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Old Holland Classic Oil Colors & SetsSave Up to44%Off listConsidered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old… Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Charvin Extra-Fine Artists’ Acrylic PaintsSave Up to52%Off listLuxury Professional Artists’ Acrylic, Putting All the Colors of Nature Right at Your Fingertips! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high-quality oil colors and mediums since the era of the… Luxury Professional Artists’ Acrylic, Putting All the Colors of Nature Right at Your Fingertips! Charvin of Paris has long been recognized as one of the premiere paint manufacturers of Europe, having supplied artists with high-quality oil colors and mediums since the era of the Impressionists. More recently, professional artists have been evolving along with technology, and the ease and accessibility of acrylic artist paint has come into higher demand. Bruno Charvin, the company’s owner and master color maker, was determined to provide artists with an innovative acrylic color that was nothing short of the best. After years of research, experimentation, and testing, Charvin Extra-Fine Acrylics was officially born. Just like their acclaimed Charvin Oils, Charvin’s Extra-Fine Acrylics use only the finest traditional and modern pigments. Triple-milled on a Swill Bueller mill to an extreme degree of fineness, pigments are then blended with the highest quality acrylic polymer binder. The Result? A highly concentrated color in a luxurious, creamy consistency, with a versatility that lends itself well to everything from glazing to impasto. The Most Unique Acrylics Ever Made! The wide range of vibrant, highly pigmented colors evoke the beautiful colors of nature, making them the perfect choice for landscape and realist painters, as well as in the studio! We Promise, you will absolutely love to paint with Charvin Acrylics! Key Features: * Experience an acrylic like no other! * Amazing color range evokes the beautiful colors of nature * Superior quality, professional acrylics * Triple-milled, lightfast pigments * Highest grade polymer acrylic binder * Highly concentrated color in a luxurious, creamy consistency * 60ml & 150ml tubes * Less mixing for beautiful, vibrant colors * Made by master color makers * Click on "Yellow" icon on products for color information Perfect For: * Alla prima painting * Landscape and Realist artists * Luminous glazing techniques * Acrylic that looks & paints like oil * Versatility that lends itself well to everything from glazing to impasto * Demanding professional painters * 100% Guarantee Charvin guarantees your art will be better or money back! Please note: color names may appear different due to a French translation or printing error. The pigment in the tube has not changed. The manufacturer may change color names without notice. See More
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GOLDEN Heavy Body Artists' AcrylicsSave Up to30%Off listGolden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle… Golden Heavy Body Acrylic Paints- Professionally Loved Acrylics! The original line of paints! GOLDEN Heavy Body acrylic paints are known to be exceptionally smooth with a thick, buttery consistency and contain the largest assortment of unique pure pigments in a 100% acrylic emulsion vehicle available to the professional artist. These colors offer excellent permanency and lightfastness. There are no fillers, extenders, opacifiers, toners, or dyes added. Each Heavy Body acrylic color is formulated differently depending on the nature of the pigment. Colors that tolerate higher pigment "loads" dry to a more opaque, matte finish. Colors that are more reactive and do not accept high pigment loading, dry to a glossy finish and tend to be more transparent. Heavy Body colors contain no additives, such as matting agents, therefore the gloss of each color will be different. Key Features:* Exceptionally smooth, rich, buttery consistency* Dries quickly, permanent and archival in quality* Ability to "stand up" and retain brush strokes* All HB colors are thixotropic in nature* Retain excellent flexibility when dry, diminishing the possibility of cracking* Heavy Body viscosity can also be reduced successfully with water* No flattening agents* No opacifiers added to colors* Clearest and cleanest quality* 101 different colors, shades and tints* 30 colors are mixture colors, the rest of produced from single, unique pigments* Concentrated/Chemically Pure Cadmiums Perfect For:* Approved for professional artist* 100% acrylic binder* Freeze-thaw stability* "stand up" and retain brush strokes or palette knife marks on the canvas* Largest assortment of unique pure pigments* There are no fillers, extenders, opacifiers, toners, or dyes added* Can be mixed with all of our GOLDEN Mediums, Gels and other paint lines C.P. Cadmiums = A grade that has a high concentration of cadmium and is considered the highest quality. The C.P. designation has been associated with both “Chemically Pure” and "Concentrated Pigment". Which translation you come across will often depend on the source and context. In terms of “(CC)”, it refers to “Concentrated Cadmium” and was adopted by the ASTM (American Society for Testing and Materials) as a way to differentiate higher quality cadmiums from lesser quality cadmium-barium pigments. All Heavy Body colors are thixotropic in nature This means that when brushing or stirring, the paints actually lose viscosity and feel much thinner. The faster the paints are moving, the thinner they feel. Returned to a state of rest, the paints gradually increase in thickness until they are again restored to their formulated viscosity. The Heavy Body line of acrylics contains no additional flattening agents, opacifiers or other solids that might interfere with the clarity of our pigments Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Winsor & Newton Artists' Oil Paints & SetsSave Up to50%Off listGenerations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength… Generations of Experience to Make Oils Like Winsor & Newton Winsor & Newton Artists' Oil Paints are made from only the finest pigments. 80 single pigment colours for clean mixing. Rich, buttery consistency. Winsor & Newton carefully formulates each tone for stability, tinting strength and coverage. Use them thickly with palette knives or brushes, or thin them to a very fine glaze. When milling oil color, each pigment must be treated as an individual, with every surface on each particle fully enveloped by fine oil—which is why Winsor & Newton researches, formulates, and mills each color individually. It is that perfect dispersion that translates into the signature "feel" and the luminous reflection that make fine oils so irresistible. Even more importantly, the dispersion determines stability in the tube and is a key player in the ultimate stability of the color on the surface. 99% of colors have a lightfast rating of AA or A providing permanence without compromising the choice of hue. The result is something that comes only with generations of experience and expertise in working with artists' color. 80 single pigment colours for clean mixing. Rich, buttery consistency Key Features:* Each color is researched, formulated, and milled individually* Buttery, vibrant and consistent* 130 Colors / 80 are single pigment colors * Optimum tinting strength when reduced with White* Perfect For:* Techniques from impasto to glazing* Cleanest, brightest colors with the best color mixtures * The Permanence and longevity of paintings* The most responsive feel beneath the brush and great versatility Combined with strength of color, single pigments provide a wide color range in themselves and offer cleaner, brighter mixtures with an infinite range of hues. This is particularly important for greens, violets, and oranges. There are 80 single pigment colors in the Artists' Oil Color range. Winsor & Newton Artists' Oils Shades of Grey: Charcoal Grey, Davy's Grey, Payne's Grey, Silver, and Pewter Winsor & Newton Artists' Oil Introductory Set of 10, 21ml Tubes: Winsor Yellow, Crimson Alizarin, Ultramarine Green Shade, Winsor Blue Red Shade (Phthalo), Winsor Green (Phthalo), Yellow Ochre, Indian Red, Burnt Umber, Ivory Black, Titanium White Are Winsor and Newton oil paints good? Yes! Winsor and Newton oil paints are formulated with the finest pigments for beautiful colours with excellent tinting strength; They are a great choice for amazing painting results at using higher quality oil paints for better results. Made in London, Winsor & Newton (also abbreviated W&N) is an English manufacturing company. See More
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Holbein Extra Fine Artists' Oil Paints & SetsSave Up to35%Off listWorld-Class color and consistent viscosity Holbein Extra-Fine Artists' Oil Colors are world-renowned for their exquisite colors. The highly pigmented colors are designed around the Munsell Color Standard for hue, value, and chroma. With 145 open stock colors to choose from, you are sure to find what… World-Class color and consistent viscosity Holbein Extra-Fine Artists' Oil Colors are world-renowned for their exquisite colors. The highly pigmented colors are designed around the Munsell Color Standard for hue, value, and chroma. With 145 open stock colors to choose from, you are sure to find what you need. Holbein monitors the entire manufacturing process to ensure pigment purity, color tone, physical stability, and lightfastness. Pigments are ground up to 10 times to achieve uniform viscosity across the entire range of colors. You can count on Holbein Extra-Fine Artists' Oil Colors because they are manufactured with precision. Key Features: * 145 Open stock colors (complete range of 167) * 40ml and 20ml tubes * 11 transparent glazing colors * Paint retains its flexibility * Smooth buttery feel * High pigment load and consistency * Imported from Japan Perfect For: * Oil painters * Reliable color mixing * Clean and lifelike colors * Brilliant color spectrum * Bringing out your highlights * Adding fine glazes * Alla Prima painting See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects.… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Princeton Aspen Series 6500 Synthetic BrushesSave Up to46%Off listPerformance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used,… Performance, Practicality, and Style in One Brush! Available in a wide variety of sizes and shapes, Princeton Aspen™ Series 6500 Synthetic Brushes are made out of synthetic bristles. The synthetic brush fibers stay together regardless of the canvas texture or the amount of pressure used, enabling control and precise arrangement of color. Princeton’s Aspen™ brushes can be used with acrylics, oils, and water-soluble oils. Paint releases and glides evenly off the synthetic hairs. Each brush has a long polished black handle made from reforested wood and a matte non-glare black ferrule perfect for outdoor painting. Key Features: * Stiff synthetic bristles * Hair retains its shape * Paints glide off brush evenly * Matte non-glare ferrule eliminates light reflection * Polished black handles made of reforested wood Perfect For: * Acrylics, Oils, and Water-Soluble Oils * Controlled lines and placement of color * Artists, crafters, and students * Outdoor painting * Everyday studio use! See More
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