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Liquitex Professional Soft Body Acrylic 32oz Cadmium-Free Yellow MediumSave Up to32%Off listYellow Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Ambiance Studio Wood Frame, White 12"x12" with Plexi GlazingSave Up to64%Off listWhite High-Quality Wide Face Frames Ambiance Studio Wood Frames are perfect for framing papers, panels, posters, and certificates. These professional quality wood frames are finished with three coats of urethane, which is UV cured, two electrostatic coats, and a final UV cured finish. The finish is applied to the wood and hardened via a chemical reaction triggered by ultraviolet light. The UV process ensures a brilliant smooth finish that is more durable than other frame finishes on the market. Each frame comes with a sheet of optically clear glazing and rigid MDF backing board. D-ring hangers are already attached to the high-density backing board, so you don't need to worry about attaching hardware to the frame. Key Features: * Four coats of UV cured urethane * Two electrostatic urethane coats * 1-3/4" wide face and 3/4" depth * 3/8" rabbet depth * Optically clear glazing sheet * Rigid MDF backing board * D-ring hangers are attached to the backing board * Flexi tabs hold artwork in place * Superior finish in jet black or bright white * Perfect For: * For works on panels, fine art on paper * Certificates, posters, and graphics * An alternative to a professional frame * Quickly framing artwork * A crisp, modern framing option * Gallery presentations See More
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Liquitex Basics Acrylic Paint - Cadmium Orange Hue, 32oz JarSave Up to30%Off listOrange BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
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GOLDEN Fluid Acrylics Quinacridone Nickel Azo Gold 32 ozSave Up to30%Off listYellow GOLDEN Fluid Acrylics provide a highly intense, permanent acrylic with a consistency similar to india ink. Equal the intensity of GOLDEN Heavy Body Acrylics but with an even, flowing characteristic useful for dry brush application, fine details, pouring, spraying (particularly when mixed with GOLDEN Airbrush Medium), staining techniques and many others. Fluids are created by loading an acrylic polymer binder with concentrated levels of quality pigments for a wide selection of permanent and lightfast colors. No fillers or extenders are added to achieve the desired consistency, nor is the fluid quality achieved with additional water. GOLDEN Fluid Acrylics have the same pigment load as the Heavy Body Acrylics, but in a viscosity similar to heavy cream. Fluids allow for smooth flowing applications while retaining color intensity, tinting strength, film integrity, and adhesion. Fluids blend easily with all acrylic colors, and readily tint gels, mediums, gessoes and grounds. Fluid Acrylics are extremely versatile, and ideal for fine brushwork, glazing, staining, water media techniques and many more. Mix Fluid Acrylics with Airbrush Medium for airbrush application of artwork including textiles. Key Features: * Smooth flowing applications * Permanent and lightfast colors * Extremely versatile * High tinting strength * Low-viscosity, pigment-saturated paint * Retain excellent flexibility when dry * High pigment levels suspended in an acrylic polymer vehicle * Perfect For: * Fine brushwork * Glazing and staining * Water media techniques * Dry brush application * Spraying, brushing, and staining * Allowing for longer, more uniform brush strokes * Absorbing the constant stress and strain placed on canvas Golden Fluid Acrylics contain high pigment levels suspended in an acrylic polymer vehicle. The result offers fine dispersion, high tinting strength, durability, flexibility, and good adhesion. * Golden Fluid Acrylics Interference Colors which reflect their own colors in intense direct light and transmit a complement in indirect light. This "flip" varies according to the surface and the surface color. Adding a small amount of black will produce brighter colors. * Golden Fluid Acrylics Iridescent Colors reflect their own light. They appear differently dependent on the light source being either direct or indirect. Mix these colors into other GOLDEN colors to produce the greatest array of pearlescent colors imaginable. Experiment for unique and fascinating effects. See More
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GOLDEN Open Acrylic Paints Titanium White 32 ozSave Up to30%Off listWhite Slow-drying acrylic paint that enables painters to explore techniques GOLDEN OPEN paint is a slow-drying acrylic paint that enables painters to explore techniques traditionally reserved for oil paints. The slow-drying quality gives artists longer working time for easier blending and even subtractive techniques. There is a unique thinner and mediums for use with OPEN, but the paints are compatible with regular fast-drying acrylics and clean up with soap and water like regular acrylics. OPEN Acrylics are formulated with an optimum balance of pigment load and 100% acrylic polymer dispersion to produce a paint with a uniquely relaxed set of working characteristics and a versatility that allows artists to explore a wider range of techniques such as portraiture and landscape painting that rely on softening, shading, glazing, and creating fine detail. Increased working time of these colors expands their range to include more traditional techniques once only possible with oils Key Features:* Resists skinning, remain wet on the palette for extended periods* Feels like no other paint* Stays wet longer* Expands the boundaries of acrylics* Formulated with an optimum balance* Tubes: 2oz. & 5oz. / Jars: 4oz. & 8oz.* Titanium White: 32oz. Jar* 100% acrylic polymer dispersion* Perfect For:* A uniquely relaxed set of working characteristics and versatility* Allowing artists to explore a wider range of techniques* Portraiture and landscape painting* Softening, shading, glazing, and creating fine detail* Plein air painting, mono-printing, and screenprinting* Drying time can also be accelerated by mixing OPEN with faster-drying acrylics like our Fluid and Heavy Body colors* Reducing the amount of paint wasted and preserving color mixtures for future use How long does it take for Golden Open acrylics to dry? GOLDEN OPEN typically dries in 3-5 hrs. To control viscosity while maintaining the maximum working time Use OPEN Mediums and Thinner. To accelerate drying time, OPEN Acrylics may be blended with faster-drying GOLDEN Acrylics, Gels, and Mediums. OPEN Acrylics resist skinning, remain wet on the palette for extended periods, and exhibit a remarkable versatility that allows them to be used directly from the tube for plein air painting, mono-printing, and screenprinting. OPEN Acrylics may be blended with other GOLDEN Acrylic Colors, Mediums, and Gels, with the open time of the resulting mixtures being proportionately reduced. Because OPEN Acrylics dry slowly, painters who cover their palettes or use sealed containers have been able to use the same colors for weeks, reducing the amount of paint wasted and preserving color mixtures for future use. See More
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Liquitex Heavy Body Acrylic - Alizarin Crimson Hue Permanent, 32oz JarSave Up to74%Off listRed "My choice for over 50 years" - Cisle Studio (Belfast, Maine) Heavy Body Artist Color, previously referred to as High Viscosity, has a thick consistency for traditional art techniques using brushes or knives, as well as for experimental, mixed media, collage and printmaking applications. Liquitex Heavy Body Artist Colors are made with high pigment loads, which produce rich, brilliant, permanent color. Impasto applications retain crisp brush stroke and knife marks. Good surface drag provides excellent handling and blending characteristics with increased open-working time. Please note: packaging style may vary. Key Features: * Range of 105 professional colors * Flexible when dry * Smooth, thick, buttery consistency * Outstanding clarity and brilliance of color * 7 NEW Cadmium-Free Colors * * Liquitex Heavy Body Acrylic Paint Color Chart Perfect For: * Artists of every skill level * Small and large works of art * Plein Air * Artwork requiring a wide range of colors * 7 NEW Cadmium Free Colors The NEW Cadmium-Free range carries an AP (Approved Product) Seal from the The Art and Creative Materials Institute, Inc. (ACMI). ACMI-certified product seals (AP Approved Product and CL Cautionary Labeling) indicate that these products have been evaluated by a qualified toxicologist and are labelled in accordance with federal and state laws. Cadmium-FREE Colors: The Colart Innovation & Development laboratory applied several tests to demonstrate that the Cadmium-Free range is technically on par with the equivalent cadmium colors, for example: * Lightfastness to assess longevity * Color mass tone for brightness and overall match * Color reduction 10:1 with Titanium White to compare color strength and shade when mixed * Viscosity and rheology for handling properties * Specific gravity to test weight * Opacity check over black and white test card to assess coverage See More
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GOLDEN Heavy Body Acrylics - Van Dyke Brown, 32oz JarSave Up to30%Off listBrown Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Artfinity® Sketch Marker Replacement Nibs (Brush Tip) 8 Pack with TweezersSave Up to86%Off listVibrant, Professional, Dye-Based Alcohol Markers! Artfinity® Alcohol Ink Markers are versatile, professional-quality artist’s markers perfect for design and illustration. One side of the marker has a flexible nylon brush tip perfect for sweeping gestural strokes, and the other end has a… Vibrant, Professional, Dye-Based Alcohol Markers! Artfinity® Alcohol Ink Markers are versatile, professional-quality artist’s markers perfect for design and illustration. One side of the marker has a flexible nylon brush tip perfect for sweeping gestural strokes, and the other end has a chisel nib for controlled lines. Depending on how you hold the marker, you can create a thin, medium, or bold line. Each marker cap is color-coded and labeled on both ends for easy identification. The brush side of the marker has a solid grey line, so you always know which side of the marker to uncap first. The fast-drying ink is also transparent, so you can overlay and build up layers of highly saturated color. Artfinity® Markers work well on SoHo Marker Paper and non-porous surfaces like metal, glass, and plastic. Because of their outstanding performance, Artfinity® Markers are ideal for lettering, illustration, fashion design, and more. Key Features: * Double-ended permanent markers * Range of 300 vibrant colors * Refillable up to 3x with Artfinity® Alcohol Inks * Sets of 24, 48, 72, 150, and 300 * Flexible brush tip and chisel tip in one * 1-6mm line width range * Reversible brush tip * Non-toxic, alcohol dye-based ink * Long-lasting durability * Anti-roll, easy to hold design * Color-coded, snap-on caps Perfect For: * Fine art and illustration * Comic book and manga art * Drawing on SoHo Marker Paper * Gestural, sweeping brush strokes * Detailed line work, lettering, and calligraphy * Architects, students, and fashion designers * Everyday studio use Refill with Artfinity® Alcohol Inks! Refill Guide One Artfinity® Alcohol Ink Bottle has enough ink to refill your marker approximately 3 times. Create your own marker set with one of our Empty Storage Boxes! The empty marker boxes are designed to hold, store and display your Artfinity® sketch markers or other markers and pens. The lid has a strong magnetic closure to keep your markers secure during travel. A removable rigid grid helps to keep your markers organized within the box. When you’re ready to draw, you can prop up the pens by folding the lid into a triangle kickstand for easy access. The boxes can hold up to 24 or 48 Artfinity® markers. Swatch All of the Colors! The charts print out perfectly on marker paper: Blank Printable Color Charts See More
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Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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