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Sennelier La Carte Pastel Paper - Antique White, 23"x31" (Pack of 10)Save Up to47%Off listWhite Especially Developed for Pastel Painting! La Carte Pastel Paper was the very first product developed especially for pastel painting. La Carte Pastel Paper has a 200 lb. stiff weight similar to Bristol. It cannot be easily folded, creased or punctured, unlike other pastel papers. La Carte Pastel has a neutral pH, slightly abrasive vegetable fiber coating that actually reacts with soft and oil pastels to provide enhanced adhesion and thus, reducing the need to heavily fix artwork. Key Features:* Available in 14 beautiful colors* Neutral pH* Velvety texture* Vegetable fiber coating for smooth tooth* Coating will not eat away even the softest pastel* Stiff 200 lb. weight* Surface can hold up to 25 layers of soft pastels! Available in 19x25” and 23x31” Sheets. Please note: Minimum Purchase Requirement is 5 SHEETS of the SAME SIZE in assorted colors See More
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Art Spectrum Smooth Pastel Paper - Sand, 9.5"x12.5" (Pack of 10)Save Up to35%Off listBrown Create beautiful pastel art pieces with these versatile pastel papers! Art Spectrum Colourfix Smooth Pastel Papers are 340gsm pastel papers created by screen printing Colourfix Smooth Primer onto European Archival 300gsm hot press watercolor paper. The Colourfix primer contains lightfast acrylic color and a proprietary mixture of several types of silica to impart a smooth tooth. The Colourfix surface can take many pastel layers, which means that there is no need to spray layers with fixative constantly. Available in a full range of 20 colors as well as Rainbow, Cool, and Warm color packs, these pastel papers are versatile enough to work with wet and dry mediums. Key Features: * 340gsm pastel papers * Smooth texture with a soft tooth * Versatility allows artists to work with several mediums * Tooth enables excellent resistance for pastel drawing * Surface will hold multiple layers of pastel without the need for fixative * Clean white border for beautiful presentation * Available in 20 colors Perfect For: * Pastel artists * Wet and dry mixed media * Working with pastels, oil colors, & watercolors * Charcoal, pencils & other dry media * Soft pastels and oil pastels * Ink or thin acrylic-based colors * Gouache and watercolor See More
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Art Spectrum Colourfix Fine Tooth Pastel Paper 9-1/2" x 12-1/2" (Pack of 10) Warm ColorsSave Up to35%Off listWarm Colors A superb substrate for pastels, oils, acrylics, watercolors and other fine art media Art Spectrum Colourfix Pastel Paper is made of acid-free, archival European Archival 300gsm Hot Pressed watercolour paper, features a lightfast very permanent coated paper. The Art Spectrum Colourfix Original Coated Pastel Paper has a medium toothy surface that will hold multiple layers of pastel, charcoal, or chalk without needing fixative between the layers. It is a superb substrate for pastels, oil colours, acrylics, inks, oil pastels, gouache, watercolours and dry media such as charcoal and pencils. Key Features:* 300gsm acid-free & archival paper* Natural, toothy surface* Tooth enables excellent resistance for soft pastels & oil pastels* Clean white border for beautiful presentation* Natural toothy surface will hold multiple layers of pastel without the need for fixative* Can be sanded, scrubbed, soaked and reworked over and over Perfect For:* Wet and dry mixed media* Soft pastels and oil pastels* Charcoal and pencil* Oil colors, ink, or thin acrylic-based colors* Gouache and watercolor* Displaying your finished artwork Colourfix™ Original (Medium) Paper is available in 20 colours in A3, 23 x 30cm (9" x 12") and 50x70cm (20" x 28") sizes. Cool Tones, 9" x 12", 10 Sheets Pack - Includes the following 10 cool tones in a 9"x12" sheet: Blue Haze, Deep Black, Deep Ultra, Elephant, Fresh Gray, Leaf Green Dark, Natural, Rose Gray, Storm Blue, and White. Warm Tone 9" x 12", 10 Sheets Pack - Includes the following 10 warm tones in a 9"x12" sheet: Aubergine, Australian Gray, Burgundy, Burnt Umber, Olive Green, Raw Sienna, Rich Beige, Sand, Soft Umber, and Terra Cotta. Rainbow Packs: 9" x 12" & 20" x 28", 20 Sheets Pack Includes all 20 colors in the Colourfix line See More
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Fabriano Tiziano Pochette Paper Packs - Assorted Colors, 9-1/2"x12-1/2" (12-Sheets)Save Up to45%Off listAssorted Colors Master Quality Paper! You'll see and feel the difference as your pastels bite into the extraordinarily toothy surface. Each Fabriano Tiziano acid-free sheet weighs 98 lb (160 gsm) and features a grain that runs parallel. This pack contains 12, 9½'' × 12½'' (24 cm × 32 cm) sheets in 12 assorted colors. The beefy paper takes most media beautifully, allowing you to create with the freedom to choose any mix of media including pastel, charcoal, graphite, pencil, Conte Crayon, gouache, light watercolor washes, and ink. The pochette paper contains a blend of 40% premium cotton and 60% pure ECF cellulose, so it is strong enough to take reworking. Colors include Lilac, Black, Iris, Lava Red, Orange, Lemon, Navy Blue, Seabright, Billiard Green, Coffee, Rose, and Honey. Contents of the set may be substituted for like items without notice Key Features: * Twelve, 9½" × 12½" sheets * 12 assorted colors * High cotton content and pure ECF cellulose * Acid-free to guarantee long permanence * Highly lightfast colors * 40% premium cotton * Toothy paper surface * Follows ISO 9706 'LONG LIFE' regulations Perfect For: * Pastels and pencils * Graphite and charcoal * Tempera, airbrush, and watercolor techniques * All printing techniques * Multiple washes, erasing, and scraping * Travel and studio work * Workshops and travel * Reworking * Discerning students and amateurs See More
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Fabriano Accademia Pochette Paper Pack - 9 1/2"x12 1/2" (12-Sheet, 225 gsm)Save Up to45%Off list…next figure drawing with this eco-friendly, high-quality drawing paper! Fabriano Paper Packs feature 12 sheets of white, Accademia drawing paper, made of high-quality lignin-free & acid-free cellulose. This 225 gsm, 138 lb paper is produced with 100% Elemental Chlorine Free pulp that is F.S.C.… Sketch your next figure drawing with this eco-friendly, high-quality drawing paper! Fabriano Paper Packs feature 12 sheets of white, Accademia drawing paper, made of high-quality lignin-free & acid-free cellulose. This 225 gsm, 138 lb paper is produced with 100% Elemental Chlorine Free pulp that is F.S.C. certified from forests responsibly managed respectful of environmental, social, and economic standards. The internal and external sizing gives this drawing paper the quality of withstanding repeated erasures. Fabriano Paper Packs are recommended for artists and amateurs alike, ideal for sketching and drawing with pencil, charcoal, pastel, colored pencil, and ink. Key Features: * 12 sheets of white, Accademia drawing paper * Made with high-quality lignin-free & acid-free cellulose * 225 gsm, 138 lb paper produced with F.S.C. certified 100% Elemental Chlorine Free pulp * Durable enough to withstand repeated erasures * Internally and externally sized * Size: 9 1/2" x 12 1/2" Perfect For: * Sketching & drawing * Studio & classroom use * Figure drawing sessions * Professional & student illustrators * Mixed Media, Inks, Washes * Sketching and drawing with pencil, charcoal, pastel, colored pencil and ink Pochette & Artist Studio Paper + Color Pencil Set of 24*: This set contains the Fabriano Accademia Pochette Paper pack of 12 sheets and a Cretacolor Artist Studio pack of twenty-four brilliantly pigmented pre-sharpened colored pencils! The non-toxic colored pencils are manufactured in Austria and conform to ASTM D-4236. See More
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Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off listWhite Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Sennelier Oil Pastel Pad 9-1/2" x 12-1/2"Save Up to31%Off listSpiral bound pads that feature 12 sheets of 160 lb. acid-free paper. Designed specifically to be used with Sennelier Oil Pastels. Sennelier oil pastels are acid-free and chemically stable, with no oxidation of color. This prevents deterioration of the surface and the support while guaranteeing… Spiral bound pads that feature 12 sheets of 160 lb. acid-free paper. Designed specifically to be used with Sennelier Oil Pastels. Sennelier oil pastels are acid-free and chemically stable, with no oxidation of color. This prevents deterioration of the surface and the support while guaranteeing non-yellowing colors. See More
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Yes! Paste 1 PintSave Up to6%Off list…to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Lineco Frame PVA Adhesive Glue, 16ozSave Up to19%Off list…properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should… The best glue for picture frames! Lineco Frame PVA Adhesive is a permanent PVA glue that dries quickly. Use this clear drying high-density wood glue to adhere frame moldings made of wood or MDF together. With excellent lay-flat properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should avoid freezing temperatures and only apply at room temperature. Key Features: * Adheres frame moldings * Permanent PVA adhesive * Dries fast and clear * Excellent lay-flat properties * Shake well and apply at room temperature * Do not store in direct sunlight * Buffered for added protection * Avoid freezing Perfect For: * Professional framers * Custom framing * Wood repair jobs * Mounting papers to wood * Archival preservation * No-hassle, everyday studio use See More
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