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Canson Mi-Teintes Board 32 x 40" (Pack of 5)Save Up to33%Off listWhite Now you can frame up your art with the beauty and character of genuine Mi-Teintes paper mounted on pure white, 4 ply, acid-free and lignin-free board. This conservation quality board is perfect for framing and matches world famous Mi Teintes paper.  Mi-Teintes Boards by Canson have the highest cotton content for a colored art paper, which allows it to perform nicely with many mediums. It's the ultimate surface for pastels, charcoal, or conté crayon. Canson Mi-Teintes Paper complies with ISO 9706, which ensures optimal preservation and longevity. Both the 16×20" and 32×40" size boards can be used for framing or mounting art as well as for pastel painting and mixed media applications. Please note: A minimum purchase may be required. See the Minimum Purchase icon for details. See More
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Pyramid Mat Board 32"x40" 4 Ply - Cardinal RedSave Up to32%Off listRed Professional quality value board that cuts crisp and clean. Boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Â Excellent offering of colors including metallics and black core. Â Best used for presentation and open edition prints. Not recommended for archival long term matting or presentation. Neutral PH backing sheet, buffered core and neutral PH facing paper.Please note: A minimum purchase of 25 assorted boards is required. See More
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Arhnem 1618 Printmaking Paper 245 Gsm - White, 50" x 150 Yd Roll (Single)Save Up to56%Off listWhite A Premium 100% Rag Printmaking Paper! Speedball's Arnhem Printmaking Papers are made near the city of Arnhem in Holland by Schut Papier, a paper mill that has been creating fine paper since 1618. Offering a semi-smooth surface with a smooth appearance that accepts a variety of printmaking techniques and media. Every sheet of Arnhem Printmaking Papers accepts multiple layers of ink brilliantly and can handle dry and damp printing. Key Features:* Available in: White & Warm White & 245gsm or 320gsm* Premium 100% rag printmaking paper* Vellum finish * Two deckled edges* Made from strong fibers* Excellent wet strength and absorbency* Subtle grain and smooth appearance* Accepts multiple layers of ink brilliantly* Available in: White & Warm White Perfect For:* All printmaking media* Excellent results in a variety of media* Intricate details* Dry or damp printing* Multiple layers of ink* Extremely versatile* Graphic relief and silkscreen images* Delicate and rich intaglio prints Arnhem 1618 paper offers a semi-smooth surface with a substantial feel to the touch. The subtle grain combined with a smooth appearance allows a variety of media to take to the paper, while remaining a reliable surface for intricate detail. Arnhem’s strong and highly absorbent fibers make it ideal for dry or damp printing, allowing it to accept multiple layers of ink brilliantly. Arnhem Printmaking Paper Review "The way it absorbs ink was really important to me. Akua inks dried faster on this paper than others I've used. Also, the substantial weight of the paper-that made it seem like a higher quality paper. It has a "presence" to it that other papers don't." - PRINTMAKING PROFESSOR See More
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Ragmat Board 32x40" 4 Ply - SepiaSave Up to31%Off listBrown RagMat Boards - 100% Cotton, Acid and Lignin Free! Meeting all of the stringent standards of the Library of Congress, Fine Art Trade Guild, Professional Picture Framers of America and more, Crescent RagMat Boards are the safest materials available to come into contact with artwork! This premium line of matboard has a pure white 100% cotton rag core and backing paper. The colored surface paper is of the finest quality, fade and bleed resistant. Key Features:* Premium line of matboard* Solid color throughout* Made from pure cotton & naturally acid lignin free* 100% cotton rag surface, core and backing paper* 4 ply, 32 x 40" board size* Offers highest level of conservation* Super strong and resilient Perfect For:* Matting fine art & limited edition prints* Mounting artworks or prints on board* Meeting the most stringent standards* Safest, most archival matting available See More
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Crescent AFX Acid-Free White Mounting Board Box of 25 32x40"Save Up to27%Off listPreserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only… Preserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only by the full box of 25. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Ragmat Museum Solids 32x40 in 4Ply Winter WhiteSave Up to33%Off listWhite RagMat Museum Boards Solid Colors - Unbuffered for photographs and textile matting! Crafted completely from pure 100% cotton, RagMat’s Museum Boards are specifically designed for textiles and photograph mounting and matting, which requires a low alkaline environment for the most archival finishing. Museum Boards come in 4 colors that have a solid color throughout, and have special surface sizing for French matting and art media. Recommended for fine art and limited edition art prints. Key Features:* Solid color throughout* 100% cotton, acid & lignin free* 4 ply, 32 x 40" board size* Mat & mount photos and textiles* Super strong and resilient Perfect For:* Matting low alkaline artwork* Textile and photo matting/mounting* Meeting the most stringent standards* Safest, most archival matting available See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Art Alternatives Gummed Paper Tape, 2" x 25 Yard Roll
Starting At: 4.79
Kraft paper with water adhesive. Ideal for stretching wet watercolor paper onto drawing boards. 2" × 25 yard rolls. Kraft paper with water adhesive. Ideal for stretching wet watercolor paper onto drawing boards. 2" × 25 yard rolls. See More -
Crescent 32x40" Ultra-Black Smooth Mounting Board 25 boxSave Up to34%Off listBlack Intense black surfaces provide more dramatic presentations Preserving Memories Since 1902, Crescent Ultra Black Smooth Mounting Boards are single thick mounting boards great for backing, mounting and presentation of artwork, posters, graphics, photographs and more. Smooth on both sides. The ultimate mounting and presentation boards for artwork, photos, computer printouts, layouts and more. Intense black surfaces provide more dramatic presentations. Crescent Ultra-Black Mounting Boards cut cleanly and have a black core made from 100% recycled material Ultra-Black boards have an intense black, smooth surface on both sides Key Features:* Medium weight (.05-.06), warp resistant* Intense black, Black core* Smooth surface on both sides* High-contrast mounting board* Mounting and presentation boards* Easy to cut and or trim* Solid black throughout* Made from 100% recycled material Perfect For:* Mounting and presenting of artwork & posters* Mounting and presenting photographs, graphics and more* Using both sides* Dramatic presentations Please Note: A minimum purchase of 5 sheets of any one item is required and may not be assorted with other boards. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Strathmore Museum Boards 4 Ply 12 Pack - Antique WhiteSave Up to46%Off listMade of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply Made of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply See More
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