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Related Categories: Brushes, Oil Acrylic | Iridescent Medium | Synthetic Bristle | Brushes For Oils | #14 Bright Brush | #18 Round | #8 Bright | Snazaroo
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Acurit Dimming Thin Line Pro 12" x 17" Led Light Pad, (overall size 14.8" x 19.8")Save Up to49%Off listNew and Improved Adjustable Brightness Touch Sensitive Control Switch! These rugged and durable light boxes are made to last. The professional quality LED light box offers a brightness setting capable of showing through media such as papers, artist canvas, and fabrics. The touch-sensitive ON/OFF… New and Improved Adjustable Brightness Touch Sensitive Control Switch! These rugged and durable light boxes are made to last. The professional quality LED light box offers a brightness setting capable of showing through media such as papers, artist canvas, and fabrics. The touch-sensitive ON/OFF control switch has adjustments of 4 levels, 25%-50%-75%-100%, which switch with every touch of the button. It has become more simple to use and operate. Boxes have a wide border that allows you to use larger substrates than the illuminated area. LED illumination never gets hot and uses only 5.5 watts of power. ACURIT light boxes are top-of-the-line professional quality at an affordable price. An amazing value compared to inferior items that are not made to be a lasting investment. 100% guaranteed to meet your total satisfaction. Key Features: * Solid aluminum frame with 5/8" thickness * NEW & IMPROVED - Touch-sensitive, 4-level brightness adjustment 25%-50%-75%-100% * Acrylic surface never gets hot and uses only 5.5 watts of power * 2.8" Non-illuminated border around illuminated area * Optical quality acrylic surface * 100% satisfaction guaranteed * Non-slip gripper feet * Wide border that allows you to use larger substrates * Includes complimentary protective sleeve for storage and UL 110-220V Universal power adapter Perfect For: * up to 50,000 light hours * Super bright LED allows tracing through artist papers or canvas substrates * Trace through 300lb watercolor paper * Taking work on-the-go* Available in 4 popular sizes 6" x 9" lighted area: (overall size 8.8" x 11.8") 9"x12" lighted area: (overall size 11.8" x 14.8") 12" x 17" lighted area: (overall size 14.8" x 19.8") 17" x 24" lighted area: (overall size 19.8" x 26.8") 89692 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.3A / Output 12V 1A ) 89693 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.3A / Output 12V 1A ) 89694 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.35A / Output 12V 1.5A ) 89695 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.35A / Output 12V 1.5A ) See More
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Prismacolor Double-Ended Chisel/Fine Markers - Pastel Colors (Set of 12)Save Up to63%Off listAssorted Colors Brilliant alcohol-based colors are permanent and lightfast Every artist can appreciate these double-ended art markers! Prismacolor Premier Double-Ended Art Markers contain a richly saturated alcohol-based ink formulated to flow effortlessly out of the marker as you draw. The dual-sided marker features a large chisel tip on one end and a fine bullet tip on the other. This allows you to flip back and forth between coloring and drawing details. The ink has minimal odor, which makes it ideal for prolonged use. Best of all, the marker colors pair well with the Prismacolor colored pencils for mixed media work. Key Features: * Dual-ended markers featuring both fine and chisel tips * Non-toxic, alcohol-based ink * Roll-resistant cap * Incredibly smooth ink application * Available in sets and individually Perfect For: * Adding fine detail and thick lines with one marker! * Illustrators and mixed-media artists * Drawing sharp lines or multiple line widths * Clean line application See More
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Michael Harding Handmade Artists Oil Color - Handmade Color ChartSave Up to25%Off listAssorted Colors ”These Michael Harding paints that I am using are doing exactly what he said they would - they’re changing my life!!! Warning - these Professional Oil Paints are highly addictive! Over 30 years ago, painter Michael Harding set out for perfection in a line of handmade oil colors. Today, Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients (without the use of artificial driers, extenders, or fillers) gives artists working qualities unlike any other oils, making their work stand out in a room full of paintings. The consistency is creamy, buttery, and easy to handle, offering the greatest possible coverage with 100 brilliant, vibrant colors to choose from. Please note that packaging may vary. Key Features: * Exquisitely Handmade Oil Colors * Highest, most brilliant pigment load * No added driers, fillers, or extenders * Highest lightfastness ratings * Professional Quality * Rich, creamy consistency Perfect For: * Professional Oil Painters * discerning students & amateurs * Artists favoring Old Masters materials * Use with Michael Harding Mediums * Artists requiring highest pigment oils * Painters using only handmade oils Are Michael Harding paints good? Yes! Michael Artists Handmade Harding Oil Colors are a leader in the professional fine art supply industry! Harding’s dedication to using only the highest pigment loads and pure ingredients gives artists working qualities unlike any other oils! See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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