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Tusc & Pine Instavar Gloss Picture Varnish 3.4oz (100ml)Save Up to67%Off listWhen painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with… When painting is dry to the touch, you can InstaVar it! InstaVar™ Gloss Varnish by Tusc & Pine enriches the colors in your painting under a protective, even sheen. Archival quality varnish for oils, alkyds, and acrylics, the nearly odorless, crystal-clear varnish does not yellow with age. Once your painting is dry to the touch, preserve it by brushing on a thin layer of InstaVar™. You will instantly notice that your colors have a brilliance and depth of color they didn't have before. Key Features: * Archival quality gloss picture varnish * Crystal-clear, non-yellowing, and nearly odorless * Saturates color and adds new depth * Can be used as a retouch varnish * Acts as a protective coat * Dries in 24 hours * Removable with StudioSolv™ * Made in the USA Perfect For: * Varnishing oils, alkyds, and acrylics * Brush application * Enriching colors * Altering paint sheen * Boosting color saturation * Giving your work an even gloss sheen * Bringing up dull sunken areas in a painting * Use in the studio or school * Airplane travel InstaVar™ may be applied when the paint is dry to the touch and firm in its thickest sections. Some paintings might take 2 weeks to dry, while those in humid areas might take 2 months. If necessary, you can safely remove the varnish with StudioSolv™. Replacing the lid during a varnishing session can help reduce VOC levels in the air. Always work in a well-ventilated area. For your safety, always wash your hands immediately after use, especially before eating. Store the varnish in an airtight container out of reach of children. Safe For Travel By Air! InstaVar™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than varnishes with lower flashpoints. InstaVar™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Gudelines InstaVar™ SDS While InstaVar™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. See More
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SoHo Artist All Media Canvas Panel 5"x7", (Pack of 3)Save Up to66%Off listWhite State of the Art Acid-Free C-Bond Core Canvas Panels! The SoHo Urban Artist Cotton Canvas All Media Panels use a state of the art core to allow the panel to be flexible in case it slightly bows due to high or low moisture in the atmosphere. This elastic core enables artists to flex the board the other way so paintings will not bow over time. In fact, many low-cost wood core panels bow, and this can never be corrected. These panels can always be made to lie flat. They are handsomely crafted with a turned edge construction. Key Features: * Available in assorted sizes * 3mm (1/8") panels C-bond core panels * Non Warping * 10oz. Double Primed Cotton * Acid-free panel and core * Two coats of Universal Acrylic Gesso Primer * Crafted with a turned edge construction Perfect For: * All media applications * Acrylics, Oils with either knives or brushes* Color studies and color charts* Plein aire painting * Classrooms and artists * Artists working in humid conditions * See More
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Centurion Deluxe Oil Primed 5"x7" Linen Panel, 12 PackSave Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Awagami Sekishu 35gsm White 24" x 39" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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