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Centurion Acrylic Primed Linen Roll, 84" x 6 YardsSave Up to74%Off listWhite All-Purpose Medium 11oz. Primed 100% Linen Canvas Rolls at an Affordable Price Centurion LX Acrylic Primed Linen has an even surface texture and a medium 11oz weight designed for acrylic painters. Each yard of Centurion Linen is primed with two coats of naturally absorbent acrylic gesso. Unlike cotton, linen has long fibers that resist deterioration for at least 5 centuries and as much as 2,000 years with proper care. Our woven linen has a lovely even texture that holds up better than machine-made cotton canvas. Perfect for all media, you can stretch the linen on stretcher bars or mount it to a wall. Centurion's large 30-yard roll is sensational for painting large-scale murals. The 11oz. double-primed acid-free linens are suitable for oils, acrylics, and alkyds. For Mural Paintings! Use our new 30-yard roll size to create large-scale murals. Key Features: * 11oz. double primed acid-free 100% linen canvas rolls * Medium, even surface texture * 1 coat of clear sealer, followed by 2 coats of acid-free acrylic primer * All-purpose surface, Archival and acid-free * Woven, non-mechanical surface with a smooth, even texture * Archival long-lasting quality * The long linen fibers resist deterioration Perfect For: * Ready to stretch * Oil, acrylic, and alkyd colors * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Glazing and impasto techniques * Stretching on bars or mounting to a wall as a mural "I've been using Centurion linen canvas from Jerry's for several years now. I use both the acrylic and oil primed and get great results. The texture of the canvas also has a nice weave to it, and I can use glazing and impasto techniques on it. As an artist who makes his living painting, it's important to have the best tools I can. Centurion fits that bill." - Artman54. See More
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Spectrum Universal Primed Cotton Super Smooth 84" x 6 YardsSave Up to60%Off listWhite Exclusively milled and made for us with the highest quality universal acrylic priming! Available in 6 yard studio rolls and 30-yard commercial bulk rolls. Exclusively milled and made for us with the highest quality universal acrylic priming. Most are double-primed with two coats of rich, white, and acid-free priming. Super Smooth is triple primed and is for portrait work. All have only the finest imported pure cotton sheeting that has a uniform weave and even texture. If you know quality, then you will be amazed at the savings you enjoy with Spectrum. Comes in:* 8oz Super Smooth Portrait Cotton (11.8oz primed) - For portrait applications-Triple primed* 8oz Weight (9.6oz primed) - Classic weight for commercial stretched canvases-Double primed* 10oz Weight (12.1oz primed) - A good compromise between 8oz and 12oz primed-Double primed* 12oz Weight (14.5oz primed) - The finest filled cotton duck on the market-Double primed* 15oz Weight (17.4oz primed) - Super Heavy Weight. Great for walls, murals, super large canvases, and floor cloths - Double primed Details/Features:* Uniform weave, even texture* Finest Imported cotton sheeting* Milled with the highest quality universal acrylic priming* Rich white acid-free priming* Available in 6 or 30 yard rolls See More
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Fredrix Roll Canvas 123 Dixie Heavy 84" x 6 YardsSave Up to21%Off listWhite 122 Yankee Classic - 73" wide primed medium weight duck. Due to its strength, weave and tooth it is liked, especially by acrylic painters. 123 Dixie Heavy - 12 ounce duck with substantial texture and tooth. As a mural canvas, it is equal in strength to many lighter weight linens. 139 Tyron - A heavy weight cotton duck of excellent quality and strength. Special acrylic priming of extra flexibility and the appearance of an oil ground. 569 Dallas - Extra wide for mural and large work. Made of pure cotton duck with an even weave and medium texture. Extremely popular, sometimes overlooked for value. 574 Knickerbocker - Exceptionally fine weave and texture. Made of 100% cotton, acrylic primed. A delight for work that requires exact detail. 580 Universal - An acid free, medium weight cotton duck canvas with an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 583 Alabama - A very popular economical chafer duck with a pronounced weave. Available in several lengths for maximum versatility. 70 Primed Cotton - Double primed finest quality pure cotton duck, primed for all media. Medium texture, good strength. Most popular canvas in all areas. See More
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Stonehenge Artist Oil Roll 51"x10ydSave Up to30%Off listWhite Introducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You can achieve smooth color gradations and build layers of texture without the threat of ghosting or bleed-through. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail. Once the painting is complete, you can mount the paper under glass or on a wooden panel. Key Features: * 100% Cotton oil paper * Acid-free and pH neutral * 140lb (320gsm) weight * No deckled edges * Available in sheet packs, pads, or a roll * No gesso prep required * Mount under glass or without Perfect For: * Oil paint, oil pastel, and acrylic * Oil paint sticks * Colored pencil and graphite * Plein air painting * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Arches Oil Paper Roll, 51" x 10 Yards, 140lbSave Up to40%Off list…professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The… Unique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of France have been creating fine artists' papers since 1492, and new Arches Oil Paper is no exception. This innovative surface is designed specifically for use with oil paints, yet retains the look and feel of traditional Arches paper that artists have come to know and love. Archival and made from 100% cotton, Arches Oil Paper features a powerful oil barrier that absorbs water, solvents and binder but allows paints and pigments to sit up on the surface for a vibrant effect. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Requires no prior preparation is, "ready to use" Key Features:* 100% cotton Heavyweight 140 lb. (300 gsm.) Cold pressed paper * Texture: fine grain / Colour: white* Edges (sheet): 4 deckle edges plus watermark* Powerful oil barrier absorbs water, solvents and binder* Paint and pigment remain on the surface* Strong, toothy surface withstands vigorous techniques* Ready to use - no preparation required!* Easy to frame, store & transport* Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Perfect For:* Students, professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The even-toothed texture of Arches Oil Paper is classic and familiar, and is also perfect for working over oil washes with pastels, pencils, and other dry media for exciting multimedia techniques. With its strong, tough composition, Arches Oil can withstand vigorous painting techniques, rubbing and scraping, and is heavy enough to support impasto layers. Perhaps best of all is its convenience: there's no preparation necessary, no need to size, gesso or prime - Arches Oil Paper is ready to use right out of the package! Simply pull out a sheet and paint - than when finished, it's simple to store, transport, or frame completed paintings. Perfect for bringing on Plein air painting trips, for creating quick sketches or finished works in oils, for multimedia art and more, Arches Oil Paper is an essential addition to any oil painter's repertoire! See More
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Paramount Cotton Canvas Roll, 84" x 6 Yards - 11oz Double Primed RollSave Up to70%Off listWhite All-Media Primed Cotton Canvas Rolls with Medium Tooth & Uniform Appearance! Paramount Cotton Canvas Rolls provide yards of quality canvas at an excellent value. Paramount uses only 100% pure unbleached cotton with an even surface texture and a heavy 11 oz weight. The acid-free primer has the right amount of tooth for building layers of paint and vigorous brushwork. Perfect for all media, you can stretch the canvas on stretcher bars or mount it to a wall. Paramount's new colossal 30-yard roll is sensational for painting large-scale murals. When stretched, the robust 11 oz canvas can take on heavy impasto brushwork with less sagging than other canvases. Use our new 30-yard roll size to create large-scale murals. Key Features: * Unbleached 100% cotton canvas * 11 oz primed weight * 7 oz unprimed weight * Double-primed with acid-free acrylic primer * Medium-tooth surface * It holds up great for painting thick Perfect For: * Oil, acrylic, and alkyd paints * Artists seeking quality professional canvas * Building up texture and vigorous working * Applying layers and layers of paint * Heavy impasto buildups with less sagging * Stretching on bars or mounting to a wall as a mural "I use this canvas all the time, and it's perfect for my large-scale paintings. And it comes with really large height ranges. Best pricing on unstretched primed canvas. When I cut my canvas pieces, I even save the scales to glue together to paint." – Jage See More
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Yes! All Media 11oz Cotton Canvas Roll 84" x 6 YardsSave Up to70%Off listWhite The canvas that accepts any media! We do not know where art will lead you. You may want to start with watercolor and gouache, reworking or removing areas then finishing off with permanent acrylics. With Yes! You can! Yes! Mixed-Media Canvas accepts watercolors, oils, acrylics, casein, permanent markers, alkyds, shellac, acrylic-based inks, airbrush, egg tempera, or any other media of your choice. It uses only the finest closed weaved cotton that is triple-primed to a super smooth surface. A versatile canvas that will accept any paint, ink, or marker you have in your studio. Perfect for portrait artists and realistic technique artists. A unique twist to this canvas is that you can draw with a permanent marker and use the lines to form a resist for your watercolors without feathering or smudging. Similar to the resists used for silk painting, you can paint on top of the drawing. For traditional watercolor painting, the color sits on the surface, allowing for easy lifting, scratching, and reworking the painted surface and even layering for unique effects using opaque or transparent colors. This surface is fantastic with virtually any acrylic-based paint, from heavy-body acrylics to acrylic-based inks to airbrush colors. Key Features: * 11oz weight, 100% unbleached cotton * Portrait smooth, fine weave surface * Triple-primed with acid-free special wet media primer * Perfect For: * Accepts all media! * Watercolors, Water-based inks, Airbrush colors * Acrylics, Markers, Acrylic inks * Oil, Shellac, and Alkyds The Portrait Cotton - Portrait artists and super realistic technique artists craved for a surface that was plate smooth but also affordable. Yes, is plate smooth using only the finest close weaved cotton and primed three times to a super smooth surface. So smooth you can easily draw on it. But here's the twist you can also paint on it with any media! The priming is the key. Imagine a canvas so versatile that it will accept any paint, ink or marker you have in your studio. Imagine the possibilities. The Watercolor Surface - Many watercolorists draw with permanent marker as they create their watercolors. With this surface you can draw right into your watercolor without feathering or smudging or you can paint on top of the drawing. A unique twist to this canvas is that you can draw with permanent marker and use the lines to form a resist for your watercolors. This is very similar to resists used for silk painting. It is quite amazing and interesting. For traditional watercolor painting the color sits right up on the surface and allows for easy lifting, scratching into the paint film, reworking the painted surface and even layering for unique effects. Use with opaque or transparent colors. This canvas works best with tube watercolor and provides rich, vibrant expressions. Acrylics and Watercolors - We don't know where art will lead you but you may want to start off playing with watercolors and gouache reworking or even removing areas then fine tuning and finally finishing off the top layers with permanent acrylics. Of course you don't need to use watercolors with your acrylics but you can if you want. You'll find this surface to be fantastic with virtually any acrylic based paint from heavy body to acrylic based inks to airbrush colors. Before applying watercolor, we suggest that you clean the canvas thoroughly with high-strength Isopropyl alcohol to remove any hand-oils from the canvas. Surface oils may have accumulated from manufacturing, packaging, or unwrapping the canvas. Cleaning the canvas should prevent the paint from beading up on the surface. See More
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Claessens Linen #170 Double Universal Primed Rough Texture Roll, 82" x 6 ydSave Up to71%Off listWhite The Ideal Choice for Artists Working With several Mediums! Claessens provides artists with professional quality canvases. Each canvas passes through its own unique manufacturing steps before it is inspected. Quality control carefully examines the canvas by hand for faults and removes any abnormally thick threads. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. Universal acrylic primed canvases are coated twice with an acrylic-based paint that is troweled on expertly by hand with a large knife. Then the canvas is dried in a dry air oven for a secound time. This produces a perfectly cured, completely dry canvas. The Universal priming is designed to allow for 50% absorbency, making it suitable for all media types. The finished canvases are again carefully inspected one last time before they are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional Quality Linen * Multiple surface textures offered * glue layer protect before priming * Universal acrylic primed by hand * Versatility for using different media! * Perfect For: * Professional Painters of all types * Portraits, landscapes, and more * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Artists who paint in more than one media Double Universal Primed Polyester Roll #101 - features an extra-fine texture ideal for portraits and painting genres that require a smooth surface. Warp 39 cm / 20.5 cm weft; unprimed weight 7.23 oz. Double Universal Primed Linen Roll #109 - features a pronounced, heavy weave and a single layer of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is popular with landscape, abstract, and large-scale muralists. Warp 11 cm / 14c m weft; weighs 10.71 oz. Single Universal Primed Linen Roll #112 - features a moderately fine texture and a single layer of universal acrylic primer for acrylics, alkyds, and oils. Painters who paint in multiple applications and styles will enjoy this linen. Ideal for use with portraits and painting genres that requires s smoother surface for detailed work. Warp 20 cm / 16 cm weft; weighs 12.17 oz. Double Universal Primed Linen Roll #120 - features a pronounced, heavier texture and a double layer of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed and is popular with landscape and abstract artists, large-scale easel painters, and muralists. Warp 14.3 cm/ 10.5 cm weft; weighs 11.50 oz. Double Universal Primed Linen Roll #129 - features a more pronounced heavy weave, with two layers of universal acrylic primer for acrylics, alkyds, oils, and even mixed media. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape and abstract artists, large scale easel painters, mixed media artists, and muralists. Warp 21.6cm/12.5cm weft; weighs 15.40 oz. Double Universal Primed Linen Roll #166 - features a more pronounced medium texture, with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where a smooth texture is not needed and is popular with large-scale muralists. Warp 17 cm / 14.5 cm weft; weighs 12.24 oz. Double Universal Primed Linen Roll #170 - features a rough texture with two layers of universal acrylic primer for acrylics, alkyds, and oils. It accepts most painting techniques where smooth texture is not needed and is an excellent multi-purpose surface. #170 is popular with landscape artists, abstract painters, mixed media artists, large-scale easel painters, and muralists. Warp 25.4 cm / 26.7 cm weft; weighs 11.8 oz. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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Arches Natural White Watercolor Roll, 156lb Rough, 51" x 10ydSave Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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Arches Natural White Watercolor Roll, 156lb Rough, 51" x 10ydSave Up to40%Off list…in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Claessens Linen #15 Single Oil Primed Medium Texture Roll, 82" x 6 ydSave Up to69%Off listWhite Claessens Oil Primed Medium Textured Linen Rolls Feature Meticulous Craftsmanship - Their Most Popular All-Purpose Surfaces! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in the premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #15 - Single OP #15 - Claessens Linen features a pronounced medium weave and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 13.12oz. Double Oil Primed Linen Roll #15 - Double OP #15 - Claessens Linen features a pronounced medium weave and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with landscape and general subject painters (slightly more weave texture than commercial cotton canvas). Warp 17cm/14.5cm weft; weighs 14.75oz. Single Oil Primed Linen Roll #66 - Single OP #66 - A favorite of many famous artists world wide due to its even medium texture, a tight weave and strength. The world’s most popular linen for landscape painting. It has a 43.2 TPI warp and 36.8 TPI weft. Single primed weighs 13.48 oz. per square yard. 2 coat sizing. Key Features: * Professional Quality Linen * Popular Medium (all purpose) weave * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, still life, general purpose * General painting techniques * Aspiring students & amateurs See More
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Claessens Linen #70 Single Oil Primed Rough Texture Roll, 82" x 6 ydSave Up to67%Off listWhite Claessens Oil Primed Rough Linen Rolls Feature Meticulous Craftsmanship With Close Attention To Detail! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #20 - Single OP #20 Claessens Linen features a pronounced, heavier texture and a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 14.3cm/10.5cm weft; weighs 12.39oz. Single Oil Primed Linen Roll #29 - Single OP #29 Claessens Linen features a pronounced, heavy weight and rough texture with oil priming for oil and alkyd painting. Painters who enjoy a very hearty, heavy texture will enjoy this linen. Perfect for landscapes, large scale easel painters, and muralists. Warp 21.6cm/12.5cm weft; weighs 16.52oz. Single Oil Primed Linen Roll #70 - Single OP #70 Claessens Linen features a pronounced rough texture, with a single layer of primer for oil and alkyd painting. It accepts most painting techniques where smooth texture is not needed, and is popular with landscape artists, large scale easel painters, and muralists. Warp 25.4cm/26.7cm weft; weighs 13.71oz. Key Features: * Professional Quality Linen * Heavy and Rough textures * Oil primed by hand * Best bonding surface for oils * Perfect For: * Professional Oil Painters * Landscapes, murals, large scale works * Techniques complimenting a rough surface * Aspiring students & amateurs See More
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Claessens Linen #012 Glue Sized Moderately Fine Texture Roll, 82" x 6 ydSave Up to75%Off listWhite Quality linen worthy of your finest masterpiece! Claessens linen is made with only the finest linen flax. Great care is taken to weave the canvas. Quality control carefully inspects the canvas by hand for faults and removes any abnormally thick threads. Synthetic glue, which is less sensitive to humidity, is used rather than hide glue. The finished canvases are placed on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create an archival, exceptional linen canvas worthy of your finest masterpiece! Key Features: * Professional quality glue sized linen * Synthetic glue is used instead of hide glue * Multiple surface textures offered * Quality checked by hand * Prime to suit your painting needs! Perfect For: * Professional painters of all types * Custom priming and stretching your own canvas * Highly detailed oil paintings * Portrait artists and detail painters * Archival art that will last! Glue Sized Linen Roll #09 - Features a fine texture. Ideal for use with portraits and painting genres that require a smoother surface - like detailed work. Warp 11 cm / 14 cm weft, 6.61 oz. Glue Sized Linen Roll #012 - Features a moderately fine texture. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft, 7.17 oz. Glue Sized Roll #013 - Features an extra fine texture. Ideal for use with portraits and painting genres that require a smooth surface. Warp 23 cm / 23 cm weft, 6.28 oz. Glue Sized Roll #029 - Features a pronounced and beefy, hearty rough texture that is popular with landscape and abstract painters, mixed media artists, and for large-scale easel and mural works. Warp 21.6 cm / 12.5 cm weft, 12.53 oz. Glue Sized Roll #066 - Features a medium texture. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft, 8.85 oz. See More
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Centurion Deluxe Oil Primed Linen 84" x 6 Yard RollSave Up to74%Off listWhite Remarkable oil primed linen at an affordable price. Oil paints look flat and uneven on absorbent acrylic primed surfaces. That's why it's essential for oil painters to work on oil-primed canvas. Centurion Deluxe Professional Oil Primed Linen Rolls are specifically designed for oil painters. Each yard of Centurion linen is coated in a non-absorbent oil primer that chemically bonds with the paint. The primer allows your paint to sit on top of the canvas and cure with the correct amount of refraction. Thinned oils and glazes do not fragment or separate on the highly receptive surface. Oils adhere better on Centurion OP canvas than any other oil-primed canvas on the market today! You can stretch the linen on stretcher bars or mount it to a wall. Centurion's new colossal 30-yard roll is sensational for painting large-scale murals. Use our new 30-yard roll size to create large-scale murals. Key Features: * Medium 11 oz. weight linen canvas * Non-absorbent, enhanced oil primer allows for brilliant results * Excellent color retention * Archival long-lasting quality * As the oils cure, they chemically bond to the canvas * Perfect For: * Oil painters * All general painting techniques * Commissioned work * Ensuring that your work will last hundreds of years * Stretching on bars or mounting to a wall as a mural See More
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Professional Unprimed Linen 581 Goliath Linen (11.2oz per yd) 84" x 6 YardsSave Up to77%Off listNatural The Absolute Finest Quality Linens Imported From Italy Belle Arti Unprimed Linen Rolls provide artists with the optimal painting surface and are the ideal foundation for your paintings! The unprimed linen canvas does not include any treatments, glues, sizings, or priming layers whatsoever. You have the freedom to treat, stretch, and prime a linen canvas to your specifications with Belle Arti Professional Unprimed Linen. Key Features: * 6 Yard Rolls * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Imported from Italy * 84" wide x 6 yard rolls Perfect For: * Professional painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more * Large scale paintings 549 Portrait Weave Linen, 5.8 oz per yd -This 198 gr/m2 weight linen has a superfine texture and extremely tight weave. It was developed for portrait work or for works where the smoothest surface is required. 596 Fine Weave Linen, 9.45oz per yd - This 320 gr/m2 weight linen has a fine texture, substantial feel and tight weave. It was developed for artists seeking minimal texture with supreme strength. Excellent for floral and landscape use. 548 Universal Weave Linen, 8.9oz per yd - This 302 gr/m2 weight linen has a medium texture and weave with a solid feel. It is available in both 82.5" and 122" wide formats and provides a traditional canvas grain that grips paint well without overstating the texture. Excellent for impressionistic techniques. 581 Goliath Weave Linen, 11.2oz per yd - This 380 gr/m2 weight linen has a large thread for a more robust texture but has a tight weave for extreme strength for super large canvases. It is available in both 82.5" and 122" wide formats. Excellent for all modern art and whenever a bold surface is needed. See More
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Senso Clear Primed Linen Canvas Roll, 84" x 6 YardsSave Up to64%Off listWhite Clear Primed Linen Canvas - one of the few you'll find that will inspire you! This 14oz professional linen canvas is one of the few you'll find that will inspire you. The canvas is made from a specially processed linen. The surface has a medium tooth with a good paint gripping texture. The clear primer shows off the superb neutral tones of the linen canvas, which can be used by any artist to create unique painting effects. The linen is clear acrylic primed and will take acrylic colors, oil colors, caseins, alkyds, egg tempera, and pastels. If you are a pastel artist, the Senso linen canvas rolls are an excellent alternative to sanded pastel paper and will enhance the value of your finished paintings. Key Features:* Medium tooth natural weave linen* Specially processed linen* Multi-media surface* 14 oz. weight* Special clear acrylic primer allows canvas surface to show through* Easy to stretch Perfect For:* Oil color, caseins, alkyds, egg tempera, acrylic, and pastel* Creating unique painting effects* Mixed media Senso linen canvas rolls have transparent sizing so you can work toward light and dark from the canvases middle color. The neutral color allows to sketch in both light and dark See More
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Paris Oil Primed Artists' Linen Canvas Roll 84" x 6 YardsSave Up to65%Off listWhite Rolls of the finest oil-primed linen canvas for hand-stretching! Luxurious Paris Oil Primed Artists' Linen is one of the finest painting supports available to discerning oil painters! Paris Linen has all the hand-crafted charm of traditional European-style canvas, and is meticulously inspected throughout its creation to ensure the final product is superior in every way. The 10.3 oz, medium-weight linen canvas is from the finest long-yarn linen fibers, hand-pumiced for a uniform finish before being sized with a traditional glue sizing. Three coats of archival, non-yellowing, non-absorbent oil primer are then applied and sanded between coats to ensure ideal adhesion. Oil colors will sit on the surface for luminous, refractive effects only available when used on the proper ground. Available in 6-yard rolls, Paris Oil Primed Artists' Linen Canvas Rolls are the perfect choice for professional oil painters who enjoy stretching their canvas to their exact specifications and desire quality above all! Key Features:* Finest 10.3 oz. weight long yarn linen canvas* Hand-pumiced for an even finish* One coat of traditional glue sizing* 3 coats of archival oil primer* Hand-sanded between coats for adhesion* Sold in 6 yard rolls Perfect For:* Custom canvas stretching* Archival works designed to last* Achieving a luminous, refractive effect in oils* Excellent adhesion of oils in thick or thin layers* Landscapes and larger works* The finest old world, European style See More
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Claessens Linen #13 Quadruple Oil Primed Very Fine Texture Roll, 82" x 6 ydSave Up to68%Off listWhite Claessens Oil Primed Linen Rolls Feature Meticulous Craftsmanship for Techniques needing a smooth surface! Claessens Linen Rolls provide artists with optimal professional quality in painting surfaces and craftsmanship. Each specific primed linen type is passed through its own set of manufacturing steps and quality control, resulting in premium painting surfaces Claessens is renowned for. After receiving the raw linens, quality control carefully inspects the entire surface for weaving faults. Abnormally thick threads are scrupulously removed. Next, two layers of synthetic adhesive are applied. Each layer is dried on the canvas in a warm-air oven. For oil primed canvases, zinc white is used as the first coat, bound with linseed oil; carefully applied to the glued linen with trowel-like knives. Then the canvas is sanded and a layer with a titanium white base is applied in the same fashion, then placed in a drying room for 3 days to air dry naturally. Double primed canvases undergo the same process again, as do additional primings. After the final coating is applied, the canvas is moved back to the drying room for 10 days. The finished canvases are then again carefully inspected one last time before they are place on rolls and stocked in the warehouse. There, the rolls are put into boxes or tubes for shipping. These stringent, painstaking steps create a archival, exceptional linen canvas worthy of your finest masterpiece! Single Oil Primed Linen Roll #12 - Single OP #12 Claessens Linen features a moderately fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 11.36oz. Double Oil Primed Linen Roll #12 - Double OP #12 Claessens Linen features a moderately fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait and realist artists who enjoy the fine tooth it offers. Warp 20cm/16cm weft; weighs 12.59oz. Double Oil Primed Linen Roll #9 - Single OP #9 Claessens Linen features a fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, and is popular with portrait, realist artists, and general painters who enjoy the more moderately fine tooth it offers. Warp 11cm/14cm weft; weighs 11.50oz. Single Oil Primed Linen Roll #13 - Single OP #13 Claessens Linen features a very fine texture and a single layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 9.59oz. Double Oil Primed Linen Roll #13 - Double OP #13 Claessens Linen features a very fine texture and a double layer of primer for oil and alkyd painting. It accepts most styles of painting, but is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface it offers. Warp 23cm/23cm weft; weighs 10.50oz. Quadruple Oil Primed Linen Roll #13 - Quadruple OP #13 Claessens Linen features a very fine texture and a quadruple layer of primer for oil and alkyd painting. It is the ideal choice for portrait, troupe l’oeil and realist artists who enjoy the very fine surface the quadruple priming and Very Fine weave offers. Warp 23cm/23cm weft; weighs 11.36oz. Key Features: * Available up to 6 yard rolls: see product listing details below * Professional Quality Linen * Very-Fine and Fine textures * Oil primed by hand * Best bonding surface for oils * Click on Yellow Icon near product for more details Perfect For: * Professional Oil Painters * Portraits & trompe l’oeil * Techniques needing a smooth surface * Aspiring students & amateurs * See More
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Claessens Linen #09 Unprimed Fine Texture Roll, 84" x 6 ydSave Up to68%Off listNatural Quality linen worthy of your finest masterpiece! Claessens makes its linen with only the finest flax. A quality control agent inspects the raw canvas by hand for weaving faults and removes abnormally thick threads. These precise steps create an archival linen canvas worthy of your next masterpiece! Claessens unprimed linen canvases are free of treatments, glues, sizings, and priming. The canvas comes ready for you to custom treat according to your needs. Key Features: * Professional Quality Raw Linen * Multiple surface textures offered * No sizings, glues, or primers * Quality checked by hand * Prime to suit your painting needs! * Perfect For: * Professional Painters of all types * Artists who custom prime and stretch * Using acrylics, oils, alkyds, mixed media * Aspiring students & amateurs * Portraits, landscapes, and more Unprimed Linen Roll #09 - Unprimed #09 Claessens Linen features a fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 11 cm / 14 cm weft; unprimed weight 5.13 oz. Unprimed Linen Roll #012 - Unprimed #012 Claessens Linen features a moderately fine texture with no priming or sizing. Ideal for use with general painting techniques and most painting genres. Warp 20 cm / 16 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #013 - Unprimed #013 Claessens Linen features an extra fine texture with no priming or sizings. Ideal for use with portraits and painting genres that need a smooth surface. Warp 23 cm / 23 cm weft; unprimed weight 6.19 oz. Unprimed Linen Roll #20 - features a pronounced, heavier texture with no priming or sizing. It accepts most painting techniques where smooth texture is not needed and is popular with landscape artists, large-scale easel painters, and muralists. Warp 14.3 cm / 10.5 cm weft; weighs 6.64 oz. Unprimed Linen Roll #026 - Unprimed #026 Claessens Linen features a rough texture with no priming or sizing. Perfect for most styles of painting and most general applications. With a width of 161.417, this linen is ideal for any artist working on large-scale easel and mural works. Warp 20.5 cm / 14.5 cm weft; unprimed weight 12.7oz. Unprimed Linen Roll #029 - Unprimed #029 Claessens Linen features a pronounced, beefy texture that is popular with landscape and abstract painters who like to work on a large scale. Great for mural painters. Warp 21.6 cm / 12.5 cm weft; unprimed weight 10.62 oz. Unprimed Linen Roll #066 - Unprimed #066 Claessens Linen features a medium texture with no priming or sizing. Perfect for most styles of painting and most general applications. Warp 17 cm / 14.5 cm weft; unprimed weight 8.11 oz. Unprimed Linen Roll #070 - Unprimed #070 Claessens Linen features a pronounced, rough texture with no priming or sizing. Ideal for use with abstract and large-scale mural works. Warp 25.4 cm / 26.7 cm weft; unprimed weight 6.49 oz. See More
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Unprimed Cotton Duck #10 Blanket (15 oz.) 84" x 6 Yards - Uniform TextureSave Up to79%Off listNatural Professional Cotton Duck Canvas At An Amazing Value! Are you tired of painting on small standard sized canvases and find it difficult or prohibitively expensive to work larger? Deluxe Unprimed Cotton Duck has the answer with their line of professional quality Cotton Duck canvas blankets— all at an affordable price! These deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers and are available in a range of ounce weights. These premium raw unprimed canvases are available in large blankets that you can stretch to your desired canvas size! Deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers Key Features:* Professional quality Cotton Duck canvas blankets* Unprimed canvas blankets* Crafted from only the highest quality cotton fibers* Available in large blankets that you can stretch to your desired canvas size* Great for muralist or large scale works* Can be gessoed and or to stretch your own canvas Unprimed Cotton Duck Canvas Blankets Details: * Unprimed Cotton Duck (#'s)* #8 (18oz. Unprimed)* #10 (15oz. Unprimed)* #12 (12oz. Unprimed)* These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck -Â 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below See More
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