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Ambiance Studio Wood Frame, Black 13"x19" with Plexi GlazingSave Up to77%Off listBlack High-Quality Wide Face Frames Ambiance Studio Wood Frames are perfect for framing papers, panels, posters, and certificates. These professional quality wood frames are finished with three coats of urethane, which is UV cured, two electrostatic coats, and a final UV cured finish. The finish is applied to the wood and hardened via a chemical reaction triggered by ultraviolet light. The UV process ensures a brilliant smooth finish that is more durable than other frame finishes on the market. Each frame comes with a sheet of optically clear glazing and rigid MDF backing board. D-ring hangers are already attached to the high-density backing board, so you don't need to worry about attaching hardware to the frame. Key Features: * Four coats of UV cured urethane * Two electrostatic urethane coats * 1-3/4" wide face and 3/4" depth * 3/8" rabbet depth * Optically clear glazing sheet * Rigid MDF backing board * D-ring hangers are attached to the backing board * Flexi tabs hold artwork in place * Superior finish in jet black or bright white * Perfect For: * For works on panels, fine art on paper * Certificates, posters, and graphics * An alternative to a professional frame * Quickly framing artwork * A crisp, modern framing option * Gallery presentations See More
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Grafix Dura-Bright Roll Opaque Black 26"x10 YardsSave Up to12%Off listBlack Strong, versatile mixed-media sheets made of pH-neutral polypropylene! Grafix Dura-Bright is a durable, smooth, non-absorbent, wipeable, and heat-resistant film that is fun to use for mixed media. The .010” thick film is made of pH-neutral polypropylene and is available in opaque White and Black. Dura-Bright White film is the perfect surface for watercolor and alcohol inks. White gel pen, metallic, iridescent, and neon colors show up great on the opaque Black Dura-Bright film. The smooth, non-absorbent surface is ideal for acrylic, pencil, alcohol ink, stamping, die-cutting, sewing, embossing, debossing, and so much more. Key Features: * pH-neutral polypropylene film * .010” thick film * Durable, smooth, non-absorbent * Will not absorb moisture * Heat resistant * It will not tear and wipes clean * Made in the USA * Available in 12 sheet pads or 10 yard rolls Perfect For: * Watercolor, acrylic, and alcohol inks * Stamping, embossing, debossing * Die-cutting machines * Mixed Media * Metallic, iridescent, and neon colors * Acrylic sprays, gels, gel mediums * Color separations * Overlays See More
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Da Vinci Pure Badger Series 96 120mm (5in) Softener BrightSave Up to30%Off list…of badger hair creates a gentle resistance, which is essential for many faux techniques. Faux and decorative painters seek out the mottler and bright shapes in badger for roll and tip applications and to create unique surface finishes. You can use Da Vinci Pure Badger Brushes for varnishing,… Excellent brushes for ultra-fine finishing results! Da Vinci's silver-tipped pure badger hair brushes are perfect for blending, softening, and applying a glaze. Pure badger's hair has a bushy appearance because the hair is cone-shaped, thick at the tip and thin near the root, unlike other natural hairs. The slightly wavy nature of badger hair creates a gentle resistance, which is essential for many faux techniques. Faux and decorative painters seek out the mottler and bright shapes in badger for roll and tip applications and to create unique surface finishes. You can use Da Vinci Pure Badger Brushes for varnishing, graining, glazing, priming, and a variety of painting techniques. Key Features: * Pure badger hair * Cone-shaped bushy hair * Durable handle * Rust-proof steel ferrules * Fan, Mottler, or Softner Bright Perfect For: * Faux and decorative painting * Roll and tip applications * Varnishing, graining, and glazing, * Priming and underpainting * Oil paint * Creating interesting patterns See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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