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Matisse Structure Acrylic 4 Liter Jar - Mars BlackSave Up to50%Off listBlack A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Matisse Medium 11 Satin Varnish 4 LiterSave Up to50%Off list…impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell,… Protect your paintings with Australia's finest varnishes! Protecting your valuable artwork from damage and debris is an indispensable final step in the creation process! This versatile line of water- and solvent-based varnishes from Matisse are specially designed to provide your paintings with the protection they need, ensuring vibrancy of color and definition of detail for years to come! Satin Varnish - Polyurethane varnish for a satin finish on rigid surfaces. Poly-U-Gloss Varnish - Durable, quick-drying polyurethane varnish for rigid surfaces. * "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Matisse Medium 18 Pre-Antiquing Medium 4 Litre PailSave Up to50%Off list…acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I… Achieve brilliant decorative effects with these versatile mediums from Matisse! Part of the beauty of acrylic paint is its adaptability to any myriad of artistic and decorative effects. Now you can use your Matisse acrylic paints for folk art, crafts, and interior decorating as well as fine art painting! This collection of antiquing and patina mediums is sure to inspire you with their exciting decorative effects! Faux Finish & Marbling Gel - Also known as 'scumble glaze,' this medium is ideal for creating painted finish techniques using sponges, squeegees, rollers, plastic wrap, stencils, stiff brushes and more! Thins acrylic paints and improves flow for glazing, and is also excellent at creating faux marble finishes as it can prevent colors from mixing. Patina (Oil Antiquing Medium) - Designed to be used with artists' oil paint over acrylics to give an aged, weathered appearance. Apply Patina Medium over the piece to be antiqued, using a lint free cotton cloth, then rub a small amount of dark oil paint over the surface, on a cloth also soaked in medium. Then just wipe back oil color with a clean cloth to reveal your newly-antiqued piece! Pre-Antiquing Medium - Creates a special barrier layer between your base painting and any antiquing or patina final finishes, preventing abrasion or shifting of the underpainting. Secures base paint layer while still providing a low-tooth finish excellent for continued artwork or final antique finishing. Water-Based Patina - An ideal glazing medium for mixtures of as little as 5% paint, this Water-Based Patina contains extra binder so that even the lightest of glazes still remain permanent and water-fast. An excellent way to achieve antique patina effects without using solvents. Simply coat your piece in Water-Based Patina, then rub a small amount of dark Matisse acrylic paint over the piece and wipe back with a clean cloth! "I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas….I am completely sold on Matisse Acrylics. I highly encourage every artist, professional or pleasure painter, to experience these paints for themselves." - Andy Russell, Professional Artist Read More See More
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Artfinity Synthesis Multimedia Watercolor Paper Pad, 20"x26", 10 SheetsSave Up to53%Off listWhite This mind-blowing surface improves vibrancy and provides warp-resistant strength! Artfinity® Synthesis is a smooth, non-porous, 74 lb. synthetic paper that is exceptionally strong and warp-resistant. Traditional watercolor paper absorbs paint like a sponge, making your watercolors look muted on the surface compared to your palette. With Synthesis multi-media paper, your juicy paint colors sit on top of the surface. Colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. Best of all, you save money by wasting less paint! The ultra-smooth surface allows you to build layer upon layer, which is impossible with regular watercolor paper. Traditional watercolor paper is unforgiving if you make a mistake, but if you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted. Tree-free Synthesis paper is perfect for watercolors, alcohol ink, acrylic paint, oil pastel, graphite, charcoal, and silkscreen. Key Features: * White 74 lb., 200gsm synthetic paper * 90% Polypropylene/ 5% Polyethylene/ 5% Polystyrene * The strong multi-media surface resists tearing and buckling * You can recycle the paper into plastic particles * Colors look more vibrant on "Synthesis" compared to standard papers * Acid-free, waterproof, and stain-resistant paper * Remove any mistakes with an eraser or wet sponge * Durable, non-tearing construction * No more wasted paint – the paper is nonabsorbent * Flawlessly smooth, pH-neutral * Pads are tape bound on the short side * Sheets remain perfectly flat while you paint Perfect For: * Creating vibrant art and wasting less paint! * Building paint layers * Acrylics, alcohol inks, and watercolor * Debossing, monotype, and oil pastel * Graphite pencil * Silkscreen and Sumi-e ink * Watercolors and acrylics * Eliminating the need for soaking, stretching, or taping Advantages of Artfinity® "Synthesis" Paper Colors look more vibrant on "Synthesis" compared to standard papers. Synthetic paper that is exceptionally strong and warp-resistant, your juicy paint colors sit on top of the surface and colors are not absorbed or dulled. Every speck of paint that you add to Synthesis paper dries vibrantly on the surface. If you make a mistake on Synthesis paper, you can wipe it off and re-work the area. Synthesis paper can even be rinsed under tap water to start all over! So no paper is wasted! **Please note: the rinse technique works best on wet watercolor and wet acrylic paints. You can use a damp sponge to remove dried sections of water-based media. Once you have completed a piece, it is important to use a finishing spray to stabilize the work. We recommend that you use several light coats of a non-yellowing acrylic fixative rather than one heavy coat, which could pool or drip. See More
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Yupo Multimedia Watercolor Paper Heavy 144lb 20" x 26" (10 Sheets)Save Up to45%Off list…smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the… A slick, smooth, non-absorbent substrate that dramatically changes the way you paint, print or draw Yupo is the first and most popular synthetic art paper on the market. The world's first erasable watercolor paper! The non-absorbent, ultra-smooth surface allows paints like watercolor and acrylics to sit right on top of the paper, making for beautiful, watery effects unachievable on any other paper. It also holds pen and ink lines with razor sharp precision, and markers work beautifully on Yupo's unique surface as well. With its durable, non-tearing construction it can withstand multiple erasures and you can even run it under a faucet to erase watercolors! The non-absorbent nature of Yupo also means it will not buckle, no matter how much water you put on it, and it makes colors more vibrant and brilliant than on standard papers as all of the color sits on the surface. It's a synthetic paper, machine-made in the USA of 100% polypropylene. What is YUPO Watercolor Paper? It is waterproof, stain resistant, extremely strong and durable non-absorbent substrate that dramatically changes the way you paint. Available in medium and heavy weight white varieties and now new translucent YUPO! Explore the versatility of synthetic paper with Yupo, the world's first erasable watercolor paper! You Can use YUPO Watercolor Paper For:Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight Key Features:* Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight* Erasable synthetic paper* Non-absorbent surface resists tearing and buckling* Machine-made in the USA of 100% polypropylene* Waterproof, stain resistant, and extremely strong and durable* Durable, non-tearing construction* pH-neutral, flawlessly smooth, and recyclable* Pads are tape bound on the short side Perfect For:* Acrylic Painting, Alcohol Inks, Debossing, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Sumi-e Ink, Watercolor* Watercolors and acrylics* Resists tearing and buckling and remains perfectly flat* Eliminating the need for soaking, stretching, or taping* Making colors more vibrant and brilliant than on standard papers YUPO Medium Paper: 200 gsm / 74lb - Acid Free, Neutral pH, Smooth Surface- A true innovation in fine art substrates. This synthetic, tree-free paper is everlasting and non-absorbent. It resists buckling with wet media and can be wiped clean. Pigments will retain true clarity and brightness. A new way for techniques to flourish. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil, Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Heavy Paper: 390 gsm / 144lb - Acid Free, Neutral pH, Smooth Surface- A radically novel breed of paper. Tree-free, bright white and stainproof, it allows artists to create shapes, patterns and nuances that are impossible to achieve on conventional papers. Non-absorbent and slick, a revelation for artisans. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Offset, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor YUPO Translucent Paper: 153 gsm / 104lb - Acid Free, Neutral pH, Smooth Surface- With a translucent finish, these slick sheets are an excellent beginning point for a variety of mediums. Remaining true to all YUPO® revolutionary qualities, this substrate allows artists to rethink coloring from a fresh perspective. Applications: Acrylic Painting, Alcohol Inks, Markers, Monotype, Oil Pastel, Pencil/Graphite, Silkscreen, Watercolor * Yupo 10-Packs - Available in white with either medium 74lb or heavy 144lb weight, and translucent with a 104lb weight. Sold in packs of 10 sheets.* Yupo Assorted Pack - Includes five 20 x 26" sheets of 74lb medium weight and five 20 x 26" sheets of 144lb heavy weight white Yupo brand paper.* Yupo Pads - Available in 2 sizes with white or translucent paper. 10 sheets per pad.* Yupo Rolls - A 60" x 10 yard roll & 30" x 10 yard roll of Yupo's popular medium 74lb white synthetic paper, perfect for large-scale pieces! See More
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Frida Glass Paint Frida Relief Outliner 70 ml - WhiteSave Up to68%Off list…hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features: * Can create intricate designs * Dries quickly in just 2-3 hours * Adheres perfectly to glass, acrylic surfaces, aluminum and even lightly gessoed… Create Designs for your Frida Glass Paint! Relief Outliners are the first step to creating artwork with the beautiful look of real stained glass. Each relief outliner creates the out lines to make designs for Frida Glass Paints. Select any standard or metallic outliner color, make your design and allow to dry for approximately 2-3 hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features: * Can create intricate designs * Dries quickly in just 2-3 hours * Adheres perfectly to glass, acrylic surfaces, aluminum and even lightly gessoed wood * Available in standard and metallic colors Perfect For: * Creating designs for Frida Glass Paint * Stained glass * Artists of all skill levels Frida Glass Paint Instructions > See More
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C.A.S. AlkydPro Fast Drying Oil Colors 70 ml Tube - Pyrrol Red LightSave Up to50%Off listRed The only professional-grade alkyd colors made in the USA! Finally, artists have a professional-grade choice for alkyd oil paint. C.A.S. AlkydPro Paint is the first line of genuine artist-grade alkyds made in the United States. C.A.S alkyds are made entirely from an Alkyd resin base and contain no linseed oil. They use a non-yellowing sunflower alkyd oil to give the colors the highest performance. **The swatches below show the color mixed with 50% Titanium White (left) and the pure color (right). Key Features: * Completely dries within 20 hours * High lightfastness ratings * Professional-grade alkyds * Low-odor formula * Can retain brushstrokes Perfect For: * Artists interested in using paints made in the USA! * Professional artists * Artwork requiring minimal drying time * Artists seeking excellent quality paints at a low price! * See More
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50Pk Arches Watercolor 156 lb. Rough Natural White 25.75X40Save Up to40%Off list…watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from… Natural White 100% Cotton Paper, Lasting Whiteness with Strength and Longevity The Artists' Choice For Watercolor Papers Since 1492! Mould-made in France, Arches Natural White Watercolor Paper is 100% cotton rag watercolor paper. Considered the most popular in the world, each gelatin-sized Arches watercolor paper sheet has four deckle edges and may be repeatedly erased and over-painted while still maintaining its beautiful surface quality and integrity. Arches natural white watercolor paper is available in all three popular watercolor paper finishes, hot press, cold press and rough grain Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Arches natural white watercolor paper has been a favorite among artists for over 500 years, and it's easy to see why! Made from 100% cotton linters and both internally and externally gelatin sized, acid-free Aquarelle watercolor paper is one of the finest art papers in the world. Sized to the core with natural gelatin, a process exclusive to ARCHES®. Even if it is soaked for a long time, the paper will still retain enough gelatin not to become too absorbent. Arches Hot Pressed papers are plate smooth and are ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing, and airbrushing. The rich Arches Cold Pressed surface is a particular favorite of illustrators, watercolorists, and airbrush artists. For a bolder, more robust surface, Arches Rough provides just enough texture allowing for easy working, and is strong enough to maintain its character even after reworking. The Rough texture is also used by watercolorists, airbrush artists, and acrylic painters. 260 lb. is approximately the same weight as 140 lb. paper but in double elephant (available in larger sizes than 22x30"). Key Features:* 100% long rag cotton* Mould-made in France* Available in hot press, cold press and rough grain!* Two natural deckle edges, two torn deckle edges* Acid-free, no optical brightening agents* Natural color* Sized to the core with natural gelatin Perfect For:* Watercolorists* Maintaining the integrity of the paper after repeated erasing and painting* Finished artwork* Wet techniques such as ink, gouache, and acrylic Arches Watercolor Paper, Natural White Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706), fungicidal treatment to prevent the appearance of mould Uses: ideal for watercolor painting, as for all wet techniques such as ink, gouache, and acrylic Exclusive to ARCHES®: it is sized to the core with natural gelatin, which means it can be scratched without tearing or linting. It also preserves the luster and transparency of the colours whilst preventing paints from penetrating into the thickness of the paper. See More
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