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American Easel Wood Painting Panel 1-5/8" Deep 10x22"Save Up to35%Off listNatural Sturdy, cradled wood painting panels ideal for any artist! These new, all-wood painting panels from American Easel are the perfect surface for any painter or multimedia artist! Proudly crafted in the USA from splinter-free birch plywood mounted onto sanded, 1-5/8" deep solid poplar cradles, these panels are stretch and warp-resistant. You can prime them with just about any ground, from traditional gesso and rabbit skin glue to synthetic sizing, pastel, or encaustic grounds! Since the choice of priming is yours, so is the choice of media: use anything from watercolors, acrylics, and oils to egg tempera, encaustic, collage — even some sculptural effects on these strong and sturdy panels. With slightly beveled paintable cradle edges, a frame is not necessary. Just paint the edges and hang! The American Easel 1-5/8" Deep Painting Panels are available in a wide variety of rectangular and square sizes. Bring the tradition and versatility of wooden panels to your artwork with this new line from American Easel! Key Features: * Birch plywood on solid poplar 1-5/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as-is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Available in rectangular and square formats * Made in the USA! Perfect For: * Ideal for detailed works and heavier art requiring a durable substrate * Students, Teachers, Professionals * Mounting linen or canvas * Gallery presentations * Mounting sanded pastel or watercolor paper * Firm archival painting surface * Lightweight easy to hang * Acrylics, acryl gouache, pencil, collages See More
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American Easel Wood Painting Panel 7/8" Flat 10x22"Save Up to35%Off listNatural Classic wood painting panels perfect for any media! Made from splinter-free birch plywood mounted onto sanded, 7/8" deep solid poplar cradles, these new wood painting panels from American Easel are the ideal surface for any painter or multimedia artist! Painting on panels provides a benefit to the artist in that they are inflexible, stretch and warp resistant, and hence are perfect both for detailed work as well as found object and heavier art that requires a sturdy support. Though they can be used as is for certain applications, these panels can be primed with virtually any ground, from standard gessoes to rabbit skin glue, pastel or encaustic ground, mounted papers and more! The smooth, slightly beveled cradle edges can also be painted, and all that's needed for display is a single nail and the panels hang flush to the wall: no frame needed! Available in a wide array of rectangular and square sizes with a 7/8" profile. Paint like the old masters on panels proudly crafted in the USA! * Birch plywood painting panels on solid poplar 7/8" deep wood cradles * Smoothly sanded with slightly beveled corners * Will not flex, stretch, or warp * Paint the cradle edges and hang as is: no framing necessary! * Prime with virtually any ground: gesso, pastel primer, glue, mounted paper, and more! * Ideal for both detailed works and heavier art requiring a strong substrate * Available in rectangular, square formats * Made in the USA! See More
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Sennelier Artist Dry Pigments Gold Ochre 110 gramsSave Up to37%Off listGold An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Titanium White 110gSave Up to25%Off listWhite Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Sennelier Abstract Acrylic Tips Pack of 8, AssortedSave Up to45%Off list…products around their needs. Now they've taken the world of Heavy-Body Acrylics by storm with their innovative acrylic pouches, ideal for both large work and "street art." Three years of research were put into these paints, resulting in a strong pouch that is so strong you can step on it. The… Abstract Heavy-Bodied Acrylic with High Pigment Concentration Sennelier has been on the cutting edge for generations, always working and listening to artists to design better products around their needs. Now they've taken the world of Heavy-Body Acrylics by storm with their innovative acrylic pouches, ideal for both large work and "street art." Three years of research were put into these paints, resulting in a strong pouch that is so strong you can step on it. The squeezable pouch has a transparent window for color reference and level check, so there are no surprises when you start to paint! They are so easy to use! You can squeeze paint directly onto your canvas or palette. Ultimately the airtight pouches save paint by keeping air out. Every last drop is usable, and no paint is wasted. Sennelier's acrylic paint is highly pigmented and has a creamy, heavy-body consistency. Of the 60 shades in the line, 34 are made with single pigments. Sennelier's traditional pigment history, combined with innovative packaging that promotes easy application, is quickly grabbing the attention of professional acrylic painters, students, muralists, and street artists alike. 36 SATIN FINISH COLOURS, 12 HIGH GLOSS COLOURS, 6 IRIDESCENT COLOURS, 6 FLUORESCENT COLOURS. AVAILABLE IN 120 ML AND 500 ML PACKS Key Features: * Heavy-bodied acrylic with high pigment concentration * Ultra-transparent, strong pouch * Waste-free pouch squeezes out every last bit of paint * 34 single pigment colors; 60 total shades * Paint is better preserved * Abstract nozzle tips: 8 Paint tips - Create new effects with different nozzles * Perfect For: * Acrylic painters of all levels * Muralists, street artists, and students * Selecting colors quickly * Artists and students on the go Click Here to learn more about Sennelier Abstract Acrylic Paints! See More
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Brush and Pencil Colored Pencil Titanium White 14 G Jar + SifterSave Up to10%Off listWhite Blend color, add back tooth, or whiten areas of your drawing! You can blend color, add back tooth, or whiten areas with Brush and Pencil Colored Pencil additives. Powder Blender is a non-toxic archival blending lubricant for colored pencils. The blending powder unlocks oil-based colored pencils so that you can make corrections and even erase areas. With Touch-Up Texture, you can recover lost surface tooth in your drawing. All you need to do is apply a small amount of Touch-Up Texture, allow it to dry, and add new layers of colored pencil. Or use it to create bright white highlights by mixing it with their Titanium White Powder. You can also apply Titanium White Powder with an applicator sponge in areas where you need to add white. No matter what you need to fix in your drawing, Brush and Pencil have the additive for the job. Key Features: * Colored pencil additives * Each additive has its own characteristics * Archival colored pencil tools * Sifter's included with powders * Glass bottle comes with a brush applicator Perfect For: * Oil-based colored pencils * Blending color * Adding back tooth * Whitening areas and highlights * Works best on rigid toothy surfaces * Apply with sponges or short bristle brushes Powder Blender Jar + Sifter: Powder Blender is a non-toxic and archival dry blending lubricant for colored pencils. The non-toxic powder works best on rigid, toothy surfaces like gessoed panels and sanded paper. You can dispense the powder with the included sifter and blend it with a sponge or short bristle brush. Powder Blender unlocks oil-based colored pencils and makes everything adjustable, correctable, and erasable. The powder performs best with oil-based pencils, but you can use it to pretreat a wax-based drawing before adding more layers. Once everything is blended, you can secure the layer with Fixative. Titanium White Jar + Sifter: Brush and Pencil took the Titanium White found in colored pencils and created a ground-breaking powder with it. The white powder is completely opaque and has excellent covering power. In areas where you need white, you can apply Titanium White powder with an applicator sponge. If you use too much, you can lift it back with mounting putty. Mix a pinch of Titanium White with a few drops of Brush and Pencil's Touch-Up Texture to add highlights. You can apply the creamy mixture with a detail brush. Once dry, you can draw over the highlights. Touch-Up Texture Bottle: Recover lost tooth in your drawings with a bottle of Touch-Up Texture. All you need to do is apply a small amount of Touch-Up Texture, let it dry, and add new layers of colored pencil. Or mix it with Colored Pencil Titanium White to create bright white highlights. Colored Pencil Touch-Up Texture is non-toxic, archival, and pH-neutral. The glass bottle comes with a brush applicator. See More
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