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LUKAS Oil Painting Medium - Bleached Linseed Oil, 50ml BottleSave Up to60%Off list…bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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LUKAS Aquarell Watercolor Medium - Shellac Soap, 50 ml BottleSave Up to60%Off listProfessional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint.… Professional Artist Watercolor Mediums Gum Arabic - Main binder medium for watercolors and gouache. May be used to create paints, or mixed with watercolors to increase gloss and transparency. Masking Fluid - Removable liquid frisket used to temporarily cover areas of paper and block paint. Pre-testing fluid on certain papers is recommended. Can be used to create cloud and sky effects and more with it's temporary cover. Shellac Soap - Increase water resistance and create a buffer for other layers! Mix with watercolors to increase their water-resistance once dry. Wetting Agent (Ox Gall) - Liquid preparation medium for wetting painting surfaces; aids color flow. See More
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Soho Artist Oil Color Naples Yellow Hue, 50ml TubeSave Up to81%Off listYellow Artist Oils at The Best Value! Good color is vital for the success of the painter! Thick and Rich Color! Good color is vital for the success of the painter. Only oil colors that act like oil colors and provide for lasting and predictable results should be considered by any artist at any skill level. Many brands of student grade oil color don't feel like genuine oil colors and don't mix well, ultimately achieving less appealing results in a finished painting. This artist range of colors is designed for all artists at all skill levels. It is particularly well loved by oil colorists that use lots of color seeking high performance and economy. SoHo Oils are slowly ground on triple roller mills allowing pure refined linseed oil to completely encapsulate the pigment for maximum luminosity and superb handling properties. SoHo Urban Artist Oil Colors eliminate the need for student oils, providing first time artists and professional artists on a tight budget the use of "real" color with a buttery consistency, excellent pigment load and lightfast results. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what a true oil color can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. If you are looking for the next step up in color, we recommend Lukas Studio Oil Colors. Available in bonus size tubes! 50ml tube offers 20% more paint than traditional 40ml tubes, 170ml tubes offers 13.3% more paint than traditional 150ml tubes, 430ml cans offer 72% more paint than traditional 250ml jars of paint. Key Features:* 50ml, 170ml Tubes - 430 Ml Cans* Slowly ground, triple milled* Pure refined linseed oil* Buttery consistency for smooth application of color* Maximum luminosity and superb handling properties* Perfect for use with brushes or palette knives* Does not blotch when thinned for staining or glazing* Great color for true mixes without surprises* 55 colors including primaries* Perfect For:* Excellent pigment load for brilliant color and a wide variation of mixed shades with white* Purified linseed oil and high quality artist pigments* Combines professional quality, high performance, and economy pricing with the properties of a "true" oil color* Ideal for working professionals on a budget, artists who enjoy painting on a large scale and first time artists* 21 ml tubes make it possible to carry a large color range into the field or from your studio to class* 170 ml tubes come in boxes ideal for storage between use* One price system achieved by substituting costly and toxic traditional pigments with safer modern alternatives See More
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12 Shades Of Grey, Blue Grey Oil Color, 50ml TubeSave Up to55%Off listBlue 12, lovely brilliant grey tones. Impossible to find anywhere else at anywhere close to this amazing price. Are you ever curious about what happens in the shadows, the twilight or umbra of a painting? Give up control and go down the rabbit hole with 12 Shades of Grey and let the colors thrill you as you become entangled in their subtle, almost enigmatic shades. 12 Shades of Grey Oil Colors provide unique shades of hard-to-find greys. Highly pigmented from the finest materials and processed on triple mills, these oil paints will enable you to achieve sultry effects like you've never seen before. Key Features: * Single tubes in 50ml tubes * Highly pigmented * Triple-milled colors * Subtle greys * Set of 12 includes 21 ml tubes * Very smooth colors and just the right tones of greys Perfect For: * Painting shadows and greys * Mixing without making muddy colors * Practicing your painting * Underpainting* Light Fastness Chart of the Oils & Acrylics in our 12 Shades of Grey Series Color No. Color Name Oil Color Acrylic Color 460 BLUE GREY **** *** 781 YELLOW GREY **** *** 342 RED GREY *** *** 343 ORANGE GREY *** *** 783 VIOLET GREY **** **** 694 BROWN GREY **** **** 787 GREY MID **** **** 786 PALE GREY *** **** 797 PAYNE'S GREY *** *** 796 WARM GREY **** **** 576 GREEN GREY *** **** 795 COLD GREY *** **** *** Very good lightfastness **** Excellent lightfastness *** Package design may vary on 50ml tubes. See More
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Soho Oil Color - Red/Orange/Crimson (Set of 7), 50mlSave Up to76%Off listRed Artist Quality Oil Sets at Affordable Prices SoHo Urban Artist Oil Colors provide lasting and predictable results to artists of all skill levels. Painters that use lots of color love SoHo because the paints perform at a high level while still being affordable. The pigments are slowly ground on a triple roller mill and completely coated in pure refined linseed oil to give the oil paint its luminosity. SoHo oils provide first-time artists and professionals on a tight budget with buttery oil paints that are pigmented and lightfast. That way, once they can afford better, they can move up to a more expensive brand, already familiar with what true oils can do. Glazing is no problem with these colors, and palette knife painting is quick and expressive, just as you would expect from far more costly brands. Key Features: * Slowly ground, triple-milled oils * Pure refined linseed oil * High-quality artist pigments * Excellent pigment load * Buttery consistency for smooth application of color * Maximum luminosity and superb handling properties * Does not blotch when thinned for staining or glazing Perfect For: * Painters of all skill levels * Use with a brush or palette knife * True color mixes without surprises * Working professionals on a budget * Artists who enjoy painting on a large scale SoHo Oil Paint Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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