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The Edge All Media Pro Cotton Canvas 15"x30" - 1-1/2" Deep (Box of 3)Save Up to92%Off listWhite Four Clean, Paintable Edges for Frameless Artwork Presentation! Superior Priming For The Best Overall Results! The greatest selection of sizes. Thus, giving the artist a reasonable cost solution for wherever their inspiration leads them. 78 sizes in al! Improving on one of the most beloved artist canvases isn’t easy, but Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, The Edge features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Look for The Edge All Media Cotton Canvases in even deeper depths for an even more striking presentation! Key Features:* Available in: Singles or Boxes of 3* Squares, Value Packs of 9* 14oz primed weight* 8oz. raw weight before priming* 100% cotton canvas* Triple acrylic primed* Medium texture canvas* Deluxe stretched canvas* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materialsThe Edge All Media 1-1/2" Deep Cotton Stretched Canvas Perfect For:* Oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas THE EDGE 1-1/2" DEEP French Landscape - After looking at stores in Paris, the main difference in sizing were sizes that were more gentile, than a 1 to 2 ratio. 10x15", 10x25", 12x18", 18x30", 20x20", 30x48" and 48x72" represent the ratios of 1 to 1-1/2 but also a few that were slightly wider. Seascapes, in these the slightly wider sizes. Squares/Diamond - Geometrically squares allow for various single and multiple canvas compositions. There are fifteen sizes ranging from 4x4" to 60x60". Squares used with extra-long canvases allow for many geometric multiple canvas compositions, as well. Rectangles/Portrait/Landscape - The most popular of shapes are rectangles. These work well with abstract expressionism, landscape and especially portrait or representative artwork. The Edge offers a huge array, providing the most possible alternatives for you. Extra Longs/Longs/Multiples (triptych) - These used by themselves offer unique aspect ratios to achieve various single and multi-canvas compositions. They work well with squares, used as a square or diamond shape. The 6x18" and the largest being 18x64". Artists working in abstract impressionism have found these to be new heroes, to create unique multiple images that work together. Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! Singles up to size 24x36in. Boxes of 3 All Sizes Value Packs: Small Square Cotton Canvas 1-1/2" Gallery 9 Packs See More
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Fabric Block Printing Ink 2.5 oz - Metallic GoldSave Up to34%Off listMetallic A Block Printing Ink That Takes To Fabric As Well As It Does Paper! With Speedball Fabric Block Printing Ink, you can animate your fabric designs with a vivid range of opaque colors that remain permanent through the wash, and over time with no heat setting required! These Fabric Block Printing inks won't crack or peel over time and work on fabrics such as cotton, polyester blends, linen, and other synthetic fibers. The inks are easy to clean from brayers and work surfaces with soap and water. Eliminate the guessing game of whether acrylics or screen printing ink will stick better to fabric and pick Speedball Fabric Block Printing Ink, the ultimate printing ink for textiles! Key Features: * Available In: 2.5oz & 5oz Tubes / Kits and Sets * Permanent oil-based ink * Won't crack or peel over time * No heat-setting required * Laundry safe * Bold opaque color * Workstation cleans up easily with soap and water * ACMI AP non-toxic, conforming to ASTM D-4236 * Perfect For: * Printing bold, opaque color with a soft hand * Cotton, linen, polyester blends, rayon, and other synthetic fibers * Use on paper and cardboard * Bright and personalized fabrics * Long-lasting fabric block printmaking See More
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Speedball Water Soluble Block Printing Ink 2.5 oz - Fluorescent Lime GreenSave Up to46%Off listFluorescent The unquestionable industry-leader! Created from pigments ground and milled to the perfect consistency for block-relief printing. Speedball® Water-Soluble Block Printing Inks print in bold color and dry to a rich, satiny finish. They have amazing tack guaranteeing even scope and consistent amazing results. They may be mixed to create custom colors creating unique outcomes. Great for printing with linoleum wood or soft block surfaces, flexible printing plates or polyfoam. This printing technique traces its history back over 5,000 years and is a must try for any artist. Available in 16 brilliant colors. Fluorescent colors are listed on a separate page. All colors clean up easily with soap and water. Key Features:* Bold colors* Dries to rich, satiny finish* Excellent tack for even coverage* Easy clean-up with soap & water Perfect For:* All artists* Printing with linoleum, wood or soft block surfaces All colors are AP non-toxic. All colors except Magenta are considered lightfast. Available in 5 oz tubes and 8 oz jars. See More
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Stonehenge Artist Oil Roll 51"x10ydSave Up to30%Off listWhite Introducing the new gold standard in oil paper: Stonehenge Oil With Stonehenge Oil Paper, you can paint anywhere in the world, and you don't have to prep the paper. That's right, Stonehenge Oil Paper is ready to use straight out of the pack! Stonehenge excels where other oil papers fall short. You can achieve smooth color gradations and build layers of texture without the threat of ghosting or bleed-through. The durable 100% cotton paper welcomes layers and layers of brushwork and retains every detail. Once the painting is complete, you can mount the paper under glass or on a wooden panel. Key Features: * 100% Cotton oil paper * Acid-free and pH neutral * 140lb (320gsm) weight * No deckled edges * Available in sheet packs, pads, or a roll * No gesso prep required * Mount under glass or without Perfect For: * Oil paint, oil pastel, and acrylic * Oil paint sticks * Colored pencil and graphite * Plein air painting * Layers and layers of brushwork * Smooth color gradations and transitions * Building layers of texture See More
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Arches Oil Paper Roll, 51" x 10 Yards, 140lbSave Up to40%Off list…professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The… Unique, archival paper for all oil painting and multimedia techniques! Arches Oil Paper, Cold pressed 140lb is acid-free and contains no optical brighteners, which means your artwork will stand the test of time. This revolutionary new paper is sure to inspire oil painters the world over! Arches of France have been creating fine artists' papers since 1492, and new Arches Oil Paper is no exception. This innovative surface is designed specifically for use with oil paints, yet retains the look and feel of traditional Arches paper that artists have come to know and love. Archival and made from 100% cotton, Arches Oil Paper features a powerful oil barrier that absorbs water, solvents and binder but allows paints and pigments to sit up on the surface for a vibrant effect. Thanks to its semi-absorbent surface, the paint stays on the surface for an excellent rendering of the colours and faster drying times. Requires no prior preparation is, "ready to use" Key Features:* 100% cotton Heavyweight 140 lb. (300 gsm.) Cold pressed paper * Texture: fine grain / Colour: white* Edges (sheet): 4 deckle edges plus watermark* Powerful oil barrier absorbs water, solvents and binder* Paint and pigment remain on the surface* Strong, toothy surface withstands vigorous techniques* Ready to use - no preparation required!* Easy to frame, store & transport* Conservation: with alkaline reserve, acid-free, no optical brightening agents (permanent in accordance with ISO 9706) Perfect For:* Students, professionals and Plein air artists* Sketches and finished art in oil paints* Glazes and washes in thinned oils* Impasto and knife painting techniques* Multimedia artwork in oils and dry media* Convenient and portable oil painting surface* An essential surface for all oil painters! The even-toothed texture of Arches Oil Paper is classic and familiar, and is also perfect for working over oil washes with pastels, pencils, and other dry media for exciting multimedia techniques. With its strong, tough composition, Arches Oil can withstand vigorous painting techniques, rubbing and scraping, and is heavy enough to support impasto layers. Perhaps best of all is its convenience: there's no preparation necessary, no need to size, gesso or prime - Arches Oil Paper is ready to use right out of the package! Simply pull out a sheet and paint - than when finished, it's simple to store, transport, or frame completed paintings. Perfect for bringing on Plein air painting trips, for creating quick sketches or finished works in oils, for multimedia art and more, Arches Oil Paper is an essential addition to any oil painter's repertoire! See More
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Acurit Small LED Light Tablet, Drawing TracingSave Up to59%Off listProfessional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a… Professional Quality light tablets - Never gets hot to the touch! 30,000+ hours of LED illumination! The Acurit Light Tablet is the perfect tool for artists seeking to hone their drawing skills! Whether they are tracing a photograph or works of art created by the old masters, artists will not miss a single detail with the vivid, LED illumination that is offered by these light tablets. Their color temperature ranges from 6,000 to 6,400K and they feature an adjustable dimmer, for varied lighting environments. Acurit light tablets are available in 3 highly portable sizes and only require a power outlet to work – no batteries needed! Their durable and scratch-resistant, 3mm thick, tempered glass surface makes them the ideal light tablet for artists on the go, students and artists of all ages! Please note that this this is not a tablet computer. It is a light tablet for tracing. Use these light tablets for hours, as they never get hot to the touch and their LED lighting system guarantees over 30,000 hours of brilliant lighting, across the entire surface area. Acurit light tablets also include a 1” scale border, for easy measuring. For a more comfortable working angle, the Small and Medium light tablets feature legs, which can be easily flipped open, while the Large model features soft anti-slip bottom pads. Each Acurit light tablet comes complete with a UL approved AC power adapter. Please Note: Due to voltage issues, we do not ship this product outside the United States and Canada. Features a tempered glass top for cutting stencils. Excellent with any Creative Mark canvas pad or Fabriano 140 lb. paper - It's that good! Available in 3 portable sizes • Small tablet lighted area: 8-5/8" x 11-7/8"; Overall size 11-5/8" x 15" (Formerly named A4) • Medium tablet lighted area: 11-13/16" x 15-1/2"; Overall size 15" x 18-3/4" (Formerly named A3) • Large tablet lighted area: 12-5/8" x 20-1/2"; Overall size 15-3/4" x 23-5/8" (Formerly named A2) Key Features:* Over 30,000 hours of brilliant, crisp, LED illumination!* Durable, scratch-resistant, 3mm thick, tempered glass top* English rules not metric* Temperature is color corrected* Never gets hot to the touch* 6,000-6,400K color temperature* Fully adjustable light intensity with dial from dim to super bright* Available in 3 portable sizes* Includes a UL approved AC power adapter – no batteries needed!* Features fold-away, incline legs* Even works with Creative Mark canvas pads, Fabriano 140 lb. papers and Pastel Premier papers Perfect For:* Artists of all ages and skill levels!* Tracing and transferring artwork or photographs* Cutting into stencils on the scratch-resistant glass top* Using anywhere a power outlet is available* Adjustable lighting brilliance to match varied lighting environments* Artists on the go!* Students, classrooms and studios* Continued use for hours - never get hot to the touch* Scaling drawings* Using at an adjusted drawing angle* 87664 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.5A / Output 12V 1000mA ) 87665 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.4A / Output 12V 1.0A ) 87666 - Comes with power cord! ( For replacement power cord: Input 100-240V - 50/60Hz 0.7A / Output 12V 1.5A ) See More
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The Masters Brush Cleaner and Preserver Soap, 2.5oz JarSave Up to22%Off list…and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor,… Clean, Preserve and Keep Brushes Like New! The Masters® Brush Cleaner & Preserver - trusted by artists since 1979. Made with the B&J Original Formula, it Cleans, Conditions, and Restores Paint Brushes in one step. Use with Wet or Dry Oil Paint, Wet Acrylic Pains, Watercolor Paint and Stains. Makes cleaning, conditioning, and preserving your brushes easier and better than ever before—even the finest sable brushes! This unique product works on oils, acrylics, watercolor, varnishes, stains, shellac and most synthetic finishes. It will also restore most hardened brushes to like-new condition. Key Features:* The Best Cleaner - "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints* The Best Preserver - "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair* The Best Restorer - Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition The Best Cleaner "The Masters"® removes oils, acrylics, watercolors, stains, and varnishes. And it helps prevent paint build-up in the ferrule. It also prevents the hardening and build-up so common with today's acrylic paints. "The Masters"® works beautifully on the finest sable and bristle brushes, and it makes painting with nylon and synthetic brushes a snap. It conditions the brush to hold more color and helps lay down a smoother more even flow. Use "The Masters"® after every session to keep your brushes like new. The Best Preserver "The Masters"® was formulated in conjunction with a cosmetic laboratory to help condition and preserve your brushes with the same care and thought as products that you use on your hair. It keeps your brushes like new so they'll retain the same natural snap and luster - for consistent performance - as the day you bought them. The Best Restorer Don't throw away old brushes with dried-on oil paint, no matter how hard the bristles are. "The Masters"® restores old, stiff brushes to like new condition. Simply wet with water, swirl, lather and let brush sit a while before rinsing. Repeat process until all the paint is removed. Your brushes will be reconditioned and you will have a new old brush.How To Use "The Masters"® Brush Cleaner For Cleaning * 1. Wipe brush to remove excess paint* 2. Wet brush and/or "The Masters"® with water* 3. Swirl brush in "The Masters"® and work into a lather* 4. Rinse with clean water* 5. Repeat if necessary until brush is clean (lather will be white). You can clean one color after another without removing the previous colors from "The Masters"® first. For Preserving * 1. Clean brushes as above* 2. Leave clear lather on bristles, shape and allow to dry* 3. Shake powder off bristles when ready to use again. For Restoring * 1. Clean brush as above, but use hot water* 2. Allow lather to remain on bristles for a few minutes* 3. If necessary, tap bristles on hard surface to work paint out* 4. To clean paint from ferrule, allow lather to remain on the bristles for several hours, and repeat cleaning process* 5. Leave clear lather on bristles, shape, and allow to dry. See More
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Grumbacher MAX Linseed Oil Medium, 2.5 oz BottleSave Up to45%Off list…techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil,… Mediums with Maximum Performance with Water! Grumbacher MAX Oil Mediums aid in producing brilliant, lustrous transparent colors and glazes. Improves flow and water-mixability of oils. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA. * QuickDry and Linseed Oil Mediums* Improves flow and water-mixability of oils* No solvents needed may be thinned with water* Non-yellowing* Made in the USA. See More
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Grumbacher Pre-Tested Picture Varnish, 2.5 oz BottleSave Up to42%Off list…arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting… Designed to achieve various techniques! Grumbacher painting mediums guarantee that paint attributes are not compromised but enhanced. These mediums thicken or thin without harming the color's adhesive, binding, or film-forming qualities. Myriad effects such as increased flow and open time or rapid drying of color are all possible. Grumbacher has selected oils, resins, and solvents to guard against yellowing and cracking, and the ingredients have proven themselves over many generations of use. Key Features: * Accelerate or slow drying time * Increases gloss & translucency * Outstanding working properties * Made in the USA * Perfect For: * Traditional or alkyd oil paints * Enhancing paint characteristics * Dry transparent or translucent * Maintaining consistency * Preserving gloss Alkyd Painting Medium: Speeds drying time and gives a nice painterly consistency to alkyd and oil colors. Alkyd Medium enhances transparency and clarity of the paint. The color appears rich and intense. Cobalt Drier: The recommended drier for fine arts oil paintings. Add to oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is a powerful additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Overuse may cause cracking of paint film when drying. Copal Painting Medium: has a resinous consistency perfect for glazing and wet-on-wet techniques. Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Copal painting medium may cause yellowing or darkening of colors over long periods. Only dilute with turpentine or Grumtine as petroleum-based solvents, and odorless thinners are not compatible with this product. Damar Varnish: A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Japan Drier: A solid alkyd resin-based liquid drier for artists' oil colors. Japan Drier is used primarily for oil gilding. It is an alkali based drier that may cause yellowing or darkening of colors over time. Odorless Thinner: is a clear, organic solvent for thinning oil colors, cleaning brushes, and painting accessories. Oil Painting Medium No. 1: Use when a matte finish is desired, especially on absorbent gesso grounds. Made from poppy seed oil, copaiba, balsam, and solvent. Oil Painting Medium No. 2: For use with oils to retard drying time. It contains poppy seed oil, mastic resin, alkyd resin, and grumtine. Oil Painting Medium No. 3: Accelerates drying time. It contains copaiba, balsam, stand oil, mastic resin, alkyd resin, cobalt, and manganese driers. Pale Drying Oil: Accelerates drying time of oil colors. Consists of linseed oil and manganese drier. Poppy Seed Oil: An excellent quality, slow drying, purified oil that retards drying time. It provides superior color retention and resistance to yellowing. PreTested Linseed Oil: Linseed oil has several uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. This oil is made from the finest quality purified alkali-refined linseed oil. Retouch Varnish: For brightening uneven areas of oil paintings. An excellent varnish for protecting pictures until the final varnishing. Stand Oil: A flexible, very heavy-bodied purified oil for use in preparing mediums—excellent resistance to yellowing. Sun-Thickened Linseed Oil: Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. The linseed oil lends an enamel-like quality to oil color. See More
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Arches Natural White Watercolor Roll, 156lb Rough, 51" x 10ydSave Up to40%Off list…in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold… 100% Cotton Strong Character, Rich in Texture Watercolor 10yd. Paper Rolls Arches watercolor rolls come in 10 yard rolls are acid-free, 100% cotton paper ideal for traditional watercolor techniques, as well as printmaking, pen and ink drawing and airbrushing. The 10 yard rolls are offered in a variety of weights and textures. Two deckle edges run along the outside of each roll. Ideal for watercolor painting, as for all wet techniques such as ink, gouache and acrylic. Sized to the core with natural gelatin: a process exclusive to ARCHES®. Available Surfaces: * Hot Pressed * Cold Pressed * Rough Available Roll Styles * D-Arches 51" - 156lb (356 gsm) * D-Arches 44" - 140lb (300 gsm) * En-Tout-Cas 52" - 134lb (280 gsm) 51” Wide 156 lb wt. - Extra wide rolls of D’Arches 100% rag watercolor paper that is approximately 11% heavier than conventional 140 lb (300 gsm) weight paper. Available in all three popular surfaces. 2 deckle edges run along the outside of the roll. En-Tout-Cas 52”, 134lb wt. - An impressive sheet with 2 deckle edges. This gelatin sized, 134 lb (280 gsm) weight, mould made sheet has a dual surface character. On one side it’s cold pressed for watercolor painting, on the other side, it is rough for ink and drawing. Plus it is 25% cotton. See More
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Fredrix Red Label Medium Texture Duck 3/4" Profile - 15" x 30" (Box of 6)Save Up to46%Off listWhite Professional Medium Tooth Cotton Canvas - Primed and Ready! Fredrix Red Label 3/4" Deep Cotton Canvas features superior quality medium textured, duck canvas. It is double-primed with acid-free acrylic gesso for use with oil or acrylic painting. The canvas is stapled onto the back of standard stretcher bars. Paint on all four edges and hang it with or without a frame. All sizes larger than 24" x 36" include single or double bracing for added support. Key Features:* 3/4" Deep profile* Primed Weight: 12oz(406 g/m2)* Unprimed Weight: 7oz(237 g/m2)* 100% cotton duck canvas* Double-primed with acid-free titanium gesso* Medium tooth* Back-stapled, 4 paintable edges* Primed in the USA!* Perfect For:* Oil or acrylic painting* Impasto techniques* Mixed media* Painting on all four edges All sizes larger than 24″ x 36″ include single or double bracing for added support See More
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The Edge All Media Pro Cotton Canvas, 15"x30" - 11/16" Deep (Box of 6)Save Up to83%Off listWhite Professional Stretched Canvas with Four Paintable Edges Superior Priming For The Best Overall Results! Long favored with oil and acrylic painters, The Edge All Media Cotton Canvas is known for its’ tuck-n-roll style construction, providing beautifully clean, painted edges. Featuring a lovely, medium-toothed surface, the beefy 14oz. primed weight makes for a sturdy surface for all painting styles, even mixed media (The 100% cotton surface is an 8oz. raw weight before priming). Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Creative Mark’s professional-quality white acrylic primer helps maintain color richness and brilliancy, while providing excellent adhesion for paint. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Back spline stretched and stapled at each corner for durability, canvases can be wired for frameless presentation. Finish painting with solid-colored cleanly painted sides, or wrap painting around sides for a distinctive, modern look. Look for The Edge All Media Cotton Canvases in deeper depths for an even more striking presentation! Singles up to size 24x30in. Boxes of 6 All Sizes Please Note: Packaging may be labeled 3/4"; however actual canvas depth is 11/16". Key Features: * Available in: Single or Boxes of 6 * Beefy 14oz. primed weight * 8oz. raw weight before priming * 100% natural cotton * Triple-acrylic, archival priming * Medium tooth surface * Deluxe stretched canvas * Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials Perfect For: * Oils, Alkyds, Acrylics * Painted edge presentation * Mixed media works * Painters of all levels * Frameless artwork presentation * Excellent barrier protection between paint and canvas Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! The Edge, Long Sizes, Why Long?As good as squares are they actually are used so often as there are few ways to do multi canvas expressions. There are diptych and triptych but not often used as long canvases are hard to find and so most often you have 2:3 ratio canvases. The Edge Long Canvas Sizes will go up 1:7 See More
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The Edge All Media Pro Cotton Canvas 15"x30" - 2-1/2" Deep (Box of 3)Save Up to77%Off listWhite 2-1/2" Deep of Clean, Paintable Edges for a Gallery Style Presentation Superior Priming For The Best Overall Results! One of the most popular artist canvases, Creative Mark has carefully developed a primer that actually maintains the richness and purity of paint colors for priming The Edge All Media Cotton Canvas! Unlike other canvases with lesser quality primers, your paintings will keep their vibrant punch with excellent adhesion. Triple priming ensures an excellent barrier protection between paint and canvas, making it suitable for traditional and water mixable oils and alkyds to be used with excellent results. Top selling most popular feature, The Edge is known for its’ tuck-n-roll style construction, providing clean edges for painting to display frameless. A sturdy surface for all painting styles, even mixed media, This 2-1/2" deep Edge Canvas features a beefy 14oz, triple primed medium texture. Finish painting with solid-colored cleanly painted sides, or wrap the painting around the sides for a distinctive, modern look. World famous canvas that gives you the cleanest sides for painting onto for frameless displaying! Raw canvas is 8oz before priming. The Edge Canvases come pre-primed with a final primed weight of 14oz. Back spline stretched and stapled at each corner for durability. Key Features:* 14oz, triple primed* Raw canvas is 8oz before priming* 100% cotton canvas* 2-1/2 in. canvas depth* Individual or Boxes of 3* Beefy medium texture* Deluxe stretched canvas* Back spline stretched and stapled* Known for its’ tuck-n-roll style construction* Hand stretched by Skilled Craftsman using the best materials* Perfect For:* Oils, Water mixable oils, Alkyds, Acrylics* Painted edge presentation* Mixed media works* Painters of all levels* Frameless artwork presentation* Excellent barrier protection between paint and canvas* Available in more depths - The most complete line with 3/4", 1-1/2" and 2-1/2" depths! See More
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