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R&F Encaustic Handmade Paint 333 ml Block - Ivory BlackSave Up to20%Off listBlack Encaustic- perhaps the most beautiful and versatile of all paints! R&F Encaustics are handmade wax-based paints that have unique properties you won't find anywhere else! In the simplest of terms, encaustics are a type of wax-based paint. If you've never tried this fascinating media, let us tempt you with a vast array of powerful colors and unique properties to extend your talents! R&F Encaustics are made here in the USA with traditional milling machines, a very controlled and slow process. There are no additives or dryers in these paints, so the color is intense and brilliant, allowing each pigment's characteristics to shine. Only the best pigments and materials go into R&F products, making these encaustics the very best you can get! Key Features: * Intense and brilliant colors * Composed of beeswax, resin, and pigment * Encaustic paint will not yellow or darken * Encaustic paintings do not have to be varnished * Wax can always be reworked * Best pigments and materials * 104 ml Blocks measure 3-3/8" × 1-1/2" × 1-1/4" * Made in the USA Perfect For: * Use with heated tools or palette * Encaustic painting * Mixed media techniques * Experimenting with custom paint mixes * Artists of all skill levels * Classrooms and workshops * Creating layered collage Unique Colors 2023 Holiday Limited Edition Set of 6: contains Warm Pink, Nickel Yellow, Ancient Gold, Phthalo Green Pale, Turkey Umber Pale, and Provence Red. Opaque Colors Set of 6: contains Cadmium Yellow Medium, Cadmium Red Medium, Chromium Oxide Green, Cobalt Blue, Titanium White, and Ivory Black. The paints are packed in a 6x6" cradled Encausticbord. Translucent Colors Set of 6: This set includes six 40ml blocks of the translucent colors Alizarin Orange, Alizarin Crimson, Egyptian Violet, Indian Yellow, Ultramarine Blue, and Viridian. The paints are packed in a 6x6" cradled Encausticbord. Introductory Colors Set of 6: Get started with this set of 40 ml cakes in classic colors. It includes Cadmium Green Pale, King's Blue, Naples Yellow, Neutral White, Turkey Red, and Turkey Umber Greenish. Painter's Dozen Set of 12: The set of 12 includes Titanium White, Burnt Sienna, Unbleached Titanium, Chrome Oxide Green, Indigo, Ultramarine Blue Pale, Turkey Umber Pale, Manganese Violet, Alizarin Orange, Olive Yellow, Cobalt Blue, and Ancient Gold. See More
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Box of 12 Sakura Pigma Micron Pen (01) .25 mm BlackSave Up to26%Off listBlack An archival expression that will last a lifetime! Permanent Archival Pigma Ink Sakura Pigma Micron pens have set the standard for technical pens for over 25 years. Available in a wide array of sizes, styles, and colors, Pigma Micron technical pens are perfect for comics and manga artwork, illustration, graphic arts, journaling, scrapbooking, drawing, record keeping, and more! The pigmented, archival, non-toxic ink is water-resistant; you can even paint over it without losing the detail of your line on delicate papers. Pigma ink is obtained from a single pigment to ensure color uniformity and is resistant to sunlight and UV light damage. Pigma pens are sure to delight you with their versatility and durability: archival ink for all your artistic expression! Key Features: * Non-toxic * Permanent Archival Pigma ink * Waterproof & chemical resistant * Fade-resistant & lightfast * Will not smear or feather when dry * Does not bleed through most papers * Sturdy plastic barrels with steel shafts & pocket clips * Nibs will not damage paper * Six fine line point sizes * Rich black ink & colors are available * For set, information click on the yellow circle technote icon Perfect For: * Manga artwork * Illustration & graphic arts * Calligraphers * Journals, scrapbooks, sketchbooks * Drawing & record keeping * Lab notebook & logbook documentation * Labeling scientific specimens * Curators, archivists, & artists * Personal historians * Sakura Pigma Micron Inks Brochure 100th Anniversary, Black, Set of 10 - To celebrate their 100th Anniversary, Sakura has created this limited edition set of their most popular product, the Pigma Micron Pen. This package of 10 pens features Micron Pens with Black ink in sizes 003, 005, 01, 02, 03, 05, 08, 10, 12, and PN with commemorative black barrels and gold pen clips. Set of 6, Assorted Colors, 005 - Contains six Micron size 005 (0.20 mm) pens, including Black, Red, Blue, Green, Brown, and Purple. Set of 6, Assorted Colors, 05 - Contains six Micron size 05 (0.45 mm) pens, including one each of Black, Red, Blue, Green, Brown, and Purple. Set of 16, Assorted Colors, 05 - Includes one each of Blue, Red, Green, Brown, Purple, Yellow, Orange, Rose, Sepia, Royal Blue, Burgundy, Hunter Green, Blue/Black, and Fresh Green, plus two Black. Set of 3, Black, Pigma Graphic Pens - Includes one each of 01 (0.25 mm), 03 (0.35 mm), and 05 (0.45 mm). Black ink. Set of 3, Black 08, 10, 12 - Includes one each of Black pens in sizes 08, 10, and 12. Set of 6, Black, Drawing Pens Assorted Tips - Includes one each of sizes 005, 01, 02, 03, 05, and 08. Set of 6, Black, Micron Pen Set - Includes one each of size 01 (0.25 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), and 12 (0.70 mm) in Black ink. Set of 8, Black, Assorted Sizes - Includes one each of sizes 005, 01, 02, 03, 05, 08, Pigma Brush Marker, and Pigma Graphic pen size 10. Set of 10, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), and one Pigma PN (0.45 mm). Black ink. Set of 16, Black, Assorted - Includes one each Pigma Micron in sizes 003 (0.15 mm) , 005 (0.20 mm), 01 (0.25 mm), 02 (0.30 mm), 03 (0.35 mm), 05 (0.45 mm), 08 (0.50 mm), 10 (0.60 mm), 12 (0.70 mm), one each Pigma Graphic in sizes 1 mm, 2 mm, and 3 mm, two Pigma PN (0.45 mm) pens, and two Pigma Brush pens. Black ink. Set of 4, Sepia, Assorted Sizes - Includes one each of sizes 01, 05, and 1mm, and Brush Tip. Size 003 - Size 003 creates an extra-fine 0.15 mm line. The nib is extremely delicate and can be damaged by more than a light touch. Pressure beyond the weight of the pen may damage the nib and void the warranty. Light Toner Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Light Cool Gray (#42). Dark Neutral Gray (Assorted Nibs) Set of 3 The three-piece set includes tip sizes: 01, 05, and 10 in Dark Neutral Gray (#44). Set of 8, Gray, Pen Set Assorted Nibs The eight-piece set includes tip sizes: 01, 05, 10, and Brush (in the colors Light Cool Gray & Dark Neutral Gray). Set of 10, Gray, Pen Set Assorted Nibs The ten-piece set includes tip sizes: 01, 05, 10, and Brush (in Light Cool Gray & Dark Neutral Gray) plus 1 each: 05, 10 (Black). See More
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Jacquard Cyanotype Potassium Ferricyanide, 1lb JarSave Up to15%Off listHarness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for… Harness the power of the sun to make detailed prints from virtually any object Cyanotype sun-printing process is one of the earliest photographic processes and is distinctive for its Prussian blue monochromatic prints. Famously, cyanotype was used by Ana Atkins and other field biologists for indexing plant specimens with what were called photograms at the time. The Cyanotype process is incredibly simple and only employs two inexpensive chemicals and UV sunlight. Prints can be created on any natural fiber: paper, cotton, silk, wool, wood, etc. Jacquard has made Cyanotype printing easy as pie with pre-sensitized fabric that is ready for cyanotype printing. Simply pull the sheet out of the package, place objects or an inverted photographic negative on top, expose to light for three to fifteen minutes, submerge the fabric in water to reveal the blue cyanotype print, and finally hang the fabric to line dry. With Jacquard’s Cyanotype Pretreated Mural Fabric you can actually create a full-body print by laying on top of the mural fabric for the duration of exposure while not moving. The creative possibilities for Photographers, Mixed Media Artists, and Quilters are endless! If you would prefer to use your own papers or fabric Jacquard has made the chemistry of Cyanotype attainable with lightproof black bottles of Potassium Ferricyanide and Ferric Ammonium Citrate. The chemicals used for cyanotype are inexpensive and go a long way. Despite their perhaps alarming names, both are safe to handle and mix. That said, care should be taken to avoid ingestion, inhalation, and contact with skin. The instructions for the use of Potassium Ferricyanide and Ferric Ammonium Citrate are included in the link bellow Great for photographers, mixed media artists, printmakers, quilters, kids and more, the cyanotype process is easy, forgiving, quick, magical and fun. Capture the nuance of every shadow Key Features: * Harness the power of the sun to make detailed prints * Simply place the object on the sensitized surface and expose to sunlight (UV) * Sun exposure time is 3-15 minutes * Pre-sensitized Cyanotype fabric Perfect For: * Quilters and Surface Design Artists * Photographers * Mixed media artists, printmakers, quilters See More
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Claytoon Non-Hardening Modeling Clay - Neon Colors, 1lbSave Up to13%Off listAssorted Colors Non-toxic, non-hardening modeling compound perfect for any project! This vibrant and versatile modeling clay is a perfect medium for kids of all ages! Claytoon Modeling Clay is non-toxic and safe for kids' use, and since it never hardens and remains pliable, it is infinitely reusable for hours of sculpting fun! Claytoon clay is available in seven fun color combinations, each with a quarter pound of four brilliant colors. Each color is individually wrapped in cellophane for freshness and brilliance. Perfect for making figurines, finger puppets, school projects, sculpted characters and more, Claytoon Modeling Clay is sure to be a big hit for any budding sculptor! Key Features: * Non-toxic modeling clay * Never hardens, remains pliable * Sets of 4 colors (1 lb. clay total) * Each set includes basic project instructions Perfect For: * Making figurines & finger puppets * Animation & character modeling * School projects & crafts * Creative fun for kids of all ages! See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. * Encaustic Gesso - This water-based ground is a modern version of the traditional gesso mix of rabbit skin glue and chalk. Specially formulated for encaustic painting, with a lower proportion of acrylic binder to solids, making it a more absorbent and receptive surface for wax-based paints. A quick and easy brushable white gesso. Specially formulated white ground for encaustics. * Encaustic Medium - Perhaps the most essential encaustic supply, Encaustic Medium is a blend of beeswax and damar resin, and is used to increase transparency and extend encaustic paints. It is important to use Encaustic Medium with your paints, as using only beeswax will reduce stability and produce a bloom on the painting that is only removable with heat. Available in either block or pellet form. Increases transparency and extends encaustic paints. * Impasto Modeling Wax - This heavy body wax medium is made from a mix of microcrystalline wax and beeswax. It is excellent for thick structural application, casting, carving, layering, and modeling. As Impasto Wax has a higher melting point than Encaustic Medium, you can apply standard encaustics over it without easily blunting sculptural shapes. Use for thick encaustic paint application and sculptural styles. * Damar Resin Crystals - A hard, clear resin from deciduous trees, Damar Resin Crystals are used to create encaustic mediums and paints. When mixed with beeswax, damar resin creates an encaustic binder that is stronger and more durable than beeswax alone, and also serves to raise the melting point of the wax. Damar is also used to create traditional oil painting mediums and varnishes. * White Beeswax (Pellets) - This natural beeswax has been whitened by mechanical filtration, instead of standard chemical bleaching, which can lead to negative pigment reactions and break wax down. Use White Beeswax as an ingredient in creating encaustic mediums and paints, along with Damar Resin, or as an initial priming layer for paper or board. Note that beeswax used alone in encaustics (without damar) is not as stable and is apt to bloom (become foggy). Use with damar resin to create encaustic paints and mediums. * Soy Wax (Pellets) - Made from partially hydrogenated soybean oil, Soy Wax is an environmentally friendly choice for cleaning encaustic brushes and tools. Unlike paraffin wax, which is made from petroleum products, Soy Wax is non-toxic, biodegradable, and made from an easily renewable resource. Use melted Soy Wax to remove color from painting materials, then wash tools or brushes in soapy water. Eco-friendly cleaning wax. See More
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R&F Handmade Paints - Encaustic Medium (Pellets), 1lb BagSave Up to20%Off list…and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets)… Fine handmade mediums for encaustic painting! The ancient art of encaustic painting is brought into the 21st century with this excellent collection of handmade encaustic grounds, mediums, and raw materials from R&F! Enhance your encaustic paintings or make your own mediums to your specifications with this selection of fantastic ingredients. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Gesso - Specially formulated white ground for encaustics. Encaustic Medium - Increases transparency and extends encaustic paints. Impasto Modeling Wax - Use for thick encaustic paint application and sculptural styles. Damar Resin Crystals - Ingredient in making encaustic paints and mediums. White Beeswax (Pellets) - Use with damar resin to create encaustic paints and mediums. Soy Wax (Pellets) - Eco-friendly cleaning wax. See More
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Jacquard Dye Additive Urea 1 lb BagSave Up to10%Off list…Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting,… Essential chemicals for the dyeing process! Jacquard offers several necessary chemicals that complement their Acid and Procion MX dyes. Sodium Alginate SH is used to thicken dyes for painting, stamping, or screen printing. Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes to protein-based fibers. Soda Ash promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. The humectant Urea attracts moisture from the air and slows the tie-dye process, providing more time for the dye to process and generate deeper shades. You can use Synthrapol® an industrial-strength, pH-neutral liquid detergent as a wetting agent, or wash your decorated fabrics with it. It is essential to practice studio safety when using dyes and chemicals. Please keep dyes, paints, and chemicals away from children and avoid unnecessary skin contact. Key Features: * Powdered chemicals * Complement Acid and Procion MX dyes * Sodium Alginate SH will thicken dyes * Citric Acid is used to fix acid dye * Soda Ash is used to fix Procion MX dye * Urea enhances Procion MX colors * pH-neutral detergent and wetting agent Perfect For: * Fabric dyeing * Painting, stamping, or screen printing * Tie-dye, shibori, and ice dyeing * Low water immersion dyeing * Batik, printing, and direct painting * Direct painting or printing applications * Surface design Sodium Alginate SH: Sodium Alginate SH is a seaweed derivative used to thicken dyes for painting, stamping, or screen printing. When working with thicker fabrics, use a thinner consistency of dye solution to guarantee dye penetration. Instructions: Mix 1 quart water with ¼ cup Urea. Then, add two teaspoons Sodium Alginate SH for hand painting or four teaspoons Sodium Alginate SH for screen printing. Slowly sprinkle Sodium Alginate SH over water/Urea mix. Stir constantly for 10 minutes, or mix in a blender until smooth. Let stand for 1 hour, then stir again. The solution may be stored in a refrigerator for a few months. Soda Ash: Soda Ash dye fixer is a mild alkali that promotes the chemical reaction between Procion MX fiber reactive dyes and cellulose fiber. It is also known as sodium carbonate, washing soda, or salt soda. Soda Ash is necessary to activate and set Procion MX dye. For tie-dye (pre-soak method): Use one cup per gallon of warm water. Soak fabric in the mixture for 20 minutes. Squeeze/wring out the excess solution by hand. Do not rinse out. For immersion dyeing: Use 1/4 to 1/3 cup per three gallons of water. Add to dye bath per instructions. Dyeing cellulose fibers in a washing machine: Use 2-3 cups per load. Dissolve in one-quart hot water. Slowly add to dye bath in washer per instructions. Synthrapol®: Synthrapol® is an industrial-strength, pH-neutral liquid detergent used as a pre and after wash for dyed or painted fabrics. Synthrapol® can also be used as a wetting agent for fabric dyes and paints. The unique liquid detergent keeps loose dye pigment suspended during washing which prevents back staining and helps remove excess color. Pre wash: Prewashing fabric with Synthrapol® to remove oils, waxes, starches, and sizings helps ensure an even dye job and reduces the risk of blotchy color. Directions: Add three tablespoons Synthrapol® per 8 lb washing load. For cotton and other cellulose fibers, add two tablespoons soda ash. Wash for at least 10 minutes using hot water, and then rinse thoroughly. After wash: After dyeing or painting, rinse the fabric in cold water and then wash for at least 10 minutes using three tablespoons Synthrapol® per 8 lb wash load. Use hot water for cotton, cool to warm water for silk and wool, and then rinse thoroughly in cold water. Wetting Agent: Adding Synthrapol® to a dye bath or fabric paint can increase color penetration. When dyeing wool and other hard-to-wet fibers, add 2 to 3 drops of Synthrapol® per 5 lb fabric. To increase fabric paint coverage on hard-to-wet textiles, add 1 to 2 drops Synthrapol® per 2 fl oz of fabric paint. Citric Acid: Citric Acid is a mild, odorless, powdered acid that helps fix acid dyes and exhaust dye baths. Add one tablespoon of Citric Acid to the dye bath per 1 lb of fabric. Do not pour directly onto cloth. If further exhaustion of dye bath is necessary, add a little bit more. Avoid contact with eyes. In case of eye contact, flush immediately with water for at least 15 minutes. Keep out of reach of children. Urea: Urea is a humectant that attracts moisture from the air and slows the drying process; therefore, it allows more time for the dye to react with the fiber and helps develop deeper shades. Most artists use Urea when applying dye solutions directly to fabric or hand painting. Urea can be used with Sodium Alginate thickener for screen printing, direct painting, or tie-dye. Add one tablespoon Urea per 8 fl oz of dye solution (¼ cup per one quart of dye solution). See More
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UART Sanded Pastel Paper 500 Grade 21" x 27" (Pack of 10)Save Up to45%Off list…Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards… Professional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards provide the artist with a uniform work surface that remains constant. UART Premium Sanded Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper. UART Pastel Paper is available in seven grades from 240 to 800. The 240 has the largest tooth available in a sanded pastel paper. The 280 and 320 are great for the artist that wants a little extra layering. The UART Pastel Paper 400 has proven to be a favorite of pastel artist's. The finest tooth is our 800 grade, popular for colored pencil as well as pastel. The 500 and 600 grades provide a moderate tooth. With seven grades to offer, UART meets the needs of the artists. UART Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes. Great results have also been achieved using other mediums too.* Multiple Grades, Various Resistances! * Available in 7 grades from 240 to 800 * Neutral pH, acid free * See the videos using: Water Pastels, Pastels and Colored Pencils uART pastel paper is an excellent surface for holding many layers. Trust your work on uArt Premium Pastel Paper * 240 – the largest tooth available in a sanded pastel paper * 280 – ideal for those with a heavier hand or who want texture to show * 320 – perfect for artists who desire extra layering * 400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time * 500 – a moderate tooth for any medium * 600 – perfect for those with a focus on detailed work * 800 – finest tooth, popular for super fine pastel or colored pencil application See More
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