Your Cart
SLI Search Template
Related Categories: Alkyd Paints | Windsor Newton Paint | Alkyd | Griffin | Yellow Ochre Oil | Griffin Alkyd Paint | Black Oxide Oil Paint | Permanent Alizarin Crimson
There were no results that contained all of the words in your query. These results contain some of the words.
-
Chroma A>2 Heavy Body Acrylics - Assorted Colors (Set of 8), 120mlSave Up to55%Off listAssorted Colors A>2 Lightfast Acrylics, New Directions in Art! Chroma A>2 Lightfast Heavy Body Artists Acrylics are a truly outstanding, highly pigmented acrylic color made with modern less expensive pigments. The result is an acrylic color that has a great thick body with excellent brush-mark retention for acrylic color techniques and a brilliance and clarity as rich as professional acrylic colors. Colors dry to a semi-gloss finish for excellent color saturation and luminosity. Chroma A>2 Acrylics offer professionals and beginners alike a great quality artist acrylic at an affordably low price. Key Features:* Student grade pigment* Heavy body acrylic* Rich buttery consistency with strong, lightfast pigmentation* Intense color brilliance and clarity* Full range of colors for easy mixing* Dries to a low gloss finish Perfect For:* Luminous washes and glazes* Rich impasto effects* Luminous glazing techniques* Use with acrylic mediums and varnishes Chroma A>2 Acrylic Set of 8 This set contains the following 8 colors in 120ml tubes: Titanium White, Phthalo Green Hue, Dioxazine Purple Hue, Phthalo Blue, Alizarine Crimson Hue, Cadmium Orange Hue, Cadmium Red Medium Hue, and Cadmium Yellow Light Hue. See More
-
Sennelier Oil Venice Turpentine, 120ml BottleSave Up to41%Off list…for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier… Sennelier Rectified Turpentine Spirits, Pure Landes pine gemstone turpentine is obtained by distillation. Keep away from air. Traditional thinner recommended for oil painting. Mixed with colors, it gives a very pleasant paste. Especially suitable for roughing and general management of the work. If you want to work for a long time in the fresh air, you substitute a less volatile essence such as aspic essence or petroleum essential oil. Sennelier Rectified Turpentine Spirits for mixing with oil colors to produce a paste that is ideal for underpainting and sketching. Indispensable thinner to make a painting entirely with turpentine Sennelier Venice Turpentine Pure natural balsam with the consistency of honey. Resin extracted from larch. Add as a plasticizer and gloss enhancing agent to oil colors, varnishes and mediums. Creates a jewellike quality with a tough enamel-like surface. Use with care (maximum 5%), as excess will make the film more brittle. Recommended thinner: turpentine (up to 20%). Add as a plasticizer and gloss enhancing agent to oil colors, varnishes ad mediums. Creates jewel-like quality with a tough enamel-like surface See More
-
Lascaux Acrylic Gouache Paint Carmine Red 85ml BottleSave Up to44%Off listRed Artist quality, brilliant acrylic paints perfect for the studio or the classroom artist ! Lascaux Acrylic Gouache Paints are acrylic-modified tempera paints specially developed by color experts, educators and professional artists, making these vibrant paints ideal for use in the studio or in the classroom. The range of 34 highly pigmented colors are lightfast and have a velvety, elastic water-soluble finish and can diluted while maintaining depth of color. Lascaux Acrylic Gouache Paints work great on absorbent surfaces like paper, cardboard, canvas, wood or plaster and are easily blendable for creating custom paint colors. Key Features: * 34 highly pigmented, lightfast colors * Acrylic-modified tempera paints made with pure pigments * Developed by color experts, educators and professional artists * Easily blendable with a velvety finish * Vibrant gouache paint with a unique acrylic-based binder * Highly concentrated, lightfast pigments * Dries to a velvety matte, water-soluble finish * Excellent permanence and covering power * Adheres well to paper, canvas, plaster, wood, cardboard, and more * Colors remain intense even when diluted more than 1:1 with water Perfect For: * Perfect for all types of fine artwork, illustration, design, and student work! * Art classrooms * Absorbent work surfaces * Art therapy projects * Professional artists Unique, artist grade tempera paints with an acrylic-based binder — a favorite of professional figure artist Bill Buchman! Through extended consultation with professional artists and art teachers, Lascaux developed their truly innovative line of acrylic-based gouache to meet the artistic demands of painters of all skill levels. Lascaux Gouache is a unique style of tempera paint based on a revolutionary acrylic binder, water-mixable and vibrant, drying to a velvety matte, elastic finish that remains water-soluble once dry, unlike most other acrylic gouache lines/ See More
-
Amsterdam Standard Series Acrylic Paints - Quinacridone Rose Light, 120mlSave Up to42%Off listRed Medium viscosity paint with a broad range of vibrant acrylic colors The Amsterdam Standard Series offers you the broadest range of remarkably vibrant acrylic colors. An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland all skillfully made based on a 100% acrylic emulsion and high-grade pigments. The Standard Series features great lightfastness and a choice of opacities, short drying time, and an acrylic resin paint that is virtually odorless when wet. Easy to work with and offers a smooth color when applied on its own or can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Standard acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Amsterdam standard series acrylics are an excellent choice for the beginning or intermediate artist! Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
-
Amsterdam Standard Acrylic - Primary Colors Set of 5, 120ml TubesSave Up to34%Off listAssorted Colors An excellent choice for the beginning or intermediate artist! Amsterdam Standard Series Acrylics are an excellent choice for artists looking for top-quality paints. These paints have a medium-body consistency and are made from carefully selected pigments that offer a high level of lightfastness. When wet, they are virtually odorless and dry quickly. You can mix the Standard Amsterdam Acrylic colors with water or acrylic mediums, and clean-up is easy with only water and soap. These paints have a thick, creamy consistency, making them perfect for achieving oil-like effects. Click on the item number to set specs and information Key Features: * Thick consistency * 100% acrylic resin * High level of lightfastness * Short drying time * Virtually odorless * Sets of: 5, 6, 12, 24, 36 & 72 * Click on Yellow Icon Below for Set Contents Perfect For: * Oil type effects * Classroom or studio * Beginner and intermediate artists * To view content lists please click on the yellow circle icon beside each set See More
-
Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
-
The Edge All Media Pro Cotton Canvas 10"x50" - 1-1/2" Deep (Box of 3)Save Up to85%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
Powered by
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field