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Nitram Fusain Aquarelle Watercolor Charcoal, 1.75ozSave Up to30%Off listBlack Rich, Black Charcoal For Drawing! Nitram has long been the expert in making rich black charcoal for discerning artists. The charcoal comes in sticks, batons, powders, liquids, and watercolor pans. These different types of charcoal allow you to create expressive drawings and paintings. Nitram charcoal is less likely to break. The wood used to make it is carefully processed to preserve the cell structure. This unique production method keeps the charcoal strong and resistant to breakage. It doesn't crumble or skip when used expressively or under pressure. The baton mignoettes holder is a great way to hold and use Nitram charcoal. Nitram's Sharpening Bloc is for artists that like their drawing tools sharpened. Use it to give your charcoal sticks a fine point! Key Features: * Several sizes and formats are available * Available in different hardnesses * Charcoal is resistant to breaking * Draw with or without a charcoal holder * Sharpener available with refill pads Perfect For: * Drawing and sketching * Painting with charcoal * Creating brilliantly dark lines * Shading and drawing shadows See More
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Old Holland Classic Pigment Caput Mort Violet 160gSave Up to25%Off listViolet Prepare custom paints and base liquids with these pure, light-fast pigments and high quality raw materials! For the artists who prefer to create their own paints, Old Holland Classic Pigments and Raw Materials offers a carefully selected range of 98 light-fast dry pigments. Old Hollands organic, anorganic and synthetic organic pigments have outstanding color strength, clarity and intensity. Six different raw materials, from dammar resin to hide glue, allow artists and restorers to create their own base liquids. Old Holland uses these pigments to make all its paints. The pigments have an outstanding colour strength, clarity and brilliance Key Features: * Wide range of light-fast pure pigments * 98 light-fast dry pigments * Excellent color strength, clarity and brilliance * Organic pigments include Carmine, Indian Yellow and Madder Lacquer * Anorganic pigments include Umbers, Cadmiums and mineral pigments Perfect For: * Artists who prefer to create their own paints * Artists working in oils * Restoration work * Painting on canvas pigments can be divided into three groups: Group 1: Organic pigments Of natural origin, animal or vegetable (living), usually carbon compounds. Some examples: Carmine (from the Cochineal insect), Gummigutta, Gamboge (from the gum resin of the Garcinia Tree), Indian Yellow (from the urine of cows that eat mango leaves), Mummy (from the remains of Egyptian mummies), Madder Lacquer (from the root of the common Madder plant). Group 2: Anorganic pigments: Chemical compounds from chemical elements other than carbons (non-living). Some examples divided into three subgroups:Earth pigments: Ochres, Umbers, Green Earth, Caput Mortuum, Venetian Red. Mineral pigments: Malachite, Vermillion, Lapis Lazuli. Synthetic inorganic pigments (do not occur in nature but are manufactured): Prussian Blue, Ceruleum Blue, Lead White, Cadmiums. Group 3: Synthetic organic pigmentsComplex carbon compounds which do not occur in nature, but are created in the laboratory. Some examples: Phtalocyanine Blues and Greens, Quinacridones, Isoindolinones, Dioxazine, Azo Pigments. See More
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Schmincke Horadam Watercolor 140 Color Dot CardSave Up to40%Off listAssorted Colors Horadam Watercolors Outperform All The Rest! Schmincke has been producing its Horadam line of watercolors since 1881. Today the Horadam line includes 189 glorious colors, 152 of those colors have the highest lightfastness ratings of 4 or 5 stars. 95 of the colors are formed with a single pigment for perfect mixing effects. Each color has its own independently optimized recipe made of the finest pigments, Ox gall, and traditional binders. Schmincke uses only Kordofan Gum Arabic from the southern Sahara a natural resin binder. Horadam colors can be raised from a dried palette without developing globules. Colors that have dried on the palette can be awakened with a wet brush and reused an infinite number of times. Schmincke limits use of ONETZ (ox gall) as a dispersant. This helps the artist maintain full control of color, even on softer papers. Key Features: * Made in Germany * Highest possible lightfastness: 152 tones * 50 Granulating colors * Paint is reusable once dried on palette * Gum Arabic binding medium * Limited use of ox gall as a dispersant * High control of paint flow Perfect For: * Watercolorists * Professional artists with high standards * Illustrators * Color mixing * Plein Air painting * Soft sized papers Most of the Horadam watercolors are non-granulating and have an even paint flow, but 22 colors are granulating. You can spot granulating colors by the G stamped on the tube. Granulation is caused by: * Heavy pigment particles, like cobalt, settling in paper indentations. * Light pigment particles clustering together due to attraction. You can mix super granulating colors to create unusual color shifts. The granulating color shift will vary with the mixing ratio used. What is the right paper for granulation? The rule is: The rougher the paper, the greater the granulating effect. More absorbent papers need a little more water. Hot-pressed paper is unsuitable for granulating effects. Schmincke Horadam Watercolor Limited Edition Curated Wood Box Set, While Supplies Last! - A Jerry's Exclusive Set: 12 half pans, 5ml tube of titanium white, and 3 large empty pans, Wooden box palette and a Create your own color chart See More
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Silver Brush Ruby Satin® Synthetic Brush Series 2515S Short Handle Pointed Triangle Extra SmallSave Up to35%Off list…brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round,… Interlocked Synthetic hair provides a "bounce back" effect for painting! Ruby Satin is a revolutionary synthetic brush with the control and feel of interlocked bristle. They are even more durable than natural hair! Ruby Satin offers a vast choice for artists working in traditional or modern media. Ruby Satin has a precise snap and fine control and is designed to replace more expensive natural hair brushes. With Ruby Satin, artists experience superb color control with extra heavy bodied tube, or jar acrylics. It is also ideal for use with oils, encaustic or casein. Ruby Satin filaments are sealed and set in seamless nickel plated brass ferrules, then carefully fitted to deep green polished handles. Key Features: * Synthetic hair * Precise snap * Controlled feel of interlocked bristle * More durable than natural hair * Seamless nickel plated brass ferrules * Deep green polished handles Perfect For: * Heavy body acrylic * Oils * Casein paints * Encaustic * Replacing expensive natural hair brushes * Working in traditional or modern media Master Brush Set of 7 (Series 2503) w/ Bamboo Brush Holder Includes: 52165 – Size 8 Round, 52169 – Size 4 Flat, 52170 – Size 6 Flat, 52175 – Size 4 Bright, 52177 – Size 8 Bright, 52181 – Size 4 Filbert, 52185 – Size 12 Filbert & a Bamboo Brush Holder See More
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Bristlon Ser 1915S Short Handle X-Small TriangleSave Up to35%Off list…* Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists Resilient bristle "pops" back into shape! Imitates natural bristle Bristlon® is a fantastic stiff white synthetic brush that can be cleaned with harsh solvents without destroying the brush head's shape. The brush hairs have an interlocked construction providing excellent resiliency, so after each stroke, the brush "pops" back into shape for a perfect next stroke. Bristlon® will never go mushy on you and maintains its' sharp point and chisel edges on rough surfaces, giving excellent control with a minimal brush stroke. Bristlon® brushes perform marvelously with oils, alkyds, acrylics, caseins, or water-mixable oils. The synthetic bristles grip color well and move heavy paint with authority. They are superbly fashioned with only the finest seamless, nickel-plated, brass ferrules attached to polished deep blue short handles. Key Features: * Superior stiff synthetic filaments * Imitate natural bristle * Interlocked bristle construction * Bristles full of snap * Seamless nickel-plated brass ferrules * Deep blue short handles * Harsh solvents won't destroy the brush Perfect For: * Oils, alkyds, acrylics, caseins, or water-mixable oils * Cleaning with harsh solvents * Moving heavy-bodied paint with authority * Painting on rough surfaces * Students and beginners * Amateur and experienced artists See More
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