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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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QoR Lift Aidâ„¢ Medium, 118mlSave Up to40%Off listQoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities,… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aidâ„¢, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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Empty Aluminum 170ml Paint Tubes Box of 24 with CapsSave Up to73%Off listMake and store your own paint colors with Empty Paint Tubes Have you ever worked on a painting and wished you could preserve your mixed paint colors for the next time you sit down to work on it? We understand, because it has happened to us too! Creative Mark is known for providing tools to artists… Make and store your own paint colors with Empty Paint Tubes Have you ever worked on a painting and wished you could preserve your mixed paint colors for the next time you sit down to work on it? We understand, because it has happened to us too! Creative Mark is known for providing tools to artists who enjoy creating and preserving colors and hues, for later use. Empty Paint Tubes are a line of the highest quality lined aluminum paint tubes with easy-to-open, screw-on caps. These tubes can easily be packed-up for plein air or used regularly in a studio. 4 sizes available and they will hold anything from watercolors to acrylics! Sold only in boxes. See videos on "how to fill empty paint tubes" in the video tab Key Features: * Aluminum-lined empty paint tubes* Available in 4 sizes* 22ml, 45ml, 60ml & 170ml* Comes with Easy-open caps* Easy to crimp ends* Adhesive strip at at end of tube for help seal prior to crimping* Sold in Boxes of 24 (170ml, 60ml) & 48 (60ml, 22ml)* * Click on Yellow Icon next to products for specs and sizes Perfect For: * Artists wanting to preserve a custom color* Making and storing your own paint* Wanting to replace your used tubes* Mixing your own colors and putting in a tube to label* Acrylics, Gouaches, Watercolors, Oils and any other paint medium!* See videos on "how to fill empty paint tubes" in the video tab Empty Paint Tube Sizes 22ml Empty Paint Tubes: Length with cap: 4-3/4" or 120.65mm, Diameter of nozzle opening: 3/16" or 4.76mm, Diameter of the bottom opening: 3/4" or 19.05mm 45ml Empty Paint Tubes: Length with cap: 5-3/8" or 136.52mm, Diameter of nozzle opening: 3/8" or 9.52mm, Diameter of the bottom opening: 15/16" or 23.81mm 60ml Empty Paint Tubes: Length with cap: 5-1/2" or 139.7mm, Diameter of nozzle opening: 9/32" or 7.14mm, Diameter of the bottom opening: 1-1/8" or 29.85mm 170ml Empty Paint Tubes: Length with cap: 8-3/4" or 222.25mm, Diameter of nozzle opening: 1/2" or 12.7mm, Diameter of the bottom opening: 1-1/2" or 38.1mm. Note: This tube has a metal seal to preserve the paint longer. You can puncture the seal with the cap. See More
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Bob Ross Black Liquid Acrylic 4oz (118ml) BottleSave Up to25%Off listBlack Wet-on-wet oil painting mediums & basecoats The goal of Bob Ross, one of America's most beloved artists, was to open the world of art to people who otherwise would never be able to enjoy the excitement of painting. His products have been developed to successfully achieve results with his wet-on-wet technique, which is a basic process of painting over layers of wet paint to achieve relatively fast and effective results. Bob Ross Oil Painting Mediums are designed especially for use in the wet-on-wet techniques demonstrated in Bob Ross's books and video programs. Key Features: * Non-toxic acrylic base coats * Liquid oil mediums for Bob's wet-on-wet technique * Unlimited creative possibilities Perfect For: * The Bob Ross Wet-on-Wet Technique * Excellent dry base coat * Oil painting Acrylic Base Coat- Smooth brushing and even-leveling, they create an ideal base for wildlife painting. Glazing Medium- This medium produces the details characteristic of animal fur. Dries quickly, resists yellowing and provides a long lasting quality paint film. Liquid Mediums- Available in white, black or clear. Bob's unique secret formula of base coats aid in the painting's foundation and keep the canvas wet, the most fundamental step in Bob's wet-on-wet technique. Smooth and slow drying, they allow blending and mixing right on the canvas! Non-Toxic. Liquid Opal Medium - For soft oil colors. This pearlescent medium adds a deep richness to floral paintings and yields an affect that is reminiscent of opal gems. See More
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Pebeo Studio Acrylic Pouring Experiences Set, 118mlSave Up to70%Off listAssorted Colors Add texture and Experience pouring with Pebeo Studio Acrylics Pebeo Studio Acrylics are available in a heavy body version and a pourable fluid paint. All Pebeo paints are richly pigmented. Their high viscosity paints are thick and allow you to play with texture and dimension. The colors mix cleanly and can be layered and thinned to glaze consistency. Pebeo Studio Acrylic Pouring colors are fluid acrylic paints that are pre-mixed with pouring medium. With these pre-mixed fluid colors, you can experience the fun of pouring without the hassle of mixing. All Pebeo Studio Acrylics are lightfast and dry to a permanent flexible film! Key Features: * Heavy body or pourable viscosity * Richly pigmented acrylic paints * Retain brush and painting knife strokes * Pre-mixed pourable colors contain pouring medium * Easily mixable with great light-fastness * Available in assorted sets * Click on the yellow circle icon to view set description Perfect For: * Mixed media applications * Pouring paintings * Adding texture to portraits * Pebeo Liquid Art Panels * Canvas, cardboard, wood & metal Pebeo Studio Acrylic Set of 24 (12ml): The set contains 24 assorted tubes: Titanium White (2x), Primary Yellow, Cadmium Orange Hue, Transparent Vermilion, Primary Magenta, Oriental Violet, Primary Cyan, Phthalocyanine Emerald, Hooker's Green, Cadmium Green Hue, Yellow Ochre, Burnt Sienna, Burnt Umber, Mars Black, Medium Cadmium Yellow, Lemon Cadmium Yellow, Light Ultramarine Blue, Dark Ultramarine Blue, Veronese Green, Payne's Grey, Cobalt Blue Hue, Raw Sienna, and Naples Yellow. Pebeo Studio Acrylic Pouring Experiences Set of 47: The set includes White, Yellow, Blue, Turquoise, Gold, Silver, Pearl White, one 50ml bottle of Silicone Oil, four canvas boards 20x25 cm, three bags of glitter, five droppers, eight wooden sticks, eight measuring cups, two painting knives, one plastic support stand, four gloves, and a user guide. Pebeo Studio Acrylic Pouring Experiences Set of 6: This set includes 118 ml bottles of White, Red, Blue, Turquoise, Black, and Gold paint. Each color is ready-to-use for pouring straight out of the bottle. Pebeo Studio Acrylic Ultimate Pouring Medium Discovery Set: Nancy Wood designed this set in collaboration with Pébéo. The set includes one bottle of 250ml Pouring Medium, a smaller bottle of catalyst. 5 x 20ml tubes of Studio Acrylic, a palette knife, and one Master Class video. The 2-part medium allows artists and amateurs to master unique effects and a professional finish. With this set, you can discover the founding principles behind pouring. Pebeo Studio Acrylic 100ml Primary Set of 5 with Color Wheel: This set contains a Color Wheel and 5 x 100ml tubes of Titanium White, Primary Cyan, Primary Yellow, Primary Magenta, and Mars Black. Pebeo Studio Acrylic 20ml Dyna Set of 6: This set contains 6 x 20ml tubes in Titanium White, Iridescent Blue-Green, Iridescent Violet-Blue, Iridescent Green-Yellow, Iridescent Blue-Black, and Titanium White. Pebeo Studio Acrylic Coffret Collection Box Set: This set contains 12 tubes of Studio Acrylics 20 ml, 1 tube of Titanium White 100 ml, 1 tube of modeling paste 100 ml, 1 Black Acrylic Marker 4 mm, 2 brushes, 2 painting knives, 1 palette, and 3 canvas boards 22 x 16 cm. See More
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Liquitex BASICS Acrylic Assorted Colors Set of 12, 4ozSave Up to58%Off listAssorted Colors A great starting point for Acrylic Beginners and Students! Liquitex BASICS Acrylic line is developed for students and artists who need dependable quality at an economical price. BASICS are a medium viscosity paint made with lightfast, artist-quality pigments.. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Perfect for beginners, large-scale works or backgrounds, murals, and learning color mixing! Click the item number to learn about each set! Key Features: * Dependable and affordable * Value/Student Series Acrylic * Excellent working qualities * Made with lightfast, artist-quality pigments * Click on the paper icon to read about each set * Perfect For: * Underpainting or sketching if you’re a serious artist * Students learning Acrylics * Artists painting large scale * Budget-minded Artists * Make great gifts! See More
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Gamblin Dry Pigment - Ivory Black, 70 GramsSave Up to25%Off listBlack 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Soho Oil Color - Mixing Colors (Set of 5), 170mlSave Up to76%Off listAssorted Colors Artist Quality Oil Sets at Affordable Prices SoHo Urban Artist Oil Colors provide lasting and predictable results to artists of all skill levels. Painters that use lots of color love SoHo because the paints perform at a high level while still being affordable. The pigments are slowly ground on a triple roller mill and completely coated in pure refined linseed oil to give the oil paint its luminosity. SoHo oils provide first-time artists and professionals on a tight budget with buttery oil paints that are pigmented and lightfast. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what true oils can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. Key Features: * Slowly ground, triple-milled oils * Pure refined linseed oil * High-quality artist pigments * Excellent pigment load * Buttery consistency for smooth application of color * Maximum luminosity and superb handling properties * Does not blotch when thinned for staining or glazing Perfect For: * Painters of all skill levels * Use with a brush or palette knife * True color mixes without surprises * Working professionals on a budget * Artists who enjoy painting on a large scale SoHo Oil Paint Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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Sennelier Artist Dry Pigments Primary Yellow 70 gramsSave Up to37%Off listYellow An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Burgundy Wine Red 70gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Soho Artist Oil Color Cadmium Red Deep Hue, 170ml TubeSave Up to81%Off listRed Artist Oils at The Best Value! Good color is vital for the success of the painter! Thick and Rich Color! Good color is vital for the success of the painter. Only oil colors that act like oil colors and provide for lasting and predictable results should be considered by any artist at any skill level. Many brands of student grade oil color don't feel like genuine oil colors and don't mix well, ultimately achieving less appealing results in a finished painting. This artist range of colors is designed for all artists at all skill levels. It is particularly well loved by oil colorists that use lots of color seeking high performance and economy. SoHo Oils are slowly ground on triple roller mills allowing pure refined linseed oil to completely encapsulate the pigment for maximum luminosity and superb handling properties. SoHo Urban Artist Oil Colors eliminate the need for student oils, providing first time artists and professional artists on a tight budget the use of "real" color with a buttery consistency, excellent pigment load and lightfast results. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what a true oil color can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. If you are looking for the next step up in color, we recommend Lukas Studio Oil Colors. Available in bonus size tubes! 50ml tube offers 20% more paint than traditional 40ml tubes, 170ml tubes offers 13.3% more paint than traditional 150ml tubes, 430ml cans offer 72% more paint than traditional 250ml jars of paint. Key Features:* 50ml, 170ml Tubes - 430 Ml Cans* Slowly ground, triple milled* Pure refined linseed oil* Buttery consistency for smooth application of color* Maximum luminosity and superb handling properties* Perfect for use with brushes or palette knives* Does not blotch when thinned for staining or glazing* Great color for true mixes without surprises* 55 colors including primaries* Perfect For:* Excellent pigment load for brilliant color and a wide variation of mixed shades with white* Purified linseed oil and high quality artist pigments* Combines professional quality, high performance, and economy pricing with the properties of a "true" oil color* Ideal for working professionals on a budget, artists who enjoy painting on a large scale and first time artists* 21 ml tubes make it possible to carry a large color range into the field or from your studio to class* 170 ml tubes come in boxes ideal for storage between use* One price system achieved by substituting costly and toxic traditional pigments with safer modern alternatives See More
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