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Da Vinci Pro Birch Wood Panel 4"x12", 1-5/8" Deep (Box of 6)Save Up to76%Off listNatural Superbly Crafted For Permanent Works Of Art! Fine-grained, finely sanded These superior quality Birch hardwood painting panels give artist’s exceptional panel strength and rigidity, with very fine wood grain. Finely sanded Da Vinci Pro Birch Wood Painting Panels deliver a consistently strong, sturdy archival support. They are fine grained and super smooth. The panels can be directly universally gesso primed, Encaustic gesso primed, or barrier-coated with PVA or rabbit skin glue sizing before oil priming. They are also popular with artists making their own linen or cotton canvas panels, or mounting sanded pastel or watercolor paper for a firm archival painting surface. Features:* Fine-grained, finely sanded* 7/8", 1 5/8" & 2 1/2" Deep* Strength and rigidity* Warp resistant, kiln-dried New Zealand Pine cradle with Birch panel* You can gesso the panel* Light weight and sturdy* Tougher than canvas and no problem of ever sagging* Unframed or framed* Wood sourced from ecologically fast growth forests Perfect For:* Nice smooth surface, no need to prep prior to base coating* Students, Teachers, Professionals* Mounting linen or canvas* Archival substrate* Universal priming* Well made so that even the edges hold the paint* Artists making their own linen or cotton canvas panels* Great for gallery presentations* Mounting sanded pastel or watercolor paper for a firm archival painting surface* Lightweight easy to hang* Acrylics, acryl gouache, pencil, collages* Artist Testimonial - "These Panels Are Beautifully Crafted" "I would give the DaVinci, Birch wood painting panels a five star rating any time. I love the DaVinci Birch and cradled painting panels. These panels are beautifully crafted, light weight and sturdy. Really they are more like furniture than a simple painting surface. Even though I gesso the surface its not necessary. Simply be inspired and apply the paint." Artist Ron Croci “The thickness of the board makes it easy to handle while painting, and in larger sizes an extra support beam is added to the middle of the board. I highly recommend these” Artwork by Artist Samuel Flegal @samuelflegal See More
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Da Vinci Pro Resist-Grip Panel 4"x12", 3/4" DeepSave Up to78%Off listWhite Superbly Crafted For Permanent Works Of Art- Resist-Grip Panels If you paint with acrylics or encaustics, Da Vinci Pro Resist-Grip Textured Gesso Panels are the very best primed surface ever created for your medium. The coarse texture grips heavy bodied acrylics extremely well and allows for an endless array of layering without any problems, whether with thin glazes or heavy impasto layers. For encaustics, the toothy primer grabs hold firmly to lower layers, providing a strong firm support for subsequent layers to adhere to. It is also the very first panel surface that offers a real tooth for grabbing hold of pastels and colored pencils, allowing layering and blending with ease. Just carefully seal with several light coats of archival spray for pastels, and you won't have to place your pastel or colored pencil art under glass. For other works, seal with the appropriate fixative for your medium (or varnish for paintings), for a frameless, dramatic presentation of your artwork. Key Features: * Coarse Textured, white acrylic polymer gesso with quartz sand * ¾” and 2” cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Seal work easily with archival spray (appropriate to media) for frameless display * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, encaustics, oils, colored pencils, and oil pastels, and soft pastels * Building layers of media without peeling off * Large scale drawings without the need or cost of framing * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Da Vinci Pro Ultra Smooth Panel 4"x12", 3/4" Deep (Box of 6)Save Up to81%Off listWhite Ultra Smooth, white acrylic polymer gesso! Superbly crafted for permanent works of art! Tested by artists, these silky smooth panels are perfect for artists with painting techniques requiring a smooth, consistent, archival surface. For artists requiring an extremely smooth surface for technical illustrations, drawings, trompe l’oeil, oil or acrylic paint, Ultra Smooth Panels are ideal. The buffed finish readily accepts technical drawing pens, graphite and colored pencils, conte’, charcoal, oil, acrylic gouaches, and more. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Seal with an archival spray fixative appropriate for your individual medium (or varnish for paintings) for a dramatic, frame-less presentation of your artwork. Key Features: * Ultra Smooth, white acrylic polymer gesso * 3/4" and 2" cradle depths for dramatic presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Perfect for high-detailed portraiture or trompe l’oeil * Wide range of sizes * Cradles easily accept paint, stain, or clearcoat for finishing * Painting techniques requiring a smooth, consistent, archival surface Perfect For: * Portrait artists and detail painters * All painting and drawing techniques * Brittle media * Technical drawing pens, graphite and colored pencils, charcoal * Oil, acrylic gouaches, and more * Frameless presentation of artwork in any media * Archival art that will last a lifetime * See More
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Matisse Structure Acrylic Colors Titanium White 1 literSave Up to50%Off listWhite A Heavy Body Acrylic Suited to Impasto Techniques Matisse Structure Acrylics come in 98 highly pigmented lightfast colors! Because of their heavy body and high viscosity, Matisse Structure Acrylic Colors are ideally suited to impasto techniques and thick textured applications. You can easily apply the paint with a brush or palette knife straight from the tube. Matisse Mediums can be mixed in to alter the body and texture, gloss and sheen, or working time of the paint. Key Features: * Heavy body, high viscosity acrylic * Excellent lightfastness * No masking agents! * Brilliant and highly pigmented * 98 Brilliant professional colors Perfect For: * Impasto painting techniques * Painting colorful backgrounds * Mixing with acrylic mediums * Large-scale acrylic paintings * Intermediate to professional artists Artist Review & Testimonial Professional Artist Andy Russell - "Matisse Acrylic Paints have proven to be a pleasure to work with in so many ways. They are of the highest quality, richly pigmented and creamy smooth and perfect for the professional artist." “I use Matisse Structure Acrylics for a thick textured, bold impasto look and Matisse Flow Acrylics for the smooth, highly detailed results. They are also excellent for covering large areas." “I love colors and they come in a full range, which makes me feel like a kid in a candy store. I almost think of them as flavors. I really like their unique colors such a Cadmium Orange Deep, Australian Red Violet and Australian Blue Gum, Australian Salmon Gum and Australian Sienna. After years of painting in acrylics, it is exciting and refreshing to use these new colors. Discovering them was like getting a ‘booster shot’ of creativity for my work." See Full Review and Videos In Our Blog - Click here > See More
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Old Holland New Masters Acrylic Titanium White 1liter JarSave Up to25%Off listWhite Highest pigment load acrylics with a 100% pure acrylic medium Designed to have little color shift from wet to dry, Old Holland New Masters Acrylics hold the maximum possible pigment content as well as look and feel of classic oils straight from the tube. In 1998, Old Holland’s chemists began research in the area of acrylic paint colors, with the goal to create an exceptional professional acrylic paint line that was worthy of carrying the Old Holland name. The project was dubbed "New Masters" as a long-held dream of the late owner Professor Theo de Beer, since Old Holland Oils were used by the old Dutch masters. He foresaw that the modern medium of acrylics would be used by the new masters of art. Key Features:* Full range of 168 colors* Highest pigment load* High impasto capabilities* Dries to a satin gloss* Oldest paint maker in the world!* Professional Acrylic Sets* All-Inclusive Deluxe Wood Box Set Perfect For:* Professional Acrylic Painters* Transitioning to acrylics from oils* Impasto painting to glazing* Feel of oil paints in an acrylic After testing more than 250 pigments and different mediums for the paints, they were incorporated into a series, irrespective of cost. Instead of the resins most of the major acrylics manufacturers incorporated into their products, Old Holland chose a 100% pure acrylic medium from a European manufacturer as the paint vehicle. More expensive than traditional popular resins, it gives New Masters Acrylics the same characteristics and texture of Old Holland’s Classic Oils. Utilizing traditional pigments like Genuine Manganese Blue, etc. to more modern lightfast anthraquinonoids and more, Old Holland produced acrylics that they tested with professional artists in various countries. By the end of 2005, the range of 168 colors was introduced, and consisted of opaque and transparent lightfast colors that were free of additives and fillers. Drying to a satin gloss, they can be used for a wide range of techniques from thick impasto to ultra-thin glazing. With an extensive selection of metallics, pearlescent, iridescent, and interference colors that are extremely lightfast, the high doses of pigment in the patented binding system ensure each color displays the unique characteristics of the individual pigment. Try the simple starter New Masters Set of 6, or spring for the Deluxe Wood Box Set — the perfect transition for the professional oil painter to the medium of acrylic painting — and fall in love! New Masters Acrylic Set of 6 - Includes six 60ml tubes of Titanium White, Azo Yellow Light, Naphthol Vermillion, Quinacridone Fuschia, Ultramarine Blue, and Phthalo Blue. New Masters Acrylic Deluxe Wood Box Set - Deluxe Italian Mabef Wood Sketch Box contains thirty 60ml tubes of Old Holland New Masters Acrylic Colors, three brushes, and a wood palette. See tech notes for complete set contents. See More
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Lascaux Acrylic Gouache Paint Ultramarine Blue 85 ml BottleSave Up to41%Off listBlue Artist quality, brilliant acrylic paints perfect for the studio or the classroom artist ! Lascaux Acrylic Gouache Paints are acrylic-modified tempera paints specially developed by color experts, educators and professional artists, making these vibrant paints ideal for use in the studio or in the classroom. The range of 34 highly pigmented colors are lightfast and have a velvety, elastic water-soluble finish and can diluted while maintaining depth of color. Lascaux Acrylic Gouache Paints work great on absorbent surfaces like paper, cardboard, canvas, wood or plaster and are easily blendable for creating custom paint colors. Key Features: * 34 highly pigmented, lightfast colors * Acrylic-modified tempera paints made with pure pigments * Developed by color experts, educators and professional artists * Easily blendable with a velvety finish * Vibrant gouache paint with a unique acrylic-based binder * Highly concentrated, lightfast pigments * Dries to a velvety matte, water-soluble finish * Excellent permanence and covering power * Adheres well to paper, canvas, plaster, wood, cardboard, and more * Colors remain intense even when diluted more than 1:1 with water Perfect For: * Perfect for all types of fine artwork, illustration, design, and student work! * Art classrooms * Absorbent work surfaces * Art therapy projects * Professional artists Unique, artist grade tempera paints with an acrylic-based binder — a favorite of professional figure artist Bill Buchman! Through extended consultation with professional artists and art teachers, Lascaux developed their truly innovative line of acrylic-based gouache to meet the artistic demands of painters of all skill levels. Lascaux Gouache is a unique style of tempera paint based on a revolutionary acrylic binder, water-mixable and vibrant, drying to a velvety matte, elastic finish that remains water-soluble once dry, unlike most other acrylic gouache lines/ See More
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Amsterdam Standard Series Acrylic Paint - Primary Cyan, 1 Liter JarSave Up to35%Off listBlue An excellent choice for the beginning or intermediate artist! An excellent medium body acrylic paint for the artist who seeks high quality and high value. Made in Holland from carefully selected pigments. Features include a very high level of lightfastness, short drying time, and an acrylic resin paint that is virtually odorless when wet. The Standard Series Amsterdam Acrylic colors can be mixed with water or acrylic mediums, and clean up requires only water and soap. Their thick creamy consistency is perfect for Oil like effects. Amsterdam Acrylics are quick drying and non-toxic, so they are perfect for the student or studio! Please click on the yellow circle technote icon to view pigment information for each individual color. Key Features:* Thick medium body acrylic paint* 100% acrylic resin* High level of lightfastness* Short drying time* Virtually odorless* Quick drying and non-toxic Perfect For:* Oil type effects* Impasto* Heavy application* Clean up with soap and water* Classroom or studio* Beginner and intermediate artists See More
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Amsterdam Acrylic Pouring Medium 014, 1 LiterSave Up to30%Off list…When added to acrylic paint, pouring mediums generate random cells of color and create interesting organic shapes. Amsterdam Acrylic Pouring Mediums enable you to create dramatic effects and spectacular cell formations. The pouring medium can be used pure or colored with acrylic paint. You can use… No limitations and endless possibilities! When added to acrylic paint, pouring mediums generate random cells of color and create interesting organic shapes. Amsterdam Acrylic Pouring Mediums enable you to create dramatic effects and spectacular cell formations. The pouring medium can be used pure or colored with acrylic paint. You can use virtually any acrylic based color alongside this pouring medium, but we suggest richly pigmented colors! It dries to create a transparent, colorless, waterproof surface with a high glossy sheen. Since it is a flexible acrylic, you can pour it over almost any hard flat surface such as a wooden panel. By changing mix ratios, variety of colors, and viscosity, it is virtually impossible to run out of distinct pour variations. Amsterdam Acrylic Pouring Medium can help you create the most beautiful and exciting pours. Key Features: * A high degree of gloss * Dries to a hard, water-resistant surface * Can be thinned with water * For a thicker consistency acrylic binder can be added * Careful stirring prevents air bubbles * Spectacular cell formations * Use at temperatures above 10° C Perfect For: * Dirty pours and cup pouring * Superb control and excellent definition * Mixed media work * Hardwood or aluminum panels * Creating interesting pours without silicone * Acrylic resin dispersion * Everyday studio use See More
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Lascaux Primer Liter JarSave Up to38%Off listWhite A gesso Made to the specifications of European conservators! Lascaux Acrylic Gesso is a semi-absorbent primer perfect for preparing canvas for oil, acrylic, and tempera painting. The gesso's pure acrylic resin composition is dispersed by rutile titanium dioxide and mineral based extenders. Once dry Lascaux Acrylic Gesso has a pure white matt finish with a good tooth. The white ground is elastic, lightfast, and age resistant. Key Features: * Pure white matt, with good tooth * Elastic structure * Lightfast and age resistant * Rapid drying * Excellent adhesion * Semi-absorbent primer for canvas * Conforms to ASTM D-4236 * Made in Switzerland Perfect For: * Oil, acrylic, water, and tempera painting * A uniform painting surface * Glazing techniques * Beginner and professional artists Directions for use: On unsized textiles, Lascaux Gesso should be diluted 1:1 with water for the first coat. If desired after approx. 4 - 6 hours (according to the temperature), a second coat may be applied. Between the two coatings, uneven fibers and knots can be flattened with fine sandpaper. Coated fabrics can be rolled. On absorbent supports like paper, cardboard, and fibreboard Lascaux Gesso is applied diluted with 10 - 15% of water, as required. On wood or concrete, a preliminary coat of Lascaux Hydro Sealer diluted 1:4 with water is recommended. For the following coat of Lascaux Gesso, cut with 25% of water. Lascaux Gesso should not be used below the temperature of +46°F. Coverage: Approximately 50-100 ml/m2 per coat, depending on the support and application See More
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Talens Amsterdam All Acrylic Mediums - Extra Heavy Gel (Glossy), 1LSave Up to30%Off list…Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects Your Creativity Run Wild With These Premium Mediums! Talens Amsterdam All Acrylics offers a wide range of auxiliary acrylic mediums to achieve virtually any special effect you can dream up. With mediums from Gel to Modeling Paste, you can influence the properties of your acrylic colors to suit your whim and your painting style- make paint thicker, thinner; glossier, more matte; or model to high textural peaks. Available in convenient 250ml and 1 liter sizes. Gel Medium (Gloss) - Increases the gloss and transparency of acrylic colors while retaining the viscosity. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Gel Medium (Matte) - Reduces the gloss and increases transparency of acrylic colors, while maintaining the viscosity. Milky white, dries to a colorless and transparent matte finish. Use as an adhesive on all sorts of materials. Modeling Paste - Creates strong relief grounds. Paste can be used on its own or in combination with acrylics in any ratio, but as the paste has a white pigment, the color of the paint will be lighter. Can be painted over with acrylics or oil paint. Waterproof and non-yellowing, can be mixed with other gel or acrylic mediums or thinned with water. For very dramatic thicknesses in structure, mix the paste with 1/3 of Amsterdam Extra Heavy Gel Medium to avoid cracking due to shrinking during drying. Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors, with a shiny gloss. Gives acrylic colors a thicker consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors, with a matted finish. Gives acrylic colors a pasty consistency when added. Increases brush stroke visibility. Enables the artist to apply color in an extremely thick layer in one stroke. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Gloss) - Increases the viscosity and transparency of acrylic colors quickly, with a shiny gloss. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent glossy finish. Use as an adhesive on all sorts of materials. Extra Heavy Gel Medium (Matte) - Increases the viscosity and transparency of acrylic colors quickly, with a matted finish. Gives acrylic colors an extremely thick consistency when added. Increases brush stroke considerably. Enables the artist to apply very thick layers of color. Milky white, dries to a colorless and transparent matted finish. Use as an adhesive on all sorts of materials. Key Features: * Additives for acrylic paints * Thin acrylic paints for glazing * Add body or texture to acrylics * Mediums dry clear Perfect For: * Acrylic Artists * Acrylics and mixed media * Students and professionals alike * Achieving multiple effects See More
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Amsterdam Acrylic Varnish - 115 Matt, 1 LiterSave Up to40%Off list…want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed… Professional Quality Acrylic Varnish! As an artist, you want your acrylic paintings to remain in excellent condition and last for generations. To help protect your artwork, Amsterdam offers you: acrylic varnish in high gloss, gloss, satin, and matt. These varnishes can be used to provide a layer of enduring protection for any acrylic painting. Designed to be applied after the paint has completely dried, they can be thinned with solvent, dry in a few hours, and do not yellow once dry. Key Features: * Apply when paint film has completely dried * Dries in a few hours * Will not yellow * Glossy, satin or matt appearance * Thin with white spirit * Remove dried varnish with solvent Perfect For: * Final Varnishing * Providing dust resistance * Archival fine-art protection * Portrait and fine artists * Unifying uneven surfaces of paintings * Boosting color saturation See More
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Pebeo Studio Acrylic Pouring Medium, 1LSave Up to20%Off list…excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of Pébéo Silicone Oil to the wet pouring mixture. Pébéo Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible acrylic, you can pour the… Ideal for creating clean, lacquered colors! Pébéo Studio Acrylic Pouring Medium is ideal for a variety of paint pouring methods, once dry, it has a sleek, bubble-free finish. The transparent, glossy, non-yellowing medium is excellent for use with acrylic paints. You can create cell-like formations by adding a few drops of Pébéo Silicone Oil to the wet pouring mixture. Pébéo Pouring Medium can also be applied with a brush as a final varnish over an acrylic painting. Since it is a flexible acrylic, you can pour the medium mixture over practically any hard flat surface. By altering mix ratios, colors, and types of substrates, it is almost impossible to run out of inspiration! Key Features: * Fluid, glossy, non-yellowing * Transparent and permanent after drying * Offers a flexible film * Bubble-free finish * Obtain the desired viscosity without thinning * Pour over any hard flat surface * Silicone oil in tiny amounts can trigger the cell creation process Perfect For: * Precise and smooth color application * Casting or pouring techniques * Studio or classroom use * Use with studio acrylics or Mat Pub colors * Dripping and pouring techniques * Coloring the casting in a mold * Final brush-on varnish * Mixed media applications See More
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Black Mountain Clear Gloss Acrylic Medium 1 Liter, BottleSave Up to56%Off listExtends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical… Extends Paint, Provides A Uniform Gloss Finish, and Increases Transparency Black Mountain Clear Gloss Medium is formulated to extend acrylic colors while maintaining the integrity of your paint. Unlike water which can weaken and destabilize acrylics, gloss medium maintains paint bonds at a chemical level while adding a gloss finish. Mix it with heavy body paints to create thin transparent glazes. Experiment with different ratios to find the color and consistency you prefer. Clear gloss medium can also be used to minimize brush strokes, transfer laser-printed images, or glue down a mixed-media collage. Once your painting is dry, apply a top coat of Black Mountain Clear Gloss Medium for an even finish. Key Features: * Professional grade acrylic gloss medium * Extends colors while maintaining paint structure * Non-yellowing, acid-free, and archival * Semi-opaque liquid medium dries clear * Flexible and non-cracking * Water-resistant once dry * Intermixable with acrylic paint Perfect For: * Thinning heavy body acrylics * Increasing color depth and transparency * Creating blended gradations of color * Collage, mixed media, and photo transfers * Use as a collage adhesive * Professional artists and students * Everyday studio use See More
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Michael Harding Non-Absorbent Acrylic Primer Dark Raw Sienna 1LSave Up to25%Off listBrown Tired of dull flat oil paints? You need a non-absorbent ground! Regular acrylic gesso is notorious for leeching oil from oil paints, and absorbent acrylic gesso makes oil paints look dull, flat, and muted. Unlike those acrylic gesso's Michael Harding's primer is non-absorbent and preserves the luster of oil paint. Michael's acrylic primer does not absorb oil; instead, the paint sits on top of the surface. The primer is made with non-toxic, non-absorbing acrylic resin; that's why it produces such a strong, flexible ground. You can apply Michael Harding's Non-Absorbent Acrylic Primer to linen, cotton canvas, wood, and MDF. Key Features: * Non-absorbent acrylic primer * Formulated to not absorb or dull oil paints * Creates a strong bond with paint * Prevents paint from delaminating * Lightfast and will not fade over time * Thick, creamy consistency * Smooth, even-toothed finish Perfect For: * Oil and acrylic painters * A uniform painting surface * Beginner and professional artists * Preparing canvas, wood, or MDF for paint * Everyday studio use Instructions: The primer is best used in 2 coats; You may dilute the first coat with water (no more than 1 part water to 3 parts primer). This first coat will be touch dry within a couple of hours, and then you can apply the second coat. You should not apply the primer over Rabbit Skin Glue or unstable supports. See More
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Winsor & Newton Galeria Acrylic Mediums - White Gesso Primer, 1 LiterSave Up to30%Off listWhite Push the performance of Galeria Acrylics further with Galeria Acrylic Mediums! Winsor & Newton’s Galeria Acrylic Mediums are designed to work with their Galeria line, allowing you to explore the full range of acrylic property possibilities, from thinned fluid media effects with Flow Improver to heavy, carvable paste that can be tinted and built up. Slow drying time with Retarder, thin and extend acrylic color, and even Varnish Galeria works for final shine and protection. Galeria Extender - A highly economical medium, Galeria Extender increases volume of paint and maintains opacity. Color will dry to a matte finish. A great product for those on a limited budget. Galeria Flow Improver - Additive that loosens the surface tension of water within the acrylic paint, increasing the flow and allowing the application of areas of flat color evenly without changing the color strength. Increased flow is ideal for masking application, flowing gestural watercolor-like techniques, and “staining" applications. Should be used only in the amount needed to achieve the desired effect. Galeria Fluid Retarder - and additive for extending the drying and working time of acrylic colors. Small amounts (a few drops) will allow for extended blending and manipulation. Fluid Retarder does not contain sufficient acrylic resin to act as an additional “binder" and should be used only in the amount needed to achieve the desired effect. Galeria Gloss Medium - high clarity and even flow, Gloss Medium boosts the brilliance and transparency of the color as well as improving adhesion and durability. Ideal for glazing or applying thick, highly transparent layers of brilliant color for depth and “stained-glass" effect. Galeria Gloss Varnish - A unique, removable gloss varnish of the protection of finished acrylic works. Can be mixed with Galeria Matte Varnish to vary the final varnish. Galeria Heavy Carvable Modeling Paste - Tough and fully carvable, it remains flexible on a variety of surfaces and is suitable for multiple layers. Formulated to have the least effect on color shift from wet to dry. May be overpainted. Acrylic color may be added directly into paste during application (note it will become lighter and ‘chalky’ and the resulting paste will have reduced body). Galeria Iridescent Medium - Developed to provide pearlescent effects when added to color. Most effective when used with transparent colors over dark under layers. Galeria Matte Medium - Creates a flat, even finish. Maintains brilliance of color while boosting transparency, adhesion and durability. Galeria Matte Varnish - a uniquely removable matte varnish which may be mixed with Galeria Gloss Varnish to vary the final finish. Galeria Satin Varnish - A uniquely removable satin varnish for the protection of finished acrylic paintings. Galeria Modeling Paste - a lighter weight, flexible modeling paste for use on canvas (to minimize sagging). Finely textured with a soft sculptural consistency. Suitable for building multiple layers. May be overpainted, color may be added directly to paste (will become lighter and more ‘chalky’, and give paste a reduced body). Matte finish. Galeria White Gesso Primer - made from high quality acrylic resin with a good level of pigment strength, can be used straight from the container and provides excellent tooth for adhesion. To reduce absorbency and boost film integrity of the film a minimum of two coats is required if working with oils. Key Features: * Retarder for Wet-in-Wet * Flow improver for fluid techniques * Mediums to improve flow * Economical Mediums Perfect For: * Students and budgeting artists * slowing drying with retarder * Thin and maintain paint integrity * Extending paint with mediums See More
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Interactive Professional Acrylic 1 Litre Jar - CrimsonSave Up to48%Off listRed Professional artist acrylics with a longer open time! Unlike traditional acrylic paints, Chroma Atelier Interactive Artists Acrylics do not suddenly form a skin; the unique paint gives you plenty of time to blend and rework your colors. The Unlocking Formula Medium gives you more artistic freedom, allowing even touch-dry paint to be reworked, blended, or ragged off to reveal layers below! Archival quality and lightfast, the intense color dries to a satin-like finish without a plastic look or feel and with minimal color shift. By withholding the use of Unlocking Formula or water when painting, Atelier Interactive will perform like a traditional fast-drying professional acrylic paint. Note: in dry climates, you will need to replace the water being lost through evaporation by spraying/spritzing with water from time to time. Key Features: * Range of brilliant colors * Smooth buttery consistency * Dries to a satin finish * Minimal color shift when dry * Available in 80ml, 237ml, and 1 liter and sets * Interactive Unlocking Formula sold separately Perfect For: * Re-blending and reworking all day! * Wet-In-Wet techniques * Silkscreening, Lino Block & Monotype Printing * Acrylics without a plastic look or feel Interactive Professional Artists Acrylic Set of 12, 20ml Tubes - The colors included in the set are Series 1: Titanium White, Pthalo Green, Yellow Ochre, Burnt Sienna, Crimson and Carbon Black, Series 2: Transparent Perinone Orange, Permanent Green Light, and French Ultramarine Blue, Series 3: Dioxazine Purple, Arylamide Yellow Light, and Arylamide Yellow Deep. Interactive Professional Artists Acrylic Set of 7, 80ml Tubes - The colors included in the set are: Arylamide yellow light, burnt umber, cobalt blue hue, crimson, napthol red light, pthalo green and titanium white See More
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Holbein Fluid Acrylic 35ml Set of 8 Assorted ColorsSave Up to35%Off listAssorted Colors A smooth, free-flowing acrylic perfect for pouring Holbein Fluid Acrylics are low viscosity artist-grade paints. All of Holbein's vibrant colors are lightfast and mix cleanly. Holbein doesn't use fillers or extenders, so the paint has outstanding tinting strength. You can pour, drip, or spray the fluid acrylic because it's formulated to resist crazing, wrinkling, and foaming. As the paint dries, it forms a flexible, durable film with good adhesion. If you want to create watercolor-like effects, you can thin Holbein Fluid Acrylic with medium and brush it on like watercolor. Holbein Artist Fluid Acrylics mix well with all acrylic mediums, including gels, pastes, and gesso. Key Features: * Low-viscosity artist acrylic * Smooth, free-flowing formula * Holbein's colors are intermixable across the ranges * Highly lightfast pigments * No fillers or extenders used * Outstanding tinting strength * Dries to a durable, flexible paint film * Formulated to resist crazing, wrinkling, and foaming Perfect For: * Pouring techniques * Drip or spray application * Fine brushwork * Mixing with gels, pastes, and gesso * Glazing and staining * Water media techniques * Dry brush application Fluid Acrylic Set of 8 - The set of 8 includes Quinacridone Magenta, Naphthol Red, Hansa Yellow, Phthalo Green, Phthalo Blue, Burnt Sienna, Lamp Black, and Titanium White. See More
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Chroma A>2 Acrylic - Cerulean Blue Hue, 1L BottleSave Up to55%Off listBlue A>2 Lightfast Acrylics, New Directions in Art! Chroma A>2 Lightfast Heavy Body Artists Acrylics are a truly outstanding, highly pigmented acrylic color made with modern less expensive pigments. The result is an acrylic color that has a great thick body with excellent brush-mark retention for acrylic color techniques and a brilliance and clarity as rich as professional acrylic colors. Colors dry to a semi-gloss finish for excellent color saturation and luminosity. Chroma A>2 Acrylics offer professionals and beginners alike a great quality artist acrylic at an affordably low price. Key Features:* Student grade pigment* Heavy body acrylic* Rich buttery consistency with strong, lightfast pigmentation* Intense color brilliance and clarity* Full range of colors for easy mixing* Dries to a low gloss finish Perfect For:* Luminous washes and glazes* Rich impasto effects* Luminous glazing techniques* Use with acrylic mediums and varnishes Chroma A>2 Acrylic Set of 8 This set contains the following 8 colors in 120ml tubes: Titanium White, Phthalo Green Hue, Dioxazine Purple Hue, Phthalo Blue, Alizarine Crimson Hue, Cadmium Orange Hue, Cadmium Red Medium Hue, and Cadmium Yellow Light Hue. See More
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Matisse Flow Acrylic Liter Bucket - Matisse Orange DeepSave Up to50%Off listOrange Australia’s premiere low viscosity acrylic! The premiere paint from Down Under, Matisse Flow Acrylic Colors are a low-viscosity acrylic that allows for free brushstrokes with excellent leveling properties. A fantastic choice for murals, canvas painting, theatre backdrops, illustration, told painting, and more. Detailed brushwork, design effects, and watercolor techniques can all be achieved quite easily. Mixes with any Matisse Mediums for various results, or thins to create delicate washes. A balanced range of 95 colors features some uniquely Australian shades, bringing the beauty of the Outback right into your studio! Key Features: * Low viscosity artist’s acrylic * Brilliant and highly pigmented * Superb lightfastness ratings * 95 color range (incl. metallics) * 75ml, 500ml, 1 & 4 liter sizes Perfect For: * Detail and decorative artworks * Some unique Australian shades * Stenciling, tole, & design applications * Glazing and wash layers * Acrylic techniques requiring leveling * Artist Review and Testimonial Professional Artist Andy Russell - “I use mostly the Matisse Flow because I usually paint in thin layers. Occasionally I will use Matisse Structure Heavy Body For A more impasto look. I love Matisse because of their rich , creamy texture, and intense pigmentation. The flip top cap is great too! Very convenient. No more caps rolling around or tubes bursting trying to twist off a stuck cap. They also offer some unique colors such as Matisse Rose Madder, Matisse Indigo, Australian Salmon Gum , Australian Blue Gum , Australian Sky Blue, Matisse Emerald, and Australian Sienna. These are wonderful colors to add to my pallet. For covering large background areas in my work nothing beats Matisse Background colors. They they are opaque and easy to apply” See More
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Old Holland Oil Color - Titanium White, 1 LiterSave Up to44%Off listWhite Considered one of the Finest Oil Paints In the World! Manufacturing pigments since 1664, Old Holland Classic Oil Colors are still considered today as one of the top oil paints in the world! Boasting artists like Van Gogh, Vermeer, and other Dutch Masters that used their pigments and paints, Old Holland uses only pure, cold-pressed linseed oil as a binder with the highest possible pigment loads, creating brilliantly concentrated paints that provide exceptional covering power, strength of color, and color intensity. All Old Holland Classic Oil Paints are completely lightfast except for the Madder Lakes and Cremnitz White, which are nearly lightfast. All Old Holland oils are manufactured using stone rollers only, as the colors of the paint will not change due to metal oxidations (which will alter Cadmium colors). All colors are completely free of cheap fillers and artificial dryers like other premium paints contain. Although Old Holland Oils initially may seem very expensive, the heavy concentration of pigment is actually an exceptional value, given the covering power of the paint and minimum amount needed for color mixing. One tube of their highest possible concentration of pigment equals the pigment contained in 2 to three tubes of other professional brands! Old Holland Classic Oil Colors come in 40ml and 225ml tubes. Cremnitz White, Flake White, Mixed White, Titanium White, and Zinc White can be purchased in 125ml and 225ml tubes, as well as 475ml cans. Key Features: * Oil Paints used by Van Gogh and Vermeer * 40ml, 125ml, 225ml tubes / 475ml Cans * 40 ml or 18ml tube sets of 10 * Highest Professional Quality * Highest possible pigment loads * Manufacturing Pigments Since 1664 * Completely lightfast * Cold Pressed Linseed Oil Binder * Exceptional covering power * Strength of color and color intensity * Paint will not change due to metal oxidations * Free of cheap fillers Perfect For: * Professional Oil Painters * Pigment Afficionados * Making paint go further * Upgrading to Professional Oils * Highest Quality Paints You Can use Old Holland Oil Sets of 10: Want to blow the oil painter in your life away and make their artist friends swoon with envy? Old Holland Classic Oil Colors Sets are the perfect gift for just that! "Lake" means transparent glazing colours. "Extra" means traditional colour made from lightfast pigment See More
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Schmincke Mussini Drying Accelerator 35 ml TubeSave Up to37%Off list…time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The… Magnificent mediums for oil paints Schmincke Oil Mediums allow you to create fluid glazes or thick Impasto effects. You can even transform traditional oils into water-mixable oil paints with Medium W. All of the mediums increase the gloss and transparency of oil paint while accelerating or slowing drying time. Key Features: * Accelerate or slow drying * Improve transparency and gloss * Outstanding working properties * Extend oil paints and use less paint * Perfect For: * Traditional oil paints * Blending and glazing * Changing the paint texture * Adding to oils undiluted Schmincke Mussini Drying Accelerator: is an especially fast-drying, Jelly-like painting medium for oil colors. The paste preserves the consistency and degree of gloss of oil colors. To avoid weakening of binding properties, use dosage of 10 to max of 30%. The product is ready to use and should be added to oil colours undiluted. After use clean tools as soon as possible with turpentine or brush cleaner. The Schmincke Mussini drying accelerator contains: siccative, stand oil, resin solution, mineral spirit. Impasto Medium (Megilp): Schmincke Meglip Impasto Medium is an oil painting medium designed for painting thickly. The medium preserves the buttery character of oil paint while accelerating the drying process. When you are applying paint in a thick style with a palette knife you should include some Impasto Medium to support the drying process between layers of paint. Contains: alkyd resin, stand oil, and fillers. Medium L: The Jelly-like medium improves oil paint flow while reducing brush strokes, accelerating drying time, and increasing gloss and transparency. Shake well and stir before use. Close immediately after use. The recommended dosage for medium L is 10 - 20 %. The product is ready to use out of the bottle, but you can dilute it with turpentine substitute 50019. Medium W: Schmincke Medium W is a low-odor oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. You should shake the bottle before use. Mix 2 parts of oil color and 1 part of Medium W on your palette, then add water to thin. Add more Medium W to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W may appear lighter or "milky" when wet, but the color will return as the paint dries. Medium W Gel: Schmincke Medium W Gel is a jelly-like oil paint additive that transforms traditional oil paints into water-mixable oils. The odorless medium increases gloss and transparency while allowing you to clean your tools with water. Mix 2 parts of oil color and 1 part of Medium W Gel on your palette, then add water to thin. Add more Medium W Gel to the mixture as necessary. After use, you can clean your painting tools with water. Oil colors mixed with Medium W Gel may appear lighter or "milky" when wet, but the color will return as the paint dries. Refined Linseed Oil: Refined Linseed Oil is winterized and bleached. Many artists use it as a medium when painting. It slows down the drying time of your paint, which can be very useful when painting in layers. Please note: The natural yellowing tendency of linseed oil cannot be stopped by bleaching! Schmincke Primer 1: Schmincke Primer 1 is a pure white, semi-opaque, light-resistant, and nonaging primer for oil and acrylic colors. The primer has a strong absorbent character and forms an elastic, matt film once dry. Schmincke Primer 1 is ready to use straight out of the bottle, or for a thinner consistency, you can thin it with water. For max dilution, mix with 30% water See More
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Winsor & Newton Oil Painting Primer, 1 Liter CanSave Up to43%Off listWhite Ready-to-use primer in a non-yellowing oil-modified alkyd resin medium Winsor & Newton Oil Painting Primer is a ready-to-use primer in a non-yellowing oil-modified alkyd resin medium. No thinning or stirring is required. Oil Painting Primer can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper) with virtually no sinking in. A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming. The treated ground then accepts oil colours easily and without chalkiness or absorbency.Key Features:* Size: 500ml & 1000ml cans* Ready-to-use primer * Non-yellowing oil-modified alkyd resin medium* Can be applied directly to metal or porous surfaces (glue-sized canvas, untreated wood, hardwood, plywood, paper)* Used to prepare a surface before painting* A small amount of oil colour can be mixed into the Oil Painting Primer for tinted priming Oil painting primer imparts a traditional oil base. Some artists prefer this and may find a slight increase in gloss and smoothness. Oil primed canvases may slacken off less than acrylic primed canvases. A coat of warm glue size is required first. As a result of their formulation, Winsor & Newton acrylic primers are also suitable for oil painting. They are popular because they dry quickly and do not require any sizing underneath. See More
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LUKAS Oil Painting Medium - Fast Dry Glazing Medium #3, 1 Liter CanSave Up to61%Off listThe Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a… The Perfect Oil Mediums To LUKAS Oil Paints! Professional oil paints require professional-quality drying oils and mediums. Any additive used to alter the working properties of oil paint needs to be of equal quality for the continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of oils and mediums to enhance your oil painting experience. The Shellac Solution, Glazing, and Alkyd Mediums are all available in a one-liter cans. Key Features:* Accelerates the drying time* Increases gloss & translucency of colors* Alkyd resin-based medium shortens drying time* Size: one liter or 125 ml* For information click on yellow technote icon Perfect For:* Making custom painting mediums* Accelerating the drying of oil colors* Professional Oil Painters* Maintaining consistency* Preserving gloss* Discerning students & amateurs Fast Dry Glazing Medium #3 - Clear, quick-dry medium accelerates the drying time of oils. Increases gloss & translucency of colors; dried layers remain soluble in turpentine. Alkyd Oil Medium #4 - Alkyd resin-based medium for shortening drying time of oil paints. Elastic and adhesive, increases gloss and translucency and dries permanent. Shellac Solution - is a Gold Yellow classical natural resin primer. It decreases the absorbency of painting surfaces. See More
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LUKAS Oil Painting Medium - Retouching Varnish, 1 Liter CanSave Up to61%Off list…Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and… The Perfect Accompaniment To LUKAS Oil Paints Professional oil paints require professional-quality mediums and varnish. Any additive used to alter the final sheen of the painting needs to be of equal quality of the paint used, for the maximum benefit of continuity of paint film strength and durability. LUKAS is proud to offer a unique selection of varnishes to enhance your oil painting experience. Picture Varnish Gloss, Retouch Varnish, and Dammar Varnish are available in one-liter cans. Key Features: * Protects your painting * Unifies surface quality * Size: one liter can * Professional Quality Perfect For: * Temporary protection * Final, permanent protection * Oils, alkyd, and egg tempera * Altering paint sheen Retouching Varnish- This solvent-based acrylic varnish is water-clear and suitable for intermediate, temporary protection of oil and alkyd paintings and for retouching work. Dammar Varnish, Classical - This traditional, natural resin-based varnish is slightly amber in color, but dries to a durable, glossy film perfect for protecting finished art in oils, alkyd and egg tempera. Remains soluble in turpentine; will lose elasticity over time Picture Varnish Modern - Water-clear synthetic resin varnish for oil, acrylic, alkyd and tempera paintings. Protects artwork from environmental damage. Non-yellowing and removable with turpentine or mineral spirits. See More
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LUKAS Oil Painting Medium - Pure Balsam Distilled Turpentine, 1 Liter CanSave Up to60%Off list…thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or… Balsam Turpentine - Pure, water-clear thinner for oils made from cleaned balsam resin. Excellent for thinning oil paints as well as dissolving resins like dammar or mastic to produce mediums. Rectified Balsam Turpentine - Similar to Pure Balsam Turpentine, but distilled multiple times. Ideal for thinning oil colors and dissolving resins to create mediums and varnishes. Citrus Turpentine - Pleasant smelling solvent for oil colors containing lemon peel oil. Clear turpentine substitute good for thinning and cleaning oils and dissolving resins like dammar or mastic to produce mediums. Odorless Thinner - Near-odorless paint thinner for oil colors. Ideal for cleaning painting tools; should not be used for dissolving natural resins (as in the creation of traditional mediums and carnishes) or for thinning resin-based solutions. See More
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Holbein Meltz Colored Pencil Blender, 35ml BottleSave Up to20%Off list…fine lines * Drawing over watercolor, gouache, and acrylic color * Creating watercolor effects with Meltz blender * Blending, building layers, and gradations Several Different Sets To Choose From! Click on the item number to view the set specs Meltz Blender: Color blending is easy with… Take your art to the next level with Holbein Artists' Colored Pencils Holbein makes their Colored Pencils from premium pigments, waxes, fats, and oils. It's a joy to work with their Colored Pencils because the hybrid lead glides on paper like soft butter. You can blend, layer, and create beautiful color gradations easily. The vibrant, powerful colors make an impact no matter how you use them. The outer pencil barrels match the lead inside, so it's easy to find the color you need. Holbein's artist-quality colored pencils are ideal for professional artists and students. Key Features: * Oil and wax lead hybrid * Carefully selected high-grade pigments * Excellent lightfastness * Incredibly soft, buttery application * Vibrant color output * Barrel color accurately matches core color * 3.8 mm diameter lead * The 7.8 mm diameter wood casing is easy to hold * AP Certified, conforms to ASTM-D4236 Perfect For: * Colored pencil artists * Illustrators * Drawing smooth fine lines * Drawing over watercolor, gouache, and acrylic color * Creating watercolor effects with Meltz blender * Blending, building layers, and gradations Several Different Sets To Choose From! Click on the item number to view the set specs Meltz Blender: Color blending is easy with Holbein's water-based Meltz solution. A safe alternative to OMS, Meltz allows you to blend colors without the harmful fumes of solvent. Meltz is safe to use with all watercolor brushes. The solution comes in a 35 ml (1.2 oz) bottle with a flip-top cap. Dual Tip Blender Marker: Color blending is easy with Holbein's Meltz Blender Marker. Meltz is a convenient water-based blender that dissolves oil-based colored pencils and blurs them without the harmful fumes of solvent. Meltz is safe to use with all watercolor brushes and can be used to create watercolor-like effects. See More
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Pebeo Colorex Watercolor Ink Primary Yellow, 1 LiterSave Up to25%Off listYellow Color Mixing Inks - Bright, Velvety Finish! Ideal for cartoonists, designers, and tattoo artists, Pebeo Colorex Inks, (dye-based watercolor inks) are luminous and dry to a uniform velvety finish. The transparent dye-based inks are highly concentrated and can handle substantial dilution with water. Within the color ranges are three primary colors and one semi-permanent trichromatic black that is well suited for color-mixing. Colorex White is opaque and allows lightening and the creation of pastel tones. As with all inks, Colorex Ink is sensitive to ultraviolet rays. Ink paintings can be protected with a UV varnish to prevent extreme fading over time. Key Features: * 60 vivid, Dye-based watercolor inks * 3 sizes-45ml, 250ml, and 1 liter * Bright, velvety finish, and uniform solid colors * Dilute with water * Opaque white brightens colors * Semi-permanent trichromatic black * Sensitive to ultraviolet rays * Protect using a UV absorbent varnish * Eyedropper pipette attached to lid Perfect For: * Calligraphers, illustrators, and draftsmen * Cartoonists, designers, and tattoo artists * Airbrush, brush, or pen * Paper, Bristol board, canvas boards * Bringing out intense details * Measuring and mixing ease * Withstanding heavy dilution in water * Use with Graphic India Ink * Art schools See More
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Matisse Derivan Screen Printing Ink 1L - BlackSave Up to50%Off listBlack A totally water-based, silk screen printing ink! Matisse Derivan Screen Printing Ink has been formulated as a safe, non-toxic silk screen printing ink for fabric and tie-dyeing. It can be used in the classroom or at home safely without the worry of being exposed to harmful solvents such as white spirits, turps or thinners. Matisse Derivan Screen Printing Ink is water-based and washes up in water (before it is heat set) but has excellent rub resistance and lightfastness once heat set. All the colours may be intermixed to form bright secondary and tertiary colours. White (Opaque) may be mixed if pale pastel opaque prints are desired on dark colored fabrics. The Screen Reducer is a thick milky colored paste which dries colorless and transparent. It is used for intermixing with standard printing colours in order to extend deep colours into pale or lighter transparent shades (Red into transparent pink, etc.). It is mainly for white or pale fabrics. Best results are obtained from absorbent fabrics; avoid waterproof fabrics as they tend to inhibit penetration and repel the water-based colors. Clean up is a breeze! Simply wast all utensils, brushes and hands with soap and water to clean up! Key Features: * Water-based screen printing ink * Non-toxic * Clean up with soap and water * Excellent rub resistance * High lightfastness ratings Perfect For: * Use on absorbent fabrics, such as cotton, bamboo and hemp * Easy and safe to use on delicate fabrics; such as swimwear, baby wear and undergarments * Screen printing on dark colored fabrics See More
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Norma Blue Water-Mixable Oil Color - Neutral Black, 35ml TubeSave Up to47%Off listBlack Water-Mixable, Environmentally Conscious, Vegan Oil Paint NORMA Blue Water-Mixable Oils by Schmincke are ideal for painting without solvents in the studio or classroom. The high-quality line comprises 48 brilliant colors guaranteed to ignite your passion for oil painting. The oils can be used pure, diluted with water, or combined with the NORMA Blue mediums. You can easily clean any used brushes or tools with soap and water. Enhance your artwork further with Schmincke's collection of five NORMA Blue mediums, designed to simplify your painting experience. Some of the mediums have an accelerating or retarding effect on the drying time, while others can be used to increase gloss. A special linseed oil completes the range of the NORMA Blue mediums. Key Features: * Low-odor water-mixable oils * Buttery consistency * Highly pigmented and lightfast * Low yellowing * Vegan and eco-friendly * Formulated from high-quality vegetable oils * No cobalt, cadmium, or zinc oxide pigments used * Allergy-friendly: no preservatives * Cleans up with water Perfect For: * Alla prima and traditional oil techniques * Environmentally conscious artists * Painting without any harsh chemicals * Sampling brilliant color ranges * Indoor painting and classroom use * Plein air painters Painting Medium Blue: 1:1 Lean painting medium, watery, oil-free, and low odor. This medium supports the traditional oil paint consistency and makes the oil paint smoother. Please note you should not use this medium with traditional oil paints. Medium 2 Blue: Fat painting medium for water-mixable oil colors. Water thinnable, retards drying, and allows for longer wet-on-wet painting time. The high oil content increases gloss and forms a soft elastic film. Medium 2 can also be used with traditional oil paints. Dosage: Do not exceed a mixture of 1:1 if possible. Contains: modified safflower oil, poppy oil, and siccative. Medium 3 Blue: Is a painting medium with oil content for water-mixable oil colors. You can dilute it with water. The medium accelerates drying, increases gloss, and makes paint layers more resistant. Medium 3 can also be used with traditional oil paints. Contains: modified linseed oil and siccative. Linseed Oil Blue: Modified linseed oil, water-dilutable, and used as an additional binder for water-mixable oil colors. It can also be used for traditional oil paints. Contains: modified linseed oil. Transparent/Gloss Medium Blue: Is a very fat painting medium for water-mixable oil colors. You can dilute it with water. The medium increases transparency enhances gloss, and softens brush marks. Use it only on the upper layers of paint. Transparent/Gloss Medium can also be used with traditional oil paints. Shake before use. Contains: modified linseed oil, safflower oil, and siccative. See More
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New York Central Portrait-Smooth Artist Canvas Panel, 4"x12" Pack of 3Save Up to53%Off listWhite Exceptionally Smooth Professional Quality Cotton Panels Ideal for oils, acrylics, caseins, and alkyds, the New York Central Portrait-Smooth Artist Canvas Panels are manufactured using high-quality acrylic primed cotton canvas. Only the purest 100% cotton is used in the extra-tight weave to create an exceptionally smooth canvas free of the knots and bumps usually found in linen. The portrait-smooth canvas is then cleanly wrapped and adhered to a warp-resistant 3.5mm MDF board. Acid-free, archival glue acts as an archival barrier between the MDF and the canvas. New York Central's universally primed surface is ideal for oils, acrylics, caseins, and alkyds. Perfect for traveling and painting outside, the canvas panels are sturdy yet lightweight and take up less space than a standard stretched canvas. All New York Central products are premium quality and made with only the finest materials. Packaging Note: The primed canvas weighs 8.82 oz. per m2 and 7.37 oz per sq.yd. The square yard weight is listed on the canvas label; however, the correct weight is 8.82 oz. Key Features: * Universal acrylic primed, 100% cotton canvas * 4 oz. unprimed / 8.82 oz. primed weight * Mounted on durable MDF 3.5mm board * Extra-fine portrait-smooth texture * Smoother than most linen weaves * Acid-free, archival glue protects against SID* * Resistant to warping and sagging * Clean paper backing Perfect For: * Oils, acrylics, alkyds, and caseins * Oil sticks, soft pastels, and oil pastels * Delicate brushwork and fine details * Portraits and highly detailed paintings * Painting en Plein air and traveling * Painting highly realistic landscapes and still lifes * Achieving a luminous, refractive effect with oils * Artists of all skill levels Pre-Treated With Acid-Free, Archival Glue To Protect Against SID Acid-free, archival glue helps to prevent Support Induced Discoloration (SID) between the MDF and the canvas. While acid-free, archival glue can help to avoid SID, it is also essential to protect the artwork from material and environmental factors that can cause deterioration. All New York Central products are premium quality and made with only the finest materials. See More
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Schmincke Mussini Oil Color 35ml - Natural Burnt SiennaSave Up to49%Off listBrown Unparalleled luminosity and outstanding lightfastness! Schmincke MUSSINI® Fine Artist Resin Oil Colors use the recipes of the old masters to provide unparalleled brilliance and luminosity in a truly reliable paint film. Vats of Schmincke oil colors are stored for up to three months before paint is added to the tubes. This vat time allows the linseed, safflower, and walnut oil to coat the pigment thoroughly. Different amounts of dissolved damar resin are then added to guarantee tension-free color layers that dry harmoniously. The addition of dissolved dammar resin depends on the oil requirement of the particular color. As a result, each of the 108 color shades has an individually balanced recipe. The high luminosity, outstanding lightfastness, and depth of light that can be achieved with Schmincke MUSSINI® Resin Oil Colors make them a pleasure to use. Key Features: * Balanced and tension-free drying process * Mixture of linseed, safflower, walnut oil, and dissolved dammar resin * Colors based on recipes of old masters * High luminosity * Excellent lightfastness * Truly reliable paint film * Imported from Germany * Perfect For: * Professional oil painters * Creating beautiful glazes * Pigment aficionados * Upgrading to professional oils * Portrait painting * Painting beautiful atmospheric landscapes See More
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Frida Glass Paint Frida Relief Outliner 1 liter - WhiteSave Up to68%Off list…hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features: * Can create intricate designs * Dries quickly in just 2-3 hours * Adheres perfectly to glass, acrylic surfaces, aluminum and even lightly gessoed… Create Designs for your Frida Glass Paint! Relief Outliners are the first step to creating artwork with the beautiful look of real stained glass. Each relief outliner creates the out lines to make designs for Frida Glass Paints. Select any standard or metallic outliner color, make your design and allow to dry for approximately 2-3 hours and then fill in with your Frida Glass Paint! * Frida Solvent- to clean up any messes made with Frida Glass Paint or Relief Outliners Key Features: * Can create intricate designs * Dries quickly in just 2-3 hours * Adheres perfectly to glass, acrylic surfaces, aluminum and even lightly gessoed wood * Available in standard and metallic colors Perfect For: * Creating designs for Frida Glass Paint * Stained glass * Artists of all skill levels Frida Glass Paint Instructions > See More
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Schmincke Liquid Charcoal 35ml Grape Seed BlackSave Up to33%Off listBlack A Mess-free alternative to Charcoal that works like gouache! Schmincke Liquid Charcoal and Liquid Earth colors are ideal for creating clean, dust-free paintings, drawings, and underpaintings. The 3 distinct charcoal colors are made by charring fruit seeds in barrels, while the Liquid Earth colors are made with natural pigments mined in Germany. Liquid Charcoal and Liquid Earth paints don't muddy other colors, so they're perfect for underpainting and mixed media. Color can be applied thickly on smooth paper to make intentional smudges or thinly brushed onto textured paper to create a more refined look. Key Features: * Charcoal and earth colors suspended in gum arabic * PBK 8, pit black * Charred fruit seeds from the EU area * Natural pigments used to make earth colors * Thinned charcoal is resistant to smudging * Dilute with water to create dramatic values * Less muddy than traditional charcoal * Easy to subtract areas with water or eraser Perfect For: * An interesting addition to a watercolor palette * A base underpainting for oil or acrylic * Watercolor paper and canvas * Charcoal mixed media drawing * Stand-alone material * Making the leap from drawing to painting * Covering large areas with a base ground quickly Please note: Shades may vary from batch to batch because the pigments are natural. Each batch may have minimal color variation. See More
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Da Vinci Pro Medium Textured Panel 4"x12", 1-5/8" DeepSave Up to79%Off listWhite Superbly crafted for permanent works of art! Tested by artists, Da Vinci Pro Medium Textured Gesso Panels offer a slight textured surface for artists seeking a panel that grabs media like canvas. Works well with oils, the surface is easily adaptable to oil pastel and other drawing sticks, crayons, graphite and colored pencils, hard and soft pastels, acrylics and acrylic gouaches, and mixed media. Seal with an archival spray fixative appropriate to your individual medium for a dramatic, frameless presentation of your artwork. Key Features: * Medium textured, white acrylic polymer gesso with quartz sand * 7/8” and 1 5/8” cradle depths for frameless presentation * Kiln-dried New Zealand Pine cradle * Warp resistant, sealed MDF hardboard panel * Wide range of sizes for any artist’s needs * Cradles easily accept paint, stain, or clearcoat for finishing Perfect For: * Acrylics, oils, drawing sticks, crayons, pencils, colored pencils, and all types of pastels * Large scale drawings without the need or cost of framing * Frameless presentation of artwork in any media * Archival art that will last a lifetime * Students, teachers, professionals * See More
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Old Holland Gumwater Arabic 1000ml Bottle B1125Save Up to25%Off listgives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the… gives the paint greater transparency and brilliance Old Holland Arabic Gumwater Medium for watercolors, binds to paper, board, canvas and wood giving the paint greater transparency and brilliance! Made of pure gum dissolved in lukewarm water with glycerine. Old Holland Gum Arabic Gumwater is of the finest quality and available in professional sizes. Key Features:* Medium for watercolors* Binds to paper, board, canvas and woods* Greater transparency and brilliance* Made of pure gum* Dissolved in lukewarm water with glycerine See More
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LUKAS Oil Painting Medium - Stand Linseed Oil, 1 Liter CanSave Up to60%Off list…quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding… Bleached Linseed Oil - High quality, cleaned and bleached oil for use as a painting medium and binder for pigments. Perfect for glazing techniques and mixing with resins for traditional mediums; though slight yellow tint may affect white pigments. Linseed Oil Varnish - This painting medium and pigment binder is made by adding siccatives to linseed oil to speed the drying time. Has an obvious reddish-yellow tint. Mix with medium to dark colors to increase flow and speed drying. Stand Linseed Oil - Viscous, yellowish medium made thicker than standard linseed oil through application of heat. Increases gloss and translucence of oil colors, can be used as a binder or for making resin-based mediums. Slow-drying. Poppyseed Oil - Colorless, slow-drying oil carefully extracted from poppy seeds and bleached. Serves as a binder for creating oil colors, and a medium to add transparency. Its non-yellowing properties make it especially well suited for mixing with white or bright colors. See More
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