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Related Categories: Brushes Acrylic Bright | Brushes, Oil Acrylic | Synthetic Bristle | Iridescent Medium | Brushes For Oils | Davinci Brush Sale And Free Brush Offer | Da Vinci Synthetic Brushes | Long Handled Synthetic Oil Brushes
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Old Holland Raw Materials Balsam Resin 100gSave Up to40%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Silver Brush Bristlon® All Media Brush Series 1912 Dagger Stripper 3/8"Save Up to35%Off listStiffness Watercolors Acrylics Oils The Breakthrough For All Media Silver Brush Bristlon All Media Brushes are a fantastic stiff white synthetic hair that has been specially processed to be used with harsh solvents without destroying the texture and fiber of the brush head. It has an interlocked… Stiffness Watercolors Acrylics Oils The Breakthrough For All Media Silver Brush Bristlon All Media Brushes are a fantastic stiff white synthetic hair that has been specially processed to be used with harsh solvents without destroying the texture and fiber of the brush head. It has an interlocked construction providing excellent resiliency, so after each stroke the brush “pops" back into shape for a perfect next stroke. Bristlon will never go mushy on you and is the perfect alternative on rough surfaces, giving excellent control with minimal brush stroke. No matter if you love to paint in oils, alkyds, acrylics, caseins or water mixable oils, Bristlon performs marvelously with all. Bristlon may be cleaned thoroughly without harming the brush, grips color well and has a sensational resiliency required by heavy consistency color. Superbly fashioned with only the finest seamless, nickel plated, brass ferrules attached to polished deep blue long handles with majestic silver tips. See More
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Enkaustikos Hot Sticks Metallic Colors Set of 5 13mlSave Up to20%Off listAssorted Colors Mix it up and experiment with these professional, high quality encaustic paint colors in a versatile, artist friendly stick! Enkaustikos Hot Sticks Paint Sets are made with beautifully vibrant pigments, the finest Damar Resin, and United States Pharmaceutical Grade (USP) Beeswax. Colors melt easily on a hot palette to create a puddle of color for your brush, in a large tin to experiment with creating custom paint colors, or applied directly to a heated substrate. These 13 ml paint sticks are also a great way to play around with new colors and expand your palette. Key Features: * Made with vibrant, high quality pigments and USP Beeswax * Melt easily on a hot pallette or applied directly to a heated substrate * No bleach or synthetic adulterants * Melt and mix colors easily Perfect For: * Mixed media techniques * Experimenting with custom paint mixes * Fine artists * Classrooms and workshops See More
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Silver Brush Monza® Synthetic Mongoose Series 2633S Angle 3/8"Save Up to35%Off listThe Perfect Blending Brush For Oil, Acrylic, and Water-Soluble Oils The Silver Brush Monza® Mongoose Short Handle Brushes are an absolute must-have for any artist's paint box. These synthetic artist mongoose brushes are versatile and can be used for oil, acrylic, and water-soluble oils.… The Perfect Blending Brush For Oil, Acrylic, and Water-Soluble Oils The Silver Brush Monza® Mongoose Short Handle Brushes are an absolute must-have for any artist's paint box. These synthetic artist mongoose brushes are versatile and can be used for oil, acrylic, and water-soluble oils. Their short length provides precise control and enables perfect blending. These brushes hold sharp edges and fine points exceptionally well, boasting superior spring, bounce, and durability. Key Features: * Superior spring, bounce, and durability * Durable synthetic fibers * Short length for precise control * Holds sharp edges and fine points * Superior spring, bounce, and durability Perfect For: * Oils, acrylics, and water-soluble oils * Dry and wet blending techniques * Portraiture and layered painting * Painting tight facial details * Controlled strokes and detailed work See More
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Silver Brush Silverwhite® Synthetic Long Handle Brush Series 1506 Angular 3/8"Save Up to35%Off listStiffness Watercolors Acrylics Oils Silky soft synthetic long handle brushes… Stiffness Watercolors Acrylics Oils Silky soft synthetic long handle brushes that imitate natural sable Silver Brush Silverwhite® Synthetic Long Handled Brushesare superb for acrylics and water-mixable oils! Silverwhite® brushes are handmade by expert artisans who undergo extensive training before they are skilled enough to produce the kind of quality that has become synonymous with Silver Brush Limited. Silverwhite® fine art brushes feature high-quality Japanese synthetic filaments that are soft but springy specially designed with multi-diameter filaments that have tiny ridges, allowing the brush to capture and carry color without pooling on your painting. Silverwhite® will perform just like a natural sable, but at a fraction of the cost! Absorbent and easy to control. Expect fine tapered points and chiseled edges. Key Features:* Made with high-quality Japanese synthetic filaments* Imitates natural sable* Perform just like a natural sable* Soft and absorbent with a nice spring and snap* Absorbent and easy to control* Nickel-plated brass ferrule, double crimped* Epoxy seal to protect the brush Perfect For:* Watercolor, gouache, fluid acrylic, liquid acrylic* High flow acrylic, soft bodied acrylic, tempura, inks and dyes * Fine tapered points and chiseled edges* Like a natural sable, but at a fraction of the cost See More
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Silverwhite Short Handle Brush Series 1506S Angle sz. 3/8 inSave Up to35%Off listStiffness Watercolors Acrylics Oils Synthetic brushes that will take your art to… Stiffness Watercolors Acrylics Oils Synthetic brushes that will take your art to new heights! Dee Silver, the legendary brush designer, has created a whole new breed of synthetic bristle that imitates the most delicate natural hair at a fraction of the price. Silverwhite is the cause for vast celebration in the animal kingdom. These short-handled brushes contain blended lengths and thicknesses of filament hair that can work with all media types. The varied synthetic filament thicknesses hold color amazingly well! Thick enough to push heavy-bodied media around while still allowing for the sharpest edges in flats and fine needle points in rounds. Each brush is hand-tied with interlocked hair, glued, crimped, and inspected before shipment. Key Features: * Short handle synthetic brushes * Imitates delicate natural hair * Holds color amazingly well * Varying lengths and widths of filament hair * Sharp chisel edges and fine needlepoints * Hand-tied with interlocked hair * Inspected before shipment Perfect For: * Watercolors, acrylics, and gouache * Animal-friendly artists * Heavy-bodied acrylics * High color load & large washes * Superb control, response, and sharp edge * Controlled brushwork * Painting fine details See More
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Bristlon Ser 1906S Short Handle Size 3/8In AngularSave Up to35%Off listResilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after… Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
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Silver Silk 88 Long Handle Brush Size 3/8in AngleSave Up to35%Off listSilver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control and excellent wear resistance. Silver… Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control and excellent wear resistance. Silver Silk 88™ surpasses all others in performance, durability, and affordability. Make your mark with Silver Silk 88™! Key Features: * Excellent absorbency & color control * Smooth, even strokes * Carries color reliably from plaette to painting surface * Maintain chisel edges and sharp points Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2512S Short Handle Dagger Striper 3/8"Save Up to35%Off list…or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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