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Da Vinci Pro Resist-Grip Panel 4"x8", 3/4" Deep (Box of 12)Save Up to76%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Dual Sided Pro Panel 4"x8", 6mm Deep (3-Pack)Save Up to61%Off listWhite Professional quality Dual Sided & Texture 1/4" Archival Panels As a serious artist, you always need to consider what you are painting on. Will it be stable and not warp? So many inferior products have come onto the market that this is not an idle question. Our scientists have done exhaustive research on the materials of other brands and their methodology. While many vendors claim they are stable, they don’t use time tested methods to ensure their stability over time. Our Da Vinci Dual Sided Pro Panels are not 1/8" deep but almost 1/4" deep, which is twice the thickness of our competitors and is more stable. Both sides of the Da Vinci Pro Flat panel are primed to assure that there is no natural tendency for warping. In addition to all this, we have concluded that they are archival and only under the most extreme conditions will they ever warp. Our panels have both a medium tooth surface and a smooth surface on the other side. The two-sided panel allows for exploration and eliminates the need to gesso or sand the board yourself. The Da Vinci Pro Flat Panels are quite durable on both sides and allow for mixed media build-ups Pick A Side! Dual sided archival panels- one side medium tooth, one side smooth. Twice as thick as other brands panels, warp resistant & time tested methods ensure panel stability! Ultra Smooth Side: good for technical drawing pens, graphite, colored pencils, charcoal, oil and acrylic gouaches, egg tempera, caseins and more. Medium Texture Side: good for oils, oil pastels, drawing sticks, crayons, graphite, colored pencils, hard & soft pastels, acrylics, acrylic gouache, mixed media and more. Key Features:* Dual sided: one side medium tooth, one side ultra smooth* Archival and acid-free* 1/4" Deep (6mm) panel thickness is stable* Warp resistant* Time tested methods ensure panel stability* Very durable panel - both sides primed* Extremely resistant to warping* Almost twice as thick as other brands panels that are only 1/8" thick* Primed with real gesso and no plasticizers* Slimmer panel profile for limited space reasons or weight reasons* Perfect For:* Dual sided for use on both sides* Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels* Presentation in or out of a frame* Archival art that will last a lifetime* Students, teachers, professionals* Mixed media build-ups* Limited space We are able to sell these new 6mm panels at a very reasonable price point. If you prefer a slimmer profile for space reasons or weight reasons, these panels are the ones to buy. See More
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Da Vinci Pro Birch Wood Panel 4"x8", 1-5/8" Deep (Box of 6)Save Up to75%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Medium Textured Panel 4"x8", 7/8" Deep (Box of 12)Save Up to75%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 4"x8", 2" Deep (Box of 6)Save Up to76%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Liquitex Matte Pouring Medium & Soft Body Acrylic SetSave Up to32%Off listFluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load… Fluid and Creamy Acrylic Colors in Convenient Squeeze Bottles & Sets! Soft Body Artist Color by Liquitex, previously known as Medium Viscosity, was the original Liquitex acrylic formulation made in 1955. An extremely versatile artist paint, creamy and smooth with a concentrated pigment load producing intense, pure color. This pre-filtered consistency ensures good coverage, even-leveling and superb results in a variety of applications and techniques. The new squeeze bottle design lets you get to every last drop of paint. The tapered nozzle has a choice of cut marks allowing you to control how you dispense your paint. Liquitex Professional Soft Body Acrylics are naturally creamy and fluid. That makes them just right for professional and decorative arts, stenciling, murals, silk-screening, calligraphy, printmaking, graphic design, sculpture, photo retouching, hard edged painting, watercolor techniques and much more Key Features: * Professional colors & sets * Soft Body Acrylics 2oz / 8oz / 32oz convenient squeeze bottles * 7 NEW Cadmium-Free Colors * Remarkably low shrinkage * Consistency ensures excellent coverage * Retains little or no brush strokes and knife marks * High pigment concentration yields intense colors * Intense color without opacifiers or fillers * Contain rich, pure pigments Perfect For: * Professional and decorative arts * Small and large works of art * Artwork requiring a wide range of colors * Mixed media applications * Stenciling, murals, silk-screening, calligraphy * Printmaking, graphic design, sculpture, photo retouching* Hard edged painting, watercolor techniques and much more * See More
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Centurion Deluxe Oil Primed 4"x8" Linen Panel, 12 PackSave Up to84%Off listWhite Master Quality Archival Deluxe Linen Panels! Superb performance and color retention! Exclusive OP enhanced oil priming As an oil colorist it is important to work on oil primed surfaces and not universal primed surfaces. The reason is that universal primed surfaces are semi-absorbent. Gesso is absorbent even if it is plate smooth. The paint does not get absorbed as much and sits on the surface more making it easy to blend and manipulate. Granted it is not highly absorbent but the fact remains that some oil will get into the primer and flatten the image. You can get around this by using an under-painting oil ground on top of the surface of a universal ground canvas but this is very time consuming and expensive. Unlike universal ground, our oil priming chemically bonds with the oil paint and is non-absorbent allowing the paint to sit up on the surface with the correct refraction quality of the oil binder. If you use any high-quality oil color we urge you to use an oil primed surface and now we make it affordable! Exclusive OP Enhanced Oil Priming! Centurion Deluxe Professional Oil Primed Linen Panels, specifically designed for oil painters. Superb receptive surface accepts even the thinnest oil color lay down without fragmenting on the surface and is a permanent surface as colors adhere better on it than any other oil primed canvas on the market today! Acid-free and archival, the primed medium-textured linen is cleanly wrapped and adhered to a solid 3mm MDF wood board. Key Features:* Acid-free, Archival Linen Panels* 11oz. Oil Primed* Made of medium weight linen* Exclusive OP enhanced oil priming* Mounted on 3mm (1/8") MDF wood board* Medium weight and texture* Non warping Perfect For:* Artists of all skill levels* Oil and Alkyd Painting* Archival Longevity* Linen Lovers expecting the best!* Professional Artists, Commissioned work* Traveling, takes up 1/4 the space of a 3/4" canvas For a good value on a smooth linen panel, this is it! The fine linen weave makes details easy when painting still life. Our Centurion canvas is used throughout the world by serious artists ranging from dedicated students to the most world-famous artists. It is the teachers and famous artists that asked us to try to come up with an oil primed linen canvas that if affordable. Not only did we wow them with quality but we also wowed them with the final price. You can buy Centurion Oil Primed canvas mounted to hardboard 3mm panels (1/8" thick), in canvas pads that can be stapled or taped to painting boards, in rolls for stretching your own canvas and in an Elite style stretched canvas engineered to maintain the integrity of the canvas even in the largest sizes. See More
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Chelsea Classical Studio Nuovo Brush Metal Medallions Pack of 5Save Up to61%Off listStiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction… Stiffness Watercolors Acrylics Oils A momentous change to brush design in 300 years! Imagine eliminating the various problems associated with the current modern brush. A brush that provides better control, convenience, balance, and function. One that is so unique that its introduction represents a new birth of superior painting brushes. Nuovo Long Handle Professional Brushes have three patented changes that make them feel lighter, not front heavy, so holding at their farthest end will be comfortable, allowing for a controlled stroke and smooth transitioning long stroke. The handles do not taper, and the diameter of the handle is consistent throughout, which makes the most comfortable area to hold the brush more towards the back. These patented changes apply to the standard 300mm brush handle and the handle extensions, making them 400mm long. The exclusively patented brush ferrules have both side support and a domed cut-out so that the brushes with long hair put the force of your stroke at the tip. The bristles will hold more paint and ensure no bristle hairs will splay. A little past the center of the handle is the fulcrum balance point. The Nuovo brush is balanced, so you can easily hold it with one finger. Painting at or just past the fulcrum point feels natural, allowing for perfect control of the brush with or without the handle extension. Holding the handle at the rear allows for superb control. Finally, the standard brush and the handle extension feature a magnetic end, which can be attached to any easel or surface by attaching our metal mounting discs (available separately), which are perfect for hanging and storing brushes on your easel between uses. Another benefit of hanging your brushes when not in use is it forces the paint and solvent towards the front of the bristles. Any excess will gather at the tip, and you can quickly wipe it away. Now your brushes will always be in the ready position! Key Features:* 5 sizes (click the paper icon for more details)* Long filbert natural hog bristle hairs* They hold more color than any other brush* Maximum controlled strokes without splaying* Flattened, non-staining, non-rusting ferrule* Patented side supports plus domed cut-out to retain brush shape* Balanced non-tapered handle* Brushes are light and comfortable to handle at their end* Less strain on your wrist, zero fatigue, more working time* Each handle is 13 inches long with a magnetic end* Removable 3-inch counterweight magnetic extensions sold separately* Total 16-inch handle when using counterweight magnetic extension* Brushes can attach with metal mounting disks* Self-adhesive metal alloy medallions (5 Pack, sold separately) * Perfect For:* Portrait artists see subject matter better* Professional oil painters* Muralists and plein aire* Easel painters* Hanging to the underside of the easel (magnetic ends, medallions)* Attaching to a wall or any flat surface (magnetic ends, medallions)* Precise painting, blending, and expressive movement* Artists wanting the best experience* Working at an easel with controlled, even strokes* Superior control* Long smooth transitional strokes and line control* Ultimate tools of the trade for any oil color painter!* Limited storage space* No-hassle, everyday studio use Why Nuovo Brushes - Multiple Patents, Tremendous Control! * The breakthrough in brush design in 300 years* Longer hair holds more color than any other brush today* Greater precision and defined points* Tremendous controlled lines and long smooth transitional strokes* Held from their farthest end comfortably* Better weight distribution, zero hand fatigue* Maximum controlled strokes without splaying* Non rusting, non-staining ferrule Jerry's Exclusive - Best Seller! Bristles hold more color than ANY other brush, plus greater precision with ZERO hand fatigue! A brush that is so unique that its introduction represents a new birth of superior painting brushes! The current modern easel brush has a long 12-inch tapered handle and a seamless, flattened ferrule that allows artists to stand away from the easel. This design has remained unchanged for 300 years because it was the universally accepted way to make a brush. However, this design has several problems. The first problem is balance. A balanced brush experience is when a brush is gripped a few inches from the ferrule, defeating the purpose of an easel brush. Instead of finding yourself taking advantage of the handle length, you find yourself holding the handle near the ferrule, where it is comfortable and at its widest diameter. When clasping at the tip of the handle, the brush tends to flop, which leads to loss of control, plus the squeezing causes hand fatigue.* Chelsea Nuovo brushes have a balanced feel even when held from their farthest end. They have better weight distribution and zero hand fatigue. The second problem is the flat metal ferrule, which holds the bristle hair. Most brush shapes we used today have a flattened ferrule, with which the force of your stroke causes an outward pushing of the brush hairs. This push can make them less supple and often takes the paint off the canvas when painting. Brights get stiff as dried paint builds up where the hair and ferrule meet. Short bright brushes need constant cleaning, and full-size flats encourage shorter strokes as you paint. With longer hair brushes, such as extra-long filberts, stroke control is an issue, and the brush head cannot hold much color. If you paint with any long hair brush, from flats to filberts, the horizontal force across the entire ferrule causes hair to splay, leading to distorted shapes and loss of control.* Chelsea Nuovo brushes have a patented brush ferrule with side support and domed cut-out so that the force of your stroke is at the tip. The bristles will hold more paint and keep their shape. The third problem is well known to any artist using multiple brushes. You have to deal with the issue of brush storage when switching between them. Color transference between the brush heads can happen if you hold them in your hand. Putting them down on a flat surface can get paint not only on the handles but the surface, and the brush heads can touch, rendering them useless. Some artists use a brush vase to stand the brushes up, but ultimately some will contact. * Chelsea Nuovo brush handles feature a magnetic end, which can be attached to any easel or surface using the metal mounting discs. Perfect for hanging and storing brushes between uses. See More
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