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Awagami Creative Washi PaperSave Up to29%Off list…paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper… Feed your paper addiction with this giant set! At Awagami, creativity starts with paper; that's why the Creative Washi Packs include a diverse range of colorful papers. The decorative washi papers are perfect for Origami, scrapbooking, or book art projects. Feed your paper addiction with this giant package of paper. Contents vary a bit from pack to pack, but each assorted paper pack weighs about 1 pound, and each mixed naturals paper pack contains 50 sheets. Key Features: * Decorative washi paper * About 1 pound of paper in each assorted pack * 50 sheets in each mixed naturals pack * Random paper sizes and designs * Made by skilled artisans in Japan Perfect For: * Origami * Scrapbooking * Fine book art projects * Collage designs See More
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Awagami Japanese Handmade PapersSave Up to24%Off list…has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with… Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Art Alternatives Sketchbooks Hardbound, Spiral & Mixed MediaSave Up to30%Off list…chlorine-free bright white paper sourced from sustainably managed forests. Key Features: * Classic black sketchbooks * Hardbound Sketchbooks: Acid free, bright white 75lb. paper 110 sheets (220 pages) * Mixed-Media Softcover Sketchbooks: Acid and chlorine-free bright white 90lb. paper 24 sheets (48… Sketch out your next masterpieces in these essential artist sketchbooks! Art Alternatives Sketchbooks are a necessity in any artist's arsenal of art supplies. These classic black sketchbooks feature acid free, 75lb, bright white paper that is ideal for drawing, sketching and writing in any dry media. Mixed-Media Softcover Sketchbook (24 sheets, 48 pages, 90lb). Available in hardbound, wirebound or softcover and in 10 different sizes, these sketchbooks are ideal for sketching out ideas, figure drawing or keeping a visual journal! Classic black, hard-cover sketch books are an artist essential. These books feature acid-free, bright white, 75lb. (110 gsm) paper, sourced from certified sustainable forests, ideal for sketching, drawing, and writing in any dry media. Each hard-bound book contains 110 sheets (220 pages) and has a traditional binding, allowing the book to lie flat and for drawings to flow across both pages of the sketch book. The double wire spiral-bound books have 80 sheets (160 pages) that are micro-perforated for easy removal. The Mixed-Media Softcover Sketchbook have 24 sheets (48 pages) Its flexible paper cover makes it easy to slip in a bag or pocket and allows it to open flat so drawings can spill across both pages. Each staple-bound book contains 24 sheets (48 pages) of 90 lb. (130 gsm) acid- and chlorine-free bright white paper sourced from sustainably managed forests. Key Features: * Classic black sketchbooks * Hardbound Sketchbooks: Acid free, bright white 75lb. paper 110 sheets (220 pages) * Mixed-Media Softcover Sketchbooks: Acid and chlorine-free bright white 90lb. paper 24 sheets (48 pages) * Hardbound, wirebound or softcover (mixed media) * Available in 10 different sizes * Click on yellow icon next to each item to see all technical notes Perfect For: * Sketching & writing in any dry media * Figure drawing * Artists and art students * Visual journaling * Multi-Media * Hardbound Sketchbook, Double Wire Spiral-Bound Sketchbook & Mixed-Media Softcover Sketchbook* Very Big Sketchbook, Oversized classic sketchbook Art Alternatives Very Big Sketchbook The Art Alternatives Very Big Sketchbook is truly oversized with each sheet measuring a whopping 12.5" x 10.75". Filled with 300 sheets (600 pages) of 75lb, acid free, sustainably sourced paper, this coffee table sketchbook is great for ongoing creative family projects or documenting your artistic evolution! Key Features:* Classic black sketchbooks * Hardbound Sketchbooks: Acid free, bright white 75lb. paper 110 sheets (220 pages) * Mixed-Media Softcover Sketchbooks: Acid and chlorine-free bright white 90lb. paper 24 sheets (48 pages) * Hardbound, wirebound or softcover (mixed media) * Available in 10 different sizes * Click on yellow icon next to each item to see all technical notes See More
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