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Sharpie Markers, Mini Set of 4 - Assorted ColorsSave Up to22%Off listAssorted Colors Non-Toxic, Quick-drying, alcohol-based ink Sharpie markers are the original pen-style permanent marker. All Sharpies are quick-drying and have non-toxic alcohol-based ink. The fade and water-resistant inks are perfect for multiple project types, including general writing, illustrative arts, doodling, sketching, drawing, crafts, and hobbies. With a Sharpie marker, you can make permanent marks on most hard-to-mark surfaces. Make your mark in the studio, the home, the classroom, or the office with Sharpie! Key Features: * Original pen-style permanent marker * Quick-drying alcohol-based ink * AP certified non-toxic * Water-resistant * Permanent on most surfaces * Assorted colors * Click on the yellow circle icon to view color list Perfect For: * Use on paper, plastic, metal, and most other surfaces * General writing * Labeling items * Doodling, sketching, drawing * Most hard-to-mark surfaces * Crafts and hobbies Chisel Tip - Broaden the scope of permanence! Each Chisel Tip Marker features a wide-edged tip for both thick and thin marking lines. Like all Sharpies, the Chisel Tips have fade and water-resistant ink, making them ideal for multiple uses. Unique anti-roll barrel design and pocket clip ensure that you won't ever lose your Chisel Tip. This set includes the following colors: Purple, Red, Orange, Yellow Green, Green, Turquoise, Blue, and Black Fine Point - Permanent on most surfaces. Great for writing! Retractable - With patented safety seal to prevent colors from drying out and pocket clip. No more lost caps! Ultra Fine Point - Precise, narrow tip glides with control and accuracy. See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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Mini Dream Board Water Drawing Zen Board w/ Brush & Flip-Open StandSave Up to69%Off listA Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the… A Fun and Stress Reducing Way to Express Yourself Dream Boards® are the ultimate stress reducer. Perfect for Art Relaxation! These special boards much like The Buddha Board activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke. When the water evaporates the image disappears and you are left with a clean slate for your next adventure in imagery. It doesn’t matter if you are stepping away from a computer, tablet, or phone in order to rest your eyes while working out the daily heaviness of the days stresses. You are now able to dream no matter what your art proficiency. For anyone who is brush-savvy, you can now play with ideas easily and quickly anywhere in your home, office or when you want to travel. Dreaming allows us to define our goals and to work out our demons. Now you can do this while you are conscious which will certainly make your dreams more positive and make you happier, ready to take on the world with renewed energy and enthusiasm! Special boards activate with water to produce varying degrees of black across a middle tone grey background with each brush stroke! Comes with a higher quality better brush Key Features:* Available in various sizes, mini (5.31” x 5.79”) or large (9.45” x 11.81”)* Dream board, stand and brush - Just activate with water!* Made of high quality ABS plastic* Included brush is made to come to a fine point and hold lots of water* A higher quality better brush* Activated with water* Made of quality paper that will not bubble up or peel* Mounted to an ABS polymer board* Stands are made of high quality ABS plastic w/ brush holder slots* Brush is made to come to a fine point and hold lots of water* When the water evaporates the image disappear Perfect For:* Relaxation and stress reducer, art relaxation* Conveying thoughts and dreams onto paper* Ideas easily and quickly anywhere in your home, office or when you want to travel* Producing varying degrees of black across a middle tone grey background with each brush stroke* Perfect for practicing brush strokes* Art therapy and relaxation* No stress from your dream board as they are made of quality paper that will not bubble up or peel up mounted to an ABS polymer board. The stands are made of high quality ABS plastic w/ brush holder slots. Brush is made to come to a fine point and hold lots of water. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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The Edge All Media Pro Cotton Canvas 8"x40" - 1-1/2" Deep (Box of 3)Save Up to80%Off listWhite Ignite your composition with an inspiring substrate! Extra Long Sizes Are you bored of painting on the same standard canvas size? Ready to shake things up and supercharge your creativity? The new Edge All Media Cotton Canvases come in 21 extra long sizes like 10x40" and 12x72"! We've designed these new hypnotic sizes to help you hook your viewer's attention. Our goal, as always, is to emphasize your artwork. The extra-long rectangular shape naturally focuses attention, whether it's a triptych, a non-traditional portrait, or an abstract piece. Each canvas is coated in a ground-breaking primer that maintains the richness and purity of your paint colors. Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures superb barrier protection between paint and canvas, perfect for traditional and water-mixable oils. The Edge is known for its' tuck-n-roll style construction that keeps the back of the canvas neat and clean. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish your painting with solid-colored sides, or continue your design onto the sides for a distinctive modern look. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Key Features: * Extra Longs/Longs/Multiples (triptych) * Create unique multiple images that work together * Available in: Singles or Boxes of 3 * 1-1/2" Deep, Extra long sizes * 100% cotton canvas * 14oz primed weight * 8oz. raw weight before priming * Triple acrylic primed * Medium texture canvas * Deluxe stretched canvas * Professional tuck-n-roll style construction * Hand stretched by skilled artisans * Perfect For: * Oils, alkyds, and acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas * A non-traditional portrait * A landscape or an abstract piece * Painting a dazzling triptych See More
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