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STAEDTLER Lumocolor Permanent Marker Pens Super Fine #S313 - Black, 0.04mm (Box of 12)Save Up to10%Off listMarkers for Drawing, Writing, and Calligraphy You can use STAEDTLER Lumocolor Permanent Markers on all sorts of paper because the ink doesn't bleed. The permanent ink makes them perfect for use on watercolour paper and for signing all types of artwork. The various tip sizes provide similar abilities… Markers for Drawing, Writing, and Calligraphy You can use STAEDTLER Lumocolor Permanent Markers on all sorts of paper because the ink doesn't bleed. The permanent ink makes them perfect for use on watercolour paper and for signing all types of artwork. The various tip sizes provide similar abilities to technical pens but with an unrestricted feel and a bolder stroke. The true vivid colours never fade or distort. STAEDTLER Metallic Pens contain opaque metallic ink that shows up well on light and dark paper. The metallic pens come in either a bullet tip or a calligraphy chisel tip. Please note: Lumocolor permanent ink is water-resistant, but you can remove it from some surfaces with alcohol. Key Features: * Permanent, acid-free pigment-based ink * Smudge-proof and waterproof on most surfaces * Low-odor ink dries in seconds * Lightfast colours (Lumocolor) - weatherproof black * Superb colour brilliancy * Airplane-safe - automatic pressure equalization prevents pen from leaking on board aircraft Perfect For: * Light and dark paper * Use on almost all surfaces (Lumocolor) * Artists, illustrators, architects, and students * Sketching and writing * Calligraphy * Artists of all skill levels STAEDTLER Lumocolor Markers Line Widths * F - fine (approx. 0.6 mm) * S - superfine (approx. 0.4 mm) * M - medium (approx. 1.0mm) * B - broad (approx. 1.0 or 2.5 mm) See More
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Pastelmat Board - Wine, 50 x 70 cm (Pack of 5)Save Up to20%Off listYellow A Pastel Surface Artists Can Trust There's no need to spray layers of fixative when working on Pastelmat papers and boards. Pastels adhere so well to the surface that you can apply several layers without the colors becoming too saturated or muddy. Velvety cellulose fibers grab broken pastel pigments and pull them deep into the surface for an almost dust-free experience. It's so versatile that, in addition to pastel and pastel pencils, Pastelmat will support most dry and wet media, including watercolor and gouache. The sturdy Pastelmat boards are made by mounting 360 gsm Pastelmat papers to 1.8 mm (2-ply) thick foam boards. Key Features: * Available in paper sheets and 1.8mm thick boards * Acid-free and pH-neutral * Cellulose surface holds pigment deeply * No need for fixative spray * Softer hand than gritty course sanded papers * No fingertip scraping * Holds up to water and solvent-based washes Perfect For: * Soft pastel, oil pastel, pastel pencil, charcoal, colored pencils, acrylics, watercolors, and gouache * Blending techniques * Building multiple layers of color without fixative * Creating painterly effects with soft buttery marks See More
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Old Holland Raw Materials Copal Resin 95gSave Up to40%Off listPrepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic,… Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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