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Old Holland Classic Pigment Schev. Red Medium 50gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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PanPastel™ Artists' Pastels - Orange Tint, 9mlSave Up to19%Off listOrange Ultra Soft, Low Dust, Lightfast, Highly Pigmented Pastels packed in a unique pan format (cake-like) PanPastel Colors are professional artists’ quality soft pastel colors packed in a unique pan format (cake-like). PanPastel Colors Ultra Soft Artists' Painting Pastel Colors are artists' quality soft pastels uniquely packed in a pan format, so that the colors can be mixed and applied like paint, for new effects in pastels, and to make difficult pastel techniques easier! PanPastel Colors are the softest pastels in the world. Each color of PanPastels is loaded with the highest quality pigments; and is made using a unique manufacturing process requiring minimal binder and fillers, resulting in rich, ultra soft and low dust colors. PanPastel Colors are fully compatible with traditional pastel sticks, fixatives and surfaces; and with other artists' colors for mixed media work. 9 ml Pans contain approx. 35% more material than the average pastel stick. Versatile and easy to use PanPastel for a variety of techniques! See Videos for Techniques Key Features:* Great for pastel washes, backgrounds and under paintings* Use for dry-in-dry techniques - mix and blend like paint* Ultra thin "glazing" layers won't overfill the "tooth"* Control painterly effects, from intense to delicate pastel marks* Blend and apply dry color like fluid paint* Can be mixed and applied like paint Perfect For:* Painting & Drawing* Painting (with & without pastel sticks, pencils and other media* Drawing – for sketching & blocking-in drawings* Subtractive (reductive) techniques – tone paper with PanPastel then subtract drawing using an eraser* Underpaintings e.g. initial sketch for paintings* Backgrounds e.g. for colored pencils* Color studies prior to painting in other media e.g. oils* Use PanPastel to Enhance Watercolor Paintings Which surfaces should I use with PanPastel? An important characteristic of PanPastel Colors is that they work well on SO many different surfaces - from very low tooth to high tooth. E.g. from delicate surfaces through to toothy pastel (sand-paper) surfaces and everything in between…drawing papers, pastel papers, canvas, vellum, watercolor papers, print-making papers, cardstock, digital/ink-jet papers (matt) etc. Also, because they are not wet, PanPastel Colors don’t cause lightweight papers to “buckle”, and the Sofft sponge tools are gentle on delicate papers such as Japanese handmade papers. Each artist normally gravitates towards his or her own preferred surface. Don’t limit yourself – experiment! Some examples of how PanPastel looks on different surfaces are shown at our substrates page. Our gallery also shows the variety of surfaces being used by artists with PanPastel. See More
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