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Old Holland Classic Pigment Vermillion Extra 55gSave Up to25%Off listRed Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Princeton Velvetouchâ„¢ Series 3950 Synthetic Blend Brush #18/0 Short LinerSave Up to46%Off list…smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes Princeton Velvetouchâ„¢ Luxury Synthetic Blend 3950 Series Brushes are comprised of a multiple-filament, luxury synthetic blend for excellent color-holding capacity, precision tapering and resilient spring. The synthetic blend is unique to each individual shape to ensure maximum performance. Comfort is ensured with our smooth, signature Velvetouchâ„¢ handle. Key Features:* A superior blend for performance* Best quality for multimedia* Velvetouchâ„¢ comfortable handle* Excellent color-holding capacity Perfect For:* Acrylic & watercolor application* Professional artists* Mixed media applications* Decorative painting See More
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Silver Silk 88â„¢ Short Handle Synthetic Brush #18x0 Script LinerSave Up to35%Off list…color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques Make your mark with Silver Silk 88™! Silver Silk 88™ by Silver Brush is the best quality synthetic brush on the market for use in fluid acrylics, interference acrylics, gouache, watercolors, and more. These brushes have great absorbency, exceptional holding capacity, wonderful color control, and excellent wear resistance. The Mini Mop brush shape is made of natural goat hair, unlike the other brush shapes in the Silver Silk 88™ line. Natural goat bristles make the Mini Mop perfect for scrubbing, blending, and softening. Silver Silk 88™ surpasses all others in performance, durability, and affordability. Key Features: * Excellent absorbency & color control * Smooth, even strokes * Carries color reliably from the palette to painting surface * Maintain chisel edges and sharp points * The Mini Mop is made with Natural Goat hair Perfect For: * Fluid Acrylics, Interference Acrylics * Watercolors, gouache & more * Wet-on-wet techniques See More
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White Artist Tape 1"x60 Yard RollSave Up to57%Off listWhite Artist Tape for Everyday Use! Pro Tapes line of Artist Tape is ideal for labeling, drafting, and framing. The acid-free tape is PH neutral and will not yellow over time. The tape can be repositioned and removes cleanly without leaving a stain or ghost. Each 60-yard tape roll has a matte paper surface for easy labeling with a pen or marker. Artist Tape is easy to tear with a high edge tear resistance. Artists can use the tape for bookbinding or repair, labeling, drafting, photo edging, cropping, splicing, temporary holding, and framing Key Features: * Made in the USA * Acid-free, PH Neutral * Can be written on * Removes cleanly, no residual adhesive * Repositionable * Hand tearable * Easy to unwind * Waterproof backing * High adhesion and tack Perfect For: * Mounting, matting & framing artwork and prints * Framing * Labeling * Drafting * Photo Edging & Cropping * Splicing * Temporary holds * Everyday studio use! See More
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Artist Black Masking Tape 1" x 60 Yard RollSave Up to54%Off listBlack This tape is great for blocking light, sealing the edges of your art work, identification and much more. It has a rich, deep black color. This crepe paper tape contours easily around corners for clean edging. With special acid-free adhesive. 60 yard rolls with 3" diameter cores. See More
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UART Sanded Pastel Paper 600 Grade 27" x 40" (Pack of 10)Save Up to45%Off list…Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards… Professional Sanded Paper Great for Underpainting UART Premium Sanded Pastel Paper is designed for the artist that seeks quality and consistency in their painting surface. Our computer-controlled electrostatic coating process results in a consistent grain application. This, along with our high quality standards provide the artist with a uniform work surface that remains constant. UART Premium Sanded Pastel Paper is pH neutral and acid free. UART Pastel Paper accepts underpainting using a wide variety of media such as water, oil, mineral spirits, turpenoid and alcohol. After the underpainting process, the tooth still holds many layers of pastel and the grain will remain affixed to the paper. UART Pastel Paper is available in seven grades from 240 to 800. The 240 has the largest tooth available in a sanded pastel paper. The 280 and 320 are great for the artist that wants a little extra layering. The UART Pastel Paper 400 has proven to be a favorite of pastel artist's. The finest tooth is our 800 grade, popular for colored pencil as well as pastel. The 500 and 600 grades provide a moderate tooth. With seven grades to offer, UART meets the needs of the artists. UART Sanded Pastel paper is the choice of many professional pastel, colored pencil, charcoal and water color artists. Its texture is ideal for pastel drawings where consistency is demanded UART Pastel Paper will accept multiple applications of soft and hard pastels, as well as watercolor and oil washes. Great results have also been achieved using other mediums too.* Multiple Grades, Various Resistances! * Available in 7 grades from 240 to 800 * Neutral pH, acid free * See the videos using: Water Pastels, Pastels and Colored Pencils uART pastel paper is an excellent surface for holding many layers. Trust your work on uArt Premium Pastel Paper * 240 – the largest tooth available in a sanded pastel paper * 280 – ideal for those with a heavier hand or who want texture to show * 320 – perfect for artists who desire extra layering * 400 – a favorite of many professional pastel artists and ideal for those trying UART for the first time * 500 – a moderate tooth for any medium * 600 – perfect for those with a focus on detailed work * 800 – finest tooth, popular for super fine pastel or colored pencil application See More
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