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R&F Encaustic Handmade Paint 333 ml Block - Ivory BlackSave Up to20%Off listBlack Classic wax-based encaustic paint. R&F Encaustics are handmade wax-based paints that have unique properties you won't find anywhere else! In the simplest of terms, encaustics are a type of wax-based paint. If you've never tried this fascinating media, let us tempt you with a vast array of powerful colors and unique properties to extend your talents! R&F Encaustics are made here in the USA with traditional milling machines, a very controlled and slow process. There are no additives or dryers in these paints, so the color is intense and brilliant, allowing each pigment's characteristics to shine. Only the best pigments and materials go into R&F products, making these encaustics the very best you can get! Key Features: * Intense and brilliant colors * Composed of beeswax, resin, and pigment * Encaustic paint will not yellow or darken * Encaustic paintings do not have to be varnished * Wax can always be reworked * Best pigments and materials * Made in the USA Perfect For: * Use with heated tools or palette * Encaustic painting * Mixed media techniques * Experimenting with custom paint mixes * Artists of all skill levels * Classrooms and workshops * Creating layered collage Unique Colors 2023 Holiday Limited Edition Set of 6: contains Warm Pink, Nickel Yellow, Ancient Gold, Phthalo Green Pale, Turkey Umber Pale, and Provence Red. Opaque Colors Set of 6: Features 6-40ml bright primary colors excellent for mixing (Cadmium Yellow Medium, Cadmium Red Medium, Chromium Oxide Green, Cobalt Blue, Titanium White, and Ivory Black) and comes packaged in Ampersand's cradled 6" x 6" Encausticbord™. Translucent Colors Set of 6: Features 6-40ml jewel tone colors perfect for subtle glazes (Alizarin Orange, Quinacridone Red, Egyptian Violet, Indian Yellow, Viridian, and Ultramarine Blue) and comes packaged in Ampersand's cradled 6" x 6" Encausticbord™. Introductory Colors Set of 6: Get started with this set of 6-40 ml cakes in classic colors (Cadmium Green Pale, King's Blue, Naples Yellow, Neutral White, Turkey Red, and Turkey Umber Greenish). Encaustic Starter Kit: Contains 5-40 ml. cakes of Cadmium Yellow Light, Cadmium Green Pale, Quinacridone Red, Titanium White, and Ultramarine Blue encaustic paint, as well as (2) 5”x7” Flat Ampersand Encausticbord™ panels, (1) 8”x10” Cradled Ampersand Encausticbord™ panel, small packages of encaustic medium and soy wax; (2) palette cups, (2) brushes, and an R&F Color Chart and Basic Encaustic Manual. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium, 333ml BlockSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Incredible White Mask Kit No. 3 4.5 oz Jar with Incredible NibSave Up to33%Off list…color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and… High Quality Liquid Frisket Watercolor Medium Grafix Liquid Frisket is a high-quality liquid frisket perfect for watercolor masking. It dries to a neutral cream color that shows through dry paint. The "Dipstick" was the original applicator brush that Grafix developed to apply Liquid Frisket. The Grafix "Incredible Nib" is an improved version with unique fiber tips that stay firm when wet for greater precision and control. You can use the "Incredible Nib" to apply Liquid Frisket, as well as watercolor, acrylic, tempera, silk, and fabric paints. Nibs are easy to clean with soap and water. Key Features: * Liquid frisket watercolor medium * Water-based suspension of latex * Dries to a neutral cream color * Shows through dry paint * "Dipstick" or "Incredible Nib" applicator * Unique fiber tips stay firm when wet Perfect For: * Masking areas of a painting * Watercolor artists * Applying frisket masking fluid * Watercolor, acrylic, tempera, silk, and fabric paints * Students, teachers, and parents * Use in the classroom 8.5 oz Jar - Incredible White Mask is the highest quality latex liquid frisket mask you can buy. It has a tough film that is easily removed (we recommend using a rubber cement pick-up). The off-white color eliminates staining and is easy to see, unlike colorless products. Kit No. 1 - Contains an 8.5 oz jar of White Mask, an Incredible Nib, Liquid Frisket Removing tool, and a pamphlet. Kit No. 2 - with Dipstick - Contains a 2 oz jar of White Mask and a single-sided "Dipstick" applicator. Kit No. 3 - Contains a 4.5 oz jar of White Mask and the original incredible nib. Please note Liquid Frisket contains ammonia. See More
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Artfix Belgian Linen Canvas 64U Cut Piece 39.5" x 42.5"Save Up to63%Off listNatural Combine the exceptional archival nature of French Linen with the excellence of the ArtFix’s priming! For over 50 years the Narozni family has crafted premium artists' canvases in Provence, France, still hand produced and primed. Today, they have passed this knowledge to Chassis France, the French specialist manufacturing canvas and frames for over 60 years. The close attention to detail is what makes ArtFix a premium surface for the educated and discerning artist who chooses the very finest canvases for painting. In the world of flexible fabric painting substrates, linen has proven itself for generations as being the fiber that has long stood the test of time. Much stronger and more durable than cotton due to a longer natural thread fiber structure and strength without issues of shrinking and sagging, it can be woven in a thinner, tighter weave that weighs much less with much greater strength. Due to the nature of the fiber, the weave cannot be woven into a completely precise, machined-look texture like cotton, which creates a unique painting surface many artists covet. Long revered for their fine linens with their incredible surface priming, ArtFix combines time-honored European manufacturing methods of priming with modern chemistry. All linens (even unprimed) are double sized for protection against acids in oil paints, which allows uniform breathing of the linen under the painting to reduce paint film stress once the work is completed. Primed up to 4 layers (depending on the roll style), each layer is applied by hand and sanded. This effort of labor prevents peeling, flaking, and cracking of the primer, and makes for the most bond with fresh paint. This time-consuming process produces an unbelievable primed surface that painters become devotees to! Select from pre-sized raw, universal, and oil primed conservator’s grade linen rolls, and indulge in the ArtFix experience. Can’t decide? Try cut pieces of different styles to learn which is your favorite! Canvas Style Notes: "C" Styles - Lead-style Oil Primed: ArtFix’s specially formulated oil priming gives the traditional qualities of lead priming, without its toxicity. the unique absorbency allows oil paints to bite into the surface, increasing adhesion and depth of color. Colors glow from within when glazed on the surface. “C" Style rolls are highly recommended for all oils and alkyd paintings. "U" Styles - Universal Primed: ArtFix’s “U" style’s carefully formulated acrylic universal priming emulates many characteristics of oil-based primers, but maintains the durability and elasticity of acrylic priming. Unlike glossy acrylic primers, the surface is more matte and a bit more absorbent to promote exceptional adhesion to a variety of media. Excellent for works in oils, acrylics, and even drawing media (oil stick, pastels, charcoal, graphite), due to the absorbent surface. When mounted to a stiff surface, even brittle media like egg tempera and caseins work beautifully on the universal primed surface and smooth polyester texture. "G" Styles - Absorbent Ground: ArtFix’s “G" style priming is a single layer of an absorbent grey ground primer. Absorbent ground linen can be used to work with oils and acrylics where wash and staining effects are desired, as they will absorb into the ground. This style primer also works well with liquid acrylics, oil pastels, and other media that has absorbent needs to create proper adhesion. Unprimed: Pre-sized, ArtFix unprimed rolls are ready to accept whatever form of custom priming you desire, from clear or colored gessoes, oil priming, pastel primer, etc. Please see tech notes on each individual line item canvas for information on canvas type, weight, surface texture, media, priming information, and best uses for each canvas style to find what roll best suits your artistic techniques and needs. Key Features: * Conservation grade French Linen * hand-primed by skilled artisans * Universal, Oil, Absorbent Ground Primers * Pre-Sized Raw Linen options Perfect For: * Oil and Acrylic Painters * Professional and discerning Artists * Conservation Specialists * Devotees to ArtFix’s Priming Formulas See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to40%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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