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StudioSolv™ Artist Odorless Oil ThinnerSave Up to69%Off listPurified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to… Purified Odor-Free Artist Solvent For Thinning Oils Tusc & Pine StudioSolv™ is a purified, odor-free oil-thinning medium. It's designed to thin oils and mediums while maintaining the integrity of your color. Experiment with different ratios of StudioSolv™ and linseed oil to create a custom lean medium. Although aromatic solvents have been extracted to remove odor, adequate ventilation should be practiced for safety. The Purist Odorless Thinner You Can Buy! No solvent odors, only the wonderful smell of oil paint! Key Features: * Professional grade oil thinner * Made to the highest standards * Purified and odor free * Aromatic solvents removed (No solvent odors, only the wonderful smell of oil colors) * Higher safer flashpoint rating (flashpoint of 144°F) * Made in the USA * Conforms to ASTM D 4236 * Available in 3.2 oz, 8.4 oz, 16.9 oz, and 33.8 oz bottles Perfect For: * Thinning stiff, heavy-bodied oils * Modifying painting mediums * Minimizing brush strokes * Oil painters of all skill levels * Creating lean mediums * Removing varnish from canvas * Studio and classroom use * Airplane travel Safe For Travel By Air! StudioSolv™ has a flashpoint of 144°F which classifies it as a combustible liquid by DOT regulations, however, it is considered safer than solvents with lower flashpoints and faster evaporation rates. StudioSolv™ also conforms to FAA and TSA guidelines and can be safely transported by airplane, making it a convenient option for artists who travel. The 3.4 oz bottle is the perfect carry-on size, while larger sizes can be packed in your checked bag. Printable Travel Guidelines StudioSolv™ SDS While StudioSolv™ is currently allowed by FAA guidelines, we recommend always checking current regulations before traveling. To ensure a smooth and hassle-free experience, please bring a printed copy of the SDS and travel guidelines to show at baggage check. If the flight is international, please check the policy of your destination country. Solvents should be stored in an airtight container out of reach of children. Replacing the lid during painting sessions can help reduce VOC levels in the air. Always work in a well-ventilated area. Wash your hands after painting and before eating. StudioSolv™ is not recommended for use with gum resin mediums like dammar, copal, and mastic. Gum resins pair well with traditional turpentine. Deluxe Bundle Sets Available with Exclusive Extras! Click on the item number to view the contents of each bundle set. SoHo Artist Disposable Studio Wipes: SoHo Urban Artist Wipes are the ultimate cleaner for varnish, acrylic, and oil brushes. The wipes are also an effective and gentle cleanser for hands, brushes, tools, and more. Silicoil Brush Cleaning Tank: The clear glass brush cleaning tank can hold up to 12 oz of water, solvent, or brush cleaning fluid. The spring-like coil provides flexibility to aid in the cleaning of your brushes. Air-Tight Deluxe Brush Washer: Perfect for travel and studio use, the stainless steel brush washer can hold over a pint of liquid! The lid has a built-in gasket that forms an air-tight, leak-proof seal, preventing harsh fumes from escaping. Da Vinci Air Tight Brush Washer: The brush washer is designed to hold over a pint of solvent. A specially outfitted gasket on the lid maintains an air-tight seal no matter what. Latches ensure the lid stays shut while traveling. Petite Air Tight Brush Washer: The Petite Air Tight Brush Washer measures a maximum diameter size of just 3" and a height of just 3-5/8". It holds about 10 oz of fluid. The washer has two locking clamps for an air-tight seal and a removable strainer. See More
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Jacquard Fabric Sculpting MediumSave Up to5%Off listCreate elegant sculptures out of any fabric! This exciting new medium from Jacquard opens a near-limitless range of possibilities for any artist. Makers of fine textile art materials, Jacquard has expanded their offering to include this versatile Fabric Sculpting Medium perfect for creating fabric… Create elegant sculptures out of any fabric! This exciting new medium from Jacquard opens a near-limitless range of possibilities for any artist. Makers of fine textile art materials, Jacquard has expanded their offering to include this versatile Fabric Sculpting Medium perfect for creating fabric sculptures, lampshades, collage art, mixed media, and more! To use, simply dip fabric into the medium and wrap, drape, or otherwise form it around an armature, wire figure, or other object and let dry. Jacquard Fabric Sculpting Medium dries fairly quickly but still allows for open working time to manipulate your sculpture. For a softer hand, thin up to 25% with water. Fabric Sculpting Medium adheres well to fabric, paper, wood, and most porous and semi-porous surfaces, and has a matte finish when dry. Great for use as fabric glue as well as mixed media applications, this versatile fabric stiffener medium is sure to be an artistic inspiration! Key Features: * Stiffener medium for all fabrics * Adheres to porous & semi-porous surfaces * Dries quickly to a matte finish * Can be thinned up to 25% with water Perfect For: * Draped & formed fabric sculptures * Creating lampshades & dĂ©cor * Collage & mixed media art * Adhere and harden fabric onto paper, wood, clay, metal, or canvas * Any three-dimensional artwork! See More
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Cretacolor Graphite And Charcoal PowdersSave Up to24%Off listUse drawing powders for a variety of mixed media applications: * Great for large-scale works * Erases with a kneaded eraser * Highly pigmented and lightfast * Fixative must be used on the final artwork * Glides easily, smudges, blends, rubs off like chalk * Suitable for wet or dry techniques on… Use drawing powders for a variety of mixed media applications: * Great for large-scale works * Erases with a kneaded eraser * Highly pigmented and lightfast * Fixative must be used on the final artwork * Glides easily, smudges, blends, rubs off like chalk * Suitable for wet or dry techniques on paper or canvas Charcoal Powder - Using a special deep-firing method, Cretacolor creates a dense, rich charcoal. Develop large-scale value drawings or mix with water and a binding agent for additional tonal effects. Graphite Powder - Cretacolor's professional grade graphite in this fine powder state produces luminous light and dark shades of gray. Sepia & Sanguine Powder - Create beautiful works of shadow and light with these professional grade powders. See More
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Amaco Rubber LatexSave Up to24%Off listMake castings quickly and accurately AMACO Rubber Latex is a white, liquid rubber latex material for applying over original models. The white, liquid rubber latex is applied over original models. Completed molds are tough, flexible and will often withstand 200 to 300 castings. Latex cannot be… Make castings quickly and accurately AMACO Rubber Latex is a white, liquid rubber latex material for applying over original models. The white, liquid rubber latex is applied over original models. Completed molds are tough, flexible and will often withstand 200 to 300 castings. Latex cannot be shipped in freezing weather. Castings can then be made with Amaco Setstone or plaster of paris. Make castings quickly and accurately with plaster of paris or AMACO® Setstone from molds made with Rubber Latex. AMACO Rubber Latex Restricted from use K-6 (ASTM D-4236/LHAMA) Key Features:* White, liquid rubber latex material* Applied over original models* Completed molds are tough & flexible* Make castings quickly and accurately* Molds are tough and will withstand 200 to 300 castings See More
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Daler-Rowney Pro InksSave Up to40%Off listUltra-opaque watercolors for cover ups and detail work! These opaque water-soluble paints have been a staple in the supply boxes of artists, designers and illustrators for years. Versatile PRO paint is super-opaque for superior covering power, whether erasing mistakes or adding highlights and… Ultra-opaque watercolors for cover ups and detail work! These opaque water-soluble paints have been a staple in the supply boxes of artists, designers and illustrators for years. Versatile PRO paint is super-opaque for superior covering power, whether erasing mistakes or adding highlights and details, and can be thinned down for washes or for use in a pen or airbrush. Whether you want the whitest whites or blackest blacks, PRO White and Black offer the highest covering power over watercolors, marker, pen and ink and more on paper, acetate, and photos — and it won't yellow, crack or chip over time. For the most opaque, most versatile cover sure to become an indispensable addition to your supplies, use PRO-White and PRO-Black from Daler-Rowney! Key Features:* Very opaque watercolor* Superior covering power* Water-soluble, can be thinned down* For use with brush, pen, or airbrush Perfect For:* Fine artists and designers* Comic book artists & illustrators* Covering mistakes & adding detail* Getting the whitest whites & blackest blacks See More
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Jacquard Basic Dyes
Starting At: 29.86
The perfect solution for hard-to-dye materials! Jacquard Basic Dyes are bright, vivid, easy to use dye powders perfect for dyeing hard-to-dye substrates. Initially developed for acrylic fibers like faux fur, wigs, and yarn Jacquard Basic Dyes are also great for dyeing wood, reeds, straw, paper,… The perfect solution for hard-to-dye materials! Jacquard Basic Dyes are bright, vivid, easy to use dye powders perfect for dyeing hard-to-dye substrates. Initially developed for acrylic fibers like faux fur, wigs, and yarn Jacquard Basic Dyes are also great for dyeing wood, reeds, straw, paper, leather, and hemp! You can use the dye to color potpourri, wigs, buttons, furniture, and more. You can even create your own custom alcohol ink colors by adding some of the dye powder to Piñata Claro Extender. Basic Dyes can be used to dye fibers such as silk and wool; however, they tend to have poor light and wash-fastness on fabric. Basic Dyes offer some of the most vibrant and intense colors available for any fiber and are easy to use. The set includes eight 0.50 oz jars of Basic Dye powder in the following colors: Red, Orange, Yellow, Green, Blue, Purple, Brown, and Black. Key Features: * Bright vivid dye * Developed for dyeing acrylic fibers * Eight 0.50 oz jars of dye * Easy to use Perfect For: * Dip-dye or brush on application * Acrylic fibers, wood, reeds, straw, hemp, paper, and leather * Faux fur, wigs, and yarn * Cosplay artists * Making custom alcohol ink colors See More -
SpectraFix InstagritSave Up to15%Off listInvisible traction precisely where you need it! Instagrit gives you TRACTION when you need it most! You know that dreaded moment when you can't add any more detail to a drawing because the surface is too slippery? Spetrafix has developed Instagrit so you can add grit where you need it for traction… Invisible traction precisely where you need it! Instagrit gives you TRACTION when you need it most! You know that dreaded moment when you can't add any more detail to a drawing because the surface is too slippery? Spetrafix has developed Instagrit so you can add grit where you need it for traction and deep layering of color pencil, oil pastel, wax crayon, and graphite. You can apply Instagrit by brush to areas in your drawings that have become slick. It dries clear and magically picks up color as soon as you pass your pencil over it. Instagrit works well on most papers, panels, and canvas. Use it for adding last-minute details and corrections. You can even create a toned background by adding watercolor paint to Instagrit. You can also use Instagrit to create darker blacks with traditional graphite pencils. Key Features: * Non-toxic and natural grit additive * ASTM D4236 certified * Odor-free * Fully archival * Not intended for use by children * Made in the USA Perfect For: * Adding traction to slippery sections of drawings * Creating colored grounds * Colored pencil, soft and oil pastels * Charcoal, graphite, and much more * Most papers, panels, and canvas * All drawing media Directions: * Stir very well before using. * Apply with a brush over slick areas. * Allow to dry and gently apply your next layers of color. * Repeat as desired. See More
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Winsor & Newton Hand Barrier CreamSave Up to40%Off listForms A Protective Barrier On Your Skin Artguard Barrier Cream is formulated especially for artists skin. The light, non-greasy cream forms a protective barrier against all types of artists' materials. Artguard contains moisturizers that condition your skin. Apply to your hands before starting a… Forms A Protective Barrier On Your Skin Artguard Barrier Cream is formulated especially for artists skin. The light, non-greasy cream forms a protective barrier against all types of artists' materials. Artguard contains moisturizers that condition your skin. Apply to your hands before starting a project. The cream can be removed with soap and water. Key Features: * Formulated to protect skin * Light, non-greasy cream * Contains moisturizers * Remove with soap and water Perfect For: * All artists * Protecting skin from artists' materials * Conditioning your skin * Everyday studio use See More
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Sennelier Dry Pigment Binding MediumsSave Up to37%Off listSennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not… Sennelier Artist Dry Pigment Binding Mediums available in Egg Tempera binding medium & Watercolor binding medium Egg Tempera Binding Medium - Contains egg, gum arabic and vegetable oil. Provides a flexible consistency when mixed with with dry pigments. The paint film will be smooth, but will not be able to be reworked with water as with traditional egg tempera—but this allows you to build up layers easily. Thin with water. Watercolor Binding Medium - Contains gum arabic, honey, water and a preservative. When mixed with dry pigments, it provides a smooth, water-soluble paste with a viscous consistency. Mix with 5-10% water to increase fluidity, while maintaining brilliancy and transparency. It may also be used to thin pre-mixed paints. See More
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Speedball Night Glo Fabric Screen Printing InkSave Up to34%Off listInks for fabric that Glo In The Dark - High initial brightness and residual afterglowWith Speedball Night-Glo Fabric Screen Print Inks it may look like standard textile ink by day; at night it glows with phosphorescence! "Glow-in-the-dark" inks that exhibit high initial brightness and residual… Inks for fabric that Glo In The Dark - High initial brightness and residual afterglowWith Speedball Night-Glo Fabric Screen Print Inks it may look like standard textile ink by day; at night it glows with phosphorescence! "Glow-in-the-dark" inks that exhibit high initial brightness and residual afterglow in darkened areas. At night, the ink glows in the dark! Afterglow lasts to up to 8 hours in darkened areas. Available in 8 oz jars. See More
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Dr. Ph. Martin's Bleed Proof WhiteSave Up to17%Off listWatercolor Products for over 80 Years! Since 1934 Dr. Ph. Martin's has specialized in putting the tools in the hands of artists that allow them to create their life's best work. For over 80 years chemists at Dr. Ph. Martin's have worked tirelessly on creating the best liquid watercolors, inks, and… Watercolor Products for over 80 Years! Since 1934 Dr. Ph. Martin's has specialized in putting the tools in the hands of artists that allow them to create their life's best work. For over 80 years chemists at Dr. Ph. Martin's have worked tirelessly on creating the best liquid watercolors, inks, and other color products. Dr. Ph. Martin's products are world renowned for their vivid colors, special properties, and ability to work across mediums. Dr. Ph. Martin's Bleedproof White is an opaque watercolor for covering dye colors, markers and designer colors. It is not intended for mixing. Designed for use with brush or dip pen. Available in a 1 oz (30ml) glass jar. Key Features:* Opaque cover up* Designed for use with dip pens and brushes Perfect For:* Watercolorists* Designers* Traveling artists, educators, students See More
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Grumbacher Non-Toxic Miskit Liquid FrisketSave Up to27%Off listGrumbacher Miskit Liquid Frisket- Ideal For Masking! Grumbacher Miskit Liquid Frisket 559 is a colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap… Grumbacher Miskit Liquid Frisket- Ideal For Masking! Grumbacher Miskit Liquid Frisket 559 is a colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap and water. This product contains latex. Made in the USA. It washes out of pens and brushes with soap and water. 1.2 oz (35 ml) glass jar. Special latex based, easy to apply and easy to remove masking frisket used where accurate frisketing is required to seal out water. Non-Toxic frisket can be applied easily with a brush and rubs off effortlessly revealing the natural of the paper. Key Features:* 1.2 oz (35 ml) glass jar* To mask areas that are meant to be painted* Once dried frisket is removed* Easy to apply and remove* Washes out of pens and brushes with soap and water* Contains latex* Made in the USA* High quality material yet economical in value Note: To assure longevity of this product, Grumbacher recommends storing the jar upside-down, with the cap securely closed. This product contains latex. See More
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Schmincke Watercolor MediumsSave Up to32%Off listHoradam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a… Horadam Watercolors Outperform All The Rest! Liquid Oxgall and Onetz are natural thickened wetting agents for watercolors and gouache. You can use oxgall to decreases the surface tension of the colors diluted with water. You should use oxgall sparingly. Dissolved oxgall tends to flocculate during a long period of storage, but this has no influence on the product's handling. Key Features: * Oxgall is water-mixable * Dilute the product with a little water and mix it into the paint separately on a palette * Use sparingly! * Clean working tools as soon as possible with water or water and soap * Dissolved oxgall tends to flocculate during a long period of storage; this has no influence on the product`s handling * Close immediately after use * Store in a cool and dry place Perfect For: * Watercolor and gouache * Decreasing surface tension in colors diluted with water * Levelling agent for watercolors * Professional artists with high standards * Color mixing * Degreasing paint undercoats * Students, teachers, professionals * Soft sized papers See More
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Holbein Watercolor Masking FluidsSave Up to10%Off listHolbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking… Holbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking fluid to dry completely before painting around the dried fluid. You can use the Holbein Ballpoint Masking Pen to highlight areas, draw fine lines, or make detailed expressions. The pen masking fluid is an easy to see gray color when wet and turns black once dry. Shake the pen well before use and gently squeeze the barrel to release masking fluid as you draw. Allow your masking fluid lines to dry before applying watercolor paint. To remove dried masking fluid, use a soft eraser or a rubber pick-up. Masking Fluid Jar: * Thin fluid with plain or soapy water * Easy to see blue color when wet and dry * Apply with a brush or dip pen * Allow masking fluid to dry before painting * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 Perfect for : * Highlighting areas * Drawing fine lines or detailed expressions * Watercolor compositions * Hand-lettering * Line drawing on watercolor paper * Masking areas that you want to preserve * Using with Holbein watercolors Masking Fluid Ballpoint Pen: * Easy to see gray color when wet- turns black once dry * Shake the pen well before use * Gently squeeze the barrel to release fluid as you draw * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 See More
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General's Charcoal & Graphite PowdersSave Up to19%Off listAdd luminous shades of gray and black to your drawings! General's Charcoal and Graphite Powders help you add toned gradations and satisfying textures to your drawings. The professional-quality drawing powders are smooth and have a fine consistency that is not gritty. Both powders blend well with… Add luminous shades of gray and black to your drawings! General's Charcoal and Graphite Powders help you add toned gradations and satisfying textures to your drawings. The professional-quality drawing powders are smooth and have a fine consistency that is not gritty. Both powders blend well with charcoal pencils, pastels, and other drawing mediums. The wide-open mouth grants easy access to the power. You can sprinkle it on the page or pick up some powder with your fingers and spread it on your paper. A little bit of powder goes a long way, and you can quickly cover quite a large piece of paper. If you prefer wet application, you can apply the charcoal powder with a wet brush. Key Features: * 2.4 oz of pure powdered graphite or charcoal * Dense, rich charcoal and graphite * Highly pigmented * Professional grade powder * Luminous light and dark shades of gray * Glides easily on the page * Smudges, blends, and rubs off like chalk * You may erase graphite with a kneaded eraser * Blend values with fingertip, brush, or tortillon * Made in the USA Perfect For: * Large-scale value drawings * Figure Drawing * Creating soft shading * Backgrounds * Wet brush application * Covering small or large areas of paper * Mixed Media * No-hassle, everyday studio use See More
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Charvin Copper Canvas NailsSave Up to30%Off listThe very best & strong copper canvas nails! Made of a solid, strong steel base coated in a thick layer of copper, these nails from Charvin are perfect for stretching your canvas in the centuries-old traditional way. Using nails or tacks instead of staples when stretching canvas ensures greater… The very best & strong copper canvas nails! Made of a solid, strong steel base coated in a thick layer of copper, these nails from Charvin are perfect for stretching your canvas in the centuries-old traditional way. Using nails or tacks instead of staples when stretching canvas ensures greater stability at each holding point, and the copper coating is resistant to rust over time. Sold in 100ml (3.4oz) and 250ml (8.5oz) plastic jars. Copper canvas nails ensures greater stability at each holding point, and the copper coating is resistant to rust over time Key Features: * Length: 7/16" & 11mm * Made of a solid, strong steel base coated in a thick layer of copper * Perfect for stretching your canvas * Greater stability * Copper coating is resistant to rust over time * Sold in 100ml (3.4oz) & 250ml (8.5oz) plastic jars * More magnetic so stick to hammer head in use See More
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GOLDEN Matte MediumsSave Up to30%Off listControl transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular… Control transparency, viscosity and surface sheen GOLDEN Matte Mediums are pourable, 100% pure acrylic polymer mediums that have matting solids added to lower sheen. GOLDEN Matte Mediums can be used to extend paints, increase translucency, and decrease gloss. GOLDEN Fluid Matte Medium and regular Matte Medium can be used to lower the sheen of a high gloss product, but the blend will not result in a completely matte finish. Fluid Matte Medium and regular Matte Medium can also be used as translucent gessoes.* Fluid Matte Medium - Decrease gloss without altering viscosity.* Matte Medium - Increases translucency and decreases gloss* Use as a Translucent Ground - For extremely smooth surfaces.* Lowering Sheen - The bridge between the surface and the paint. Please note: The items on this page are available at the Best Lowest Price Possible and no further discounts can be applied. See More
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Sennelier Extra Fine Artist Acrylic GessoSave Up to33%Off listHigh quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable… High quality grounds for your acrylic and oil paintings! Master color makers Sennelier have expanded their Acrylique artists' acrylic line to include these new exceptional gessoes! Whether you're painting in acrylics, traditional or water-soluble oils, Sennelier Acrylique Gesso provides a stable base with a good tooth on virtually any oil-free, absorbent surface. Superior quality gesso for superb paintings! White Gesso – This bright white universal primer is excellent for use on non-oily painting surfaces like canvas, wood, paper, board, and more. Penetrates surfaces and allows for good paint adhesion and provides an excellent base for paintings in acrylics and oils. Can be thinned with water up to 20%, and tinted with Sennelier acrylics. A layer of sizing is recommended before applying gesso to canvas. Tinted Gesso – With the same working characteristics of traditional white gesso, but providing a matte color surface ideal for tonal works. Available in Black, Light Grey, Red Ochre, and Yellow Ochre. Semi-Absorbent Gesso – When dry, this gesso forms a porous surface which improves color penetration and diffusion, but with a greater resistance to water than paper. Can be used as a primer for acrylics, watercolors, gouache, and oils (lends a matte touch). See More
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Lascaux Acrylic Primer GessoSave Up to38%Off listA gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry… A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Winsor & Newton Drawing Inks & SetsSave Up to30%Off listBrilliant Shellac-Based Drawing Inks for Sketching, Calligraphy & Brushwork Winsor & Newton's Drawing Inks are made from soluble dyes and shellac solution to create a superb drawing ink. Winsor & Newton's Drawing Inks perform beautifully whether used with a pen, painted with a… Brilliant Shellac-Based Drawing Inks for Sketching, Calligraphy & Brushwork Winsor & Newton's Drawing Inks are made from soluble dyes and shellac solution to create a superb drawing ink. Winsor & Newton's Drawing Inks perform beautifully whether used with a pen, painted with a brush or sprayed through an airbrush. They are widely popular with artists, designers, calligraphers and illustrators because of their color brilliance and are easily diluted. The dyes help to create rich, vibrant colors that look amazing on paper. Mix the inks or dilute them with distilled water to create a range of different tones. Fast-drying and water-resistant Winsor & Newton Drawing Inks can be applied with a brush, dip pen, or airbrush. Key Features: * 14ml Bottles and Sets * High-quality shellac-based ink * Fast-drying and water resistant* Bright, vibrant dye colors* Intermixable* Dilute with water* Widely used by illustrators, artists, and designers Perfect For: * Calligraphy* Writing and drawing* Technical applications* Brush and ink sketching in colour* Smooth paper and illustration board* Making an impact with bright colors* Most absorbent papers and surfaces* Application with a brush, dip pen, or airbrush* Artists of any skill level Please Note: - Dye-based colored inks are exceptionally brilliant, but their colors are fugitive and will fade over time. Avoid bright light when displaying them, and use UV-protective glass. The pigmented White, Silver, Gold, and Indian Black inks are lightfast See More
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Schmincke Oil Painting MediumsSave Up to10%Off listMagnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Speedball Opaque Fabric Screen Printing InkSave Up to26%Off listIdeal for use on dark fabrics Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on dark fabrics, paper, or cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive… Ideal for use on dark fabrics Screen printers of all ages and skill levels will love this exciting line of inks. Ideal for use on dark fabrics, paper, or cardboard. (Do not use on nylon fabric). All colors are permanent on fabric when properly heat-set. Non-flammable, no solvents, and no offensive smell! AP Non-Toxic conforms to ASTM D-4236 standards. These inks can be used for screen printing or use a paintbrush. All colors clean up easily with water. Available in 8 oz and 32 oz jars. Key Features:* Non-toxic* Cleans up easily with water* Permanent on fabric when heat-set Perfect For:* Painting on fabric* Use on dark fabrics * Screen printing See More
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Grafix Incredible White Mask Liquid FrisketSave Up to33%Off listHigh Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The… High Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The Grafix "Incredible Nib" is an improved version with unique fiber tips that stay firm when wet for greater precision and control. You can use the "Incredible Nib" to apply Liquid Frisket, as well as watercolor, acrylic, tempera, silk, and fabric paints. Nibs are easy to clean with soap and water. Key Features: * Liquid frisket watercolor medium * Water-based suspension of latex * Dries to a neutral cream color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and parents * Use in the classroom 8.5 oz Jar - Incredible White Mask is the highest quality latex liquid frisket mask you can buy. It has a tough film that is easily removed (we recommend using a rubber cement pick-up). The off-white color eliminates staining and is easy to see, unlike colorless products. Kit No. 1 - Contains an 8.5 oz jar of White Mask, an Incredible Nib, Liquid Frisket Removing tool, and a pamphlet. Kit No. 2 - with Dipstick - Contains a 2 oz jar of White Mask and a single-sided "Dipstick" applicator. Kit No. 3 - Contains a 4.5 oz jar of White Mask and the original incredible nib. Please note Liquid Frisket contains ammonia. See More
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Pebeo Drawing Gum Masking FluidSave Up to17%Off listPreserve the white paper or wash tones in your artwork! Drawing Gum is a peel-able rubber solution used to keep areas color free when using ink, watercolor, or gouache. It can be applied to your drawing or painting surface using a brush or a pen. The drawing gum solution dries gray. Pebeo Drawing… Preserve the white paper or wash tones in your artwork! Drawing Gum is a peel-able rubber solution used to keep areas color free when using ink, watercolor, or gouache. It can be applied to your drawing or painting surface using a brush or a pen. The drawing gum solution dries gray. Pebeo Drawing Gum available in either a latex-free formula or the original latex recipe. Key Features: * Dry's within about 15 minutes * A resistant to preserve color * Often referred to as "frisket" Perfect For: * Inks * Watercolor * Gouache Original Pebeo Drawing Gum - The original natural latex formula is certified CL and should be used with caution. Original drawing gum can stay on your paper for a long time and should not rip your paper when removed. Please note the formula has a strong odor. Latex-Free Pebeo Drawing Gum - The no odor latex-free version of Pebeo Drawing Gum is certified as AP non-toxic. You should remove the drawing gum from your paper after a couple of weeks to avoid ripping the paper when the gum is removed. This drawing gum is perfect for those that are allergic to latex and sensitive to strong odors. See More
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Chroma Acrylic Mural Paint SetsSave Up to30%Off listLightfast, Durable Acrylic Paints For Outdoor Art And Murals! Acrylic Mural Paint from Chroma is the perfect way to bring fine art to the streets! These high-quality acrylics are lightfast, water-mixable, and permanent when dry, which makes them ideally suited to withstand outdoor conditions.… Lightfast, Durable Acrylic Paints For Outdoor Art And Murals! Acrylic Mural Paint from Chroma is the perfect way to bring fine art to the streets! These high-quality acrylics are lightfast, water-mixable, and permanent when dry, which makes them ideally suited to withstand outdoor conditions. Non-toxic and infinitely mixable, Chroma Mural Paint is easily cleaned up with just soap and water before it dries. The acrylic paint adheres well to virtually any surface, and the sets of six colors are available in 16 oz and half-gallon jars. Chroma's generously sized sets are large enough to complete an entire mural, and are the perfect introduction to this revolutionary new line of outdoor acrylic paints! Key Features: * Non-toxic, lightfast acrylics * Bright and mixable colors clean up easily * Durable, permanent when dry * Ready to use right from the jar * Superior coverage * 16 oz & 64 oz Jar sets * Can be used straight from the bottle for interior and exterior murals * Click on the yellow circle icon to view set information Perfect For: * Outdoor & urban art * Use on almost any surface * Graffiti & street art * Superior coverage & handling * Outdoor, water-resistant paints With superior coverage, handling, and pigment load, this excellent paint can be used straight from the bottle for interior and exterior murals. The bright and mixable colors are non-toxic and clean up easily. See More
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QoR Watercolor Mediums & GroundsSave Up to40%Off listQoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities,… QoR Watercolor Mediums & Grounds Expand the abilities of your watercolors! Designed to perform effortlessly with QoR Watercolors, these watercolor mediums exist to expand the abilities of any watercolor paint. Included in this line of watercolor mediums are an array transformation possibilities, such as the Light Dimensional Ground, which turns watercolors into a paste-like substance for added texture, or the Lift Aid, which awards artists the ability to lift watercolors, even after they have dried. Made with top quality materials, QoR Watercolor Mediums are sure to impress watercolorists of any skill level! * Synthetic Ox Gall (59 ml) - Synthetic Ox Gall is a wetting agent that improves the flow of watercolors. Adding 2-5 drops to your water makes paints easier to apply and blend when creating washes. Wetting paper with the water/Synthetic Ox Gal mixture will assist in creating clean, uniform washes and improves wetting on hard sized papers. * Watercolor Medium (59 ml) - Watercolor Medium is a general all-purpose medium used to increase the transparency and flow of watercolors. If used in larger amounts it will also increase the gloss and saturation of the colors. * Lift Aid™ (118 ml) - Lift Aid™ is a fluid medium that is applied to the surface and improves the lifting of watercolors. May be applied to paper before painting or between washes. * Watercolor Ground (237 ml) - Watercolor Ground is an acrylic primer that creates a porous surface similar to hot press paper on many different materials, including canvas and panels. It dries to an absorbent, lightfast and flexible surface that can endure repeated lifting and scrubbing. Allows for a full range of watercolor techniques, including wash and staining effects. It can also be brushed on to return stained areas to an absorbent white surface. * Light Dimensional Ground (237 ml) - Light Dimensional Ground is a white, lightweight paste that can be spread like frosting. It can be applied smooth and thinly, or built up to create ridges, peaks and other interesting textures. The extremely absorbent surface of Light Dimensional Ground allows color washes to spread quickly, yet allows the artist to create fine lines and detail as well. Dropping color into lightly wetted areas can create beautiful blooms. Creativity & Control The concept of QoR Watercolors does not end with colors. Like every product that comes from GOLDEN, the idea of equipping artists to realize their creative vision inspires our products. QoR Mediums help extend and enhance the creative range and control of watercolors, whether the objective is modulating colors through lifting with Lift Aid™, extending colors to their most distant point with Watercolor Medium, or unleashing the flow of colors with Synthetic Ox Gall. Where our mediums carry forward traditional painting techniques QoR Grounds brings a totally new wave of expression to watercolors. Watercolor Ground quickly transforms nearly any surface into an absorbent bright white painting surface similar to hot-press papers, while Light Dimensional Ground transforms the surface with texture to a lustrous modeled surfaces that you design. See More
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SoHo Urban Artist Acrylic Varnish & MediumsSave Up to41%Off listInfinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images,… Infinite Control To Add Texture And Effects! SoHo Acrylic Mediums offer artists the tools to preserve, add texture or even change a painting's finish! Gloss Gel Medium is made with premium acrylic polymer and is ideal for extending acrylic paint, creating glazes, transferring laser printed images, or building soft textures. The use of acrylic polymer gels and varnishes helps to broaden the possible outcomes for your painting. Brilliant for gloss impasto effects, SoHo Gloss Gel Medium holds moderate peaks and retains brush strokes. You can use SoHo Satin Varnish as an over varnish to protect the completed acrylic painting and add a satin finish to your artwork. Key Features:* Acrylic polymer emulsion gel* Satin varnish* Add texture, enhance color* Create a variety of effects* Perfect For:* Modifying paint handling characteristics* Changing the finish of a painting* Extending acrylic paint* Soft impasto, relief, effects* Gel works as a glue for collaging SoHo Satin Varnish: Use as an over varnish to protect the completed acrylic painting and to add a less than glossy, satin finish to the painting. Gloss Gel Medium : Acrylic gel with a smooth, buttery consistency. Ideal for glazing and brilliant gloss impasto effects. Mix with paint to increase body or apply directly for a transparent textural effect. Holds moderate peaks and retains brush strokes. See More
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Jacquard Cyanotype Sun Printing ProductsSave Up to10%Off listHarness the power of the sun with Jaquards Cyanotype products. Cyanotype is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were… Harness the power of the sun with Jaquards Cyanotype products. Cyanotype is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow To easily transform any image into a negative, visit www.JacquardCyanotype.com. Negatives may be printed on SolarFast Film or any other film media. Jacquard’s Cyanotype Set includes: * Part A - Potassium Ferricyanide 0.8 oz/22.68 g * Part B - Ferric Ammonium Citrate 1.9 oz/53.86 g * Instructions This set contains enough chemistry to make approximately sixty-five 8.5"x11"/21.59 cm x 27.94 cm prints on paper or fifty 8.5"x11"/21.59 cm x 27.94 cm prints on fabric, depending on the absorbency of the substrate. Key Features: * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Parties and events See More
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Ecoline Liquid Watercolor Paper PadsSave Up to36%Off listVibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations,… Vibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations, calligraphy, or ink drawings. The paper surface is perfect for imaginative designs and sketches. Key Features: * 12 sheets of 140 lb. (290gsm) paper * Smooth cold press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing, product design * Artistic impressions See More
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Brush and Pencil Colored Pencil AdditivesSave Up to10%Off listBlend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so… Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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Holbein Acrylic Mediums & VarnishSave Up to35%Off listProfessional quality acrylic mediums at an affordable price Holbein Acrylic Mediums and Varnishes are formulated to take your artwork to the next level! You can use these versatile, professional-quality mediums with any acrylic paint. The mediums are great for thinning color or adding a uniform… Professional quality acrylic mediums at an affordable price Holbein Acrylic Mediums and Varnishes are formulated to take your artwork to the next level! You can use these versatile, professional-quality mediums with any acrylic paint. The mediums are great for thinning color or adding a uniform surface sheen to your painting! Whether you're creating special effects or applying the final finishing touch, Hoblien has the right product for the job. Key Features: * Acrylic mediums and varnishes * Available in gloss and matte * Professional-quality * Fast-drying varnish * Retarding medium slows down drying * Easy to squeeze bottle * Made in Japan Perfect For: * Acrylic painters * A final layer of protection for finished artwork * Thinning and extending acrylic color * Creating a uniform surface sheen * Final varnish for works on paper, canvas, wood, and unglazed pottery Crystal Varnish: Crystal Varnish is a high gloss, fast drying final protective varnish. Ideal for acrylic paintings. Holbein acrylic varnish adheres well to canvas, paper, clay, wood, and unglazed pottery. Matte Varnish: Matte Varnish is a matte, fast-drying final protective varnish. Holbein acrylic varnish adheres well to canvas, paper, clay, wood, and unglazed pottery. Matte Medium: If you want your acrylic paints to have a matte appearance, you can mix the colors with Holbien Matte Medium. The medium is transparent and waterproof once dry. You can also use Matte medium to thin or extend colors. Not suitable as a final picture varnish. Gloss Medium: Gloss Medium is a fantastic painting and glazing medium. The transparent medium dries to a durable gloss finish that is also waterproof. Not suitable as a final picture varnish. Retarding Medium: Retarding Medium is intended to slow the drying time of acrylic paint. One or two drops will keep colors fresh on your palette. See More
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Creative Air Airbrush AccessoriesSave Up to69%Off listAccessories for better airbrush access! These convenient airbrush accessory parts are designed to improve your painting experience. Every Creative Air accessory is engineered to perform flawlessly and make painting easier! Key Features: * Convenient tools make airbrushing more enjoyable * Control… Accessories for better airbrush access! These convenient airbrush accessory parts are designed to improve your painting experience. Every Creative Air accessory is engineered to perform flawlessly and make painting easier! Key Features: * Convenient tools make airbrushing more enjoyable * Control and regulate air pressure up to 100psi * No-mess clean-up with the Cleaning Pot Perfect For: * Murals, street art, and graffiti * Painting large backgrounds * Traveling artists * Creative Air Hose Adaptor - This hose adaptor has a 1/4" Female to 1/8" Male connection. The adaptor is perfect for connecting airbrushes and air hoses with fittings that don't match. * Creative Air Glass Jar - For use with the Pro S airbrush model only. Holds up to 0.75oz of solvents, paints, makeup, food dye, and more! * The Airbrush Air Filter/Regulator - allows you to control and regulate the operating air pressure of your air gun (up to 100psi). Use the regulator to reduce air pulsation and cut airflow fluctuations. The water trap filter ensures clean, dry air and has an easy-release drain valve. (1/8" output fitting and a 1/4" inlet opening) * Creative Air Airbrush Cleaning Pot - Works with both water and solvents to clean airbrushes and air guns. Spray air into the form-fitting rubber receptacle for a no-mess clean-up job. * Creative Air 5 Piece Mini Clean Brush - A cleaning kit for unclogging spray nozzles and needles. * Creative Air Replacement Trigger - Use as a backup for unexpected trigger happy mistakes. * Creative Air Art Gun Spray Gun (Blue): High-quality stainless steel nozzle and needle with excellent atomization. Adjusts from standard circle pattern to pinpoint fan for more accurate and efficient coverage (Nozzle Size: 0.6mm, Working pressure: 20-50psi, 1/4 inch air hose connection.) The paint cup has a 4 oz. capacity. See More
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GOLDEN Isolation Coat & Waterborne VarnishSave Up to30%Off listArchival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are… Archival Acrylic Varnishes for all varnishing applications! GOLDEN Acrylic Varnishes are professional, archival, and most contain ultraviolet light filters and stabilizers (UVLS) to provide archival protection to inhibit light damage. Available in spray or brush-on varnishes. Sheen options are available in gloss, satin, and matte final protective finishes to seal the painting. Be sure to read descriptions of each varnish to find the perfect fit for your artwork's optimum protection! Key Features: * Protects against dirt and dust * Provides moisture resistance * Gloss, Satin, and Matte finishes * Ultraviolet Light Stabilizers (UVLS) Perfect For: * Protects against UV light * Final varnishing and protective layer * Providing dust resistance * Archival Fine-Art Protection GOLDEN Waterborne Varnish - is a water-based acrylic polymer that protects interior acrylic paintings from dust and ultraviolet light. The varnish contains Ultra Violet Light Stabilizers [UVLS] that protect your art from light exposure. Waterborne Varnish can be thinned and cleaned up with water, eliminating the need for harsh solvents, and you can remove it from a painting with household ammonia. GOLDEN Isolation Coat - is a ready-to-use sealing coat for acrylic paintings. Previously acrylic artists’ only recourse was to dilute Soft Gel Gloss with water (our former and still acceptable recommendation) before applying it to completed acrylic artwork. Isolation Coat eliminates the need to measure and mix while increasing flow and leveling. Isolation coat is a permanent acrylic medium that seals surface absorbency and allows for improved varnish application and easier varnish removal. Apply one or more layers before varnishing. What does golden isolation coat do? Isolation coat serves two purposes: Seals any absorbent areas in order to create an even surface on which to apply the varnish. Protects the painting if/or when the varnish is removed by separating the pigmented area of the painting from the solvents used in removal. GOLDEN Polymer Varnish with UVLS (Ultraviolet Light Stabilizers) - available in Matte, Satin, and Gloss finishes. A waterborne acrylic varnish that dries to a protective flexible and dust resistant surface over acrylic paint. Removable with ammonia. Health Labeled (HL) product, please read and follow instructions and guidelines. Not for use by children. Recommended for interior use only. See More
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R&F Encaustic MediumsSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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Michael Harding Artists' Oil Color Mediums & VarnishesSave Up to25%Off listHandmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint… Handmade Oil Colour Mediums, Carefully Crafted From The Highest-Grade Natural Materials! Rather than using toxic and unpredictable lead drying agents, Michael Harding has prepared a selection of oil, resin, balsam, and wax painting medium creations that will safely yet traditionally alter your paint film to suit your painting needs! In place of traditional sun-thickened linseed oil, Harding’s oil mediums formula utilizes the best grade viscous linseed stand oil, given its ability to self level, imparts elasticity into the paint film, and does not yellow or darken appreciably over time. Otherwise, the raw materials used are consistent with those of the past. Mediums and varnishes are available in 100ml and 250ml jars. See description tab for information on each individual medium. Dammar Glaze Medium - A traditional glaze medium (with cobalt siccative) that helps add depth and gloss to transparent colors. Known for its speedy drying time of oil colors; use with slower drying colors. Oil Painting Medium - A basic oil medium designed to ease flow and increase gloss, transparency, depth, and bedaub of the pigment color. This medium is a linseed stand oil and turpentine formulation that prevents yellowing of paint film. Resin-Oil-Wax Medium - A soft painting paste, derived from pure bleached beeswax, mixed with dammar resin and linseed stand oil. This popular medium creates a lovely satin sheen and gentle impasto in paint layers. Settling of the medium may occur - allow jar to stand in hot water and stir contents until dissolved. Oleo-Resin Medium - A historic glazing medium based on light colored Canadian balsam fused with dammar resin and linseed stand oil. This versatile medium provides high gloss levels while imparting depth to paint films. Beeswax Paste - A high oil content paste based on linseed stand oil and pure bleached beeswax. The paste increases the body of oil colors with a satin-matte finish; especially useful with opaque colors. Balsam Resin Glaze - Another historical glazing medium, it is based on Austrian Larch Turpentine (Venice Turpentine) with Dammar resin and linseed stand oil. This wonderful smelling medium is added to oil colors to enhance depth, gloss, and luster. Matte Varnish - Creates a long lasting, protective coating with a beautiful matte finish. Made from real beeswax dissolved in the finest Portuguese Turpentine. Heat the container before using (until the contents turn clear) and then apply one thin coat - dries within minutes. Apply this varnish as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Dammar Varnish - Versatile varnish that creates a subtle gloss finish. Made from the best quality dammar resin from Thailand, dissolved in double rectified Portuguese maritime Turpentine, then carefully filtered. Apply as a final picture varnish to thoroughly dried oil paint (6 months minimum- up to 18 months if paint is very thick). Key Features: * No toxic, unpredictable lead driers * Oil, resin, balsam, and wax blends * Varnish, glazing & painting mediums * Mediums for Professional Oil Painters Perfect For: * Professional Oil Painters * discerning amateurs & instructors * Artists favoring Old Masters materials * use with Michael Harding Artists’ Oils See More
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R&F Encaustic Grounds, Mediums, and Raw MaterialsSave Up to20%Off listFine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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