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Edding 1455 Calligraphy Marker, Flexible - 1-5mm Nib (Set of 3)
Starting At: 5.89
Assorted Colors Calligraphy made easy! Elegant calligraphy handwriting isn't just for cards and paper anymore. The flexible Edding 1455 Calligraphy Marker nib allows you to create beautiful calligraphy on almost any surface. Turn a simple piece of wood into a personalized welcome sign, decorate your sketchbook cover, or create something directly on your wall. The flexible nib glides softly on most surfaces and makes the act of writing fun. Pigmented ink flows from the nib in a wide ribbon of color but does not bleed through most papers. Smudge-proof once dry, the ink is waterproof and lightfast on almost all surfaces. Key Features: * Flexible calligraphy nib * 1-5 mm line thickness * Pigmented water-based ink * Quick-drying * Extremely lightfast * Permanent and waterproof * Smudge-proof * Made in Germany Perfect For: * Calligraphy * Rough or porous surfaces * Paper and canvas * Wood and Terracotta * Calligraphy beginners and learners * Uncomplicated, spontaneous creativity See More -
Soho Urban Artist Willow Jumbo Charcoal StickSave Up to56%Off listBlack Quality Charcoal For Drawing! SoHo Urban Artist Charcoals are made with quality materials to provide the best drawing experience. The charcoal comes in compressed sticks, powders, vines, and willow sticks. These different types of charcoal allow you to create expressive drawings and sketches. SoHo Vine Charcoal is perfect for quick expressive marks and gestural drawing. It's easy to erase marks and make corrections because SoHo Vine Charcoal is free of binding agents that make erasing difficult. SoHo Willow Charcoal is very soft. You can easily blend the charcoal on paper with your fingertips, a blending stump, a soft brush, or a chamois cloth. SoHo Compressed Charcoal sticks are perfect for drawing on a large scale. The extra soft charcoal glides smoothly across sketch paper and is perfect for drawing in a free loose style. Our compressed charcoal is naturally water-soluble and can be manipulated with a wet brush. SoHo charcoal and graphite powders are perfect for developing large-scale value drawings. Use the powders with any combination of other drawing media to add backgrounds or create soft shading of your works. Cover small or large areas using a brush, blender, stomp, or tortillon. Key Features: * Various sizes and formats of charcoal * Vine, willow, compressed, or powder * Available in different hardnesses Perfect For: * Drawing and sketching * Quick marks and gestural sketching * Live figure drawing * Still life drawings and value studies Please note: Due to the natural properties of vine and willow sticks, sizes may vary slightly. SoHo Drawing Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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Soho Urban Artist Willow Jumbo Charcoal StickSave Up to56%Off listBlack Quality, Natural Charcoals For Drawing & Sketching! SoHo Urban Artist Charcoals are made with quality materials to provide the best drawing experience. SoHo Natural Vine Charcoal is perfect for making quick expressive marks and gestural drawings. It's easy to erase marks and make corrections because vine charcoal is free of binding agents that make erasing difficult. In contrast, SoHo Willow Charcoal is very soft. You can easily blend willow charcoal on paper with your fingertips, a blending stump, a soft brush, or a chamois cloth. Great for drawing and sketching, quick marks and gestural sketching. Key Features: * Natural Vine and willow charcoal * Various stick sizes * Available in different hardnesses * Vine: Easy to erase marks, free of binding agents * Willow: Very soft, easily blend able Perfect For: * Drawing and sketching * Quick marks and gestural sketching * Live figure drawing * Still life drawings and value studies Please note: Due to the natural properties of vine and willow sticks, sizes may vary slightly. SoHo Drawing Sets Include Exclusive Extras! Click on the item number to view the contents of each set. See More
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AlumaComp Aluminum Archival Painting & Mounting Panel 36x60", 2 PackSave Up to78%Off listSilver 100% Archival / Unprimed Aluminum Boards - Acid Free- Adds Value to Your Artwork 100% Archival Boards - Acid Free- Adds Value to Your Artwork Great for Plein Air Painting - Painting on metal panels has been historically recorded since before the times of Rembrandt, who painted many of his great masterpieces on copper. In the last 20 years, professional artists have been moving towards working on aluminum composite panels (ACP), which feature lighter weights and stronger construction. AlumaComp is widely used for mounting fine art, photographs, linen and canvas to create an incredibly stable painting panel, or to use on its own as a reliable, archival painting support. The brushed aluminum surface takes primer beautifully, providing texture that grips the primer for a perfect bond. The smooth aluminum surface can be used as is to take advantage of its' beautiful finish, or custom sanded or polished for any texture necessary for your artistic applications. When used as a painting panel, the smooth side can be used as the work’s actual highlights for a modern look— either left bare as is, or sanded/buffed back to the bare metal before varnishing to take advantage of the metallic glow. Simply peel the screened film used to protect both sides, and let your creativity do the rest. Key Features: * Double-sided – one brushed aluminum, one polished smooth * 100% Archival Rigid and strong, yet lightweight * 4mm (3/16") thick * Acid-Free - Archival, will not decay * Prime and Paint in traditional oils & acrylics * Use primed or unprimed * Accepts most fine art media, primed or painted directly * Perfect for use as a mounting surface for photography, linen and canvas, even image transfers * Will not mold, or mildew like stretched canvas or wood panels * Can be Framed - No backing board needed * Sold Individually or in Boxes of 2 Perfect For: * Adding Value to Your Art * Plein Air - Lightweight & free from moisture * Professional Photographers, Fine Artists, Graphic Artists * Oils, Acrylics, Mixed Media, Watercolors * Art Prints, Inkjet, Screen Printing, Photos * Creating artwork with a fresh, modern look * Saving shipping costs to clients and galleries, due to lighter weight * Experimental and modern art * Working in environments where humidity levels fluctuate* See below for the larger sizes sold in boxes of 2: 36" x 36" - 18" x 72" - Also not for larger sizes, may need to support to prevent bending Professional Artist Eric Armusik "My work requires the highest standards and after 15 years of painting on wood i have abandon it forever after painting on AlumaComp, I will be painting all 40 large panels using this substrate as well as many more paintings, commissions and mounting of my prints", "It's an amazingly versatile substrate for those who want the smooth surface of a panel but are afraid to paint on something like wood which is prone to warping" Eric Armusik, (b. 1973) paints classical figurative art that fuses his life experiences with art history. His paintings are a declaration to the dramatic power of representational art. The origin of his inspiration does not lie in academia, but rather his childhood, surrounded by the vivid paintings he saw in Gothic cathedrals as a child. Eric doesn’t aspire to simply paint a figure; he paints a moment, a human experience, and an emotional dialogue that transcends culture, religion and time itself. See More
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Viviva Watercolor Colorsheet - Original Colors, Set of 16Save Up to28%Off listAssorted Colors Stunning watercolors designed for mess-free painting Viviva Watercolor Colorsheets make painting easier because they are ridiculously convenient! Each set features 16 brilliant, transparent watercolors in a tiny booklet that weighs less than 1.5 ounces and fits in your pocket. The colors are made with pure dye and are very, very vibrant. Women in the Viviva community handmake each sheet by applying concentrated dyes to paper with almost no binder. Each colorsheet is handcrafted and sunbaked for a premium, smooth finish. They're fun to play with and easy to use. Key Features: * Ultra-pigmented colors premium watercolors * Super fun and easy to use * Made with concentrated dye and almost no binder * Sunbaked for a premium, smooth finish * Glassine sheets prevent the colors from sticking together * Color-coded sheets for easy use * A reusable mixing palette is included in each booklet * Each set weighs less than 1.5 oz * 100% Eco-friendly and biodegradable Perfect For: * A mess-free and stress-free painting experience * Travel and Plein air painting * Urban sketching * Painting with rich brilliant colors * Basic and advanced color mixing * Exploring unique color combinations * Artists of all skill levels Viviva is a small family-owned business in Sheridan, Wyoming. Our products are still made in our hometown of Nasik, India. We are proud to generate dignified employment for tens of women who lovingly handcraft every product that comes to you. Original Colors, Set of 16 - Colors include Crimson, Deep Pink, Vermillion, Dusk Orange, Chrome Yellow, Golden Ochre, Burnt Sienna, Burnt Umber, Sap Green, Light Green, Veridian, Peacock Blue, Persian Blue, Magenta, and Slate Black. Sketcher Colors, Set of 16 - Comes with one water brush. Colors include Crimson, Deep Pink, Vermillion, Dusk Orange, Chrome Yellow, Golden Ochre, Burnt Sienna, Burnt Umber, Sap Green, Light Green, Veridian, Peacock Blue, Persian Blue, Magenta, and Slate Black. Metallic Colors, Set of 10 - Colors include Ruby Red, Pink Pearl, Fire, Lava, Jade, Emerald, Aurora, Sapphire, Silver, and Gold. Spring Colors, Set of 16 - Colors include Vivid Red, Cherry Blossom, Burgundy, Saffron, Happy Yellow, Treebark Brown, Foliage Green, Olive Green, Metallic Red, Metallic Pink, Metallic Light Green, Metallic Sky Blue, Lemon Grass, Ocean Blue, Midnight Blue, and Indigo Blue. Please note: Colorsheet Sets can last as long as a regular half-pan watercolor set if used properly. Colorsheets are dye-based and highly fugitive. The colors are not lightfast. See More
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Awagami Ginwashi 39gsm Cream 25" x 38" (Pack of 25)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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