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Posca Acrylic Paint Marker 15 mm X-Broad Tip BlackSave Up to37%Off listBlack Water-Soluble, Non-Toxic, and Lightfast Acrylic Paint Markers POSCA markers contain highly pigmented water-based acrylic paints. The paint is highly opaque, quick-drying, lightfast, and non-toxic. POSCA Paint Markers are blendable when wet and can be diluted with water to create a gradient effect on almost any surface. Thanks to its fast-drying time, you can layer colors on top of each other. The pen has a valve mechanism that allows for a tight paint seal. Before each use, you can shake the ball inside the barrel to prime the marker. Thanks to its fast-drying time, you can layer dark colors over light colors or even bright colors over dark colors. The ball inside the barrel of the POSCA markers ensures that when shaken, the paint is evenly mixed. The valve mechanism provides a tight paint seal that prevents the paint from drying out. After use, you can rinse the pen tips under water. Permanent on porous surfaces and erasable on most smooth non-porous materials, your creations can be protected with a fixative varnish. Use POSCA Paint Markers on a variety of surfaces, including wood, fabrics, glass, ceramic, plastic, metals, stones, papers, cardboard, and canvas. Key Features: * Water-soluble Paint Markers * Non-toxic, alcohol-free, lightfast acrylic * Valve mechanism provides tight paint seal * Ball in barrel primes marker * The medium tip is reversible * Quick-drying matte opaque colors * Stable pigments * Permanent on porous surfaces * Erasable on most non-porous materials * Perfect For: * Multiple art projects * Blending and layering colors * Creating infinite gradations of color * Use on a variety of different surfaces * Indoor and outdoor use * Bright compositions * Drawing smooth, consistent lines * Wood, fabrics, glass, ceramic, plastic * Metals, stones, papers, cardboard, and canvas Glass, Plastic, and Metal: Clean the surface with a cloth and ensure it is dry before starting work. Make artwork permanent by applying two coats of water-based spray varnish. Hold the can about 30 cm from the surface and spray in slow circular movements. The varnish can be matte or gloss depending on the look you want. (Not suitable for food use) Fabric: Machine-wash the fabric you plan to draw on to remove any industrial coatings or dirt. To prepare natural or artificial leather, wipe with a damp sponge and leave to dry. Once your creation is finished and dry, you can iron it from the reverse side without using steam. Set the temperature of the iron to the material setting for the fabric you are ironing. You can place a sheet of tracing paper between the iron and the fabric for extra protection. If the fabric used is not suitable for ironing, you can fix your creation with a hairdryer. Hold it 30 cm from the surface and make small circular movements. Ceramic: With treated ceramics, fix your creation, for non-food use, using a water-based spray varnish, spraying from about 30 cm in small circular movements. With rough ceramics, fire your creation in the oven. Heat the ceramic in the oven slowly to 220°, then turn off the oven and allow it to cool completely before taking it out. Fix the paint on porcelain in the same way, but to a temperature of 160° and for no more than 45 minutes. To give your creation the longest possible life (for non-food use), you can apply a water-based varnish or adhesive varnish. Afterward, you can only hand wash the ceramic in cold water. See More
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Magnani 1404 Firenze Acrylic Pad 188lb - 9" x 12" (15 Sheets)Save Up to40%Off listWhite 100% Cotton Paper Made with 600 Years of Knowledge Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 Firenze Acrylic Paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Firenze Acrylic Paper is made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. Thanks to its internal and external vegan sizing, the 188lb paper has superior absorbency and can withstand multiple layers of acrylic paint. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Key Features: * 100% cotton, acid-free archival acrylic paper * Mould made on a cylinder machine * Heavy 188lb weight * Rough surface texture * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Made in Italy Perfect For: * Acrylic painters * Wet and dry media * Acrylic, gouache, ink, and watercolor * Working with graphite, colored pencils, pastels, and charcoal * Palette knife or brush application * Working with multiple layers * Painting on the go * Traveling See More
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Schmincke Horadam Watercolor Color Card, 140 Color ChartSave Up to54%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Winsor & Newton Professional Watercolor 109 Color Dot CardSave Up to40%Off listAssorted Colors Only the purest pigments to ensure quality and permanence Artist Henry Newton and chemist William Winsor introduced moist watercolors to the world in 1835. Professional Watercolor Paints are still made by offering artists the most comprehensive balanced choice of pigments with the greatest possible lightfastness. Advances in pigment technology and production have improved the watercolor range. Each color within this wide range has been formulated so that artists can use the color palette that best suits their work. Besides, many of the watercolor recipes have not changed in over 180 years, proving they cannot be improved! Key Features: * Range of 108 colors * 79 Single pigment colors * 5ml, 14ml, and 37ml tubes * Carefully formulated and milled colors * Colors have a unique brilliance and clarity * The greatest possible permanence * Lightfast and permanent * Unrivaled transparency * Best pigment dispersion * Perfect For: * Professional Watercolorists * Painting breathtaking washes with ease * Beautifully clean color mixing * Permanent, professional works of art * Stands nicely on watercolor paper * Free flowing, vivid watercolor painting See More
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Masterson Sta-Wet Painter's Pal 9x12" Sponge Insert Pack of 3Save Up to15%Off list…system keeps acrylics and other water-based paints moist on the open palette for hours. Once the lid is closed, the paints will stay in workable condition for days, even weeks. A wet sponge and special permeable palette paper provide the paint with a constant source of moisture. Your paints will not… Masterson Patented Sta-Wet System No more wasted paint! The Sta-Wet palette system was developed by Masterson over 25 years ago and is unmatched in its level of functionality. Masterson’s Sta-Wet system keeps acrylics and other water-based paints moist on the open palette for hours. Once the lid is closed, the paints will stay in workable condition for days, even weeks. A wet sponge and special permeable palette paper provide the paint with a constant source of moisture. Your paints will not dry out. The airtight container can be used to store oil paints as well. When used to store oil paints, a palette conducive to oils is recommended. New Wave Artist Palettes, sponge packs, and acrylic film packs produced by New Wave Art, are compatible and sold separately. Key Features: * Patented Sta-Wet palettes * The secure seal keeps out air * Paints will not dry out * Accessories sold separately Perfect For: * Professional Artists * Students* Acrylic and oil paint Sta-Wet Painter's Pal Palette: The revolutionary palette is more than just an airtight 9 × 12" palette system; it's a complete easy-to-carry palette box. It Takes 9 × 12" acrylic palette paper film or any 9 × 12" disposable palette pad. The special acrylic film is placed over a damp sponge to create a humid environment for your paint. * Each Sta-Wet Painter’s Pal contains: * Five sheets of "Sta-Wet" acrylic palette paper * Cellulose Sponge * Palette Tray and Lid * Injection molded palette Tray and Lid * Five Paint Cups & Detachable Lids * One Solvent Cup with Attached Lid * Storage area beneath the Removable Cup Holder Tray * Complete instructions for preparation and use * Dimensions: 12" x 13" x 1-1/2" * Palette Size: 9" x 12" * Made in the USA of tough yet lightweight plastic * Additional paper, sponges & cups sold separately Solvent Cups Store turpentine, mediums, and solvents in these sturdy lidded containers. Ten 0.5 oz cups per package. Cups measure 1-1/2 "Dia × 3/4 "D. * Each Sta-Wet Premier Palette contains: * Five sheets of "Sta-Wet" acrylic palette paper * Cellulose Sponge * Palette Tray and Lid * Complete instructions for preparation and use * Palette measures 12" x 16" x 1-3/4" * Additional paper and sponges sold separately See More
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Yasutomo Mineral Paper Pad 9x12" 20-SheetsSave Up to20%Off listWhite Paper made from rocks, not trees!! Made from 80% calcium carbonate, Mineral Paper provides a unique surface for dry and wet media. Because the paper is bonded with a small amount of HDPE (plastic), it is tear-resistant, foldable, non-wrinkling, and will not allow color-bleed through even when soaked. Mineral Paper has a smooth, vellum-like velvety feel and a nice amount of tooth for wet and dry media. Silverpoint is a drawing medium that Medieval scribes and artists used to create manuscripts and renderings on gesso-prepared surfaces. Mineral Paper accepts silverpoint without needing gesso, making it a convenient surface for silverpoint. Key Features: * Acid-free bright white paper * 80% calcium carbonate bonded with HDPE (plastic) * Can handle more abuse than traditional paper * Available in 100 lb. or 160 lb. weight * Smooth, vellum-like velvety feel * Nice amount of tooth for wet media * Tear-resistant, foldable, and non-wrinkling * Will not allow color-bleed through even when soaked * Not recommended for oil-based paints or oil pastels Perfect For: * Silverpoint, alcohol inks, watercolors, and colored pencils * Graphite, acrylic, and pan pastel * Crisp lines and saturated colors * Emboss and deboss * Accepts varnish and glue * Inkjet printing (results will vary depending on the printer) Mineral Paper now comes in a heavier weight! 240 gsm Mineral Paper is more durable than previous versions and holds up better to various art techniques, including alcohol ink painting, silverpoint drawing, mixed media, and more. See More
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Fabriano 1264 Mixed Media Spiral Pad - 9"x12", 120lb Black (20-Sheet)Save Up to33%Off listBlack Various wet and dry media applications! Fabriano 1264 Mixed Media Pads feature 120 lb. (200gsm) acid-free paper sheets. The soft mixed media paper has a medium-textured surface finish with a unique sizing perfect for withstanding the demands of wet and dry techniques. Fabriano 1264 Mixed Media paper is excellent for those mixed media applications that blend dry and wet media with collage elements. Each paper sheet is made using Hydro-Power and is FSC certified. Pads are spiral-bound and contain micro-perforated sheets. Ideal for works in graphite, colored pencil, watercolor, marker, pen and ink, gouache, collage, and almost any art media combination! Key Features:* 120lb (200gsm) weight* AvaIlable in Soft White and Black* Acid-free medium textured paper* Spiral-bound pad* 25 or 40 micro-perforated sheets* FSC certified paper* Made in Italy Perfect For:* Colored pencil and graphite* Various wet and dry media applications* Finished artwork* Graphite, colored pencils, markers, watercolor, gouache, pen & ink, gel pens, and more!* Intricate drawings* Illustration* Students and professionals alike* Spontaneous sketching and Plein air work See More
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Stonehenge Aluminum Artist Panel 250gsm - 9" x 12" WhiteSave Up to20%Off listWhite Support Will Not Bend or Buckle, No Matter What! Stonehenge White Aluminum Artist Drawing Panels are perfect for drawing on location without a drawing board or sketchbook. The lightweight yet rigid 1/8" thick panels are pre-mounted with an archival sheet of white drawing paper. Each 100% cotton sheet is acid-free and has a flawless vellum finish perfect for working with a variety of media. These ready-to-frame art panels are virtually unbreakable and provide an unyielding foundation for printmaking, screen printing, embossing, and drawing with a variety of media. Key Features: * White 100% cotton drawing paper * 92 lb (250 gsm) * Mounted on 1/8" thick aluminum panel * Lush, receptive vellum finish * Acid-free and buffered with calcium carbonate * Rounded corners * Rigid, will not bend or bow * Brushed aluminum on the reverse side * Painting surface on the back * Made in the USA Perfect For: * Graphite, charcoal, and colored pencil * Pen and ink, pastel, and silverpoint * Printmaking, etching, screen printing, and embossing * Plein Air and travel * Working without a drawing board See More
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Magnani 1404 Italia Watercolor Block 140lb Cold Press - 9" x 12" (20 Sheets)Save Up to40%Off listWhite Top-quality 100% Cotton Watercolor Paper. Love Your Papers! Imagine yourself using the same high-quality papers as the great masters of history. Magnani has been producing papers for over 600 years. Its clientele has included famous figures such as Napoleone Bonaparte and artists such as Picasso, De Chirico, Annigoni, and Morandi. Magnani 1404 watercolor paper is perfect for anyone who desires the highest quality paper available. Magnani 1404 Acquerello Watercolor Papers are made entirely from 100% cotton. Long cotton fibers are evenly distributed onto a slowly rotating wire cylinder before being pressed onto special Magnani marking felts and dried. The paper has superior absorbency and can withstand multiple layers and washes thanks to its internal and external vegan sizing. Want your art to withstand the test of time? Magnani's acid-free pH-neutral paper is UV resistant and can last for over a century, making it a wise investment for anyone who values longevity and quality. Choose from 3 different surface textures made in Italy: Italia (cold press), Portofino (hot press), and Toscana (rough). Key Features: * 100% cotton, acid-free archival watercolor paper * Italia (cold press), Portofino (hot press), or Toscana (rough) * Mould made on a cylinder machine * 140lb and 300lb weight * Internal and external vegan sizing * Acid-free, pH-neutral, and chlorine-free * Alkaline (calcium carbonate) buffer * Traditional natural white color * No optical brighter agents used * Sheets have 4 deckled edges and a watermark * Round blocks come with a cotton bag * Made in Italy Perfect For: * Professional watercolorists * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Working with graphite, colored pencils, pastels, and charcoal * Scrubbing and lifting techniques * Repeated erasing and painting * Keeping paper perfectly flat * Painting on the go * Traveling Magnani 1404 Acquerello Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Prime with a clear acrylic gesso to use with oil paint. Every round watercolor block comes with a cotton drawstring bag to keep your watercolor paper clean and protected. See More
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New York Central Watercolor Paper 140 lb Cold Press - 9" x 12" (10 Pack)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet is 100% Cotton and has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. The 5x7", 9x12", 11x14", 16x20", and 22x30" watercolor sheets come in reusable zip-top packaging designed to keep your paper clean. New York Central® Watercolor Paper is ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Available in rough, cold, and hot press * Bright white 140lb & 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Sizing preserves the luster and transparency of watercolors * Superior surface stability * Made on cylinder mould * Holds up to scrubbing and erasing * Sold in sheet packs of 10 * Convenient zippable packaging keeps your paper clean Perfect For: * Wet and dry media* Watercolor, gouache, ink, and fluid acrylic* Scrubbing and color lifting techniques* Professional watercolorists* All water media! See More
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NY Central Watercolor Block 140lb Hot Press - 9" x 12" (20 Sheets)Save Up to75%Off listWhite Premium 140lb & 300lb watercolor paper at an affordable price New York Central’s 100% Cotton Watercolor Paper is made on a slowly rotating cylinder mould. The machine evenly distributes long cotton fibers to make each durable sheet. Internal gelatin sizing prevents paint bleed-through and preserves color vibrancy. Each sheet has a balanced grain that softens as a unit when wet. The paper can withstand a multitude of techniques, including wet color blending, paper scratching, and scrubbing. New York Central Watercolor Blocks are available in a range of unique sizes, and come in 140lb and 300lb weights. The rigid backing board supports the paper and makes plein air painting simple. All four sides of the block are glued to prevent the top sheet from curling and buckling as you paint. There is no need to stretch the paper before using it! New York Central Watercolor Blocks are ideal for wet and dry media, especially watercolor, gouache, ink, and fluid acrylic paint. Key Features: * Bright white 140lb and 300lb paper made with 100% cotton * Acid-free and archival * Internally sized with gelatin sizing * Seven block sizes * Available in cold and hot press * Sizing preserves the luster and transparency of watercolors * Blocks eliminate the need to stretch paper * Superior surface stability * Made on a cylinder mould * Holds up to scrubbing and erasing Perfect For: * Wet and dry media * Watercolor, gouache, ink, and fluid acrylic * Scrubbing and color lift techniques * Professional watercolorists * Simplifying the painting process * Keeping paper perfectly flat * For traveling or painting on the go Please note: The bottom edge of each block has a one-inch section that is not glued. Insert a clean palette knife between the sheets in this section to separate the top sheet from the rest of the block. Gently slide the knife around all four edges until the top sheet is separated. See More
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Stonehenge Aqua Aluminum Panel 140lb Cold Press - 9" x 12" BlackSave Up to20%Off listBlack Support Will Not Bend or Buckle, No Matter What! Stonehenge Black Aqua Aluminum Panels are perfect for painting en plein air with bright, shiny watercolors that pop! The lightweight yet rigid 1/8" thick panels are pre-mounted with an archival sheet of black 140 lb cold press watercolor paper. Each 100% cotton acid-free sheet is internally and externally sized to capture heavy washes of color and delicate details precisely. Black watercolor panels open an exciting, new world where color is used to build up light, and negative shapes are positive. These ready-to-frame art panels are virtually unbreakable and provide an unyielding foundation for metallic and pearlescent watercolors, pencils, pens, markers, and inks. Key Features: * Black, 100% cotton watercolor paper * Cold press 140 lb (300 gsm) * Mounted on 1/8" thick aluminum panel * Acid-free and pH-neutral * Internally and externally sized * Rounded corners * Rigid, will not bend or bow * Brushed aluminum on the reverse side * Made in the USA Perfect For: * Metallic, pearlescent, and iridescent color * Watercolor, gouache, and acrylics * Wet-on-wet or dry techniques * Lifting and scrubbing color * Multiple layers of wet media * Effortless blending * Hand-lettering elegant calligraphy * Easy framing See More
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Crescent #113 Canvas Board Single Thick 9"x12" (Pack of 3)Save Up to37%Off listWhite Canvas-textured boards ideal for painting! Canvas-textured boards from Crescent feature all the durable, archival qualities that artists love in other Crescent boards, combined with a unique, canvas-textured paper surface that mimics the look of real fabric! Sturdy and durable, Crescent Canvas Art Boards are ideal for works in any paint medium, from watercolors and acrylics to tempera, and even oils, if primed first. These painting boards are strong enough to stand on an easel without requiring a backing board — they are great for fast set-up of painting sessions. Use for quick gestural paintings, classroom studies, compositional planning, and finished pieces. The toothy, canvas-like surface grips paint well, and the solid cream core provides a consistent surface. Paint quickly and confidently on Crescent Canvas Art Boards! Key Features: * Sturdy paper boards with a canvas-like textured surface * Durable and long-lasting * Medium weight: Single-thick * Heavy weight: Triple-thick * Solid cream core for a consistent substrate * Sold in packs of 3, 5, and 15 Perfect For: * Practice pieces and finished works in virtually any medium! * Watercolors and acrylics to tempera * Gouache, casein, and even oils if primed first * Working at an easel without a backing board * Fast set-up of painting sessions * Quick gestural paintings and classroom studies * Compositional planning and finished pieces Medium weight, Single-thick - The medium weight boards provide a sturdy, durable substrate Heavy weight, Triple-thick - The heavyweight boards are triple-thick to provide extra strength for rigorous painting techniques. See More
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Crescent #300 Illustration Board Cold Press 9"x12" (3-Pack)Save Up to33%Off listWhite High-quality acid-free paper mounted to a rigid core Crescent Illustration Boards are made by mounting quality paper to a rigid board. The cold press boards are perfectly textured to hold art media without pigments flaking off. The surface is acid-free, helping you to preserve your best work for a lifetime. You can use Crescent Illustration Boards with all kinds of media, but the surface works best with graphite pencils, colored pencils, and ink. Key Features:* Frame-ready sizes* Cold press illustration paper mounted to rigid board* pH neutral acid-free surface* Holds paint media well * Warp resistant* No.99 Board 14-Ply, White, University Grade, Cold Press (1.4 mm) thick* No.300 Board 16-Ply, White, Professional Grade, Cold Press (1.4 mm) thick* No.310 Board 14-Ply, White, Professional Grade, Cold Press (1.3 mm) thick Perfect For:* Graphite pencils, colored pencils, and pastels* Alcohol and water-based markers* Acrylic and gouache paint* Pen and ink* Light collage 99 Illustration Board, Warm White: Crescent's most popular illustration board. The warm white drawing surface is student grade, best for pencils, colored pencils, pastels, ink, and light collage. Warp resistant, acid-free, white. 14-Ply and 0.055" (1.4 mm) thick 300 Professional All-Purpose Grade Illustration Board: This all-purpose professional-grade illustration board features a warm white premium surface and medium-weight construction. Best for pencils, colored pencils, pastels, pen and ink, airbrush, washes, and wet media. Also good for light collage. Warp resistant. Each board is 16-ply and 0.055" (1.4 mm) thick 310 Professional Grade Illustration Board with 100% Rag Surface: Featuring a 100% rag surface and medium weight construction, this professional grade illustration board is best for airbrush, acrylic washes, pastels, and mixed media. Crescent No. 310 Illustration Board is a medium-weight, professional grade board with a medium textured, 100% rag, acid-free surface. Each board is 14-ply and 0.050" (1.3 mm) thick. Also good for colored pencils, graphite, and watercolor. Warp resistant. Thickness Medium (0.05-0.06) See More
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