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Princeton Catalyst Polytip Bristle Synthetic Short Handle BrushesSave Up to40%Off listStiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst… Stiffness Watercolors Acrylics Oils A First For Artist Brushes! -- The Perfect Short Handle Brush For Heavy Body Acrylics And Oil Colors! Princeton Catalyst 6450 Polytip Bristle Short Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. Catalyst Polytip Bristle Synthetic Short Handle Brushes are super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristles can be rendered useless when they are water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Stiff and responsive synthetic bristles* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics* Heavy gel mediums and oil color application* Unaltered results when soaked in water* Artists of any skill level See More
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Princeton Dakota 6300 Series Synthetic BrushesSave Up to40%Off listPrinceton Dakota 6300 Series Synthetic Brushes- The last thing you need with a thick paint, such as acrylics, is a limp brush. These long handled brushes feature the very first synthetic interlocking, inward curved hair that perfectly matches the stiffness of bristle, but with the resiliency and… Princeton Dakota 6300 Series Synthetic Brushes- The last thing you need with a thick paint, such as acrylics, is a limp brush. These long handled brushes feature the very first synthetic interlocking, inward curved hair that perfectly matches the stiffness of bristle, but with the resiliency and shape only a synthetic can give you. Easily power through the heaviest acrylics and make the most delicate line strokes with thinned colors too! These unbelievably versatile brushes contain no oils like natural bristle so they are perfect, not only for acrylics, but for water mixable oil colors such as Max and Artisan. All with gold-tone nickel plated seamless ferrules attached to long, green wood grain lacquered handles. A better, longer lasting bristle brush that performs better than natural bristle across a broad range of media. A key advantage of 6300 is that it won’t go limp even in water! Try that with natural bristle! Modeled on the look and feel of hog bristle, series 6300 is a perfect brush for painters switching from oils to acrylic or water miscible oil. A real workhorse in even heavy bodied acrylics and suitable for use with gels and impasto media. Oil painters are catching on to 6300, realizing that it wears much better than natural bristle. See More
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Princeton Series 7000 Siberia Natural Kolinsky Sable BrushesSave Up to46%Off list…Kolinsky Sable hair* Series 7000 Siberiaâ„¢* Hand shaped* Made by the finest German Brush Makers* Long handled* Available in Round, Filbert and Bright styles Perfect For:* Oils and acrylics* Irreplaceable for portrait painters and painters of realism* The artist on the go* Thin mixes and glazing… Siberia 7000 Series, Natural Kolinsky Brushes Princeton brush company presents its Princeton Series 7000 Siberia Natural Kolinsky Sable Brushes for oil and acrylic paints. Princeton Series 7000 Siberia brushes are made with the finest natural Kolinsky Sable hair and performs above the rest. They are crafted by incredibly talented German brush makers with exceptional materials and made from real, natural Kolinsky Sable hair. Silky smoothness of sable assures that minimal brushstrokes are imparted to the paint surface. Key Features:* Made from real, natural Kolinsky Sable hair* Series 7000 Siberiaâ„¢* Hand shaped* Made by the finest German Brush Makers* Long handled* Available in Round, Filbert and Bright styles Perfect For:* Oils and acrylics* Irreplaceable for portrait painters and painters of realism* The artist on the go* Thin mixes and glazing techniques* Practicing your painting See More
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Princeton Catalyst Polytip Bristle Synthetic Long Handle BrushesSave Up to40%Off listStiffness Watercolors Acrylics Oils Super stiff, but truly responsive synthetic… Stiffness Watercolors Acrylics Oils Super stiff, but truly responsive synthetic bristles! Princeton Catalyst 6400 Polytip Bristle Long Handle Synthetic Brushes are another Princeton breakthrough that advances the science of synthetic hair. This new series is super stiff yet still extremely responsive. Unlike natural hog bristle, Catalyst has real integrity in water. Natural bristle can be rendered useless when it is water-soaked. The true advance in Catalyst is the Polytip feature. For the first time, the tip of each individual hair has been split to replicate the natural flags on the finest natural bristle. By giving each individual hair 2 to 3 distinct tips, Catalyst is able to hold a higher volume of paint while providing a smoother application. Designed for use with medium to heavy-bodied acrylics and oil paints, Catalyst pushes even heavy gel mediums with assurance. Catalyst Polytip Bristle brushes truly are tools that move paint. Key Features:* Next Gen Synthetic* Stiff and responsive synthetic bristles* Flag tips to replicate the best Chungking Bristle* Best color holding capacity and shape retention.* High paint load* Even application* Seamless ferrule Perfect For:* Medium to heavy bodied acrylics, heavy gel mediums and oil colour application * Unaltered results when bristles are completely soaked in water* Artists of any skill level See More
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Princeton Velvetouchâ„¢ Series 3900 Synthetic Blend BrushesSave Up to46%Off listLuxury Synthetic Brushes - Perfect For Easel Painting Princeton Velvetouch™ Series 3900 Synthetic Brushes feature a blend of luxurious synthetic filaments perfect for working with watercolors, acrylics, and oils. The modern filament results from seven years of research and development by… Luxury Synthetic Brushes - Perfect For Easel Painting Princeton Velvetouch™ Series 3900 Synthetic Brushes feature a blend of luxurious synthetic filaments perfect for working with watercolors, acrylics, and oils. The modern filament results from seven years of research and development by experienced brush makers. Velvetouch™ brushes hold color well and are precisely tailored to hold their shape from stroke to stroke. Each brush shape has its own unique blend to ensure maximum performance. With the same features as your favorite short handle Velvetouch™ brushes, the long handles are ideal for mixed media painting, especially oil, and acrylic. Discover the difference exceptional quality makes. Key Features: * A superior synthetic blend * Mix of multi-diameter filaments * Excellent color-holding capacity * Precision tapering and resilient spring * Soft-finish long wood handle Perfect For: * Acrylics, oils, and watercolors * Painting at an easel * Professional artists * Mixed media applications * Decorative painting See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects.… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Princeton Aspen Series 6500 Synthetic BrushesSave Up to46%Off listPerformance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used,… Performance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used, enabling control and precise arrangement of color. Princeton’s Aspen™ brushes can be used with acrylics, oils, and water-soluble oils. Paint releases and glides evenly off the synthetic hairs. Each brush has a long polished black handle made from reforested wood and a matte non-glare black ferrule perfect for outdoor painting. Key Features: * Stiff synthetic bristles * Hair retains its shape * Paints glide off brush evenly * Matte non-glare ferrule eliminates light reflection * Polished black handles made of reforested wood Perfect For: * Acrylics, Oils, and Water-Soluble Oils * Controlled lines and placement of color * Artists, crafters, and students * Outdoor painting * Everyday studio use! See More
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