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Krink K-70 Permanent Dye-Based Ink Dual Nib Marker BlackSave Up to25%Off listBlack Super wide, opaque ink markers for bold strokes! Krink Permanent Alcohol Paint Markers allow you to write and draw on a variety of surfaces. Craig Costello, the founder of Krink, first developed the K-63 squeezable bingo-style marker for graffiti artists. As street art took off, Craig continued to innovate and create new marker styles. Krink markers are available in a variety of different nib and body styles today. With opaque alcohol-based Krink paint, you can write on almost any surface. The super opaque paint stands out on paper, plastic, glass, painted surfaces, and metal. The bingo-style tip is excellent for drawing on a large scale, while the dual nib and chisel tips are perfect for creating varied lines. You don't have to pick just one marker style. The Krink Box Sets include an assortment of 4 permanent marker styles. Key Features:* Super broad valve-action nibs* Quick drying & permanent* Super Black, White, and Silver* Vibrant opaque paint* Huge paint capacity! Perfect For:* Interesting effects* Street art, craft, and industrial applications* Metal, canvas, painted surfaces, wood, glass, plastic, paper and more! See More
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Molotow ONE4ALL 180ml Refill - Signal WhiteSave Up to20%Off listWhite These multifaceted acrylic-based paint markers will revolutionize graffiti art! Imagine a world where graffiti art is possible and stained hands don't exist! Welcome to the world of Molotow ONE4ALL Acrylic Paint Markers! The unique line of Molotow acrylic-based paint ONE4ALL graffiti markers will replace the accumulated utensils of a graffiti artist's tool belt: countless spray cans, airbrushes, permanent markers and paint brushes. Everything is possible with these highly pigmented, acrylic-based markers. ONE4ALL markers allow artists to tag their creations on nearly any surface, indoor or outdoor. The ONE4ALL markers are preferred by, but not limited to, illustrators, writers, and street artists. Molotow offers 12 interchangeable tips, 40 different colors, and 5 different marker sizes. There are over 1,000 combination possibilities, and with these premium ONE4ALL markers, street artists will be unstoppable! Key Features: * Customizable acrylic-based paint markers * 40 brilliant, opaque colors * On-the-fly refillable marker - Ability to be refilled! * Dries quickly, dilutable with water or acetone Perfect For: * Illustrators, calligraphers and street artists * Heavily UV exposed surfaces * Large area application * Replacing traditional street art tools See More
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Silver Brush Ruby SatinĀ® Synthetic Brush Series 2515S Short Handle Pointed Triangle Extra SmallSave Up to35%Off list…brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 ā Size 8 Round,… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 ā Size 8 Round, 52169 ā Size 4 Flat, 52170 ā Size 6 Flat, 52175 ā Size 4 Bright, 52177 ā Size 8 Bright, 52181 ā Size 4 Filbert, 52185 ā Size 12 Filbert & a Bamboo Brush Holder See More
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New York Central Oasis Synthetic Brush Short Handle, 35mm MottlerSave Up to82%Off list…skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed… Elite Professional Watercolor Brushes for Use With Watercolor, Gouache, Ink, and Acrylics The New York Central brush makers didn't just try to imitate the characteristics of natural hair they set out to create something superior and succeeded with Oasis! The Oasis synthetic watercolor brushes were created by combining centuries of brush-making knowledge with the latest technology. Each Oasis synthetic brush is made by blending different filament diameters, taper ratios, and lengths. A computer simulation determines the precise combination of filaments before each brush is assembled by hand. Over 30 types of synthetic hair are blended to accurately imitate natural hair. This attention to detail results in a soft, extremely absorbent brush that holds its shape well and has great snap. Handmade in Germany by Expert Brush Makers One of the first brushes designed using computer simulation for every single brush. This will outshine virtually all brushes! Each brush has the optimal combination of hair to maximize its performance. This yields a uniform brush response and color-holding ability. Oasis brushes are extremely thirsty and can hold a large amount of water and paint compared to other brushes. After working with these brushes, you will be amazed by how well they perform. Move Over Kolinsky! Oasis is the Best Brush for Watercolor and Design Why: Oasis Brushes outperform and hold more color than Kolinsky. Designed and optimized with cutting edge technology Key Features: * Designed and optimized with advanced 3D imaging tech * Hair Type: Over 30 types of synthetic hair blended to accurately imitate natural hair * Absorbent synthetic filaments hold a large amount of liquid * Superior split-proof point * Designed to outperform natural hair * Vegan (no animal by-products) * Ergonomically shaped birch wood handle * High-quality anthracite colored ferrule * Hand-made by skilled artisans in Germany Perfect For: * Animal-friendly artists * Use with watercolor, gouache, ink, and acrylics * Painting fine details or bold washes of color * Controlled painting techniques that require a sharp edge * Professionals, art enthusiasts, and students Don't be alarmed if your Oasis brush is still wet after a day! The brush is designed to retain water for a very long time. It's best to dry Oasis brushes with the bristle pointing down. Drying the brush this way will help maintain the brush shape and allow any remaining water to drip out. The Set of 3 Includes: Travel Round sizes 2, 4, and 8. Mot's Favorites Set of 5 Includes: Round sizes 2 and 12, one French Quill size 10, a 3/4" Flat, and a 1/4" Oval Wash The Set of 5 Includes: Round sizes 0, 4, 8, and 12, and a Script Liner size 6. The Set of 7 Includes: Round sizes 0, 4, 6, 10, and 16, Script Liner size 6, and a 3/4" Oval Wash. The Set of 8 Includes: Round sizes 00, 2, 4, 8, and 12, Flat size 3/4, liner size 2, and a 50mm Mottler. Contents in the set may be substituted without notice. Innovation & The Technology Behind Oasis Synthetic Watercolor Brushes Read Article See More
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Bristlon Ser 1915S Short Handle X-Small TriangleSave Up to35%Off list…* Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
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Awagami Papers Mulberry (45GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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