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Related Categories: Hot Press Watercolor Paper | Artistico | Kilimanjaro | 5x7 Watercolor Paper | Fabriano Artistico Watercolor Hot Press | 9x12 Paper | 9x12 Watercolor Sheets | Cold Press Watercolor Block
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Fabriano 1264 Watercolor Cold Press Glue Bound Pad - 4x8, 140lb (30-Sheet)Save Up to43%Off listWhite Perfect for all lifting and scrubbing techniques! Fabriano 1264 Watercolor Pads feature 140lb. (300gsm) Cold Press, acid-free, Bright White paper. The paper's Cold Press finish is very forgiving, enabling all lifting and scrubbing techniques while enhancing color vibrancy. Each paper sheet is made using Hydro-Power in Italy and is FSC Certified. Available in spiral-bound (with micro-perforations) and glue-bound (fold-over sheet) format. Fabriano 1264 Watercolor Pads satisfy the needs of student and professional watercolorists. The paper is ideal for watercolor, gouache, and acrylic ink. Key Features: * 140lb (300gsm) weight * Bright White * Cold Press texture * Super color retention and intensity * Spiral-bound or glue-bound pad * Spiral-bound pads have micro-perforated sheets * Glue-bound pads feature fold-over sheets * FSC certified paper * Made in Italy Perfect For: * Watercolor, gouache, and acrylic ink * Bold washes of color * Students and professionals alike * Beginner and classroom use * All watercolor techniques * Lifting and scrubbing techniques * Spontaneous sketching and Plein air work See More
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Fluid Watercolor Paper Easy Block - 140 lb. Cold Press 4x8"Save Up to35%Off listEasy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since… Easy-Block High quality watercolor paper in uniquely-bound blocks Fluid Easy-Block Watercolor Paper is acid-free, 140 lb. / 300 gsm soft white watercolor paper blocks with a unique new take on traditional paper blocks! There is no need to wet and stretch the paper before painting, but since Easy-Blocks are only glued on 2 sides (instead of the traditional 4) it's also remarkably simple to remove your painting from the block once finished by simply slipping a knife or letter opener around the glued sides. Made by slow milling in small batches, Fluid Easy-Block Watercolor Paper is remarkably strong and is available in an even, low tooth cold press finish or new super-smooth hot press. Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more! Available in multiple sizes ideal for any subject; 15 sheets per block, bound on two edges. Easy-Block Watercolor Paper Blocks are taped on just two sides, which makes it much easier to remove the top sheet without damaging the sheets below - thus the name: "Easy-blocks"! * Acid-free 15 sheets per block, bound on two edges* Archival, Acid-Free* CCP -Certified Permanent Paper* 140 lb. / 300 gsm* Highest Quality Alpha Cellulose* Also available in packs of 6 loose 22x30" sheets* Cold or hot pressed, soft white paper* Perfect not only for watercolors, but for colored pencil, pastel, acrylic washes, multimedia and more!* The glue along the two long edges will hold the sheet flat as you paint. See More
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Daniel Smith Watercolor Ground - Titanium White, 16ozSave Up to40%Off listWhite Paint with watercolors on any surface! You can use watercolors on any surface with Daniel Smith's Watercolor Ground! After applying the Ground you can paint with watercolors on wood, plaster, metal, plastic, glass, and fabric! Simply brush the Watercolor Ground on and within 24 hours the surface will be transformed into an exciting absorbent ground for watercolor! If you make a mistake, rescue your painting with Titanium White Watercolor Ground the “white out” for artists that allows you to cover up and start over with a fresh white surface. You can use one of the colored Grounds to create surface texture or use the Transparent Watercolor Ground which allows the surface of your substrate, for example, wood grain or decorative paper, to show through when you paint over with watercolors. DANIEL SMITH Watercolor Ground creates a soft, absorbent watercolor surface with a slightly cottony texture that’s similar to cold press paper. With this breakthrough archival-quality ground, artists can create new work on any surface, rescue flawed paintings, lift and scrub without damaging the painting surface, and frame without glass. There’s really no end to what can be done! Key Features:* Absorbent watercolor ground* Works on multiple surfaces* Archival and acid-free.* Holds up to vigorous scrubbing Perfect For:* Watercolor Artists* Mixed media applications* Framing without Glass The beauty of watercolor is transparency and transparency is what gives watercolor paintings their distinctive clarity, luminosity, and realism. Now, with DANIEL SMITH Watercolor Ground, artists can get this unique visual quality on any surface they choose: * Wood & Plaster* Canvas & Masonite* All types of paper* Fabric* Glass & Plexiglass* Metal* Plastic* Stone & Masonry Preparation Absorbent or semi-absorbent surfaces require no special prep before brushing on DANIEL SMITH Watercolor Ground. These include paper, canvas and other fabrics, wood, plaster, shells, and hardboard. Non-absorbent surfaces such as metal, plastic or glass should be lightly abraded with sandpaper or steel wool before brushing on the Watercolor Ground. Application We recommend using Watercolor Ground straight from the container. It has a thick, brushable consistency. Use a soft-haired synthetic brush, foam brush or foam roller for a smoother finish, or a hog bristle brush for a more textured finish. The ground is highly pigmented so one coat will cover most surfaces; very absorbent surfaces such as unfinished softwood may require two coats, allowing the first coat to cure before adding the second. Wash brushes immediately after use. TIP – when using the Watercolor Ground to Rescue a Painting, thin some Watercolor Ground in a small dish with up to 10% of water and use a soft brush like a hake brush to blend the edges. Curing Let Watercolor Ground dry and cure for at least 24 hours. This allows it to attain the right degree of absorption. Painting DANIEL SMITH Watercolor Ground works beautifully with watercolors and thinned acrylics. Because it creates a surface more absorbent than paper, you will want to use less water with your paint. Experiment and see what works best for you. It also works beautifully with DANIEL SMITH Masking Fluid. Finishing As with all watercolors, your work on DANIEL SMITH Watercolor Ground will need to be fixed if it will not be framed behind glass. We suggest spraying with a high quality, Archival Aerosol MSA Varnish with UVLS to protect your painting. DANIEL SMITH Watercolor Grounds give artists more freedom to paint with their watercolors; on any surface, rescue a watercolor painting and add more creative opportunities for painting with watercolors! See More
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Pyramid Mat Board 32"x40" 4 Ply - Cardinal RedSave Up to32%Off listRed Professional quality value board that cuts crisp and clean. Boards are buffered with calcium carbonate to an alkaline reserve of 3-5%. Â Excellent offering of colors including metallics and black core. Â Best used for presentation and open edition prints. Not recommended for archival long term matting or presentation. Neutral PH backing sheet, buffered core and neutral PH facing paper.Please note: A minimum purchase of 25 assorted boards is required. See More
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Crescent AFX Acid-Free White Mounting Board Box of 25 32x40"Save Up to27%Off listPreserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only… Preserving Memories Since 1902 This single .050" thick board is a standard with professional artists the world over. It features two usable sides, both smooth and easy to mount on. The entire product is acid-free including both surface sheets and the core. Please note: 32×40" sheets are sold only by the full box of 25. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Ragmat Board 32x40" 4 Ply - SepiaSave Up to31%Off listBrown RagMat Boards - 100% Cotton, Acid and Lignin Free! Meeting all of the stringent standards of the Library of Congress, Fine Art Trade Guild, Professional Picture Framers of America and more, Crescent RagMat Boards are the safest materials available to come into contact with artwork! This premium line of matboard has a pure white 100% cotton rag core and backing paper. The colored surface paper is of the finest quality, fade and bleed resistant. Key Features:* Premium line of matboard* Solid color throughout* Made from pure cotton & naturally acid lignin free* 100% cotton rag surface, core and backing paper* 4 ply, 32 x 40" board size* Offers highest level of conservation* Super strong and resilient Perfect For:* Matting fine art & limited edition prints* Mounting artworks or prints on board* Meeting the most stringent standards* Safest, most archival matting available See More
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Ragmat Museum Solids 32x40 in 4Ply Winter WhiteSave Up to33%Off listWhite RagMat Museum Boards Solid Colors - Unbuffered for photographs and textile matting! Crafted completely from pure 100% cotton, RagMat’s Museum Boards are specifically designed for textiles and photograph mounting and matting, which requires a low alkaline environment for the most archival finishing. Museum Boards come in 4 colors that have a solid color throughout, and have special surface sizing for French matting and art media. Recommended for fine art and limited edition art prints. Key Features:* Solid color throughout* 100% cotton, acid & lignin free* 4 ply, 32 x 40" board size* Mat & mount photos and textiles* Super strong and resilient Perfect For:* Matting low alkaline artwork* Textile and photo matting/mounting* Meeting the most stringent standards* Safest, most archival matting available See More
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Crescent 32x40" Ultra-Black Smooth Mounting Board 25 boxSave Up to34%Off listBlack Intense black surfaces provide more dramatic presentations Preserving Memories Since 1902, Crescent Ultra Black Smooth Mounting Boards are single thick mounting boards great for backing, mounting and presentation of artwork, posters, graphics, photographs and more. Smooth on both sides. The ultimate mounting and presentation boards for artwork, photos, computer printouts, layouts and more. Intense black surfaces provide more dramatic presentations. Crescent Ultra-Black Mounting Boards cut cleanly and have a black core made from 100% recycled material Ultra-Black boards have an intense black, smooth surface on both sides Key Features:* Medium weight (.05-.06), warp resistant* Intense black, Black core* Smooth surface on both sides* High-contrast mounting board* Mounting and presentation boards* Easy to cut and or trim* Solid black throughout* Made from 100% recycled material Perfect For:* Mounting and presenting of artwork & posters* Mounting and presenting photographs, graphics and more* Using both sides* Dramatic presentations Please Note: A minimum purchase of 5 sheets of any one item is required and may not be assorted with other boards. Please Note: We cannot guarantee that all corners will arrive without damage. See More
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Strathmore Museum Boards 4 Ply 12 Pack - Antique WhiteSave Up to33%Off listMade of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply Made of 100% cotton fibers, it is acid-free and buffered with calcium carbonate to guarantee longevity. The surface is designed to deliver a smoother, cleaner cut. * 32 × 40" * 2 or 4 Ply See More
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Yes! Paste 1 PintSave Up to6%Off list…archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal… Non-toxic - Organic - Neutral pH - Acid-free -Yes! Paste is a white (clear when dry), non-toxic, slow to set water-based/Dextrin-based paste that is used for long lasting archival mounting on almost all artist papers. This acid-free, neutral pH paste will not react with air against paper. It is completely organic and can be thinned with warm water. It is ideal for conservation of art and will not stain delicate watercolors. Use also with tin, cloth, leather, metal and primed surfaces. Yes! Paste is also excellent for decoupage and collage work. See More
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Lineco Frame PVA Adhesive Glue, 16ozSave Up to19%Off list…properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should… The best glue for picture frames! Lineco Frame PVA Adhesive is a permanent PVA glue that dries quickly. Use this clear drying high-density wood glue to adhere frame moldings made of wood or MDF together. With excellent lay-flat properties, the glue can also be used for other art and craft applications such as paper mounting. This permanent PVA Adhesive an be also used for other art and craft applications, such as gluing wood, board and paper, with excellent lay flat properties. When storing this buffered glue, you should avoid freezing temperatures and only apply at room temperature. Key Features: * Adheres frame moldings * Permanent PVA adhesive * Dries fast and clear * Excellent lay-flat properties * Shake well and apply at room temperature * Do not store in direct sunlight * Buffered for added protection * Avoid freezing Perfect For: * Professional framers * Custom framing * Wood repair jobs * Mounting papers to wood * Archival preservation * No-hassle, everyday studio use See More
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Canson Mi-Teintes Board 32 x 40" (Pack of 5)Save Up to33%Off listWhite Now you can frame up your art with the beauty and character of genuine Mi-Teintes paper mounted on pure white, 4 ply, acid-free and lignin-free board. This conservation quality board is perfect for framing and matches world famous Mi Teintes paper.  Mi-Teintes Boards by Canson have the highest cotton content for a colored art paper, which allows it to perform nicely with many mediums. It's the ultimate surface for pastels, charcoal, or conté crayon. Canson Mi-Teintes Paper complies with ISO 9706, which ensures optimal preservation and longevity. Both the 16×20" and 32×40" size boards can be used for framing or mounting art as well as for pastel painting and mixed media applications. Please note: A minimum purchase may be required. See the Minimum Purchase icon for details. See More
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