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Sennelier Artist Dry Pigments Venetian Red 170 gramsSave Up to37%Off listRed An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Creative Mark Medium Aluminum Wire Mesh RollSave Up to62%Off listIndispensable tool for making sculptures! Creative Mark Aluminum Wire Mesh is a metal mesh that is flexible enough to shape, yet sturdy enough to create large sculptures. It works particularly well as a base for clay, plaster, or paper mâché. Creative Mark Aluminum Wire Mesh has unique… Indispensable tool for making sculptures! Creative Mark Aluminum Wire Mesh is a metal mesh that is flexible enough to shape, yet sturdy enough to create large sculptures. It works particularly well as a base for clay, plaster, or paper mâché. Creative Mark Aluminum Wire Mesh has unique raised diamond strands that expand to form three-dimensional shapes. You can transform a flat piece of Wire Mesh into three-dimensional shapes by molding, crimping, twisting, extending, and gathering the wire. Since you can stretch it into tight contours and shapes, it is ideal for specific projects and refined sculptures. The heavy-duty rough mesh is recommended for supporting large sculptures made of polymer clay or casting compounds. Key Features: * Made of Aluminum * Woven mesh * Unique raised diamond strands can expand * Pliable, flexible, and strong * Stretching into tight contours and shapes * Sturdy enough to add structure * Make three-dimensional shapes * Perfect For: * Sculpture applications * A base for clay, plaster, or paper mâché * Molding, crimping, twisting, expanding, and gathering * Fine artists * Supporting polymer clay or casting compounds * Stretching into tight contours and shapes * Classroom and workshop environments See More
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Instant Krazy Glue Extra-Strong Gel, 4 GramsSave Up to13%Off listKrazy Glue...Strong-bonding super glue that sticks in an instant! Since 1973, Instant Krazy Glue has been America's most popular brand of fast-drying, long-lasting, multi-purpose glues. Multiple formulations are ideal for countless uses, and securely bond surfaces like wood, metal, ceramics, stone,… Krazy Glue...Strong-bonding super glue that sticks in an instant! Since 1973, Instant Krazy Glue has been America's most popular brand of fast-drying, long-lasting, multi-purpose glues. Multiple formulations are ideal for countless uses, and securely bond surfaces like wood, metal, ceramics, stone, leather, fabric and more! Perfect for crafters and hobbyists, Krazy Glue is also an indispensable quick-repair tool for around the house. It bonds in as little as 30 seconds, no clamping necessary! Original all-purpose formula is fluid and strong, and can bond with just one drop. ALL New gel formula is great for filling gaps in porous surfaces and no-drip applications. The instant adhesive no one should be without — Krazy Glue! Extra-Strong Glue Gel – Same no-run consistency as All-Purpose Gel, but with an even stronger bond and greater shock resistance. Excellent for porous surfaces like ceramics and pottery. All-Purpose Glue Gel– The no-run gel formula is ideal for gluing vertically, filling gaps in porous surfaces, or adhering items that don't match perfectly. Comes in a 2 gram tube with a self-piercing nozzle. Single Use Glue Tubes –For quick repairs and one-time applications! Four 0.5 grams tubes of fluid super glue in a convenient plastic carrying case. See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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