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Fabriano 1264 Watercolor Cold Press Glue Bound Pad - 4x8, 140lb (30-Sheet)Save Up to33%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 4x8"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Ecoline Liquid Watercolor Paper Pad (12-Sheets) 110lb 11.7 x 16.5Save Up to36%Off listWhite Vibrant colors look best on this paper! Ecoline Liquid Watercolor Paper has a soft, cold press texture that is especially well-suited for Ecoline liquid watercolor inks and brush pens. Each paper pad contains 12 sheets of 140 lb. (290gsm) paper that is ideal for artistic impressions, illustrations, calligraphy, or ink drawings. The paper surface is perfect for imaginative designs and sketches. Key Features: * 12 sheets of 140 lb. (290gsm) paper * Smooth cold press texture * Glue binding for easy sheet removal * Brilliant colors look best on this paper * Made in Germany * Click on yellow circle icon for set information Perfect For: * Watercolor and pigmented inks * Ecoline inks and brush pens * Illustration * Fashion design * Calligraphy, drawing, product design * Artistic impressions See More
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Rembrandt Watercolor Block 140lb Cold Press - Black, 11.7"x16.5"Save Up to25%Off listWhite Create Bold Paintings on Black Watercolor Paper! Rembrandt's Black Watercolor Paper Blocks are ideal for creating bold, vibrant paintings against a dark background. Gouache and highly opaque watercolors naturally stand out on the black paper. Each sheet is made of acid-free cellulose and is sized internally and externally to ensure perfect water absorption and optimal color lifting. All four edges of the watercolor block are glued together to prevent the top sheet from curling and buckling as you paint. Key Features: * Black, cold press paper * 10 sheets per block * 140lb (360gsm) * All four sides glued * Acid-free and lignin-free cellulose * Internally and externally sized Perfect For: * Wet and dry media * Watercolor, gouache, acrylic, and ink * Optimal color lifting * Professional artists * Travel paintings See More
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Rembrandt Pastel Paper Pad (50-Sheet) 120lb 11.7 x 16.5 Desert BrownSave Up to25%Off listBrown A Huge Favorite With Soft Pastel Artists! Rembrandt Soft Pastel Paper Pad's offer the best surface for your soft pastel paintings. Each pad contains five sheets in six-light or six-dark colors with thirty acid-free sheets altogether. The 75 lb (160 gsm) high cotton content sheets feature a subtle tooth for attracting and holding onto pastel particles. Glue-bound into convenient pads Rembrandt Soft Pastel Paper Pads are ideal for soft pastel, charcoal, pencils, and chalk. The dark-colored pad includes Heather Grey, Warm Grey Light, Ice Blue, Warm Grey, Graphite, and Black. The light-colored pad includes Sunshine, Cream, Goldenrod, Steam Grey, White, and Bluish Grey. Key Features: * Light or Dark colored sheets * Five sheets in six different colors, 30 sheets per pad * Acid-free, 75 lb (160 gsm) paper * High cotton content * Subtle tooth for grabbing and holding pastel particles * Glue-bound into convenient pads Perfect For: * Professional pastel artists * Soft pastel, charcoal, pencils, and chalk * Illustrators, designers, fine arts * An endless array of techniques * Archival foundation for pastel and pencil See More
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Fabriano Eco White Drawing Pad - 11-7/10"x16-1/2", 94lbSave Up to45%Off list…Environment * Like no other recycled paper on earth! * 100% recycled post consumer pulp * Whitest recycled art paper * Hydro power production * No chlorine bleach * Acid-free Eco White is like no other recycled paper on earth. It is the whitest recycled art paper available. Eco White is made using… Respecting the Arts and the Environment * Like no other recycled paper on earth! * 100% recycled post consumer pulp * Whitest recycled art paper * Hydro power production * No chlorine bleach * Acid-free Eco White is like no other recycled paper on earth. It is the whitest recycled art paper available. Eco White is made using 100% post-consumer waste, 50% Hydro-power production, no chlorine bleach, has respect of the Kyoto Protocol and is FSC 100% Certified Recycled. Eco White saves one tree per every 80 Pads it produces, saves 9,000 tons of Co2 per year and spares 14,000,000 m3 of Methane annually. Eco White the perfect paper for the earth and for all your drawing and sketching needs. This sustainably-made paper is available in two weights, one specifically for sketching, and one for drawing. Each kind of paper is great for graphite, colored pencils, pastels, pens, markers and more! Since this paper is bright white and acid-free, your works will remain as vibrant as the day you created them! Available in pads, rolls and sheets! See More
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Jack Richeson Grey Matters Series 9832 Short Handle 3/16In Synthetic Watercolor FlatSave Up to28%Off list…distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time.… Annoying glare and reflections? Grey Matters Brushes solve the issue! Artists from all over the country approached Richeson to solve a problem not solved by other brush manufacturers: annoying glare and reflections from studio lights and sun. Finally! Grey Matters brushes solve this issue. Richeson Grey Matters brushes are free of distracting colors and reflective metals — perfect for plein air or in the studio, and ideal for toned palettes and canvas. These interlocked watercolor bristle brushes are painstakingly crafted by hand. Interlocked brushes ensure that the bristles maintain their shape and last for long time. Key Features:* Anti-glare* Minimize color distortion* Non-reflective hair, ferrule, and handle* Synthetic hair for water media Perfect For:* Watercolor applications* Defined brush strokes* Creating fine details* Professionals, teachers, students* Plein air or in the studio, and ideal for toned palettes and canvas Questions and Answers: Does Grey Matter? – Yes, The human brain is compensating in ways we cannot imagine when we have colored handles and reflective ferrules. The Neutral Grey top to bottom brush makes a painting without interference from other colors make sense! Does a nonreflective ferrule matter? Yes, The reflection of light off of the ferrule is a distraction. When you regularly use the Grey Matters Brushes it becomes apparent how the reflection off of a ferrule has affected concentration! Are all Synthetic Brush heads the same? No, The filaments that make a synthetic brush can range wildly from student quality to Professional – Determined by the number of different fibers and type that make up the brush head. The fewer different types of filaments – typically the lower grade. Does the color of the brush fibers affect the quality? No, however, the fibers of economy brushes are typically bleached white. A color such as the Grey in Grey Matters is done to accomplish a result (Neutral to the eye) What is the quality of a Richeson Grey Matters Brush? Only the Highest quality synthetic fibers are selected for Grey Matters Brushes – mixed to accomplish very specific firmness, softness, and paint loading properties. Can a grey Matters Watercolor Brush be used for acrylic painting? YES!!! If the painter desires a softer brush head when painting. Can I use my brushes for both Oil and Acrylic paint (Interchange) Once used for a medium – it should ONLY be used for that medium – it is not possible to sufficiently clean a brush to use for different mediums – at best it is risky See More
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Richeson Synthetic Watercolor Brush Series 9010 Flat Wash 3/16"Save Up to42%Off listPerformance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached… Performance minded super strong filament hair brushes that withstand harsh painting techniques even on rough surfaces. They offer a quick and flawless brush response coming to a split-proof, extrafine point or a neat hard edge. These brushes feature up to 1" seamless nickel plated ferrules attached to short black lacquered wood handles. Sizes 1½" or larger with paddle handles. See More
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Richeson's Quiller Water Media Brush Series 7010 Flat 3/16"Save Up to28%Off list…control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists *… Quiller Synthetic Watercolor brushes are truly advanced synthetic brushes. When wet, they come to a magnificent razor's edge, allowing the thinnest line, a broad wash or anything in between. The ferrules on these short-handled 7010 flats have a round base up to the 1" size and the larger sizes have a folded flat base. Richeson tapers the strands of fiber so that each synthetic strand comes to a fine point. With careful selection of 11 different weights of fiber strands, Richeson gently mixes these into a marvelous brush head. The mixing of the weights is critical and allows you to get just the right amount of hard snap to the brush. With the perfect mixture of a variety of thinner fibers Richeson has created the perfect color carrying blend. Stephen Quiller works very big and was really pleased when we developed a brush that could hold so much color while also retaining control. Key Features: * Synthetic Watercolor bristle * Short-handled * Razor's edge lines * Small flats have a round base * larger sizes have a folded flat base * Tapered strands of fiber * The right amount of hard snap to the brush Perfect For: * Watercolor & Gouache * Plein Air Artists * Thin lines or broad washes * Holding a lot of color * Backgrounds * Teachers and students * No-hassle, everyday use See More
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