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Arches Bright White 300lb Watercolor Paper, 22"x30" Cold Press (5 Sheets)Save Up to40%Off listBright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper… Bright White 100% Cotton Rag Watercolor Paper Without Brighteners Arches Bright White Watercolor Paper is mould-made in France, bright white 100% cotton rag watercolor paper without brighteners and considered the most popular in the world and a favorite among artists for over 500 years. The paper pulp is brighter than natural white, each gelatin-sized sheet has four deckle edges and may be repeatedly erased and over-painted on, while still maintaining its beautiful surface quality and integrity. Arches bright white paper is available in all three popular paper surface types and in 140lb & 300lb. The artists' choice for watercolor paper since 1492. Arches Bright White Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Bright White Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Bright White Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. Key Features:* Bright white, mould-made* 100% long rag cotton* 140lb & 300lb* Mould-made in France* Available in hot press, cold press and rough grain!* 4 deckle edges: 2 natural deckled edges and 2 torn edges* Acid-free, no optical brightening agents Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache and acrylic Arches Bright White 100% Cotton Watercolor Paper Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolour painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Canson Edition Antique White Paper, 22"x30" 250gsm (100 Sheets)Save Up to33%Off listWhite A Versatile Art Paper Ideal for Drawing and Traditional Art Printing Canson Edition Papers offer lasting performance and are 100% cotton, acid-free and made without optical brighteners. Complies with the ISO 9706 standard on permanence, a guarantee of optimal conservation to deliver professional results with a variety of media and printmaking. Versatile and affordably priced, Edition is an excellent choice for drawing, lithography, offset, intaglio, typography and suitable for silk screen. Each sheet of Canson Edition paper features two deckle edges and two distinct surfaces, one smooth, one textured ideal for printmaking, drawing and multi-media expression. Available in 2 colors and sizes, Canson Edition papers are 100% cotton, acid-free and made without optical brighteners. * Antique White or Bright White * Comes in 2 sizes * 250 gsm sheets* * 100% cotton * ISO 9706 standard on permanence, a guarantee of optimal conservation * Double sided: light grain and smooth * 2 deckle edges * Acid-free, No optical brighteners * Ideal for drawing, lithography, offset, intaglio, typography, printmaking, drawing and multi-media expression * Also suitable for silk screen See More
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Strathmore 500 Charcoal Paper 19"x25" - #130 White, Pack of 25Save Up to33%Off listWhite 100% Cotton Acid Free Premium Charcoal Paper/Pads The staple for charcoal and pastel artists for over 110 years, this 100% cotton fiber paper has a traditional laid finish that provides the precise shading control needed for these media. Colors include bright white, white, black and nine tints. Media Applications: Graphite pencil, colored pencil, charcoal, sketching stick, soft pastel, mixed media Key Features: * 64 lb. 95 g/m2* Laid Surface* 100% cotton fiber* Raised texture* Acid-free paper* 24 Sheet Pads: Wire Bound Perfect For: * Graphite pencil* Colored pencil* Charcoal* Sketching stick* Soft pastel* Mixed media Its raised texture is also suitable for pen, pencil, or art crayon Pad Features: Wire Bound Sheets are Actual Size when removed at the wire binding. Colors in pad include 3 sheets each of eight colors.Please note: The manufacturer reserves the right to substitute colors in assorted packs. Colors may be different than pictured. See More
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Canson Mi-Teintes Assorted Color Sheet Packs 19" x 25" (10 Sheets)Save Up to33%Off listBright Tones A huge favorite with colored Pencil, charcoal, and pastel artists! Canson’s Mi-Teintes is one of the world’s most celebrated papers for colored pencils, pastels, charcoal, and Conte’. Canson Mi-Teintes Assorted Color Sheet Packs cover a variety of color styles, for all artistic needs and interests. Mi-Teintes has a 55% cotton rag content, is gelatin sized, and has a sturdy 98lb weight, making it very strong and allowing repeated re-working in a variety of media. Each sheet has two distinct surface textures, one smooth and one with grainy texture, making it a marvelous work surface for pastellists, colored pencil artists, and charcoal lovers that enjoy working on a toned ground. Sheet size is 19" x 25" with 60 different colors available, 10 sheets per pack. Rolls are available in White and Black, and are 59" X 11 yards long. Key Features: * 55% cotton rag * Gelatin sized * Two distinct surface textures * 98 lb paper weight * Rolls available in Black and White Perfect For: * Pastellists, Colored Pencil Artists * Illustrators, Designers, and Fine Arts * Use with Charcoal, Conte’ sticks, Oil Pastels * Gelatin sizing accepts watercolor and gouaches * Use in Mixed Media See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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