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Fredrix Roll Canvas 569 Dallas 63" x 6 YardsSave Up to21%Off listWhite 122 Yankee Classic - 73" wide primed medium weight duck. Due to its strength, weave and tooth it is liked, especially by acrylic painters. 123 Dixie Heavy - 12 ounce duck with substantial texture and tooth. As a mural canvas, it is equal in strength to many lighter weight linens. 139 Tyron - A heavy weight cotton duck of excellent quality and strength. Special acrylic priming of extra flexibility and the appearance of an oil ground. 569 Dallas - Extra wide for mural and large work. Made of pure cotton duck with an even weave and medium texture. Extremely popular, sometimes overlooked for value. 574 Knickerbocker - Exceptionally fine weave and texture. Made of 100% cotton, acrylic primed. A delight for work that requires exact detail. 580 Universal - An acid free, medium weight cotton duck canvas with an even texture. Universally primed to accept oil colors, acrylics, alkyd paints, etc. 583 Alabama - A very popular economical chafer duck with a pronounced weave. Available in several lengths for maximum versatility. 70 Primed Cotton - Double primed finest quality pure cotton duck, primed for all media. Medium texture, good strength. Most popular canvas in all areas. See More
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FW Mixed Media Small Marker 1-3mm Chisel Nibs Pack Of 2Save Up to22%Off list…Mixed Media Paint Markers enable an artist to create a selection of custom colors that can be used across a variety of surfaces. The hard nibs on these markers make them perfect for use on surfaces like concrete, stone, and canvas. FW Mixed Media Markers are available in nine different sets varying… Paint Markers - Create new marker colors Empty FW Mixed Media Paint Markers enable an artist to create a selection of custom colors that can be used across a variety of surfaces. The hard nibs on these markers make them perfect for use on surfaces like concrete, stone, and canvas. FW Mixed Media Markers are available in nine different sets varying from large to small barrel sizes and can be outfitted with a variety of different nibs fit for technical drawing, street art, and illustration. Ideal for FW Acrylic Ink, once filled the empty markers can be used to formulate new colors by mixing and dilution. Volume measurements on each empty marker barrel allow for precise color mixing. The Markers can also be filled with calligraphy inks or watered down watercolor. Empty markers can be washed for re-use. For best results, shake well and pump gently. Markers should be stored horizontally. Not intended for use with FW Pearlescent Inks. Key Features: * Variety of nib widths and types * Small and large barrel sizes * Volume measurements on each empty marker * Empty markers can be washed for re-use * Formulate new marker colors * Extend the life of your markers with replacement nibs. Perfect For: * Mixed Media * Technical drawing, street art, and illustration * Concrete, stone, and canvas * FW acrylic water-resistant artists Inks * Ink and liquid watercolor See More
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Awagami Papers Okawara (51GSM) Pack of 25Save Up to24%Off listWhite Over 8 generations of family papermaking! Since the late 18th century, Japan's Awagami Factory has been producing fine-art papers characterized by their softness and strength. Their papers, including their signature Kitakata paper, are made from regional fibers to yield paper sheets with an expressive surface and impressive character. Awagami Japanese Handmade Papers are acid-free, made with respect, and care for the environment and suitable for professional artists & students alike. Here you will find some of Awagam's best-selling papers for painting, drawing, printmaking, book arts, and alternative photography. Key Features: * Handmade paper * Acid-free * Eco-friendly * Eight generations of papermaking experience * Regional fibers make up the paper pulp * Made in Tokushima, Japan Perfect For: * Painting and drawing * Printmaking * Book arts * Alternative photography prints * Block and monotype printing * Students, teachers, professionals Bamboo, 170gsm: Made with environmentally friendly bamboo, this sheet has a small ecological footprint. Bamboo Select is slightly heavier than other washi with a lovely soft surface making it ideal for intaglio, block-printing, and letterpress. 70% Bamboo, 30% Recycled. Bunkoshi, 70gsm: This paper has a relatively deep natural color and smooth surface with 4 deckled edges. Its texture is classically Japanese, with no additional sizing, making it good for both printmaking and calligraphy. 30% Kozo, 70% Alpha Cellulose. Ginwashi Cream 39gsm: This beautiful thin paper has hemp fibers that resemble "Gin", or silver. Hakuho, 220gsm: This sturdy sheet is made from an impressive blend of kozo and cotton, and is the first fine paper to feature this unique East meets West fiber blend. Hakuho Select's strong and resilient surface is certain to lend unique textural depth to artworks created on it. Great for Woodcut, but sized enough for atmospheric watercolors. 45% Kozo, 55% Cotton. Hosho, 80gsm: The striped laid lines are a unique characteristic of this high-quality sheet. Long recognized by printmakers as one of the most versatile of Japanese washi papers, Hosho Select is particularly suitable for woodblock prints. 100% High Alpha Cellulose. Kinwashi, 30gsm: Kinwashi (also known as Ogura Natural) is 30 gsm with cut edges machine-made from acid-free manila hemp and kozo with long swirling fibers set in a creamy, natural-colored paper. Heavier than Ginwashi, it is great for printing and printmaking as well as shoji screens, lampshades, collage, and book arts. Kitakata Natural, 36gsm: Primarily composed of Gampi fiber, Kitakata has a subtle gloss yet surprisingly soft surface. Warm-toned yet resilient the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi, 10% High Alpha Cellulose. Kitakata Green 36gsm: Primarily composed of Gampi fiber, Kitakata Green has a subtle gloss yet surprisingly soft surface. Warm-toned and resilient, the sheet itself is also quite dense, making it ideal for many types of printmaking. 90% Gampi - 10% Alpha Cellulose Kozo, 46gsm: Kozo, which derives its name from the eponymous fiber from which it is made, is the choice of many fine art printmakers and calligraphers. Kozo fiber, a renewable resource, is long and durable and results in a paper that is highly absorbent and supple. It also serves as the base paper for many other practical and creative applications such as shoji screens, umbrellas, lanterns, fans, and Yuzen-patterned papers. It is handmade from acid-free kozo, hemp, and sulfite pulp with four deckle edges. Masa, 86gsm: Masa paper (often referred to as affordable Hosho) is machine-made of sulfite pulp, bright white, and acid-free. One side is very smooth, the other side toothy. It is economical and useful for edition proofs and for student grade projects. Internally sized and should be slightly dampened prior to printing. Mulberry, 45gsm: Mulberry paper is handmade of kozo and sulfite pulp, white and acid-free, and its strength, softness, and flexibility make it the most versatile sheet for printers and printmakers. This paper is good for relief printing, silkscreen, hand lithography, and book arts. Okawara 51gsm: This paper has a warm natural color, medium weight, and subtle surface texture. Because of its versatility and affordable price point, this sheet has become an international standard for printmaking students. 25% Kozo, 75% High Alpha Cellulose. Sekishu White 35gsm: The manufacture of Sekishu started 1300 years ago and continues today. It is the trademark of the Shimane prefecture, famed for producing the purest conservation papers. Sekishu paper is handmade with kozo and sulfite pulp, acid-free with four deckle edges and a laid finish. It is used mostly in conservation, but also suitable for printing and printmaking. The paper is perfect for conservation and printmaking. Shiramine 110gsm: The relative thickness, generous sizing, and easy-to-use color of Shiramine make it a versatile paper for many art mediums including printmaking, painting, and drawing. 30% Kozo, 15% Hemp, 55% High Alpha Cellulose. Tengucho 10gsm: Tengucho is the thinnest paper made in Japan, specially designed for conservation and restoration of documents. It was invented during Japan's Edo period 1603-1867 by Genta Yoshii and was designated as a cultural asset in 1976. This paper is acid-free and machine-made of pure Kozo pulp10 gsm with cut edges. 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Unprimed Cotton Duck Army Duck Smooth Blanket (10 oz.) 63" x 6 Yards - Smooth TextureSave Up to79%Off listNatural Professional Cotton Duck Canvas At An Amazing Value! Are you tired of painting on small standard sized canvases and find it difficult or prohibitively expensive to work larger? Deluxe Unprimed Cotton Duck has the answer with their line of professional quality Cotton Duck canvas blankets— all at an affordable price! These deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers and are available in a range of ounce weights. These premium raw unprimed canvases are available in large blankets that you can stretch to your desired canvas size! Deluxe raw unprimed canvas blankets are crafted from only the highest quality cotton fibers Key Features:* Professional quality Cotton Duck canvas blankets* Unprimed canvas blankets* Crafted from only the highest quality cotton fibers* Available in large blankets that you can stretch to your desired canvas size* Great for muralist or large scale works* Can be gessoed and or to stretch your own canvas Unprimed Cotton Duck Canvas Blankets Details: * Unprimed Cotton Duck (#'s)* #8 (18oz. Unprimed)* #10 (15oz. Unprimed)* #12 (12oz. Unprimed)* These cotton ducks are durable, double filled and have a very uniform canvas surface* Single Fill - 7oz. unprimed weight economy cotton sheeting with a uniform medium texture.* Army Duck -Â 10 oz. unprimed weight smooth canvas that is very much liked for portrait and realism. See details below See More
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Sennelier Artist Dry Pigments Ivory Black 120 gramsSave Up to37%Off listBlack An Endless Combination of Colors! These pure, concentrated pigments are used in the actual production of legendary Sennelier Artist paints and pastels. All dry pigments come packed in 175 ml jars and are sold by weight. Please note that pigments usually do not fill the top of the jar when you receive them. This is because some pigments tend to settle more than others after filling. Sennelier Dry Pigment Color Chart > See More
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Old Holland Classic Pigment Deep Ochre 120gSave Up to40%Off listBrown Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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