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Related Categories: Brushes Acrylic Bright | Brushes, Oil Acrylic | Synthetic Bristle | Iridescent Medium | Brushes For Oils | Davinci Brush Sale And Free Brush Offer | Da Vinci Synthetic Brushes | Long Handled Synthetic Oil Brushes
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Winsor & Newton Artists Oil Chungking Brush Filbert #7Save Up to75%Off listWorld's Finest Chungking Bristle - Naturally Interlocked With Perfect Flags This is what happens when you stand your ground on quality! Winsor & Newton Artists' Oil Brushes are made of the world's finest Chungking bristle, hand-dressed for perfect flags and a naturally interlocked head. The… World's Finest Chungking Bristle - Naturally Interlocked With Perfect Flags This is what happens when you stand your ground on quality! Winsor & Newton Artists' Oil Brushes are made of the world's finest Chungking bristle, hand-dressed for perfect flags and a naturally interlocked head. The natural curve of the hair provides excellent spring and is highly resilient, retaining its shape far longer than other brushes. The brushes are stiff, the bristles flagged (i.e. split at the ends), allowing large amounts of colour to be applied evenly to the surface. The uniquely shaped ergonomic handle offers exceptional balance and control. And the satin matte finish of the ferrule and handle minimizes light reflection when painting outdoors. Because with Winsor & Newton - compromise isn't an option. Key Features: * Chungking hog bristle brushes * Flagged split ends for picking up color * Stiff interlocked construction * Ergonomically balanced handles * Satin finish on handle and ferrule Perfect For: * Oil and acrylic painters * Moving paint with ease * Holding large amounts of color * Plein Air painting * Comfortably holding your brush for a long time See More
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Prismacolor Double-Ended Chisel/Fine Markers - Pastel Colors (Set of 12)Save Up to63%Off listAssorted Colors Brilliant alcohol-based colors are permanent and lightfast Every artist can appreciate these double-ended art markers! Prismacolor Premier Double-Ended Art Markers contain a richly saturated alcohol-based ink formulated to flow effortlessly out of the marker as you draw. The dual-sided marker features a large chisel tip on one end and a fine bullet tip on the other. This allows you to flip back and forth between coloring and drawing details. The ink has minimal odor, which makes it ideal for prolonged use. Best of all, the marker colors pair well with the Prismacolor colored pencils for mixed media work. Key Features: * Dual-ended markers featuring both fine and chisel tips * Non-toxic, alcohol-based ink * Roll-resistant cap * Incredibly smooth ink application * Available in sets and individually Perfect For: * Adding fine detail and thick lines with one marker! * Illustrators and mixed-media artists * Drawing sharp lines or multiple line widths * Clean line application See More
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Mimik Hog Professional Synthetic Bristle Brush, Double Thick Filbert Size #7Save Up to64%Off listProfessional Synthetic Hog Brushes - Nature, Improved! Mimik Hog Synthetic Hog Bristle Brushes from Creative Mark provide better brush performance than natural hog bristle brushes. The synthetic bristles are animal friendly, easy to clean, and provide consistent brush response, time after time. The… Professional Synthetic Hog Brushes - Nature, Improved! Mimik Hog Synthetic Hog Bristle Brushes from Creative Mark provide better brush performance than natural hog bristle brushes. The synthetic bristles are animal friendly, easy to clean, and provide consistent brush response, time after time. The long-lasting synthetic bristles are responsive and do not lose their shape or integrity no matter how often you paint! That's why Mimik Hog Synthetic Hog Bristle Brushes are perfect for painting with oils, acrylics, inks, dyes, gouache, watercolor, casein, egg tempera, and more! Mimik Professional Synthetic Hog Brushes are the only brush you need for acrylic painting. You may use them to paint with the heaviest acrylic paint and the thinnest watercolor or ink! Key Features: * Synthetic multi-filament hair * Professional bristles hold a lot of paint * Hold and release paint with controlled strokes * Seamless, reinforced dual-crimp nickel-plated brass ferrules * Ferrules are electroplated in a stain-resistant black finish * Beautifully balanced, long lacquered wood handles * Easier to clean than natural hair bristles Perfect For:* Oils, acrylics, inks, dyes, gouache, watercolor, casein and egg tempera* Consistent brush response and control of color release* Artists looking for an animal-friendly alternative without sacrificing quality* Artists looking for a quality brush for the price See More
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Liquitex Basics Acrylic Paint Cadmium Orange Hue 400mlSave Up to47%Off listOrange BASICS is for all - from those new to painting, to experienced artists! Liquitex BASICS Acrylic Paints, developed for students and artists that need dependable quality at an economical price. Liquitex BASICS paints have a medium-viscosity that allows for easy use, mixing and easy blending. Paint provides great coverage, drying to a satin finish, with colors uniquely formulated to bring out maximum pigment. Basics paints are more economical due to lower pigment content, striking a balance between affordability and quality and maintain a consistent medium viscosity across all colors for versatility! Colors are uniquely formulated to bring out the maximum pigment and are intermixable with all Liquitex BASICS colors and mediums. With a full color range of 72 colors, BASICS are great for learning color mixing and color theory. Perfect for beginners, large scale works or backgrounds, murals, and learning color mixing! Liquitex BASICS medium-viscosity paint is made with lightfast, artist-quality pigments. All colors hold the AP seal from ACMI for being non-toxic, so they are safe for even young beginners. Key Features:* 4oz., 32oz., 250ml and 400ml* Dependable paint, affordable cost* Value/Student Series Acrylic* 48 color spectrum* Excellent working qualities* Great coverage, drying to a satin finish* Medium viscosity paint is made with lightfast, artist-quality pigments Perfect For:* Underpainting or sketching if you’re a serious artist* Students learning Acrylics* Artists painting large scale* Budget-minded Artists* Color studies and practice* Characteristics: Medium viscosity, Fine art pigments, Satin finish & Easy blending Techniques: Sketching & underpainting, Color theory/mixing, Collage & mixed media USES AND TECHNIQUES:* Traditional Acrylic Painting on canvas or panel, easy blending* Experimental Acrylic Painting* Collage and Mixed Media * Printmaking: Screen Printing, Mono Prints, Block Prints* Color Theory & Mixing See More
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Lefranc & Bourgeois Flashe Vinyl Paint - Vermilion Red, 400 ml JarSave Up to30%Off listRed Highly Pigmented Opaque Vinyl Paint On All Supports Lefranc & Bourgeois's FLASHE is a vinyl-based opaque paint that dries to a uniform, velvety matte finish. Vinyl paint is like acrylic in that you can use it on different surfaces, but FLASHE has a velvety matt finish and can be painted on glass and plastic without a primer, unlike acrylic. Special properties in the paint allow you to apply the same color to different surfaces without any big color shift, and you can dilute the paint with water to create wash effects. The paint adheres well and is resistant to weather, which makes it perfect for painting theatre decorations, faux finishes, frescos, and more. All FLASHE colours have a distinctive matt finish, except the iridescent colours, which have a luminous, satin finish due to their pearlescent pigmentation. Key Features: * Highly pigmented opaque vinyl paint * Radiant colour, matt finish, and exceptional durability * High-quality pigments specially selected for fine art * Identical color finish on all surfaces * It can be heavily diluted without breaking the film * Guaranteed to be 100% stable over time * Most surfaces do not need to be primed Perfect For: * Artists and illustrators * Non-oily painting surfaces, canvas, wood, fabric, leather, metal, paper, plastic, glass, and polystyrene * Creating transparent wash effects and patinas * Use as an undercoat for oil or acrylic murals * Transferring artwork from analog to digital * Spontaneous painting in the studio or outdoors * Fresco and wall painting, faux finishes, theater decorations, and more * Brush, sponge, spray gun, or an airbrush application FLASHE Colours have a uniform 30-minute drying time, and once dry, they are water-resistant. You can only remove the paint with alcohol-based solvents. Apply opaque colours with a single application, semi-opaque colours with two applications, and transparent colours with three to four applications. Watercolour: To create washes and patinas, dilute with between 1/3 and 2/3 water as desired. Varnish: Matt varnish can be applied on top to maintain the vibrancy of the colour without altering the shade. Gloss varnish will make shades a tone deeper and more vivid. Varnish is recommended for all outside applications. See More
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Michael Harding Handmade Artists Oil Color - Handmade Color ChartSave Up to40%Off listAssorted Colors Michael Harding set out for perfection in a line of handmade oil colors Michael Harding oil paints are handmade using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities, unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Michael Harding oils contain the finest pigments, ground in refined cold-pressed linseed oil. Luminous, brilliant colors at very high tint strengths and totally free of fillers making these oils perfect for artists favoring Old Masters materials. These professional oil paints started over 30 years ago when painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Harding handmade oil colors are a leader in the fine art supply industry! The greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. A favorite among fine artists who seek archival-quality, vibrant, and responsive oil paints for their work. Key Features: * Pure Pigments, No Fillers, High Lightfastness and Pigment Load * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency * Hand painted labels * All sizes: 40ml, 225ml, 1 Ltr. and Sets of 6 and 10 Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Harding Oil Colors are handmade and considered a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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