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Quinn Clear Acrylic Oval Palette 9x13" with Thumb HoleSave Up to58%Off list…of 1/8" (3mm) clear acrylic, these palettes feature smooth edges for easy holding and a glass-like surface for mixing paint on. They will not break if they fall and allow easy clean up with acrylic colors by means of using denatured alcohol or for oil colors with odorless paint solvents like her… Clear Acrylic Oval (Glass-Like) Smooth Palette It took a professor with many years of teaching behind her to create palettes that her students could not only use effectively but also afford. Made of 1/8" (3mm) clear acrylic, these palettes feature smooth edges for easy holding and a glass-like surface for mixing paint on. They will not break if they fall and allow easy clean up with acrylic colors by means of using denatured alcohol or for oil colors with odorless paint solvents like her favorite, Gamsol. Available in a wide array of sizes for use in the studio and for travel needs. Key Features:* Oval shaped palette* Made of 1/8" (3mm) clear acrylic* A glass-like surface* Smooth edges for easy holding* Will not break if they fall* Easy clean up with acrylic colors* Comfortable, easy to hold with thumbhole* Great for use in the studio and for travelArtist Testimonial & Review " love this palette. I use it for mixing mediums as well as colors. It washes up superbly and if the paint dries on it it peels right off. You can use metal palette knives as well as brushes on it. It is great for beginners as well as advanced painters too." See More
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Schmincke Horadam Watercolor 140 Color Dot CardSave Up to45%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Schmincke Horadam Aquarell watercolor paint line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Tubes: 5ml, 15ml and Sets * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Zentangle Tool Set of 10Save Up to35%Off listBlack Unleash your creativity with these fun Zentangle drawing pen sets! Created by Rick Roberts and Maria Thomas, the Zentangle movement has taken the world of art, education, and therapy by storm. Now Sakura, makers of popular Pigma Micron pens, have worked with the Zentangle creators to put together these sets tailored specifically to the needs of the budding tangle artist! Zentangle art is a relaxing, unplanned, abstract way of releasing creativity and expressing yourself, and now you can get the perfect starter set to do just that. These great sets each include a Zentangle graphite pencil, a pack of five 3.5x3.5" or 2.5x3.5" Zentangle art cards, and a range of Pigma Micron non-toxic, pigment-based permanent ink pens perfect for detailed marks. So what are you waiting for? Pick up one of these sets today and start making fun, soothing, abstract Zentangle art today! Key Features: * Non-toxic * Archival quality Pigma ink * Sets include 3 or 5 Pigma Micron pens * Zentangle graphite pencil * Fade-resistant & lightfast * Will not smear once dry * Ink does not bleed * 5 art cards, 3.5x3.5" or 2.5x3.5" * Micron Nibs will not damage paper * Rich black ink * For set information click on the yellow circle technote icon Perfect For: * Relaxing creative sessions * Journals, scrapbooks, sketchbooks * Zentangle Drawing * Artists with no prior experience * Art therapy and education * Creating detailed artwork * Calligraphers * People of all ages and skill sets * See More
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Alumilite Amazing Deep Pour Epoxy Part A + B Kit (16oz Part A + 8oz Part B), 24oz TotalSave Up to10%Off listEasy-To-Use 2-Part Casting Formulas Unlock your artistic potential with our range of Alumilite epoxy resins, designed to cater to all your creative needs. From beginners to seasoned artists, these resins offer high-quality results and are easy to use. Whether you need a quick-drying formula for… Easy-To-Use 2-Part Casting Formulas Unlock your artistic potential with our range of Alumilite epoxy resins, designed to cater to all your creative needs. From beginners to seasoned artists, these resins offer high-quality results and are easy to use. Whether you need a quick-drying formula for small projects, a UV-resistant resin for long-lasting art, or a deep-pour resin for stunning river tables, Alumilite has you covered. Click the item number to learn more about each resin kit. Key Features: * Amazing Clear Cast Epoxy: Crystal-clear, high-gloss finish * Amazing Clear Cast Plus Epoxy: Added UV resistance * Amazing Quick Coat Epoxy: Fast curing, tack-free in as little as 4 hours * Amazing Deep Pour Epoxy: Deep casting capabilities, up to 2 inches per layer * Compatible with dyes, pigments, and alcohol inks Perfect For: * Jewelry making and protective coatings (Amazing Clear Cast & Clear Cast Plus) * Working fast, wood sealing, and shallow castings (Amazing Quick Coat) * River tables and deep encapsulations (Amazing Deep Pour) * Artists of all skill levels Amazing Clear Cast Epoxy is the go-to choice for artists who want a durable, crystal-clear finish that enhances the beauty of their work. This resin is perfect for creating jewelry, decorations, and even coating countertops. Its simple 1:1 mix ratio ensures a flawless, high-gloss finish, making it ideal for coating and casting. For those who want added protection against UV damage, Amazing Clear Cast Plus Epoxy is your answer. Available in 16oz and 32oz kits, this resin offers all the benefits of the original Amazing Clear Cast, with industry-leading UV resistance to keep your creations looking brilliant for years to come. If you're in need of a fast-curing solution, Amazing Quick Coat Epoxy is the perfect match. With a quick tack-free time of as little as 4 hours, this 16oz kit is ideal for sealing wood, creating shallow castings, or adding a protective coating to your art. Its easy 1:1 mix ratio makes it a favorite among artists who want fast results without compromising quality. Amazing Deep Pour Epoxy is the ultimate choice for projects requiring more depth, such as river tables or deep encapsulations. This 24oz kit offers a 2:1 mix ratio and allows for pours up to 2 inches thick in a single layer. Its extended working time and low exotherm formula ensure a smooth, bubble-free finish, making it ideal for larger, more complex designs. See More
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Strathmore Artist Trading Cards, Bristol Vellum 2-1/2" x 3-1/2" (20 Cards)Save Up to33%Off list…airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series… The biggest movement in art is very small, ATC's! Our bestselling fine art papers are available in official Artist Trading Card size so you can create, swap and collect art with artists from around the world. Precision-cut for a clean surface, these convenient cards are available for a range of mediums — drawing, watercolor, acrylic, oils and mixed media collage. * Bristol Smooth and Vellum, 300 Series - An economical bristol weight board available in two surfaces. Smooth finish is excellent for mechanical drawing, pencil, pen and ink. Ideal for experimentation with airbrush. Vellum finish is excellent for any dry media including pencil, charcoal, and pastel. Acid-free. * Acrylic 400 Series - Heavyweight linen finish is perfect for acrylic painting. Acid-free. * Illustration Board, 500 Series - 100% cotton drawing surface for dry media. * Watercolor, 400 Series - Intermediate grade watercolor paper is popular with watercolorists of all levels. This versatile, felt finished paper is ideal for mastering watercolor techniques or finished pieces. Acid-free. Make a card with your artist trading card artwork with the Strathmore Artist Trading Card Frames Pack Frame Cards w/ Envelopes- These tri-fold cards feature a cutout window which accommodates an ATC (2.25" × 3.25" opening). Cards slide easily into the pocket and provide a great way to display or send your trading cards. Envelopes are 3.625" × 5.125". See More
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Awagami Factory Paper 170gsm Bamboo 17" x 20.5" (Set of 5)Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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The Masters Brush Cleaner and Preserver Soap, 24oz TubSave Up to22%Off list…and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor,… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Made in the USA with domestic and imported materials. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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Ampersand Claybord Flat 1/8" Art Tile - 2.5"x3.5" (Pack of 5)Save Up to29%Off listWhite The Biggest Movement In Art Is Very Small! Ampersand Claybord Art Tiles are perfect for all your creative projects! These phenomenal art tiles have a smooth, highly absorbent Kaolin clay surface and strong Hardbord™ backing perfect for collage, smear-free rubber stamping, miniature paintings, mixed media, magnets, jewelry, embellishments, and for mounting paper, or fabrics. Thin applications of paint or ink can be removed, reapplied, or scratched through to add contrast, texture, and exquisite details. Key Features: * Kaolin clay surface accepts a variety of media * Ultra-smooth and highly absorbent ground * 1/8" thick flat panels * Available in 5 mini sizes * "Mini" is on-trend * Artist Trading Card size available * Made in the USA Perfect For: * Inks, oils, acrylics, acrylic gouache, and mixed media * Mid-level to professional artists * Collage work and miniature paintings * Mounting paper or fabrics * Inks and as a scratchboard surface * Image transfers and as a printing surface * Additive and subtractive processes * Designing pendants or brooches See More
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Ampersand Encausticbord Artist Trading Card - 2-1/2"x3-1/2" (Pack of 5)Save Up to35%Off list…Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder… The innovative Encausticbord surface is ready to use and requires no preparation An archival panel designed from a collaboration between Ampersand and R&F Handmade Paints, only Encausticbord has a ready to use surface formulated for the unique demands of encaustic painting and mixed media. This combination of Ampersand’s archival panel coating technology and R&F’s expertise in encaustics led to Encausticbord™, a unique wood panel that has the tooth to hold encaustic and mixed media unlike any other surface. Key Features:* Revolutionary encaustic ground is heat resistant* Designed to bond strongly with encaustic wax and collage* Archival, eco-friendly, and formaldehyde-free * Manufactured from sustainable forest products Perfect For:* Encaustic and Multi-Media Artists* Encaustic Paints* Oil Paints and Oil Sticks* Collage, Image Transfer, and Incising The Encausticbord™ ground has been specially formulated to provide superb adhesion between the encaustic paint and the surface. The ground is formulated with a very high solids to acrylic binder ratio which results in a very porous and absorbent surface. In addition, mineral aggregates are carefully selected in size and shape and added to the ground to yield a surface with a higher degree of surface roughness than typical acrylic gesso, which allows for better adhesion of encaustic wax. The ground is not only heat resistant and highly absorbent, but also holds tight to layers of wax and collage without the fear of cracking or separation. The innovative Encausticbord surface is ready to use and requires no preparation. The bright and velvety ground is perfect not only for encaustics, but for mixed media applications including oil paints and sticks, collage, image transfer, incising and more, and the durable bond offered by the ground means that fantastic textures and thick layers can be built up on its outstandingly receptive surface. Encausticbord is available in various depths for multiple display options: 1/8" and 1/4" flat panels, 7/8" and 1 1/2" cradled panels, and 2 1/8" DEEP gallery cradled panels for maximum support. Deeper cradled panels give artists the benefit of a gallery-style, frameless presentation. See More
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