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Lian Zhen's Black Sumi Ink, 100 GramsSave Up to52%Off list…touch to any piece. Traditional Chinese Painting Brushes: This set of 4 brushes features various hair types, perfect for creating everything from delicate lines to bold strokes. They are ideal for Chinese painting, Sumi-e, watercolor, and calligraphy. The set includes Round sizes #00, #8, #10, and… Explore the Rich Heritage of Chinese Art Delve into the artistry of Lian Quan Zhen, a master watercolorist whose work bridges the rich traditions of Eastern art with contemporary techniques. This exclusive collection features the essential tools Lian Quan Zhen uses in his work, offering watercolorists, printmakers, and mixed-media artists the opportunity to explore their creativity with high-quality, authentic materials. Traditional Rice Paper: Perfect for watercolor and printmaking, this acid-free rice paper offers a delicate off-white surface that beautifully absorbs color. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Sparkle Rice Paper: Add a touch of magic to your art with this unique rice paper featuring micro mica sparkles. The subtle shimmer enhances the depth and texture of your work, making it ideal for projects that require a little sparkle. The paper is sold in a rolled package of 5 sheets, each measuring 27-1/4" x 54-1/2". Black Sumi-e Ink: This permanent black ink, used by master painters across China, is a staple in Lian Quan Zhen's studio. Its rich, deep tones are perfect for creating bold outlines and intricate details in his eastern-inspired paintings. Chop and Red Paste Ink Signature Box Set: Use this beautifully crafted set to sign your artwork with a traditional Chinese chop mark. The carvable soapstone chop, paired with lightfast red ink paste, ensures that your signature remains bold and lasting, adding an authentic touch to any piece. Traditional Chinese Painting Brushes: This set of 4 brushes features various hair types, perfect for creating everything from delicate lines to bold strokes. They are ideal for Chinese painting, Sumi-e, watercolor, and calligraphy. The set includes Round sizes #00, #8, #10, and #12. Whether you are working on delicate watercolor pieces or bold printmaking projects, Lian Quan Zhen's products offer superior performance and connect you to the rich heritage of Chinese art. Key Features: * Rice Paper: Acid-free, off-white, perfect for watercolor * Sparkle Paper: Shimmering mica enhances the artwork * Sumi-e Ink: Deep black, waterproof, permanent finish * Chop Set: Carvable soapstone and traditional red ink * Recommended brush set of 4: Round sizes #00, #8, #10, and #12 Perfect For: * Watercolorists, printmakers, and mixed-media artists * Artists looking for high-quality traditional materials * Sumi-e Ink painting and calligraphy * Personalizing your artwork with a signature * Artists of all skill levels seeking quality tools Lian Quan Zhen Lian Quan Zhen is a sought-after watercolorist and teacher in the US and abroad. After immigrating to the US in 1985, he obtained a Bachelor of Arts from the University of California at Berkeley in 1992 and a Master of Architecture Degree from MIT in 1996. Lian Quan Zhen's work has an international following and has been shown in the US, Hong Kong, and China. His paintings hang in numerous institutional and private collections. See More
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Lian Zhen's Black Sumi Ink, 100 GramsSave Up to32%Off listThis 100 gram (3.3oz) bottle of black permanent ink is used my many master painters in China. This 100 gram (3.3oz) bottle of black permanent ink is used my many master painters in China. See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Arches Natural White En-Tout Cas Watercolor Roll,134lb - 52" x 10ydSave Up to40%Off list…in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Sennelier Artist Dry Pigments Phthalocyanine Blue 100 gramsSave Up to37%Off listBlue An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Pastelmat Board - Brown, 70 x 100 cm (Pack of 5)Save Up to20%Off listBrown A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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Old Holland Raw Materials Balsam Resin 100gSave Up to40%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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