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Old Holland Raw Materials Copal Resin 95gSave Up to25%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Schmincke Horadam Watercolor 140 Color Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Fabriano EcoQua Notebook 8.3 x 11.7" Dot Grid Staple-Bound YellowSave Up to40%Off listYellow Environmentally-friendly recyclable paper, blank or dot grid pattern Made in Italy by Fabriano, these versatile notebooks are entirely recyclable and contain FSC-certified, chlorine-free, acid-free paper. Perfect for writing and drafting with pencils, ballpoint pens, fountain pens, and marker pens, each notebook contains multiple sheets of off-white 90 or 85 gsm paper. Available blank or in a dot grid pattern (0.5 cm squares). The glue-bound notebooks come with 90 sheets, while the spiral-bound notebooks contain 70 sheets of paper. EcoQua Notebooks are available in a variety of fashionable cover colors, including Raspberry, Black, and Stone. Key Features: * FSC-certified, chlorine-free, acid-free paper * Off-white paper with a 90 or 85 gsm weight * Blank or dot grid pattern (0.5 cm squares) * Glue-bound notebooks 90 sheets of 85 gsm paper * Spiral-bound notebooks contain 70 sheets * Staple-bound notebooks contain 40 pages * Fashionable cover colors * Made in Italy by Fabriano Perfect For: * Writing and drafting with pencils * Ballpoint pens and fountain pens * Marker pens * Recycling * Travel and studio work * Workshops and travel * Discerning students and amateurs See More
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Marabu Silhouette Stencil Three Birds 8.3x11.7 InSave Up to26%Off list…in 12x12 In, 8.3x11.7 In and 6x6 In sized designs Perfect For: * Stenciling on textiles, paper, wood and more * Fashion designs, scrapbooking, card-making, journaling, mixed media and more * Suitable for spraying, rolling, stippling & spatula application of all Marabu textile and acrylic paints Beautifully designed, re-usable negative stencils Marabu Silhouette Stencils are a line of intricate negative stencils, suitable for paper, canvas, wood, textiles and more. They make wonderful decorative details for fashion designs or mixed media applications. These stencils are made of laser-cut polyester and are re-usable, durable, easy to clean and PVC-free. These stencils combine well with other Marabu Creative products, particularly Marabu Fashion sprays for beautiful textile effects. Key Features: * Hard-wearing laser-cut polyester * Easy to clean with water * Re-usable * Available in 12x12 In, 8.3x11.7 In and 6x6 In sized designs Perfect For: * Stenciling on textiles, paper, wood and more * Fashion designs, scrapbooking, card-making, journaling, mixed media and more * Suitable for spraying, rolling, stippling & spatula application of all Marabu textile and acrylic paints See More
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