentine* Can be used on canvas or linen Instructions & Videos:* How To Apply & Instruction Sheet NOTE: Stir separated mixture to an even consistency before using SANDING OIL GROUNDS: Do NOT sand Lead Oil Grounds once dry.The dust created from sanding lead products is harmful. Titanium Oil Grounds can be sanded if desired. Always use a respirator when sanding to avoid inhalation as airborne particulates can cause respiratory irritation. DRY TIME: Each coat will take approximately 2-3 days to dry. Be sure that each coat is dry before applying subsequent coats. After the last coat is touch drywe recommend waiting a minimum of two weeks before painting. STORAGE: Any unused thinned ground can be saved for future use. Stir before using. SUPPLIES NEEDED: Oil Ground, Solvent (odorless mineral spirits,mineral spirits or turpentine), Palette knife, Paint can opener or screwdriver, Brush (natural bristle), Rigid Support or properly sized canvas Did you know that it is illegal to travel by plane with any oil color solvent? Did you know all you need to paint in oils are these oil pastels, brushes and some linseed oil? See More
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Sennelier Oil Color MediumsSave Up to37%Off list…Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil… Alter the working characteristics of oil paint to suit your artistic need Sennelier Oil Mediums are composed of natural resins, beeswax, dammar gum, and other solvents. The different oil mediums in the Sennelier line allow professionals to change the texture of their oil paints while also uniting their composition with uniform effects. Sennelier Oil Mediums are ideal for alla prima painting techniques and painting en Plein air. Sennelier additives allow painters to follow their creative impulses by empowering them to alter the working characteristics of oil paint to suit their artistic needs. Key Features:* Composed of natural resins* Increase gloss and transparency* Modify drying time* Reinforces cohesion of the brushstroke* Accentuates gloss* Made in France Perfect For:* Maximum degree of transparency* Oil painting* Artists seeking a quality oil medium* Alla prima paintings or studies* Painting en Plein air* Improves transparency, fluidity Turner Transparent Glazing Medium: is perfect for glazing and finishing paintings. The transparent medium conserves the natural silky finish of oil paint. Add 10% maximum to the total paint mixture. You can dilute the medium with turpentine. Safflower Oil: Clarified vegetable oil, a good drier with low acidity. Characterized by resistance to yellowing and excellent compatibility with pigments. Mix with oil colors to accentuate their fluidity, transparency and gloss without altering the hue's brilliance during drying. Veronese Paste Medium: is a medium that provides a uniform matte finish and rapid drying time. Covers quickly as it melds adjacent brush strokes. Veronese is ideal for large “alla prima” paintings or studies due to its plasticity and rapid drying characteristics. The medium may need to be thinned with petroleum spirits or turpentine. Gel 'N Dry Medium: Gel form of Flow 'N Dry. Speeds drying, improves fluidity and gloss. Suitable for impasto techniques. Universal Medium: is a liquid, colorless gloss medium that shortens drying time, improves fluidity, and increases gloss and transparency while leaving a uniform surface. Non-yellowing. Turner Painting Medium: Based on dammar gum. Reinforces cohesion of the brushstroke and accentuates gloss. You can thin this medium with mineral spirits or turpentine. See More
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Grumbacher Professional Oil MediumsSave Up to42%Off list…final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Bob Ross Oil Painting Master Paint SetsSave Up to55%Off list…Wet-On-Wet Oil Painting Technique with Bob Ross Bob Ross used the wet-on-wet oil painting technique, in which the painter continues adding paint on top of still-wet paint rather than waiting a lengthy amount of time to allow each layer of paint to dry. The Bob Ross Master Oil Paint Set has… Learn the Wet-On-Wet Oil Painting Technique with Bob Ross Bob Ross used the wet-on-wet oil painting technique, in which the painter continues adding paint on top of still-wet paint rather than waiting a lengthy amount of time to allow each layer of paint to dry. The Bob Ross Master Oil Paint Set has everything you need to start painting like Bob! With complete, clearly written instructions, full-color photos of each finished painting, and all of the painting supplies necessary, you will have all of the tools required for early success. The Bob Ross Master Paint Set with Extras! Key Features: * 16 Piece Master Oil Paint Set * 16 Piece Master Oil Paint Set * One Instructional Leaflet * 8 x 37 ml (1.25 oz) Colors: Cadmium Yellow, Phthalo Blue, Titanium White, Sap Green, Van Dyke Brown, Alizarin Crimson, Midnight Black, and Bright Red * One 4 oz (18 ml) Liquid White * One #10 Landscape Painting Knife * One 1" Landscape Brush * One 2" Background Brush * One #2 Script Liner Brush * One #6 Large Fan Brush Perfect For: * The Bob Ross Wet-on-Wet Technique® * Learning to paint like Bob! * Painting stunning outdoor landscapes * Giving as a gift * Artists and teachers Click on the item number to view a description of the product. strong>Bob Ross Master Paint Set 8 x 37ml Colors: Cadmium Yellow, Phthalo Blue, Titanium White, Sap Green, Van Dyke Brown, Alizarin Crimson, Midnight Black, and Bright Red See More
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Maimeri Artisti Oil Paint SetsSave Up to36%Off listOil + pigment and nothing else Oil painters the world over adore Maimeri Puro paints for their intensity, luminosity, and superb creamy feel. Puro Oil Colors are known for excellent chromatic results, guaranteed by highly concentrated, lightfast pigments and a blend of non-yellowing safflower and… Oil + pigment and nothing else Oil painters the world over adore Maimeri Puro paints for their intensity, luminosity, and superb creamy feel. Puro Oil Colors are known for excellent chromatic results, guaranteed by highly concentrated, lightfast pigments and a blend of non-yellowing safflower and poppy seed oils. Maimeri does not mix Puro colors with fillers or foreign substances like other manufacturers. The high pigment content and buttery consistency mean that you can use the Puro oils for both the most delicate of glazes and the thickest impasto effects with relative ease. Now, these world-renowned fine artists' oil paints are available in beautiful limited edition sets! Key Features: * Made in Italy * Maximum degree of lightfastness * 30% more concentrated than other artists’ oils * Colors are a single pigment, so they blend cleanly * Buttery smooth, with uniform clarity * Unbelievable brilliance * Oil + pigment and nothing else * Rich and transparent Perfect For: * Impasto effects * Professional oil painters * Pigment aficionados * Making paint go further * Upgrading to professional oils * Excellent chromatic results Italian Walnut Wood Box Set: Contains: thirty-two assorted 40 ml tubes, one Titanium White 80ml tube, one Zinc White 80 ml tube, one Puro Clear Oil 40ml tube, one Puro Coarse Clear Oil 40ml tube, one Puro Drying Medium 250ml bottle, one Puro Glazing Medium 250ml bottle, one Puro Safflower Oil 250ml bottle, one Puro Gloss Picture Varnish 250ml bottle, one charcoal box, one double metal bowl, eight synthetic brushes with gold handles, two knife spatulas, two trowel knives, and one walnut wood palette. All of the supplies come in a beautiful Italian Walnut wood box. Vintage Luxury Box Set: Entirely handmade by an Italian craftsman. This wood box is covered by padding and lined with printed sky material. The handle and the edge of the corners are in leather. The nuts and bolts of the box are made of antique-style brass. The set contains forty-six assorted 40 ml tubes; one Titanium White 80ml tube, one Zinc White 80 ml tube; one Puro Clear Oil 40ml tube, one Puro Coarse Clear Oil 40ml tube, one Puro Drying Medium 250ml bottle, one Puro Gloss Picture Varnish 250ml bottle, one Puro Glazing Medium 250ml bottle, one Puro Safflower oil 250ml bottle, two charcoals boxes, eight synthetic brushes with gold handles, one metal bowl, one double metal bowl, one universal canvas carrier, three knife spatulas, three trowel knives, one red microfibre cloth for cleaning brushes, one Maimeri Puro handmade color chart, and one Treatise of Painting written by Gianni Maimeri. See More
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Grumbacher MAX Water-Mixable Oil MediumsSave Up to45%Off list…Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More
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DANIEL SMITH Original Oil Mediums
Starting At: 8.59
…Stand Oil– Stand oil, thicker than Linseed oil, prompts oil colors to gradually self-level as they dry, leaving minimal brush strokes. Stand oil is an inappropriate vehicle for making oil paint, but it makes an outstanding painting and glazing medium when diluted with turpentine and damar varnish.… Improve transparency and gloss! Painting with buttery oils requires a medium that helps alter paint consistency for color mixing, blending, and glazing. DANIEL SMITH Oil mediums improve transparency and gloss and, depending on the formula, can decrease drying time. DANIEL SMITH Oil Mediums allow artists to extend their oil paints and waste less paint; this is especially true with DANIEL SMITH Original Oils, which are highly pigmented. With DANIEL SMITH Oil Mediums, you can expand the value of your highly pigmented paint event farther! Key Features: * Accelerate or slow drying time * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Available in 3 different sizes Perfect For: * Traditional oil paints * Blending and glazing * Maintaining consistency * Preserving gloss * Speeding up drying time * Increasing the flow of oil paint Refined Linseed Oil- Its capacity to add gloss and transparency and yield a tough, strong paint film has made linseed oil the most conventional binder in oil paint for centuries. It may cause some yellowing with age. Cold-Pressed Linseed Oil- The simplest form of natural oil, cold-pressed linseed oil, is lighter in color and yellows less than hot pressed or solvent extracted oils. DANIEL SMITH Cold-pressed Linseed Oil also creates a stronger film. Stand Oil– Stand oil, thicker than Linseed oil, prompts oil colors to gradually self-level as they dry, leaving minimal brush strokes. Stand oil is an inappropriate vehicle for making oil paint, but it makes an outstanding painting and glazing medium when diluted with turpentine and damar varnish. It yields a tough paint film without the yellowing tendencies of refined linseed oil. Available in 8oz. See More -
Chelsea Classical Studio Oil Painting Mediums Sampler SetsSave Up to50%Off list…way to varnish paintings without carcinogenic toxic fumes normally found in varnishes. The ONLY Damar Varnish that is!* Dilute with Lavender Spike Oil Essence to make Retouch Varnish* Final varnish for completely dry oil paintings Lavender Brush Cleaner What: Effective oil painting brush cleaner… Keep your studio clean without any harsh chemicals with this sampler set! Now is your chance to own the entire Chelsea Classical Studio system of painting mediums in one convenient sampler pack. This handcrafted set has everything you will need to replace your studio medium sets with the safe alternatives found in Chelsea Classical Studio Mediums. No harsh chemicals were used in the making of these wonderful products and they give off a pleasant lavender scent. Made in the USA from Old World Master Techniques. This set includes the following items - 1oz bottle Clarified Pale Cold-Pressed Linseed Oil, 1 oz bottle Clarified Pale Cold-Pressed Walnut Oil, 1 oz bottle Clarified Lean Medium Lavender, 1 oz bottle Clarified Fat Medium Lavender, 1 oz Oil of Spike Lavender Solvent, 1 oz bottle Lavender Damar Varnish, 1 oz bottle Lavender Brush Cleaner and a 2 oz bar of Lavender & Olive Oil Brush Soap. Clarified Pale Cold-Pressed Linseed Oil What: The palest, cleanest pure linseed oil available to artists; washed and de-yellowed by natural processes. Why: Won't darken like other linseed oils; washed and filtered to remove impurities; improves acidity and drying of oil.* Handmade using finest quality ingredients* Created with Old Masters methods Clarified Pale Cold-Pressed Walnut Oil What: Hand cleaned and purified Walnut Oil; washed and cleaned by traditional methods. Why: Improves richness and brightness of whites and light colors; dries slower than linseed oil.* Free of impurities* Use with whites and light colors Clarified Lean Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for lean painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; improves paint drying time and gloss.* Decreases drying time* For use in earlier painting stages Clarified Fat Medium Lavender What: Handcrafted blend of Chelsea Cold-Pressed Linseed Oil and Lavender Spike Oil Essence; for fat painting techniques. Why: Designed for use with fat over lean oil techniques; helps increase paint film adhesion; makes paint fatter, rich, and glossy.* Increases paint gloss* For use in later painting stages Lavender Spike Oil Essence What: Natural solvent that thins oil painting mediums, resins, and varnishes; handcrafted from the finest quality Lavender. Why: Safer alternative to toxic turpentines and odorless mineral spirits that can cause chronic health issues.* Safer, natural alternative to turpentines & mineral spirits* Dilutes oil painting mediums and varnishes Lavender Damar Varnish What: Handcrafted using finest natural ingredients: Damar Resin, Chelsea Classic Studio Medium, and Lavender Spike Oil Essence. Why: Safer way to varnish paintings without carcinogenic toxic fumes normally found in varnishes. The ONLY Damar Varnish that is!* Dilute with Lavender Spike Oil Essence to make Retouch Varnish* Final varnish for completely dry oil paintings Lavender Brush Cleaner What: Effective oil painting brush cleaner based on distilled Lavender. Why: Safer alternative to turpentine; cleans brushes as well as turpentine, but with a lovely lavender scent!* Less abrasive to brushes than turpentine or mineral spirits* Pleasant scented, safe, natural alternative Lavender and Olive Oil All Natural Brush Soap What: Superior handmade soap for brushes and hands, crafted from all-natural ingredients; contains no chemical detergents. Why: Naturally safe, safer alternative to turpentine; cleans brushes as well but with a lovely lavender scent!* All natural and homemade, pleasant lavender scent* Conditions and extends the life of brushes Key Features:* Pleasant smell - no harsh chemicals* Based on classic Renaissance formulas* Less toxic alternative to turpentine* Seven 1oz bottles of each medium plus a 2 oz bar of Lavender and Olive Oil Soap Perfect For:* Safer in the studio* Enhancing oil colors the natural way* Cleaning your brushes and preserving your paintings * Painting fat over lean See More
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