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Gamblin Dry Pigment - Mars Black, 352 GramsSave Up to40%Off listBlack 100% Pure Pigments With No Impurities With Gamblin's collection of 100% pure ground pigments, you can make your own unique paints. Gamblin uses these same pigments to make their famous Artist's Oil Colors. Each batch is finely ground so that you can bring out the pigment's full potential. Free of adulterants and impurities, Gamblin Pigments offer excellent value. Use them to create oil, acrylic, watercolor, and encaustic paints. Simply hand mix the dry pigment with the medium of your choice and start painting. Each color mixture retains the undertone and tinting strength of the included pigments. Dry pigments can also be used for a variety of DIY tasks. Mix with epoxy resin to fill resin molds or add a colored coating to a tabletop. You can also combine dry pigment with grout for mosaic and tile projects. Key Features: * Professional artist quality pigments * 100% pure with no additives or impurities * Finely-ground to make mixing easier * Mixture retains the tinting strength, undertone, and texture of the pigment Perfect For: * Making your own paints with the appropriate binder * Oils, acrylics, watercolors, egg tempera, cold wax, and encaustic * A wide variety of DIY projects * Coloring epoxy resin and grout Please protect yourself when handling powdered pigments. Pigments can be harmful in their powder form, especially to the lungs, if you breathe them in. It's important to wear a quality mask or respirator, gloves, and protective eyewear when working with pigments. See More
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Strathmore Artist Trading Card Frames Pack, 6 Cards w/ EnvelopesSave Up to33%Off list…airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series… The biggest movement in art is very small, ATC's! Our bestselling fine art papers are available in official Artist Trading Card size so you can create, swap and collect art with artists from around the world. Precision-cut for a clean surface, these convenient cards are available for a range of mediums — drawing, watercolor, acrylic, oils and mixed media collage. * Bristol Smooth and Vellum, 300 Series - An economical bristol weight board available in two surfaces. Smooth finish is excellent for mechanical drawing, pencil, pen and ink. Ideal for experimentation with airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with your artist trading card artwork with the Strathmore Artist Trading Card Frames Pack Frame Cards w/ Envelopes- These tri-fold cards feature a cutout window which accommodates an ATC (2.25" × 3.25" opening). Cards slide easily into the pocket and provide a great way to display or send your trading cards. Envelopes are 3.625" × 5.125". See More
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Awagami Papers 86gsm Masa (Bright White), 21" x 31" (Pack of 10)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Strathmore Mixed Media Greeting Cards + Envelopes 3.5"x4.875" (Pack of 6)Save Up to33%Off listWhite Versatile Mixed Media Greeting Cards Strathmore's popular 400 Series Mixed Media paper is available in greeting card form! These heavyweight 140 lb. cards offer the attributes of watercolor paper but with a vellum drawing paper finish. They are ideal for artwork in watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, pastel, marker, and collage. Of course, these artist-grade cards are acid-free, so your personalized cards can be treasured for years. Customize your holidays and letters in any artistic media with Mixed Media Greeting Cards from Strathmore! Key Features:* Cards: 140 lb. / 300 g/m2* Envelopes: 80 lb. text / 118 g/m2* Acid-free * Attributes of a watercolor paper but with a vellum drawing finish* Surface: Vellum Perfect For:* Ideal for watercolor, gouache, acrylic, graphite, pen and ink, colored pencil, marker, and collage* Customized correspondence for any occasion! See More
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Strathmore Blank Cards and Envelopes 3.5"x4.875" - Fluorescent White (Pack of 6)Save Up to33%Off listWhite The greeting cards you create yourself! Whether you are an accomplished artist or a creative crafter, the distinctive texture and quality of Strathmore® Creative Cards are the perfect way to personalize your correspondence. Ideal for colored pencils, rubber stamps, die cuts, collages, and more. The blank cards can be used to design a greeting for any occasion, from birthdays, holidays, and invitations to general correspondence. All creative card packs include 70lb envelopes. Key Features: * Cards: 80 lb. cover * Envelopes: 70 lb. text * Available in different colors and sizes Perfect For: * Watercolor, acrylic, or gouache * Rubber stamps, die cuts, collage, and more * Customized correspondence for any occasion! See More
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