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Related Categories: Hot Press Watercolor Paper | Artistico | Kilimanjaro | Wood Panels | Fabriano Soft Press Watercolor Paper | 300 Lb Hot Press Watercolor Paper | Round Or Oval Panel | 9x12 Panels
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Fabriano 1264 Watercolor Cold Press Glue Bound Pad - 4x8, 140lb (30-Sheet)Save Up to43%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 4x8"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Holbein Watercolor Masking Fluid Ballpoint Pen, 8mlSave Up to10%Off listGrey Holbein Masking Fluids Ideal For Watercolor! Holbein Masking Fluid allows you to protect or highlight areas of your work when painting with watercolors. If you prefer your masking fluid thinner, you can thin it with plain or soapy water before applying it with a brush or dip pen. Wait for masking fluid to dry completely before painting around the dried fluid. You can use the Holbein Ballpoint Masking Pen to highlight areas, draw fine lines, or make detailed expressions. The pen masking fluid is an easy to see gray color when wet and turns black once dry. Shake the pen well before use and gently squeeze the barrel to release masking fluid as you draw. Allow your masking fluid lines to dry before applying watercolor paint. To remove dried masking fluid, use a soft eraser or a rubber pick-up. Masking Fluid Jar: * Thin fluid with plain or soapy water * Easy to see blue color when wet and dry * Apply with a brush or dip pen * Allow masking fluid to dry before painting * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 Perfect for : * Highlighting areas * Drawing fine lines or detailed expressions * Watercolor compositions * Hand-lettering * Line drawing on watercolor paper * Masking areas that you want to preserve * Using with Holbein watercolors Masking Fluid Ballpoint Pen: * Easy to see gray color when wet- turns black once dry * Shake the pen well before use * Gently squeeze the barrel to release fluid as you draw * Remove dried fluid with a soft eraser or a rubber pick-up * Conforms to ASTM D-4236 See More
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Awagami Kitakata Paper Roll 36gsm 38"x10.9ydSave Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Winsor & Newton Cotman Watercolor Plus Set of 12, 8ml TubesSave Up to46%Off listAssorted Colors Quality watercolors at affordable prices! Winsor & Newton produce their Cotman Watercolors at a reduced cost for students and beginners while meeting quality standards. They use modern organic pigments instead of costly metallics to make their quality colors affordable. Some of the rare pigments used in Artists' Watercolors are replaced with less expensive alternatives in the Cotman line. The range of 40 colors offers excellent lightfastness and tinting strength. All the colors mix cleanly and are easy to manipulate with a brush or sponge. Key Features: * Available in: 8ml and 21ml tubes * 40 beautiful tones * Excellent tinting strength * Affordable but uncompromising in quality * Easy to work with * Good transparency * Imported from England Perfect For: * Students and beginners * Painting watercolor washes * Gradient effects * Basic and advanced color mixing * Creating long-lasting works of art * Artists of all skill levels See More
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