Your Cart
SLI Search Template
Related Categories: Brushes, Oil Acrylic | Iridescent Medium | Synthetic Bristle | Brushes For Oils | #14 Bright Brush | #18 Round | Snazaroo | Metallic Paints
-
Dr. Ph. Martin's Bombay India Ink Glass Bottle Set #2, 1ozSave Up to29%Off listAssorted Colors Lightfast, permanent, waterproof, non-clogging India Ink! Dr. Ph Martins Bombay India Inks offer powerful color in a convenient dropper-stopper glass bottle and are perfect for creating permanent background washes on a wide variety of surfaces. The non-clogging inks can be diluted with water and used with brushes in traditional watercolor techniques or in dip pens, technical drawing pens, and airbrushes. All Dr. Ph Martins Bombay India Inks come in convenient dropper style glass bottles that are perfect for studio use. Colors can be used straight from the bottle or mixed together to create custom colors. The color intensity can be lowered without reducing the permanency of each color by adding water to the ink. All colors are brilliant and transparent, except black and white, which are opaque and have excellent covering power. These highly pigmented India inks not only remain lightfast and permanent but are also totally waterproof when dry. Key Features:* Highly pigmented India inks* Lightfast and permanent* Waterproof when dry* Acid-Free Archival Grade* Adheres to nearly all surfaces* Non-clogging when used in pens* Dropper-stopper glass bottle Perfect For:* Watercolor techniques* Illustration* Dip pens or technical drawing pens* Airbrushes* Background washes* Mixed media* Everyday studio use! See More
-
Bristlon Ser 1915S Short Handle Medium TriangleSave Up to35%Off listResilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after… Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
-
Createx Air Primary Colors, 1oz Set of 6Save Up to23%Off listAssorted Colors The Number One, Most Widely Used Professional Airbrush Paint in the World! Createx Airbrush Colors are made with lightfast, exterior grade pigments and durable resins that provide exceptional flow and atomization. They are the most widely used and trusted professional airbrush paint in the world. With a wide line of colors including transparent, fluorescent, pearlized and iridescent colors, they can be used on a variety of surfaces. Each paint can be used on fabric, wood, automobiles, leather, canvas, plastics, aluminum and other metals, ceramics, latex, glass and more. Createx Airbrush Colors are made with a water-based formula that is non toxic and meets ASTM D-4236 standards. They are durable and can withstand outdoor elements like rain, dust and sunlight without fading or cracking. Key Features: * Made with lightfast, exterior grade pigments and durable resins * Exceptional flow and atomization * Wide range of opaque, transparent, fluorescent, pearlized and iridescent colors * Water-based, non-toxic colors Perfect For: * Automotive, fabric, wood, clay, metals, plaster, latex, glass and more * Withstanding outdoor elements without fading * Airbrushes and airguns * Sealing with a clear urethane for permanence See More
-
Silver Brush Ruby Satin® Synthetic Brush Series 2515S Short Handle Pointed Triangle MediumSave Up to35%Off list…or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
-
Golden High Flow Acrylic - Fluorescent Orange-Yellow, 1oz BottleSave Up to30%Off listFluorescent High-fluidity, ink-like acrylic colors perfect for airbrush, illustration, mixed media and more! Acrylic paint innovators GOLDEN have developed a versatile new line of ultra-fluid colors ideal for any application from calligraphy to crafts! High Flow acrylics flow like ink and are non-clogging but boast the same intense pigment load, high lightfast ratings, and superior permanence as exhibited in GOLDEN's other professional quality paint lines. High Flow Acrylics can be used in refillable paint markers, technical pens, and airbrushes but perform equally well with traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle! The artistic possibilities are endless. Available in a wide range of 49 vibrant, intermixable colors, GOLDEN High-Flow acrylics work beautifully on almost any surface, including paper, raw or primed canvas, board, wood, fabric, and more. Whether doing technical drawings, airbrush art, calligraphy, graffiti, watercolor techniques, illustration, detailed or abstract art, new GOLDEN High Flow Acrylic Colors can keep up with your every artistic move! Key Features:* Super-fluid, high intensity acrylic paint* Superior pigment load & light fastness* 85 colors including iridescent & fluorescents* All compatible with GOLDEN acrylics & mediums* Can be used in refillable paint markers, technical pens, and airbrushes* High Flow acrylics work beautifully on almost any surface* * Available in 1 oz., 4 oz., 16 oz., & gallon bottles Perfect For:* Airbrush, technical pen & refillable marker* Traditional painting & illustration techniques* Staining, washing, & pouring straight from the bottle* A versatile, ink-like paint ideal for any artist!* Paper, raw or primed canvas, board, wood, fabric, and more* Traditional brush work, pen and ink techniques, staining and washing, and even pouring directly from the bottle What are High Flow Acrylics? High Flow Acrylics are GOLDEN'S newest acrylic paint that can go from brush to marker or from dip pen to airbrush and more. From fine lines to broad strokes, High Flow Acrylic has an ink-like consistency that lends itself to a wide range of techniques, including staining, leveling, calligraphy, and mixed media. See More
-
Artfinity Black T-Shirt MediumSave Up to78%Off listBlack Vibrant, Professional, Dye-Based Alcohol Markers! Artfinity® Alcohol Ink Markers are versatile, professional-quality artist’s markers perfect for design and illustration. One side of the marker has a flexible nylon brush tip perfect for sweeping gestural strokes, and the other end has a chisel nib for controlled lines. Depending on how you hold the marker, you can create a thin, medium, or bold line. Each marker cap is color-coded and labeled on both ends for easy identification. The brush side of the marker has a solid grey line, so you always know which side of the marker to uncap first. The fast-drying ink is also transparent, so you can overlay and build up layers of highly saturated color. Artfinity® Markers work well on SoHo Marker Paper and non-porous surfaces like metal, glass, and plastic. Because of their outstanding performance, Artfinity® Markers are ideal for lettering, illustration, fashion design, and more. Key Features: * Double-ended permanent markers * Range of 300 vibrant colors * Refillable up to 3x with Artfinity® Alcohol Inks * Sets of 24, 48, 72, 150, and 300 * Flexible brush tip and chisel tip in one * 1-6mm line width range * Reversible brush tip * Non-toxic, alcohol dye-based ink * Long-lasting durability * Anti-roll, easy to hold design * Color-coded, snap-on caps Perfect For: * Fine art and illustration * Comic book and manga art * Drawing on SoHo Marker Paper * Gestural, sweeping brush strokes * Detailed line work, lettering, and calligraphy * Architects, students, and fashion designers * Everyday studio use Refill with Artfinity® Alcohol Inks! Refill Guide One Artfinity® Alcohol Ink Bottle has enough ink to refill your marker approximately 3 times. Create your own marker set with one of our Empty Storage Boxes! The empty marker boxes are designed to hold, store and display your Artfinity® sketch markers or other markers and pens. The lid has a strong magnetic closure to keep your markers secure during travel. A removable rigid grid helps to keep your markers organized within the box. When you’re ready to draw, you can prop up the pens by folding the lid into a triangle kickstand for easy access. The boxes can hold up to 24 or 48 Artfinity® markers. Swatch All of the Colors! The charts print out perfectly on marker paper: Blank Printable Color Charts See More
-
Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. See More
Powered by
![Site Search powered by SLI Systems](http://assets.resultspage.com/logos/sli_logo_2014.png)
Login and Registration Form
Customer Login
Already a customer ? Sign in now for the best experience!
* indicates a required field